DOCSLIB.ORG

T W O T H O U S a N D a N D T W E L

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
T W O T H O U S a N D a N D T W E L T H E A G E N C Y F O R A R A B I C L I T E R A T U R E R A Y A T W O T H O U S A N D A N D T W E L V E [email protected] | www.rayaagency.org T H E A G E N C Y F O R A R A B I C L I T E R A T U R E R A Y A | R A Y A specializes in the representation of world rights of translation and adaptation of Arabic works since 2004. | N E W T O T H E L I S T Hasan DAOUD No road to paradise The mid-life crisis of a small town’s Imam, and how he decides to choose his own path. Ibrahim NASRALLAH The King of Galilee The story of Zaher Al Omar who fought the Ottoman Empire for independence in the 18th c. A captivating historical epic. Ibrahim NASRALLAH The balcony of shame A clever depiction of the mechanisms underlying crimes of honor. | F E A T U R E D T I T L E S Jabbour DOUAIHY Chased away What if you were born a Muslim and brought up a Christian? Shortlisted for the Arab Booker (IPAF) 2012 Kamal AL RIAHI The gorilla The Tunisian revolution as it could have happened - and finally did. A gripping, humorous and poetic story revolving around a single man. Mohmmad ALWAN Beavers The sharp portrait of a contemporary Saudi bourgeois family, through the eyes of the despised forty year old son. Khaled KHALIFA In praise of hatred The crush of the 1982 uprising in Syria by the Assad regime. A young woman affiliated to the Muslim brotherhood tells her story. Samar YAZBEK In the crossfire: Syrian revolution diaries Covering the first 5 months of the Syrian uprising. A meticulous and poignant text. Excerpt featured in The Guardian Samar YAZBEK In her mirrors Centuries of Alawite violent history through 24 hours of a passionate love story. | C L A S S I C S Hasan DAOUD 180 Sunsets How violence, caused by the fantasized love of a simple minded man, creeps into a small quiet town. | F R O M T H E B A C K L I S T Hilal CHOUMAN Napolitana Set in the Beirut of the year 2010, Napolitana is a successful mix of fresh air, smartness and gravity. Jabbour DOUAIHY June rain The dense account of a town wrapped in the cycle of revenge, Northern Lebanon 1957. Based on a true story. Samar YAZBEK Cinnamon A portrait of Syria’s social extremes, through the love story of a woman with her maid. | B A CK L I S T More titles available on the backlist [email protected] | www.rayaagency.org N E W T H E A G E N C Y F O R A R A B I C L I T E R A T U R E R A Y A N O R O A D T O D A O U D P A R A D I S E Hassan F I C T I O N No road to paradise La tariq ila al janna H. Daoud Dar al saqi, Beirut (to appear) xxx pages RIGHTS BIO Rights owner. Dar al saqi. Hassan Daoud was born in a village of South Lebanon in RAYA agency represents this title for world rights except 1950. He moved to Beirut with his family as a child and French. worked as a journalist in several newspapers before becoming the editor or Al Mustaqbal’s cultural supplement. Sold rights. World rights available. SOME OTHER WORKS AVAILABLE MATERIAL Daoud published 8 novels, namely: The house of Mathilde PDF of the novel, in Arabic. (1983, translated into French, Actes Sud, 1998; English, Granta). Borrowed times (1990, translated into English, Telegram; French, Actes Sud, 2001). The penguin’s song REMARKS (1998, translated into French, Actes Sud, 2007). A light Daoud’s novel 180 Sunsets was long-listed for the IPAF make-up for tonight (2003). The year of the revolutionary (Arab Man Booker prize) 2010. new bread-making machine (translated into English, Telegram, 2007). | S U M M A R Y of his father kept fidels coming to the mosque. Now, his father is sick at home, dying in his bed. And nobody comes The mid-life crisis of a small town’s Imam, and how he to the mosque anymore, until these foreigners came by. decides to choose his own path. The novel, written in the first person, as always with Hasan In South Lebanon, a small town's Imam is going through a Daoud, instills a deep feeling of loss and apathy in the mid-life crisis. He was