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The Role of Disability in Buffy the Vampire Slayer Amanda H
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of New Mexico University of New Mexico UNM Digital Repository Special Education ETDs Education ETDs 7-12-2014 The Role of Disability in Buffy the Vampire Slayer Amanda H. Heggen Follow this and additional works at: https://digitalrepository.unm.edu/educ_spcd_etds Recommended Citation Heggen, Amanda H.. "The Role of Disability in Buffy the Vampire Slayer." (2014). https://digitalrepository.unm.edu/ educ_spcd_etds/16 This Dissertation is brought to you for free and open access by the Education ETDs at UNM Digital Repository. It has been accepted for inclusion in Special Education ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. The Role of Disability in Buffy the Vampire Slayer i Amanda H. Heggen Candidate Special Education Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Dr. Julia Scherba de Valenzuela , Chairperson Dr. Susan Copeland Dr. James Stone Dr. David Witherington The Role of Disability in Buffy the Vampire Slayer ii THE ROLE OF DISABILITY IN BUFFY THE VAMPIRE SLAYER by AMANDA H. HEGGEN B.A. Psychology, Goshen College, 2001 M.A. Special Education, Univeristy of New Mexico, 2006 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Special Education The University of New Mexico Albuquerque, New Mexico May, 2014 The Role of Disability in Buffy the Vampire Slayer iii Acknowledgements The list of people who have contributed to this dissertation in many forms, from much-needed pep talks to intensely brilliant advice on how to present my findings, is epic. -
Buffy the Vampire Slayer: Once More, with Feeling Free
FREE BUFFY THE VAMPIRE SLAYER: ONCE MORE, WITH FEELING PDF John Nicholas | 92 pages | 01 Jun 2008 | Cherry Lane Music Company | 9781603780438 | English | United States Once More, with Feeling (Buffy soundtrack) - Wikipedia It's the seventh episode of the sixth season and the one hundred seventh in the series. Series creator Buffy the Vampire Slayer: Once More Whedon wrote, directed and composed the music for this episode in which a mysterious force impels the Scooby Gang with Feeling burst into song. Even Buffy devotees may be hard-pressed to find an episode as off-the-wall as this, as Sunnydale denizens Buffy the Vampire Slayer: Once More players in production numbers in which cast members do their own vocals. Hear Tara sing about her love for Willow! See Xander and Anya perform a duet! Listen to Buffy croon about her lack of life direction! Who's behind the music? Dawn provides the key. Buffy is patrolling in a cemetery at night, but there is something wrong with her and with demons and vampires she meets: they are all singing and dancing. Buffy sings about her life after resurrecting, and the way she feels detached from it. The following morning, the Scoobies reunite at the Magic Box and find out such things have happened to them all. They further learn that it's not just happened to them; all the people in Sunnydale are Buffy the Vampire Slayer: Once More to sing about their inner feelings, as a group nearby performs about cleaning mustard out of a shirt "The Mustard". Willow and Tara leave the discussion to enjoy the day, and Tara sings a love song to Willow about the difference she's made in her life, which leads them to their bedroom "Under Your Spell". -
Joss's Jesus: Christ-Figures in the Whedonverses
