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Joe Jackson Dead at 89
2726 S. Beckley Ave • Dallas, Texas 75224 ISSN#0746-7303 P.O. Box 570769 Dallas, Texas 75357 - 0769 Serving Dallas More Than 65 Years — Tel. 214 946-7678 - Fax 214 946-7636 — Web Site: www.dallasposttrib.com — E-mail: [email protected] 50¢ VOLUME 70 NUMBER 41 SERVINGTHEBLACKCOMMUNITYWITHOUTFEARORFAVORSINCE1947 July 5 - July 11, 2018 Rev.JesseJacksonPushesForFederalAnti-LynchingLawThe Time Is Now! BY JEFFREY L. BONEY NNPA Newswire Political Analyst If history has proven one thing, it’s that when Reverend Jesse L. Jackson speaks, the nation tends to always listen. Rev. Jackson continues to use his voice to speak on an atrocity that has plagued Black peo- ple for decades—the horrific act of lynch- ing. While in town to receive the 2018 Lifetime Legacy Award from the National Newspaper Publishers Association (NNPA) at their NNPA Awards National Legacy Awards Black Tie Gala and Annual Convention in Norfolk, Virginia, Rev. Jackson spoke to NNPA publishers about the need to adopt legislation to address the despicable act of lynching. “Lynching should be a federal crime,” Rev. Jackson told the group of publishers at the NNPA Annual Convention. “Blacks are still being lynched today. Not just with a rope. Unarmed Blacks are being killed on a regu- lar basis and it must be addressed. More people were killed after slavery than before slavery. Prior to the ending of slavery we were considered assets, but after slavery we were considered a threat, because we could vote. We need this legislation now.” Rev. Jackson believes that addressing the issue of lynching in this country is long over- due, and he has been aggressively pushing for members of Congress to step up to the ReverendJesseJackson,Rainbow/PUSHCoalition plate and officially make lynching a federal crime. -
Master's Thesis
I Know I Am Someone: Michael Jackson, Thriller, and American Identity by Sara Tenenbaum B.A. in American Studies, May 2006, Brandeis University A Thesis submitted to The Faculty of the Columbian College of Arts and Sciences of George Washington University in partial fulfillment of the degree requirements for the degree of Master of Arts May 15, 2011 Thesis Directed by James A. Miller Professor of English and American Studies © Copyright 2011 by Sara Tenenbaum All rights reserved ii Abstract of Thesis "I Know I Am Someone: Michael Jackson, Thriller, and American Identity" This thesis addresses the cultural phenomenon surrounding Michael Jackson's 1982 album Thriller and uses it as a lens through which to view and analyze the development of a distinct American, primarily youth, identity in 1983 and 1984. It is structured using a three-prong approach that first analyzes the sonic work of the music of Thriller, second explores the characteristics of Michaelmania and the youth identity being constructed within the Michael Jackson pop explosion, and third analyzes the backlash from both the white and African American communities against Jackson in that time to illuminate his subversion and danger to the status quo. I argue that Jackson's act of profound crossover during the Thriller era triggered within the American youth an equally profound act of identity formation that transcended racial stratification in America's past and created a foundational part of our contemporary identity that moves slightly beyond America's troubled racial history. Using both the voices of his fans and his critics to tease out the work his person and his music did in the early 1980's, I advocate we keep Jackson and his work foregrounded in our study of popular culture in the late 20th and early 21st centuries, as his pop explosion fundamentally and permanently effected how Americans understand ourselves and our relations with each other. -
Château Mouton Rothschild 2016 CSPC# 749529 750Mlx6 13.2% Alc./Vol
Château Mouton Rothschild 2016 CSPC# 749529 750mlx6 13.2% alc./vol. Grape Variety 83% Cabernet Sauvignon, 15% Merlot, 1% Cabernet Franc, 1% Petit Verdot Appellation Pauillac Classification First Growth. Premier Grand Cru Classe in 1855 & in 1973 Website http://www.chateau-mouton-rothschild.com/ General Info Château Mouton Rothschild, owned by Baroness Philippine de Rothschild and her children, is regarded as one of the world’s greatest wines. The story of Mouton Rothschild is that of a magical combination of soil, climate and devotion of one man, Baron Philippe de Rothschild (1902-1988), Baroness Philippine’s father. In 1853, Baron Nathaniel de Rothschild, from the English branch of the family, bought Château Brane-Mouton