diagnosed with cancer, an illness the reader. What is the meaning of life, and why are we name of which he rather not pronounce, and is getting trapped sometimes, in schemes of things that we have not ready for surgery. This Imam with no name, to whom chosen? The narrator seems to ask himself. Until one day, everyone refers as 'Al sayyed', the master, is scared of at the very end of the movel, al sayyed decides to stop death and pain. He is also bored with his married life, but being ‘al sayyed’. He removes the robe he has always too coward to make a real change. Obsessively attracted to worn, shaves his beard, and sets off to the street. his brother's widow, he fantasizes about her strong body, knee-long skirts, high heels and manicured nails. He does No road to paradise is the story of this liberation. How a 45 have some sort of timid affair with her, but does not find it year old imam finally choses the life he always wanted for in him to go all the way. Perhaps he takes pity on his himself. A very ordinary man who slowly realizes that his unhappy wife. Perhaps still he feels he is not performing life is his. his duties towards the town's mosque that has been slowly invaded by Islamic fundamentalists come from elsewhere, This book is the sensitive and detailed account of the making him feel like a guest in his own parish. But mostly, circumstances of this slow awakening. the surgery he’s been through makes him wonder if he is the same man with a different body. Al sayyed is not a man of religion by vocation. Unlike his father, a powerful, charismatic, and loved man, his grand- father, or his great grand-father, al sayyed just obeyed his father's will, and went to Nejef in Iraq to study Islam. When D A O U D, N O R O A D T O P A R A D I S E P1/1 he preaches, he lacks energy and reach, but the presence N E W T H E A G E N C Y F O R A R A B I C L I T E R A T U R E R A Y A T H E K I N G O F G A L I L E E N A S R A L L A H H I S T O R I C A L Ibrahim F I C T I O N The king of Galilee Qanadil malek al jalil I. Nasrallah Dar al arabiya li al ouloum, Beirut, 2011 555 pages RIGHTS BIO Rights owner. The author Born in 1954 in a Palestinian refugee camp in Jordan, RAYA agency represents this title for world rights. Ibrahim Nasrallah worked as a journalist for 18 years before dedicating himself to writing in 2006. Cinema is a great Sold rights. All rights available. influence on his work, and he eventually published two books of film critique. A poet as well as a novelist, he won AVAILABLE MATERIAL the Sultan Owais Award, the most prestigious award of PDF of the novel, in Arabic. poetry in the Arab world. REMARKS SOME OTHER WORKS Nasrallah’s novel ‘The time of white horses’ was shortlisted Nasrallah has published more than 11 novels. Some of for the IPAF (Arab Man Booker Prize) 2009. which are: Prairies of fever (1985) -- translated into English (Interlink, 1993), Italian ( Edizioni Lavoro, 2001). Danish edition by Underskoven in 2006 -- Shame (2010). The time of white horses (2007) -- translated into English (AUC, 2011). │ S U M M A R Y The story of Zaher al Omar, who fought the Ottoman unquestionable authority of the governors. He decides to Empire for indpendence in the 18th century. A pay the taxes that are due to the Empire, but prevent the captivating epic tale. governors of Sidon, then Damascus, from abusing and humiliating the population. Zaher’s vision is that of an Zaher al Omar al Zaydani is the youngest son of a tax independent and peaceful country that would rule itself. It is collector for the Ottoman Empire, Omar al Zaydani, born and the start of a life of struggle, full of wars, strategies, raised in Tiberias, Galilee, in 1689. When Omar al Zaydani intrigues, and plotting, the aim of which is to take as much dies, Zaher is a young man of about 15. All of Omar’s sons, freedom as possible from the Empire and maintain stability. Saad, Yusef, Saleh and Zaher, gather in order to decide who Zaher al Omar is an important historical figure, will take over the father’s role.