Joss’s Jesus: Christ-figures in the Whedonverses Joss’s Jesus: Christ-figures in the Whedonverses Melody Cook Deans’ Distinguished Essay Award recipient Abstract In the fifth season finale ofBuffy the Vampire Slayer (2001), Buffy sacrifices herself to save her sister (and the world) by leaping into a portal with her arms outstretched. In the final scenes of The Cabin in the Woods (2012), Marty refuses to die in order to save the world, instead watching as it crumbles around him. In the former, Buffy is an obvious Christ-figure, while in the latter Marty subverts the trope in his refusal to be a sacrifice. This paper explores the prevalence, meaning, and evolution of the Christ-figure trope in the works of Joss Whedon. Drawing from research in the fields of both Whedon studies and religion and popular culture, I define and set parameters for identifying Christ-figures before exploring the use of the Christ-figure in Buffy the Vampire Slayer. Finally, I briefly reflect on the question, what can we learn from the conflicted religiosity of the Whedonverses?. Middle Tennessee State University 19 Scientia et Humanitas: A Journal of Student Research he field of Whedon Studies is dedicated to the academic study of the films, television series, and comic books written, directed, produced,T and/or created by Joss Whedon, including such works as Buffy the Vampire Slayer, Firefly, and Marvel’s The Avengers. A significant number of books, articles, and conference papers focus on the works of Whedon. Whedon Studies scholar Rhonda Wilcox has coined the term “Whedon- verses” to describe Whedon’s variety of works. -
Circumstantially Hurt.Pdf
Disclaimer: THIS STORY IS COPYRIGHT © 2002-2021 BY MultiMapper. THIS STORY IS FULLY PROTECTED UNDER THE UNITED STATES COPYRIGHT LAWS © 17 USC §§ 101, 102(a), 302(a). ALL RIGHTS RESERVED. PLACING OR POSTING THIS STORY ON ANY WEBSITE, OR DISTRIBUTION OF THIS WORK IN ANY WAY (PARTS OR WHOLE) WITHOUT THE EXPLICIT CONSENT OF THE AUTHOR IS STRICTLY PROHIBITED. ANY AND ALL COPYRIGHT INFRINGEMENTS WILL BE PROSECUTED TO THE FULLEST EXTENT OF THE LAW. DISTRIBUTION FOR COMMERCIAL GAIN, INCLUDING, BUT NOT LIMITED TO, POSTING ON SITES OR NEWSGROUPS, DISTRIBUTION AS PARTS OR IN BOOK FORM (EITHER AS A WHOLE OR PART OF A COMPILATION) WITH OR WITHOUT A FEE, OR DISTRIBUTION ON CD, DVD, OR ANY OTHER ELECTRONIC MEDIA WITH OR WITHOUT A FEE, IS EXPRESSLY PROHIBITED WITHOUT THE AUTHOR'S WRITTEN CONSENT. YOU MAY DOWNLOAD ONE (1) COPY OF THIS STORY FOR PERSONAL USE; ANY AND ALL COMMERCIAL USE EXCEPTING EDUCATIONAL INSTITUTIONS REQUIRES THE AUTHORS WRITTEN CONSENT. THE AUTHOR MAY BE CONTACTED AT: [email protected]. BY CONTINUING TO READ THIS STORY, YOU ARE STATING THAT YOU HAVE READ AND AGREED TO ALL DISCLAIMERS FOUND ON THE DISCLAIMER PAGE WHICH IS USED TO ACCESS THIS STORY. IF YOU CAME FROM ANOTHER SITE AND DID NOT VIEW THIS PAGE, YOU ARE REQUIRED TO VIEW IT BY FOLLOWING THE NORMAL NAVIGATION STEPS FOUND ON BENT & TWISTED AT WWW.BENTANDTWISTED.US. FAILURE TO DO SO RELEASES ALL PERSONS AND ENTITIES ASSOCIATED WITH THIS STORY AND/OR SITE FROM ANY CONSEQUENCES OF YOU ACCESSING THIS STORY. This story is a work of fiction. -
Buffy and Angel
buffy and angel PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Fri, 01 Jul 2011 03:42:14 UTC Contents Articles buffy and angel 1 Buffy the Vampire Slayer (film) 1 Buffy the Vampire Slayer (TV series) 5 Buffy the Vampire Slayer (season 1) 25 Buffy the Vampire Slayer (season 2) 30 Buffy the Vampire Slayer (season 3) 37 Angel (TV series) 42 Buffy the Vampire Slayer (season 4) 58 Angel (season 1) 65 Buffy the Vampire Slayer (season 5) 72 Angel (season 2) 78 Angel (season 3) 84 Buffy the Vampire Slayer (season 6) 90 Buffy the Vampire Slayer (season 7) 97 Angel (season 4) 103 Angel (season 5) 110 Buffy the Vampire Slayer Season Eight 118 References Article Sources and Contributors 131 Image Sources, Licenses and Contributors 133 Article Licenses License 134 1 buffy and angel Buffy the Vampire Slayer (film) Buffy the Vampire Slayer Theatrical release poster Directed by Fran Rubel Kuzui Produced by Howard Rosenman Written by Joss Whedon Starring Kristy Swanson Donald Sutherland Paul Reubens Rutger Hauer Luke Perry Music by Carter Burwell Cinematography James Hayman Editing by Jill Savitt Distributed by 20th Century Fox Release date(s) July 31, 1992 Running time 86 minutes Country United States Language English Budget $7 million Gross revenue $16,624,456 Buffy the Vampire Slayer is a 1992 American action/comedy/horror film about a Valley girl cheerleader named Buffy (Kristy Swanson) who learns that it is her fate to hunt vampires. The original script for the film was written by Joss Whedon, who later created the darker and more acclaimed TV series of the same name starring Sarah Michelle Gellar as Buffy. -