and immediately renamed it in Mouton Rothschild. Baron Philippe de Rothschild, when he took over the estate in 1922, decided to devote his life to it and to make Mouton unique, producing the very best wine. In 1924, he was the first to introduce entire chateau bottling. In 1926, he built the majestic 100-metre barrel hall. In 1945, to celebrate the liberation of France, he had the idea of crowning the label of that year’s vintage with a V for Victory. Since then, a different label is created for each vintage by famous painters. In 1962, he opened the Museum of Wine in Art. In 1973, he obtained the revision of the 1855 classification so that Mouton would be officially recognized as a First Growth. Winemaker Philippe Dhalluin Vintage In 2016, there were two main trends in the weather as we experienced it in Pauillac: – a very wet winter and spring: more than half of the annual rainfall came in the first four months of the year, including a record 240 mm in January; – an extremely dry summer and autumn without any significant rainfall, resulting in a water deficit at the end of the year. -
Mouton Rothschild Ici Vibre L'âme Du Médoc Mouton
Mouton Rothschild Ici vibre l’âme du Médoc A quelques semaines des vendanges, La salle à manger de Petit Mouton Philippine de Rothschild nous accueille chez dans son harmonie de soie cramoisie et de faïences blanc et bleu au-dessus de la console. Ce soir-là, Philippine a elle : deux maisons qui se font face au cœur servi à ses invités un Mouton Rothschild 1961, un millésime des vignes. Le charme absolu. exceptionnel. A gauche, au milieu des vignes, Philippine entourée de ses PAR VÉRONIQUE PRAT (TEXTE) ET ÉRIC SANDER POUR LE FIGARO MAGAZINE (PHOTOS) deux fils, Philippe (à droite) et Julien. 48 • LE FIGARO MAGAZINE - 2 AOÛT 2008 2 AOÛT 2008 - LE FIGARO MAGAZINE • 49 En 1988, Philippine succédait à son père et héritait du domaine et des collections de Mouton Rothschild Dans les salons de Petit Mouton (ci-dessus, à gauche et à droite), on retrouve le « goût Rothschild », ce mélange d’exotisme, d’éclectisme et d’abondance qui est présent dans toutes les grandes demeures de la famille : Ferrières, en France, Mentmore ou Waddesdon Manor en Angleterre. La mise en scène des objets est toujours associée à l’élégance du décor : fauteuils capitonnés, coussins moelleux, tapis épais. Et, sur tous les meubles, une foultitude d’objets de matières et de styles divers, qui cohabitent pourtant dans une harmonie parfaite. Ici et là, de nombreuses plantes vertes où l’on reconnaît le goût de l’impératrice Eugénie aux Tuileries. A droite, la façade de Petit Mouton. Pour les grands collectionneurs que sont les Rothschild, l’art est un théâtre dont la mise en scène rehausse les objets. -
What's It Like to Be Black and Irish?
“What’s it like to be black and Irish?” “Like a pint of Guinness.” The above quote is taken from an interview with Phil Lynott, the charismatic lead singer of the Celtic rock band Thin Lizzy, on Gay Byrne’s ‘The Late Late Show’. Lynott’s often playful and bold responses to such questions about his identity served to mask his overwhelming feelings of insecurity and ambivalent sense of belonging. As an illegitimate black child brought up in the 1950s in a strict Catholic family in Crumlin, a working-class district of Dublin, Lynott was seen to have a “paradoxical personality” (Bridgeman, qtd. in Thomson 4): his upbringing imbued him “with an acute sense of national and gender identity” (Smyth 39), yet his skin color and illegitimacy made him the target of racial and social abuse in a predominantly white and conservative Ireland. For Lynott, becoming a rockstar offered an opportunity to reinvent himself and be whoever he wanted to be. While he played up to the rock and roll lifestyle in which he was embedded, Lynott is often considered to have been a man trapped inside a caricature (Thomson 301). Geldof (qtd. in Putterford 182) believes that this rocker persona was Lynott’s ultimate downfall and led to his untimely death at just 36 years of age in 1986. For all his swagger and bravado, behind the mask, Lynott was a troubled, young man searching for a place to belong. While many books have been written about the life of Phil Lynott (e.g. Putterford; Lynott; Thomson), few have drawn attention to the notion of identity and the way in which music provided Lynott with an outlet to explore his self. -
Philippine De Rothschild