Load more

Recommended publications
  • 'These 39 Arab Writers Are All Under the Age of 40. They Have Flung Open
    JOUMANA HADDAD FAIZA GUENE ABDELKADER BENALI Joumana Haddad was born in Lebanon in 1970. She is Faiza Guene was born in France in head of the Cultural pages of the prestigious “An Nahar” Abdelkader Benali was born in 1975 in The Netherlands, 1985 to Algerian parents. She wrote her newspaper, as well as the administrator of the IPAF literary of Moroccan origins. Benali published his fi rst novel fi rst novel, “Kiffe kiffe demain” (Just like SAMAR YAZBEK prize (the “Arab Booker”) and the editor-in-chief of Jasad “Bruiloft aan zee” (Wedding by the Sea) in 1996, for Tomorrow) when she was 17 years old. magazine, a controversial Arabic magazine specialized in the which he received the Geertjan Lubberhuizen Prize. For It was a huge success in France, selling SAMER ABOU HAWWASH literature and arts of the body. Amongst her books, “Time his second novel, “De langverwachte” (The Long-Awaited, over 360,000 copies and translation for a dream” (1995), “Invitation to a secret feast” (1998), 2002), Benali was awarded the Libris Literature Prize. He Samer Abou Hawwash was born rights around the world. She’s also the “I did not sin enough” (2003), “Lilith’s Return” (2004), has since published the novels “Laat het morgen mooi in 1972 in the southern Lebanese author of “Du rêve pour les oufs” in “Conversations with international writers”, (2006), “Death weer zijn” (Let Tomorrow Be Fine, 2005) and “Feldman city of Sidon. Abou Hawwash has 2006 and “Les gens du Balto” in 2008. will come and it will have your eyes” and “Anthology of 150 en ik” (Feldman and I, 2006).
    [Show full text]
  • Mesaʼs 51St Annual Meeting
    PRELIMINARY PROGRAM VER. 10-12-17 Jake McGuire Destination DC MESAʼs 51st Annual Meeting Washington DC November 18-21 We return to DC for MESA’s 51st annual meeting at the Washington Marriott Wardman Park Hotel where we have met every three years since 1999. The hotel is located in a lovely residential area near the National Zoo, but a nearby stop on the metro red line makes all parts of DC easily accessible. The program of 230+ sessions (see pages 12-51) spread over four days will offer a smorgasbord to whet the appetite of any Middle East studies aficionado. MESA’s affiliate groups meet mostly on Saturday, November 18 (see pages 10-11) and the first program session begins that day at 5:30pm. Panels run all day Sunday and Monday and end at 3pm on Tuesday. The book bazaar will be open Sunday and Monday from 9am to 6pm and on Tuesday from 8am to 12pm (see pages 8-9). MESAʼs ever-popular FilmFest (see the teaser on pages 6-7) begins screenings on Saturday morning and runs through Tuesday until around 2pm. The MESA Presidential Address & Awards will be held Sunday evening from 6pm to 7:30pm, and the MESA Members Meeting on Monday evening from 6pm to 8:00pm. As you will see, it’s business as usual, except of course for a new administration that is determined to ban nationals of six Muslim majority countries from traveling to the US, and MESA having joined a lawsuit against the ban that is making its way to the US Supreme Court in October.
    [Show full text]
  • Eroticism in the Works of Contemporary Egyptian and Levantine Female Novelists Ibtihal R Mahmood a Thesis Submitted in Partial F
    Eroticism in the Works of Contemporary Egyptian and Levantine Female Novelists Ibtihal R Mahmood A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in International Studies: Middle East University of Washington 2018 Committee: Terri DeYoung Selim Kuru Program authorized to offer degree: The Henry M. Jackson School of International Studies 1 ©Copyright 2018 Ibtihal R Mahmood 2 University of Washington Abstract Eroticism in the Works of Contemporary Egyptian and Levantine Female Novelists Ibtihal R Mahmood Chair of the Supervisory Committee: Professor Terri DeYoung Department of Near Eastern Languages and Civilization Literary and narrative discourses hold an inherent correspondence between themselves and the social, economic, national, and political issues that govern the atmosphere in which they emerge, including those concerning the war of the classes and of the sexes. Using the erotic as a parameter, this paper analyzes three novels by three contemporary women novelists from Egypt, Lebanon, and Syria: Nawāl el-Sa’dāwī, Ḥanān al-Shaykh, and Samar Yazbek, respectively. An analysis of the combination of language, culture, and space can lend itself to an examination of the relationships of power and social hierarchies that govern societies, in a fashion that follows the Foucauldian power/knowledge social theory. Adopting the Lacanian perspective of language as an inherently sexist utility, this paper examines the approaches found in these three novels to the objectification of the female body; the yearning to reclaim agency; and the success – and failure – in regaining and retaining autonomy. 3 Contents Chapter One Introduction ........................................................................................................................... 4 Chapter Two Desire, Abjection, and Social Hierarchy Nawāl el-Sa’dāwī – Egypt ................................
