Gardner Beats Rival in Mayoral Election
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The Cord Weekly
THE CORD WEEKLY Volume 29, Number 25 Thursday Mar. 23,1989 Wilfrid Laurier University Abandon all hope ye who enter here Cord Photo: Liza Sardi The Cord Weekly 2 Thursday, March 23,1989 THE CORD WEEKLY |1 keliv/f!rent-a-car ; SAVE $5.00 ! March 23,1989 Volume 29, Number 25 ■ ON ANY CAR RENTAL ■ I Editor-in-Chief Cori Ferguson ■ NEWS Editor Bryan C. Leblanc Associate Jonathan Stover Contributors Tim Sullivan Frances McAneney COMMENT ■ ■ Contributors 205 WEBER ST. N. Steve Giustizia l 886-9190 l FEATURES Free Customer Pick-up Delivery ■ Editor vacant and Contributors Elizabeth Chen ENTERTAINMENT Editor Neville J. Blair Contributors Dave Lackie Cori Cusak Jonathan Stover Kathy O'Grady Brad Driver Todd Bird SPORTS Editor Brad Lyon Contributors Brian Owen Sam Syfie Serge Grenier Lucien Boivin Raoul Treadway Wayne Riley Oscar Madison Fidel Treadway Kenneth J. Whytock Janet Smith DESIGN AND ASSEMBLY Production Manager Kat Rios Assistants Sandy Buchanan Sarah Welstead Bill Casey Systems Technician Paul Dawson Copy Editors Shannon Mcllwain Keri Downs Contributors \ Jana Watson Tony Burke CAREERS Andre Widmer 112 PHOTOGRAPHY Manager Vicki Williams Technician Jon Rohr gfCHALLENGE Graphic Arts Paul Tallon Contributors Liza Sardi Brian Craig gfSECURITY Chris Starkey Tony Burke J. Jonah Jameson Marc Leblanc — ADVERTISING INFLEXIBILITY Manager Bill Rockwood Classifieds Mark Hand gfPRESTIGE Production Manager Scott Vandenberg National Advertising Campus Plus gf (416)481-7283 SATISFACTION CIRCULATION AND FILING Manager John Doherty Ifyou want theserewards Eight month, 24-issue CORD subscription rates are: $20.00 for addresses within Canada inacareer... and $25.00 outside the country. Co-op students may subscribe at the rate of $9.00 per four month work term. -
Hoeffler's Victory Maintains Republicans' Control Fuel Tank
Queen Kupka See our big'Dine Out'section See the real New Jersey Cranford's Kupka leaps to Coupons, stories, photos, more one step at a time Union County gymnastics crown on 60 restaurants in four counties In this week's '• •- AA ii t ^^ Weekend Thursday, November 7,1991 Vol. 98, No, 45 A Forbes Newspaper 50 cents [,' CRANFORD • GARWOOD • KENILWORTH '•• p- ii Hoeffler's victory maintains Republicans' control By CHERYL MOULTON HEHL you voted for me, for the next three years I wi| represent you." , . ji The librarian THECHRONICLE Mr. Noirdstrom added, It is nice to have a cand£ Penny Brome has been the Republicans retained a 3-2 majority on the Township date everyone looks up to and respects." 5 Cranfort Library director for 17 Committee with Robert Hoeffler winning the lone gov- Immediately following, Democratic candidate No4 yearn and is retiring. Herauo- erning body seat over opponent Norman Albert by 601 man Albert entered GOP headquarters to concedfc cewbrfvea in town. Page A-S. votes in Tuesday's election. the race and offer his congratulations to Mr. Hoef- The election drew a response from 49 percent, or fler, saying, "Congratulations, Buddy." 1 6,397, of the township's 13,104 registered voters, down Although stunned and disappointed by the losi Celebrity flt)m a voter turnout last year of 62 percent Mr. Hoeffler Mr. Albert and Democratic supporters bolstered garnered 3,499 votes, or 55 percent, to Mr. Albert's 2,898, their candidate and each other at a post-electio^ cruise or 45 percent gathering at the Rustic Mill Restaurant Despite th|? Rxmer Cranford rtBldent loss, and early tallies indicating the GOP was in thj? Mr. -