RON NE U DANS IG T PAR V LE ES RTIC 13 CET A MNE 20 - AUTO LE N°14 “Mouton ne change...” philippine de rothschild NE CHERCHEZ PAS, LA GRANDE DAME DE BORDEAUX, C’EST ELLE. DU CHÂTEAU MOUTON ROTHSCHILD, OÙ ELLE S’APPRÊTE À SIGNER SON 26 E MILLÉSIME , PHILIPPINE FAIT RAYONNER CE TERROIR SOLAIRE, AINSI QU’UNE MARQUE MONDIALE QUI SE DÉCLINE DÉSORMAIS EN DE MULTIPLES LIEUX : MÉDOC, LANGUEDOC, CALIFORNIE OU CHILI. MOUTON « NE CHANGE » MAIS N’EN FINIT PAS D’ÉVOLUER. par thierry dussard photos olivier roux portraits emanuele scorcelletti I T T E L L E C R O C S E L E U N A M E © VIGNERON 4 6 AUTOMNE 2013 VIGNERON 4 7 AUTOMNE 2013 Le baron Nathaniel, son arrière-grand-père, a déjà réussi un coup de génie en achetant le Château Brane-Mouton en 1853. Le pre - mier des Rothschild à s’intéresser au Médoc rebaptise aussitôt le domaine Mouton Rothschild. Mais le classement de 1855 le re - lègue parmi les deuxièmes crus. Le mauvais état du vignoble, deux ans après son rachat, l’absence de maison de maître et la nationalité de son propriétaire, sujet de Sa Majesté la reine Victoria, expliquent sans doute pourquoi Mouton a été privé, dans un premier temps, du tableau d’honneur de la chambre de commerce de Bordeaux. Mouton emprunte alors sa devise aux Rohan, “Premier ne suis, se - cond ne daigne, Mouton suis.” Lorsqu’il arrive à Pauillac, le baron Phi - lippe n’a que 20 ans mais il va se révéler grand stratège. -
Midge Ure (Ultravox)
MUSIC He took us to Vienna, fed the world and now Ultravox frontman Midge Ure is back, writes Sally Browne SPARK t had never really been done before. ‘‘Synthpop’’ and ‘‘ballad’’ were two BURNS words that just didn’t go together. I But in 1981 UK band Ultravox released a single that would become a worldwide hit. It was called Vienna and it combined the grandeur of grand piano and strings with haunting, spare synthesiser beats. The song captured a generation, stayed for a month at No. 2 on the UK charts and was awarded Single of the Year at the Brit Awards for 1981. The video, filmed in its namesake Vienna, also set the trend for music videos to come. It was shot by noted Australian director Russell Mulcahy, who also made classic videos for acts including Duran Duran, Elton John, Culture Club, Bonnie Tyler and Queen. Dramatic and cinematic, the film clip for Vienna was reminiscent of noir film The Third Man, set in spy-filled post-war Austria and starring Orson Welles. The young Scotsman who had penned the lyrics to the unusual song had never been to Vienna until that time. ‘‘It wasn’t until we actually went to the city, I realised that what I’d imagined in my head was kind of real, this decaying Still playing: Ultravox elegance, this beautiful city,’’ Midge Ure frontman Midge Ure has a new says today. album after all these years. The band had taken a big risk to shoot the video there. They took out a loan of 7000 pounds to fund it. -
Rapport Annuel 2008/2009
Rapport annuel 2008/2009 Rapport annuel 2008/2009 01 Sommaire 02 Message du Président du Directoire 05 Profil 06 Nos métiers 08 Chiff res clés 10 La gouvernance de Paris Orléans 13 Carnet de l’actionnaire 17 Activités bancaires 20 Présentation des résultats 22 Analyse par métier 31 Capital investissement 32 LBO/Fonds propres 34 LBO/Mezzanine 36 Immobilier 38 Capital-développement 41 Participation long terme 42 Participations cotées 43 Participations dans les fonds 45 Rapport du Directoire et informations juridiques et fi nancières 46 Résultats du Groupe consolidé 49 Résultats sociaux 52 Paris Orléans et ses actionnaires 58 Renseignements divers sur la société 60 Gouvernement d’entreprise 71 Rapport du Président du Conseil de surveillance 85 Comptes 86 Comptes consolidés 160 Comptes sociaux 183 Assemblée générale mixte du 29 septembre 2009 184 Ordre du jour 185 Exposé des résolutions à titre ordinaire 186 Rapport du Directoire sur les résolutions à titre extraordinaire 188 Observations du Conseil de surveillance 191 Projet de résolutions Message du Président du Directoire Sylvain Hefes Président du Directoire Madame, Monsieur, Chers actionnaires, L’exercice 2008/2009 s’est déroulé dans le le résultat d’exploitation, avec 158,3m€, contexte de crise fi nancière et de récession se compare favorablement avec les 156m€ mondiale que vous connaissez. S’il était ainsi de l’année précédente. L’ajustement des prévisible que nos revenus accusent une charges d’exploitation à la baisse et un baisse par rapport au niveau exceptionnel reclassement en fonds propres d’une dette de l’exercice précédent, ils se sont toutefois subordonnée expliquent ce résultat. -
Midge Ure OBE