    [Show full text]
  • Syria Studies –––––––––––––– VOL 10, NO 1 (2018) November 2018
    Syria Studies –––––––––––––– VOL 10, NO 1 (2018) November 2018 1 2 Untold Stories – Gender-sensitive readings of the Syrian Uprising Untold Stories Gender-sensitive readings of the Syrian Uprising ____________________ Joanne Hopkins Nusaiba Joan Imady Syria Studies 3 Syria Studies An open access, peer reviewed, & indexed journal published online by: The Centre for Syrian Studies (CSS) University of St Andrews Raymond Hinnebusch (Editor-In-Chief) & Omar Imady (Managing Editor) ___________________________ 4 Untold Stories – Gender-sensitive readings of the Syrian Uprising Contents Preface Omar Imady 5 Coercive Control in Conflict: Implications for Syria Joanne Hopkins 6-27 Framing Disaster, Performativity & Desire in the Writings of Syrians in Diaspora Nusaiba Joan Imady 28-49 Endnotes 50-56 Syria Studies 5 Preface Omar Imady In this new issue of Syria Studies, entitled “Untold Stories – Gender- sensitive readings of the Syrian Uprising,” we are pleased to share two samples of a new and promising approach to analysing and in- terpreting the narrative of war. It is an approach that is not only pre- occupied with the human dimension of political conflict, but also one that seeks to shed light on the gender-specific nuances that permeate such dynamics. Indeed, it is now widely accepted that ideas of mas- culinity have had a significant impact on the way in which politics is understood and analysed, often skewing our perspective of what ex- actly is taking place. When applied to the realm of Syria studies, em- ploying a more gender-sensitive approach can help us capture the stories that are often untold, or brushed aside; stories of women and men attempting to assert their identity in a political context that is often adamant at denying them this right.
    [Show full text]
  • 2020 SL Press Announcement FINAL
    The$2020$Saif$Ghobash$Banipal$Prize$Short$List$Announcement,$24$November$2020$ 1$ $ $ ! The$Saif$Ghobash$Banipal$Prize$ for$Arabic$Literary$Translation! ! ! The!2020!Prize!–!The!Shortlist! ! $ The$Saif$Ghobash$Banipal$Prize$is$pleased$to$announce$the$shortlist$of$the$2020$Prize.$Five$ works$were$selected$for$the$shortlist$from$a$total$of$fourteen$entries,$which$comprised$one$ collection$of$short$stories,$one$volume$of$poetry,$and$twelve$novels$(some$of$which$might$be$ better$classified$as$novellas).$In$this$connection,$the$judges$noted$the$difficulties$of$making$ comparisons$ between$ works$ in$ different$ genres$ or$ conceived$ on$ different$ scales,$ which$ sometimes$demand$different$qualities$from$the$translator$and$these$factors$are$reflected$in$ the$shortlist.$The$judges$also$noted$that$three$of$the$shortlisted$works$(and$five$of$the$total$ number$of$entries)$were$published$by$the$same$publisher.$ In$ selecting$ the$ shortlist,$ the$ judges$ noted$ a$ rich$ diversity$ of$ styles,$ themes$ and$ settings$ ranging$from$sprawling$cities$to$humble$villages.$It$was$particularly$noticeable$that$several$ of$ the$ works$ selected$ for$ the$ shortlist$ revolve$ around$ the$ lives$ and$ dreams$ of$ ordinary$ people,$providing$intimate$insights$into$the$societies$concerned,$which$themselves$cover$the$ full$ span$ of$ the$ Arab$ world,$ from$ Morocco$ to$ Iraq.$ Writings$ of$ this$ sort$ pose$ particular$ challenges$and$demand$a$high$level$of$sensitivity$to$the$subtleties$of$the$original$Arabic$on$ the$part$of$the$translator.$The$judges$are$happy$to$report$that$these$qualities$were$in$ample$
    [Show full text]
  • Contemporary Culture from the Arab World ABOUT the MOSAIC ROOMS