The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century. -
Passenger Cases. --Smith V. Turner., 48 US
JANUARY TERM, 1849. 8S Passenger Cases.-Smith v. Turner. motion of Mr. Inge, of counsel for the defendants in error, to dismiss this writ of error for the want ofjurisdiction. On con- sideration whereof, it is now here ordered and adjudged by this court, that this cause be and the same is hereby dismissed for the want of jurisdiction. GEORGE SMITH, PLAINTIFF IN .ERROR, V. WILLIAM TuINEE, HEALTH- COMMISSIONER OF THE PORT OF Naw YORK. JAMES NoRRIS, PLAINTIFF IN ERROR, v. THE CITY OF BOSTON. Statutes of the States of New York and Massachusetts, imposing taxes upon alien passengers arriving in the ports of those States, declared to be contrary to the Constitution and laws of the United States, and therefore null and void. Inasmuch as there was no opinion of the court, as a court, the reporter refers the reader to the opinions of the judges for an explanation of the statutes and the goints in which they conffilcted..with the Constitution aifd laws of the United tates. THESE were kindred cases, and were. argued together. They were both brought up to this court by writs of. error issued un- der the twenty-fifth section of the Judiciary Act; the case of Smith v. Turner being brought from the Court for the Trial of Impeachments and Correction of Errors of the State of New' York, and the case of Norris v. The City of Boston from, the Supreme Judicial Court of Massachusetts. The opinions of. the justices of this court connect the two casds so closely, that the same course will be pursued in reporting them which was adopted in the License Cases. -
The Grizzly, September 13, 1985 Joseph F
Ursinus College Digital Commons @ Ursinus College Ursinus College Grizzly Newspaper Newspapers 9-13-1985 The Grizzly, September 13, 1985 Joseph F. Pirro Ursinus College Maura Beaudry Ursinus College Angela M. Salas Ursinus College Heather Camp Ursinus College Richard P. Richter Ursinus College See next page for additional authors Follow this and additional works at: https://digitalcommons.ursinus.edu/grizzlynews Part of the Cultural History Commons, Higher Education Commons, Liberal Studies Commons, Social History Commons, and the United States History Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Pirro, Joseph F.; Beaudry, Maura; Salas, Angela M.; Camp, Heather; Richter, Richard P.; Brown, Tom; Fraser, Greg; Swayze, Jim; Tannenbaum, Elliot; and Rippert, Judith, "The Grizzly, September 13, 1985" (1985). Ursinus College Grizzly Newspaper. 143. https://digitalcommons.ursinus.edu/grizzlynews/143 This Book is brought to you for free and open access by the Newspapers at Digital Commons @ Ursinus College. It has been accepted for inclusion in Ursinus College Grizzly Newspaper by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Authors Joseph F. Pirro, Maura Beaudry, Angela M. Salas, Heather Camp, Richard P. Richter, Tom Brown, Greg Fraser, Jim Swayze, Elliot Tannenbaum, and Judith Rippert This book is available at Digital Commons @ Ursinus College: https://digitalcommons.ursinus.edu/grizzlynews/143 IUrSinus Co.l':'r.,:e Libr.::lry. Ursinus is back in action VOL. I-No. 1 Coliesevllle, Pa. SepteDnber13,1985 Freshmen enter on high note ByMAURABEAUDRY . September has touched the its students to keep an open mind clubs and activities is another Ursinus campus and brought toward all choices of majors mark of our new freshmen. -
What's It Like to Be Black and Irish?
