Welcome to Issue 5 of the James Information Mailing. This issue reviews the 'Booth and the Bad Angel' , as well as featuring your favourite James Top Ten and an exclusive interview with Tim Booth.

Change of Scenery 1 Thackeray Road Aylesford Kent ME206TH ENGLAND ------,.------,

1hat collal>tlr.>ti"" lhc~~r ""' l>:\t .. rthe -""'~~> r,,. - ~~-~h a nd'"" suncJ . An~o..:lu tOI1B>1tal po:nooJ pocms andhe'J=ifthey•parh'llan•· musical ""h fim ••ngtn~ . A n~o..,]o ployon~ kybuards . odca.•. "lso:nthim""'"'pocms andhearJnothing and """""'"" ''"'''"" men pial ' '"~ b= and back th>rn horn." Tom r«alls O••'f in N.;w drum< thac~on~ •·oo.•;].,to tno:llkk Hroon Enu JC""')' . Angclurcoaocc <>f tbo: Ua.J Angd>". th.: ""'"''"""' ...... _. Str"~n~ .lync '""''"'!.""""my an;11<:nng son~.._-. . Chloo:Goo<.lchiiJ) Whalc.,orbappcno.'lvonl'as."'r''Nowl"'-'"''" =~~~~-:-; .· Angelo say• "h ,.,. li~c ha• in~ • a ~ll<>loun . 11 w:L'll.an l'a>><:r """ dir.:ct.:d th< """'"""ll'd"-")'"."llcs.urpro>o.-.ll'k>thuflhe lq74mo>•><"l.owonJUi,....U.r",>IOI'l'I"':C•t<>l •·ollahor:llon . F.,.-.wre.sungslikc"llkl"'vc" O'Coo""r and Em.:ot lkii!V''"" :IS a coupl< ~f F•t< ""I"" on In the b<>t• ,·allcd 'F"d:t'· Nogu at oh< toge~herwulooktngsonw:wblttoptimt5tic , Paul withmc:"Uheirmusicolfa•ooritcllfe«rtirelytn gr~•• Karen Black as • ditey hainln." wnll'k: tilmo'crcdas . wll.nd. llalianfothcr and Americanmolher , lladllfO'''" ""h"'hombcotlaborate cityatlllSl.AI\geio l&w JamesattheToW11&. up in • musical llousebold ms.lfwrQICmanymusicai5id Bado.lamcnt i . "Aiinlebitoff-«nt~ . lthtnkof i t hasn't hasn~ 11"' a chono$ _ We'd keep l..ynch's"BiucVci•C1"Badal•.spooingallthe ._. lr.l~cally beauuful. Thars how 1 M>uld """"'""lo~ng ..eh Othe1-, without thinking of llalian-=inthenlmscredits!R"'sclini. describewhatllo•'ebeSI: tragicollybcoutiful." Angcl<>requesledasborter-poemthismne. Tim" when: anythingwas),"oinw . Thr::rt,.-henyouend Caruoo,Dclautenli>)dccidcdthetimcwasoow I wrote him one somebody dimbinH up u~withopopsongyou·~ rc:lllfshocked." ;;::,:..::.~wtlundcrhi>realnamc.All&St.hadknu""tbc son'leOI'Ie"ss.pino;andt""""llinginthrougltthe restncuOII$ of an En~hsh boord in& school. the eardrum-my t~Sualbody<>bsesst•es . " Backin!;nglandwithtbetapeS. Timplayedthe tnals oi Unoversil]l drama co...ses . the alhums"wmpcard . Afano(BemardButl..- . Three}~rsl ater,ini98Y.t»dalamcntiwrole e.mprisetbe ,.asattbetimcstill..-.clerwrapo.Timgavetlle lhesmngestand most beguiling any""" :~~~~~!~~ ~ ~~...,~~~c - ~~~~ c~~~~ "'"'Jamesalbums"Liid" and"WahWah". In -gStotbcguitaristtoplayon;heplaysort Smith and 1 &~,")' Pop. Thnc ""~the ~n:; lhesprinsofl994. Timtool:aholidayin New ..,....,n , )"Bemardwasan~ngcl\ance">ays ~:~·~~~. - :.~~·~ ;;~~.!:~::.; ~ whooh , the singer of lames. li~ing m.:mberufJamc<.: boneandblood>ndslpictureof thowands of miles · ~ in Manchcth .,.- l•mc:J. M<:rcwyRecords.wbogallethcproj,.tagrccn album . Butleralsomi•edsi•ofthesonp(Tim Tim Booth ha$""""' fl>rJIOII~n what it Wll$li~~ Cont~tcdbyphon< . h<:Aj]n«dont~loa light Somenon mi~ed a f1111ller two~ As Angel<> >ays. to li$1150mclhingand u11l$$<101i"l:mon on the OUtSide . But be su~ Shortly . n~l-id)..S. The pmdiiCc,.,uf '"'~ a llyliledeachocber.a~~dwecooldtlorcw ~~r~":tit,.· henbe"sintbcsttldio-)·oulnow, cloorWI)"•nt tllat he ..ould lcop eeh"""": skywo•d ofloe workod "witlo a man woth the . whotc•·crot might be EvctvOnC"'" "'coted Angelortt<>ll,.ts. " lthinktbereoordlobel notlc:astTim. ThenTtmgotlloand"-:>Sadvioed thought . Godk"""'1"hat tbese guys ate goong rhankstulkmanlButlcrs"oontributtons"Booth :-:?o~:;, ~::1 ~mX~i ~;:, c:':~d la"::; IIOitolly The..,OOIICe,.,wcnlwtthouthom . to t<>comtudios . but thars cheo.tin~ a bot An ~-.;lo .,.,.,_tlu;y hod a sen01<1 oar-crash : bm~cn Morley ·• Y~s . she U>Ctr.>tor l that cor Fatchmpson ~~~~:t~~"H a clu."!."' of sex and a o"l:thonk Fatc d o ~ pp<;arstQro"· h,k.Nu<~>osilon g t o l