Midge Ure OBE Musician and Co-organiser of Band Aid, Live Aid and Live 8 "An arst who has received Ivor Novello, Grammy, BASCAP awards along with a flolla of gold and planum records, needs very lile introducon" 1984 was an historic year for Midge Ure and all of pop music, as 36 arsts by the collecve name Band Aid gathered at SARM Studios under Midge's producon. They recorded Do They Know It's Christmas?, a song he wrote with Bob Geldof. The project led to Live Aid, which all exaggeraon aside, spoke for a generaon. TOPICS: IN DETAIL: Achieving the Impossible Midge organised the Live 8 concerts with Bob Geldof, with the aim of pressuring Re-inventing Yourself G8 leaders into following his recipe for ending world poverty. In 2005 he was Self-motivation made an Officer of the Order of the Brish Empire (OBE) for services to music Making a Difference and charity. Implementing Change Leadership and Teamwork WHAT HE OFFERS YOU: What Live 8 Means to the World The Band Aid/Live Aid Experience Midge shares his invaluable experiences of working with top creave minds in oen pressurised condions to achieve astoundingly innovave results. He offers LANGUAGES: first hand insights into the creave process and how to get the best from talented individuals and how to stay at the top. Midge presents in English. HOW HE PRESENTS: PUBLICATIONS: A charismac and affable personality, Midge speaks emoonally and openly in his 2004 If I Was-My Autobiography moving presentaons. He is also a fantasc storyteller, leaving audiences well and truly inspired and entertained. -
Michael Jackson
Michael Jackson Biography • Occupation: Singer • Born: August 29, 1958 in Gary, Indiana • Died: June 25, 2009 in Los Angeles, California • Best known for: Thriller, the best-selling album in history • Nickname: King of Pop Biography: Michael Jackson by Jack Kightlinger Where was Michael Jackson born? Michael Jackson was born in Gary, Indiana on August 19, 1958. Michael's father, Joe Jackson, worked as a crane operator at a steel mill. His mother, Katherine, took care of the family and sometimes took part time jobs. Both of Michael's parents loved music. His dad played guitar for an R & B band and his mother sang and played the piano. Growing up, all of the Jackson children were encouraged to study music. The Jackson Family Michael grew up in a large family. He had five brothers (Jackie, Tito, Jermaine, Marlon, and Randy) and three sisters (Rebbie, La Toya, and Janet). Michael was the third youngest with Randy and Janet both being younger. The Jacksons were fairly poor and lived in a small house with just two bedrooms for eleven people. A Strict Father Joe Jackson was a very strict father. He didn't allow the kids to have a lot of friends and he often whipped the children if they disobeyed. He wanted them to stay out of trouble and away from gangs. Later, when the Jackson 5 was still getting started, Joe would push the boys to practice for hours. He would hit them or verbally abuse them if they made a mistake. A Young Singer The three older brothers (Jackie, Tito, and Jermaine) formed a band called the Jackson Brothers. -
SBN 38723) 2 [email protected] Jonathan P
Electronically FILED by Superior Court of California, County of Los Angeles on 12/07/2020 05:09 PM Sherri R. Carter, Executive Officer/Clerk of Court, by L. Kulkin,Deputy Clerk 1 KINSELLA WEITZMAN ISER KUMP LLP Howard Weitzman (SBN 38723) 2 [email protected] Jonathan P. Steinsapir (SBN 226281) 3 [email protected] Suann MacIsaac (SBN 205659) 4 [email protected] Aaron Liskin (SBN 264268) 5 [email protected] Katherine T. Kleindienst (SBN 274423) 6 [email protected] 808 Wilshire Boulevard, Third Floor 7 Santa Monica, California 90401 Telephone: 310.566.9800 8 Attorneys for Defendants MJJ Productions, Inc., 9 and MJJ Ventures, Inc. 10 SUPERIOR COURT OF THE STATE OF CALIFORNIA 11 COUNTY OF LOS ANGELES - WESTERN DISTRICT LLP LOOR 12 UMP F 90401 K RD 3 , 13 WADE ROBSON, an individual, Case No. BC 508502 310.566.9850 310.566.9850 SER SER I AX F ALIFORNIA 14 Plaintiff, Assigned to Hon. Mark A. Young, Dept. M • C , OULEVARD B EITZMAN EITZMAN 15 DEFENDANTS’ NOTICE OF MOTION ONICA W M vs. AND MOTION FOR SUMMARY ILSHIRE 16 JUDGMENT OR, IN THE W 310.566.9800 ANTA S DOE 1, an individual; MJJ PRODUCTIONS, ALTERNATIVE, SUMMARY EL 808 T INSELLA INSELLA 17 INC., a California corporation; MJJ ADJUDICATION OF ISSUES; AND K VENTURES, INC., a California corporation; MEMORANDUM OF POINTS AND 18 and DOES 4-50, inclusive, AUTHORITIES IN SUPPORT 19 Defendants. RESERVATION ID: 131078496710 1 20 Submitted Concurrently With Defendants’ Separate Statement of Undisputed Facts 21 and Compendium of Evidence in Support of Motion for Summary Judgment 22 Date: February 24 2021 23 Time: 8:30 a.m. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,