“What’s it like to be black and Irish?” “Like a pint of Guinness.” The above quote is taken from an interview with Phil Lynott, the charismatic lead singer of the Celtic rock band Thin Lizzy, on Gay Byrne’s ‘The Late Late Show’. Lynott’s often playful and bold responses to such questions about his identity served to mask his overwhelming feelings of insecurity and ambivalent sense of belonging. As an illegitimate black child brought up in the 1950s in a strict Catholic family in Crumlin, a working-class district of Dublin, Lynott was seen to have a “paradoxical personality” (Bridgeman, qtd. in Thomson 4): his upbringing imbued him “with an acute sense of national and gender identity” (Smyth 39), yet his skin color and illegitimacy made him the target of racial and social abuse in a predominantly white and conservative Ireland. For Lynott, becoming a rockstar offered an opportunity to reinvent himself and be whoever he wanted to be. While he played up to the rock and roll lifestyle in which he was embedded, Lynott is often considered to have been a man trapped inside a caricature (Thomson 301). Geldof (qtd. in Putterford 182) believes that this rocker persona was Lynott’s ultimate downfall and led to his untimely death at just 36 years of age in 1986. For all his swagger and bravado, behind the mask, Lynott was a troubled, young man searching for a place to belong. While many books have been written about the life of Phil Lynott (e.g. Putterford; Lynott; Thomson), few have drawn attention to the notion of identity and the way in which music provided Lynott with an outlet to explore his self. -
Midge Ure (Ultravox)
MUSIC He took us to Vienna, fed the world and now Ultravox frontman Midge Ure is back, writes Sally Browne SPARK t had never really been done before. ‘‘Synthpop’’ and ‘‘ballad’’ were two BURNS words that just didn’t go together. I But in 1981 UK band Ultravox released a single that would become a worldwide hit. It was called Vienna and it combined the grandeur of grand piano and strings with haunting, spare synthesiser beats. The song captured a generation, stayed for a month at No. 2 on the UK charts and was awarded Single of the Year at the Brit Awards for 1981. The video, filmed in its namesake Vienna, also set the trend for music videos to come. It was shot by noted Australian director Russell Mulcahy, who also made classic videos for acts including Duran Duran, Elton John, Culture Club, Bonnie Tyler and Queen. Dramatic and cinematic, the film clip for Vienna was reminiscent of noir film The Third Man, set in spy-filled post-war Austria and starring Orson Welles. The young Scotsman who had penned the lyrics to the unusual song had never been to Vienna until that time. ‘‘It wasn’t until we actually went to the city, I realised that what I’d imagined in my head was kind of real, this decaying Still playing: Ultravox elegance, this beautiful city,’’ Midge Ure frontman Midge Ure has a new says today. album after all these years. The band had taken a big risk to shoot the video there. They took out a loan of 7000 pounds to fund it. -
Martha Sturdy and Walter Murch Receive Eci Honorary Doctor of Letters
/ / p u b l i s h e d Fall 06 Visions> // published by emily carr institute foundation + development office // President’s New CIRO Message appointed 02 02 New Director ECI at for IDS SIGGRaPH 03 03 Delectable Emily award martha sturdy Designs Winner and walter murch 06 07 receive eci honorary doctor of letters lEfT To RIGHT: ECI BoaRD CHaIR, DR. GEoRGE pEDERSEN, walTER MURCH, Governor General, and is a member of the Royal > Animation Grad wins MaRTHa STURDy aND ECI pRESIDENT DR. RoN BURNETT. Canadian academy of arts. Her work has been $20,000 award published in international magazines such as ECI Gets matching Grant at the Institute’s 77th convocation on May 6th, Architectural Digest, Metropolitan Home, and Vogue. 