Roaltsttcolly , tbouJ;Io n hod to boo 1\n ~..:lo Timhasgotsuchagreatfuture"sa)"SAngeloWithadmoratoon "He'ssodeey. he's so expressive e cangoanywlleg . and e's able to go there lthonk Tim's going to be on the mov

JP: How regimented were the early meetings between Tim and Angelo? • TB: I sent Angelo a few things and then he came to see IJameslive JP: The press re/ease states you sent a -spine~ poem that Angelo put to . Where is that? TB: lost' I wrote it in a couple of hours and got Angelo interested enough to do the project. JP: Do you write a /Ol of poetry? TB: I started to get interested in the last couple of years . I fOf double meanings. JP: The track ':{all in love with me~ work on these levels. TB: Yes, When we wrote the song we knew what we'd · and were jumping up and down . JP: 1s it a love song wntten from peiSOfl6f experience? TB: Yes. JP: Did Angefos' way of worldag you considering you'd onlY beep TB: TB: James did a good version , which Is very interesting INith cellos and violins and melatrons (?) which is totally different , so JP: How did you get Bemard Butler involved in the project? there might be some way of bringing those elements into it . TB: He'd been a James fan and had got signed !·shirts and JP: As the lead singer of James you've gone into a new venture things , so he was happy to talk to me . I just played him some yet it is promoted as '7imfromJames". Is there a danger of giving songs clown the phone and he was like ''Yeah, these are preconceplions Of the musical content of the album ? great" TB: Ifs the only way they can market it really. That's the reality of JP: You obviously brought the tapes back and gave them to thematket. himtoworl

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1 didn't know ..vhat to expect when the album arrived on my doormat , was it going to be James of the early 90's or more like Wah-Wah ? But it was neither really but a combination of both . I'd heard 'I Believe' on the radio and it spoke of an uplifting album full of open , landscaped views .But what of the album after track 1?

1t has love songs ('Fall in love with me' , 'Stranger') which are both melodic and soothing in the 'Crescendo' vein . Upbeat , catchy songs that you can't help dancing to ( the brilliant 'Old ways , which has got to be a top 10 hit , Hit Parade ).

Tim described the album as textural and it's hard to find a more accurate description. conq~~mngjamnexpericno:c. Thankr,odtheypl•yedo:loKrtohomo:in There are floating tracks with unearthly backing vocals ('Dance of ... the bad Angels' and 'Rising').yet what makes the album is Tim Nc}amc:swot!htllebother? OF COURSE TIIEY ARE 1t Booths voice : and the way he delivers an inspired and Well,ticke~swere atmospheric vocal on an album 'Nhose tempo ebbs and flows like pun:huedandl AndyRccs mat~atedtoge~a l ift the chapters of a good book. Eflt~onnotc: tos.Jisbuoy , ltQm A shame then , that the Phil Collins-esque 'Life gets Better' And)'l' leltcr reminded mo: of when 1 was wheremyOrar~dad youngcr,ar~dhowmuchhu.slo:livingout seems to distract you from an otherwise engrossing plot. I~X~kmebacktohi s o(\OWTICU]lfC$CIIIIOCOOCert hometown · Swindon atto:ndancc.Jfyouarcintcro::stedin .Frvmherclgotthc Personally , I feel this is a good album , and one 'Nhich is the first attending concerts. whether as puso:!lgo:r train to Bristol and orDrivef,so:ndusyourphooo:no.andw.: step to a promising collaboration If the follow up can be as good I1Wia£edlofilllitho: ·• canpa.wth~o~loo!ho:rlansinyouraru Colston H&II. , I'll buy it . And that's the biggest recommendation I can give any uandwhmtou"arcannounccdso However I was record . ~canatlcnd,fT&Udlcssof~o:( God , now I fed AND sound old 1 ). How was(Tim Palmtr mix) Sound(DicemU/tmix) How Was{.lames mix) Laey RingtheBells(JIMIII2l Undertaker Ring the bells Fight Come Home!HM612l Come Home(sAlmk ~<·eM .dank mil:) This list is only for _guitlanee . Any amendmel}t S or Come Home(l7ood mix) Once a friend corrections, , as usual are we\co,me . .} t i,cont ains Fireaway Stutter• SometimesWMX\3) only u . ~ elease~~~· iVJA ""'"' ~\ Sometimes Come Home!JIMM612l • America

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