    Contemporary Culture from the Arab World ABOUT THE MOSAIC ROOMS The Mosaic Rooms are a vibrant non-profit cultural space and bookshop in West London dedicated to supporting and promoting contemporary culture from and about the Arab world. We do this through our free access contemporary art exhibitions, our multidisciplinary events, artist residencies and learning and engagement programme. We believe in the importance of creating a cultural space that presents new thinking and daring creativity, illuminates ideas, inspires understanding, and interrogates contemporary issues. Our vision is for a London audience with a more informed, engaged and critical understanding of Arab culture and society. We are a non-party political, non-religious organisation, and we are a project of the A.M. Qattan Foundation, a registered charity number 1029450. www.mosaicrooms.org …a succinct, intelligent focus on the Arab world has been unfolding at The Mosaic Rooms gallery in Earls Court since 2008… Rachel Spence, Art Critic, Financial Times OUR MISSION A leading London based non-profit cultural organisation dedicated to supporting and promoting contemporary culture from and about the Arab world by: Initiating dialogue and debate about the Arab world’s most pressing social, political and cultural issues. Celebrating excellence through a regular public programme including visual arts, design, architecture, literature, film, music, food and current affairs. Providing an international platform for the arts, particularly new work, away from the commercial pressures of the contemporary market. Creating opportunities for interaction, collaboration and professional development between artists, collectives and organisations from the Arab world and the UK. Delivering a high-quality learning and engagement programme particularly to marginalised communities and young people in London.
    [Show full text]
  • Animal Death As National Debility: Climate, Agriculture, and Syrian War Narrative
    Animal Death as National Debility: Climate, Agriculture, and Syrian War Narrative Neel Ahuja New Literary History, Volume 51, Number 4, Autumn 2020, pp. 855-874 (Article) Published by Johns Hopkins University Press DOI: https://doi.org/10.1353/nlh.2020.0053 For additional information about this article https://muse.jhu.edu/article/781687 [ Access provided at 20 Feb 2021 17:36 GMT from University of California @ Santa Cruz ] Animal Death as National Debility: Climate, Agriculture, and Syrian War Narrative Neel Ahuja n her memoir The Crossing: My Journey to the Shattered Heart of Syria, journalist Samar Yazbek frames her memories of the Syrian war as a Iprocess of dismemberment that occurs upon parched earth: “In my mind, I hold a portrait of Syria, but it is no ordinary image. It shows a dismembered collection of body parts, the head missing and the right arm dangling precariously. Then you notice a few drops of blood slowly dripping from the frame, disappearing as they are absorbed by the dusty soil below. This is the catastrophe Syrians deal with every day.”1 If Yazbek’s vision of Syrian dismemberment echoes other gory depic- tions of wartime brutality that are familiar across geographic contexts, the image of blood absorbed by dry land evokes a particular ecology of violence—a backdrop of drought signifying the deadly force of global warming—which has become common to international representations of the Syrian war. In the construction of Syria as one of the world’s first “climate wars,” animality and debility are conjoined in representations of how climate change produces the mass death of farmed animals and the precarious movements and physical conditions of fleeing refugees.