2006, Martha Sturdy and walter Murch were each Every graduating student hopes their grad conferred an Honorary Doctor of letters degree. walter Murch is an award-winning film editor and project will launch their careers. For Joel sound mixer, based in California. He received an Furtado, his big break came in the form of an ECI alumna, Martha Sturdy is an internationally- academy award for best sound for Apocalypse Now, Electronic Arts’ Reveal 06: Canadian 3D renowned leading designer of furniture, home two British academy awards in 1975 for film editing Animation Showdown. accessories, jewelry and wall sculptures. Based in and sound mixing for The Conversation, as well as Congratulations to Joel, B.C., she is known for creating distinctive artwork numerous nominations from both academies. walter whose animated short using casting resin, brass and steel that is that is directed and co-wrote the film return to oz in 1985, film Tree for Two bold, clean and simple. -
Licensing Rules Repertoire Definition
CIS14-0091R40 Source language: English 30/06/2021 The most recent updates are marked in red Licensing Rules Repertoire Definition This document sets out the repertoire definitions claimed directly by European Licensors in Europe and in some cases outside Europe. the repertoires are defined per Licensor / territory / types of on-line exploitations and DSPs with starting dates when necessary. Differences with the last version of this document are written in red. The document is a snap shot of the current information available to the TOWGE and is updated on an ongoing basis. Please note that the repertoires are the repertoires applied by the Licensors and are not precedential nor can they bind other licensing entities. The applicable repertoire will always be the one set out in the respective representation agreement between Licensors. Towge best practices on repertoires update are: • to communicate an update preferably 3 months but no later than 1 month before the starting period of the repertoire in order to allow enough time for Towge to communicate a new "repertoire definition document" to both Licensors and Licensees, which will allow these to adapt their programs accordingly • to not re-process invoices that have already been generated by Licensors and processed by Licensees Date of Publication Repertoire Licensing Body Pan-European Repertoire Definition DSPs Use Type Start Date Notes End Date Contact licensing Apr-19 WCM Anglo-American ICE Warner Chappell Music Publishing repertoire (mechanical and CP rights) licensable under the PEDL arrangement where the 7 Digital Ltd all digital 01/01/2010 Steve.Meixner repertoire author/composer of the Musical Work (or part thereof as applicable) is non-society or a member of PRS, IMRO, ASCAP, BMI, Amazon Music Unlimited (Steve.Meixner@u SESAC, SOCAN, SAMRO or APRA. -
Australian School of Business
Australian School of Business Marketing MARK6021 Integrated Marketing Communications Master of Marketing Elective Course 3 UOC (units of credit) Course Outline Semester 2, 2013 Part A: Course-Specific Information Part B: Key Policies, Student Responsibilities and Support MARK6021 Integrated Marketing Communications Table of Contents 1 1 STAFF CONTACT DETAILS 4 2 COURSE DETAILS 4 2.1 Teaching Times and Locations 4 2.2 Units of Credit 4 2.3 Summary of Course 4 2.4 Course Aims and Relationship to Other Courses 5 2.5 Student Learning Outcomes 5 3 LEARNING AND TEACHING ACTIVITIES 7 3.1 Approach to Learning and Teaching in the Course 7 3.2 Learning Activities and Teaching Strategies 8 4 ASSESSMENT 8 4.1 Formal Requirements 8 4.2 Assessment Details 8 9 4.3 Assignment Submission Procedure 16 17 5 COURSE RESOURCES 17 . Shimp, TA, Andrews, JC (2013). Advertising, promotion, and other aspects of integrated marketing communications. Mason: Cengage. 