    [Show full text]
  • Complete Issue
    International Journal editorial board of Euro-Mediterranean Studies Nabil Mahmoud Alawi, An-Najah University, Palestine issn 1855-3362 Nadia Al-Bagdadi, Central European The aim of the International Journal of University, Hungary Euro-Mediterranean Studies is to promote Ahmad M. Atawneh, Hebron University, intercultural dialogue and exchanges Palestine between societies, develop human Pamela Ballinger, Bowdoin College, usa resources, and to assure greater Klemen Bergant, University of Nova Gorica, mutual understanding in the Euro- Slovenia Mediterranean region. Roberto Biloslavo, University of Primorska, L’objectif de la revue internationale d’etudes Slovenia Euro-Méditerranéennes est de promouvoir Rémi Brague, Panthéon-Sorbonne University, le dialogue interculturel et les échanges France entre les sociétés, développer les Holger Briel, University of Nicosia, Cyprus ressources humaines et assurer une Donna Buchanan, University of Illinois usa compréhension mutuelle de qualité au at Urbana-Champaign, sein de la région euro-méditerranéenne. Costas M. Constantinou, University of Nicosia, Cyprus Namen Mednarodne revije za evro-mediteranske Claudio Cressati, University of Udine, študije je spodbujanje medkulturnega Italy dialoga in izmenjav, razvoj cloveškihˇ Yamina El Kirat El Allame, University virov in zagotavljanje boljšega Mohammed V,Morocco medsebojnega razumevanja v Julia Elyachar Mastnak, Scientific Research evro-mediteranski regiji. Centre of the Slovenian Academy of Sciences ijems is indexed in ibss and Arts and doaj. Said Ennahid,
    [Show full text]
  • Soriyat for Development
    Soriyat For Development 2013 Annual Report 1 Table of Contents SORIYAT FOR DEVELOPMENT ..................................................................................................................... 3 CONTEXT OF THE INTERVENTION ............................................................................................................. 4 THE CIRCUMSTANCES FACING SYRIAN WOMEN ................................................................................... 5 PROJECTS ORGANIZED IN 2012-2013 ....................................................................................................... 7 A. PROJECTS SUPPORTING WOMEN .......................................................................................................................... 7 1. Economic Empowerment ......................................................................................................................................... 7 2. Social and Cultural Support: the al Dara al Thakafia Cultural House .............................................12 B. PROJECTS SUPPORTING CHILDREN ......................................................................................................................... 13 1. Al Karama Bus ............................................................................................................................................................14 2. Nabad al Hayat Center for Children and Development ...........................................................................15 3. Bassel Shahede (Kawla Alazour) School in Aleppo
    [Show full text]
  • Tunis Women's Slam Poetry Café
    July 17, 2015 23 Culture Tunis women’s slam poetry café Roua Khlifi Tunis he cultural café was packed with people chat- ting and awaiting the first reading. Some sat on the floor while others stood Tat the door. Liber’thé was crowded with fans of slam poetry. Silence gripped the room as one of the or- ganisers of the event, Sabrine Ghan- noudi, stepped to the microphone to welcome the participants and the audience. “It is with great pleasure that I welcome you all to the second edi- tion of the Queen of Words, where all the participants and all the texts are written by women from different parts of Tunisia,” Ghannoudi said. “Some came from other towns, not just from Tunis, like Mahdia and we even received a request from a Palestinian who found us on Facebook and requested to have her message read wishing that one day all women in the Arab world have such an event.” The event’s title said it all. It is a monthly gathering to give women a chance to share their poetry and feelings with others. It was inspired by initiatives that had encouraged slam poetry in Tunisia but soon died out. “We thought about having one for women only since they do not have space in other initiatives. A lot of men write poetry of this form but often use vulgar language. I wanted Poetic free flow to have something for only women where they can speak freely,” Ghan- the place where we hold our meet- would like to focus on taboo sub- to a large public.
    [Show full text]
  • The Festival in Beirut 2010 ¢Eƒ©H18 – 15 Wl3ejf) Dates: 15 – 18 April 2010
    In April 2010, Hay Festival is organizing for Beirut World Book Capital 2009/2010, ¢e.{£G2010/2009hejFi©ºe;i7e;lJÒ*if5e ­ "e©jC«eI"i5&¦G ,S the Festival of ‘Beirut39’ which is the celebration of the best 39 Arab 40 39 "39 " writers (fiction/poetry), under 40 years of age as a centerpiece of the ¡G3¦sE BF)¡5¢J1 {6e©0 ª*{;hejE C%)3e©j0)¦IJ lJÒ* Beirut World Capital festivities. hejFi©ºe;i7e;lJÒ*¢e.{£GS ¢e.{£º) ¤H%)e;M i©He fS F)S iCemF) +3)4J ¡G GeF) ;yF)S "39lJÒ*"J|G§L Beirut39 project is hailed as one of the biggest projects for Beirut World Book 2009eFhejFi©ºe;i7e;lJÒ*3e9S ')µv8%¶) Capital 2009/2010, and has the full support of the Lebanese Ministry of Culture. lJÒ*µ¢e.{£º) The Festival in Beirut 2010 ¢e©H18 – 15 wL3ejF) Dates: 15 – 18 April 2010 Concept: The 39 writers will be invited to Beirut for four days 15-18 April i©FeC50½)¦/«{p©5n©/eL%)i*3%)+yºlJÒ*¼S ')39BF)hejF)+¦;1S j©5S +{F) 2010, where approximately 50 events will be organized all over the city, libraries, bookshops, cafes, universities, schools, etc. wF')53)yº)JleGe·)JªIeº)JiGeF)lefjº)µJi Lyº)#esH%)©.µeHJ Events: The events will be structured around literary topics as a panel 5-3,6eHi/3e9')¡8ijÀi©*1%)©8)¦G¦/leDe º)3Jyj5le©FeF) discussion with 3-5 authors with a moderator (45 min.), and will be followed by S a Q&A session with the audience (15 min.).
    [Show full text]
  • Nation in Conflict, Gender in Conflict. How Do Syrian Activists Reflect on Gender Identities Challenged by the Civil War?
    Zeitschrift für Sozialen Fortschritt 2017 | Vol. 6, No. 1, p. 17-27 Nation in Conflict, Gender in Conflict. How do Syrian activists reflect on gender identities challenged by the civil war? Sophie Petzelberger* Abstract Narratives of nation and gender identities intersect in many dimensions. In times of national conflict, they are re-negotiated, causing lasting change. This paper looks at Syria, as a case study. Calling for a feminist and post- colonial anthropology, voices of five Syrian women, speaking as political activists, are used as primary sources of research. Keywords: gender identity, nation, Syria Nation in Konflikt, Gender in Konflikt. Wie reflektieren syrische Aktivistinnen durch den Bürgerkrieg infrage gestellte Geschlechtsidentitäten? Zusammenfassung Narrative von Nation und Geschlechteridentitäten stehen in multidimensionalen Wechselbeziehungen. In Zeiten nationaler Konflikte werden diese Narrative neu erzählt und möglicherweise nachhaltig umgeschrieben. Dieses Paper betrachtet Syrien als ein aktuelles Fallbeispiel solcher Aushandlungen. Es ruft dazu auf, Anthropologie feministisch und postkolonial zu gestalten und stellt die Stimmen fünf syrischer Frauen, welche als politische Aktivistinnen sprechen, als primäre Forschungsquellen in den Fokus. Schlagwörter: Geschlechtsidentität, Nation, Syrien *Sophie Petzelberger, Humboldt University of Berlin. E-Mail: [email protected]. With special thanks to: Inken Wiese for outstanding seminars, constructive critique and support, Tim Glaser for believing in me and pushing me further, and Tanja Berger for inspirational debates, life long encouragement and endless love. 2017 | | Innsbruck Momentum Quarterly I ISSN 2226-5538 I momentum-quarterly.org Vol. 6, No 1 I DOI 10.15203/momentumquarterly.vol6.no1.p17-27 Beiträge in Momentum Quarterly stehen unter der Lizenz Creative Commons Namensnennung 4.0 International.
    [Show full text]