17 LIBRARY DATABASES VIA SIRIUS : 18 HTTP://SIRIUS.LIBRARY.UNSW.EDU.AU 18 GOOGLE SCHOLAR: 18 6 COURSE EVALUATION AND DEVELOPMENT 19 7 COURSE SCHEDULE 20 PART B: KEY POLICIES, STUDENT RESPONSIBILITIES AND SUPPORT 23 1 PROGRAM LEARNING GOALS AND OUTCOMES 23 2 ACADEMIC HONESTY AND PLAGIARISM 24 3 STUDENT RESPONSIBILITIES AND CONDUCT 24 3.1 Workload 24 3.2 Attendance 25 3.3 General Conduct and Behaviour 25 3.4 Occupational Health and Safety 25 3.5 Keeping Informed 25 4 SPECIAL CONSIDERATION AND SUPPLEMENTARY EXAMINATIONS 25 MARK6021 Integrated Marketing Communications 2 5 STUDENT RESOURCES AND SUPPORT 26 MARK6021 Integrated Marketing Communications 3 PART A: COURSE-SPECIFIC INFORMATION 1 STAFF CONTACT DETAILS Lecturer in Charge: Nicole Lasky Nicole Lasky has a strong background in both university teaching and industry. -
Midge Ure OBE
Midge Ure OBE Musician and Co-organiser of Band Aid, Live Aid and Live 8 "An arst who has received Ivor Novello, Grammy, BASCAP awards along with a flolla of gold and planum records, needs very lile introducon" 1984 was an historic year for Midge Ure and all of pop music, as 36 arsts by the collecve name Band Aid gathered at SARM Studios under Midge's producon. They recorded Do They Know It's Christmas?, a song he wrote with Bob Geldof. The project led to Live Aid, which all exaggeraon aside, spoke for a generaon. TOPICS: IN DETAIL: Achieving the Impossible Midge organised the Live 8 concerts with Bob Geldof, with the aim of pressuring Re-inventing Yourself G8 leaders into following his recipe for ending world poverty. In 2005 he was Self-motivation made an Officer of the Order of the Brish Empire (OBE) for services to music Making a Difference and charity. Implementing Change Leadership and Teamwork WHAT HE OFFERS YOU: What Live 8 Means to the World The Band Aid/Live Aid Experience Midge shares his invaluable experiences of working with top creave minds in oen pressurised condions to achieve astoundingly innovave results. He offers LANGUAGES: first hand insights into the creave process and how to get the best from talented individuals and how to stay at the top. Midge presents in English. HOW HE PRESENTS: PUBLICATIONS: A charismac and affable personality, Midge speaks emoonally and openly in his 2004 If I Was-My Autobiography moving presentaons. He is also a fantasc storyteller, leaving audiences well and truly inspired and entertained. -
University of Delaware Course Descriptions
UNIVERSITY OF DELAWARE COURSE DESCRIPTIONS INTERPRETATION OF THE CODES FOR SUBJECT AREAS: ACCT Accounting 203 COURSE LISTINGS AFSC Air Farce Science 203 AGED Agricultural Education 204 AGEG Agricultural Engineering 204 AGRI Agriculture 204 ANSC Animal Science 204 ANTH Anthrapology 205 IFST445 Pa_.L!. !')I ~ ARAB Arabic, 207 Emphasis an techniques in working and communicating with parents, understanding par- ARSC Arts and Science 207 ent-child relationships and effectively utilizing parent, teacher, home, school and commu- ART Art . 208 nity resources ARTC Art Conservatian 212 e ARTH Art History 214 PREREQ: IFST 101 ••.••-----~. A BAMS Black American Studies 217 CO REG: IFST 459 or EDDY 400 •• W BISC Biological Sciences 218 BUAD Business Administration 221 BUEC Business and Economics 222 IFST 449 Internship in,Community Services 3-9 PF CGSC Cagnitive Science 222 On-the"iob experience in a community ond family service agency CHEG Chemical Engineering 223 CHEM Chemistry and Biochemistry 224 RESTRICTIONS: Requires permission of instructor - ••----8 CHIN Chinese 226 " CIEG Civil and Environmental Engineering 227 CISC Computer and Information Sciences 230 1 Subject area and course number CMLT Comparative literature 232 COMM Commun ication 233 2 Course title CPEG Computer Engineering 234 3 Credit hours CRJU Criminal Justice 235 a When only one number is printed it is a fixed credit hour course CSCC Center for Science and Culture 236 b When two numbers are printed it is a variable credit hour course The EAMC Early American Culture 237 lower number