Buffy 5Th Season Transcripts
Buffy vs. Dracula Transcript by Joan the English Chick <[email protected]> Transcriber’s Notes I do not own the characters or situations of BTVS, and I claim no credit for the content of this episode. I have merely transcribed what appeared on my screen, with help from the closed captions. Nomar the Wonder Kitty also helped, mostly by attacking the keyboard cable. Please feel free to link to this transcript. Please do not redistribute it, or post it on a website (other than the Psyche transcript site), without first emailing me. There were several instances during this episode where a line of dialogue was heard but did not appear in the closed captions. I have indicated this in the transcript by using underlines. I do this because I consider it interesting. If you don’t, please accept my apologies. I also apologize in advance for my lame transcription of the fight scenes. I don’t know the names of different punches and kicks. Use your imagination. Teaser Fade in on Buffy in bed. She closes her eyes, opens and snuggles up next to him, closing her eyes. them, fidgets, closes them, opens them. She looks at Wolf howl. Opening credits. Since it’s the sea- the clock, looks over to Riley who’s asleep next to her. son premiere I’ll point out that the cast is listed in Buffy frowns and gets up. the opening credits as follows: Sarah Michelle Gel- Cut to Buffy running through a graveyard, night. lar, Nicholas Brendon, Alyson Hannigan, Marc Blu- She’s chasing a vampire. -
Read Ebook {PDF EPUB} Buffy the Vampire Slayer Season 9 Volume 1 by Joss Whedon Buffy the Vampire Slayer Season Nine
Read Ebook {PDF EPUB} Buffy the Vampire Slayer Season 9 Volume 1 by Joss Whedon Buffy the Vampire Slayer Season Nine. Buffy the Vampire Slayer Season Nine follows the character of Buffy and other Scoobies like Xander Harris and Dawn Summers trying to find a sense of normalcy in San Francisco. There they have to deal with the fallout of the Twilight crisis, the end of magic, the emergence of zompires, and the vengeful renegade Slayer Simone Doffler. Continuity [ edit | edit source ] The story continues from Buffy the Vampire Slayer Season Eight . The events are parallel to Angel & Faith series and the miniseries "Willow: Wonderland" and "Spike: A Dark Place". It is followed by Buffy the Vampire Slayer Season Ten . Appearances [ edit | edit source ] (27/28) (22/28) (22/28) (19/28) (16/28) (16/28) (14/28) (14/28) (14/28) (13/28) (11/25) (10/28) (9/28) (9/28) (4/28) (7/28) (5/28) (3/28) (3/28) (1/28) (1/28) (Only in flashbacks) (1/28) (Only in flashbacks) (1/28) (Only in flashbacks) Publications [ edit | edit source ] The series includes 25 issues and 3 short stories, which were collected into 5 trade paperbacks and 3 library editions (hardcovers). Buffy the Vampire Slayer Season 9 2 - Joss Whedon (Hardcover) When Buffy is unemployed and killing fewer vampires than ever, a group of Slayer-driven special forces called Deepscan gives her hope for a more prosperous future. But Buffy can't resist her slaying instincts in a new world where not all bad things are . bad . -
A VIDA ADOLESCENTE LEVADA a SÉRIO: Identidade Teen E Cultura Das Séries
PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO GRANDE DO SUL FACULDADE DE COMUNICAÇÃO SOCIAL LÚCIA LONER COUTINHO A VIDA ADOLESCENTE LEVADA A SÉRIO: identidade teen e cultura das séries Porto Alegre 2016 LÚCIA LONER COUTINHO A VIDA ADOLESCENTE LEVADA A SÉRIO: identidade teen e cultura das séries Tese apresentada como requisito para a obtenção do grau de Doutor pelo Programa de Pós-Graduação em Comunicação Social da Pontifícia Universidade Católica do Rio Grande do Sul. Orientador: Dra. Ana Carolina D. Escosteguy Porto Alegre 2016 C896v Coutinho, Lúcia Loner A vida adolescente levada a sério : identidade teen e cultura das séries / Lúcia Loner Coutinho. --- Rio Grande do Sul, 2016. 276 p. Tese (Doutorado em Comunicação Social) Pontifícia Universidade Católica do Rio Grande do Sul, 2016 Orientadora: Ana Carolina D. Escosteguy 1. Jovens -- Dinâmica cultural 2. Jovens -- Identidade 3. LÚCIA LONER COUTINHO A VIDA ADOLESCENTE LEVADA A SÉRIO: identidade teen e cultura das séries Tese apresentada como requisito para a obtenção do grau de Doutor pelo Programa de Pós-Graduação em Comunicação Social da Pontifícia Universidade Católica do Rio Grande do Sul. Aprovada em: ____de__________________de________. BANCA EXAMINADORA: ______________________________________________ Prof. Dr. 1 - Instituição ______________________________________________ Prof. Dr. 2 - Instituição ______________________________________________ Prof. Dr. 3 - Instituição ______________________________________________ Prof. Dr. 4 - Instituição Porto Alegre 2016 AGRADECIMENTOS Escrever esta tese foi um longo processo. Um processo de educação, oportunidades, frustrações e também de autoconhecimento. Ninguém passa tanto tempo pensando em qual é seu lugar no mundo quanto um adolescente, talvez somente um doutorando. Felizmente, embora a reflexão às vezes seja solitária, o caminho do doutorado não é. Por isso meus sinceros agradecimentos a todos que o traçaram comigo. -
Buffy the Vampire Slayer 2012 Wall Calendar Pdf, Epub, Ebook
BUFFY THE VAMPIRE SLAYER 2012 WALL CALENDAR PDF, EPUB, EBOOK 20th Century Fox | 24 pages | 01 Aug 2011 | UNIVERSE PUBLISHING | 9780789323316 | English | New York, United States Buffy the Vampire Slayer 2012 Wall Calendar PDF Book Andrew Wells. Warren Mears. Kristy Swanson. Anthony Head has been a very successful actor in the United Kingdom for many years, but he is best known in America for only one role. You've been on, like, every show at least once. But since we're only focusing on the original series and not its spin-off, she'll have to content herself with being 5 on the list. It was critically acclaimed for both its plot and music. She grew up a Mormon and didn't want to show any skin on the show. As Mr. Felicia Rosenberg. The character of Jenny Robia LaMorte was originally called Nicki , but it became too confusing as everyone on set called Brendon "Nicky", so they switched her name to Jenny. William Brain. Greg Toole. You probably know him as Xander, but his full name is Alexander Harris. There were a whole lot of characters that were killed off over the course of "Buffy the Vampire Slayer. Spike pushes a demon through the portal, killing it along with his only chance of ever gaining a soul. He wasn't even that season's big bad! Nerf Herder. The Gold. The Ritual of Restoration gives a vampire a soul. The Master set the tone for much of what we'd eventually come to expect from Buffyverse villains — he was equal parts terrifying and hilarious, always accompanying his brutal maiming with a well-timed quip. -
Buffy, Dark Romance and Female Horror Fans Lorna Jowett
Buffy, Dark Romance and Female Horror Fans Lorna Jowett When asked, in a 2002 SFX magazine reader’s poll, ‘What’s the thing you’re proudest of in this world?’ Joss Whedon, creator of TV show Buffy the Vampire Slayer, answered: ‘Art and feminism; my little show that changed things’. In February 2012 The Guardian newspaper ran an article titled ‘Buffy drives home an important issue for women,’ in which Naomi Alderman suggests that the Buffy season 9 comic series continues to debate significant questions for women (in this case abortion). Whedon always insisted that the series’s premise was an exercise in gender role reversal, and it is now easy to see Buffy as a ‘little show that changed things’ where TV’s representation of female, and male, characters is concerned. Characters like Ripley (debuting in the 1979 film Alien) or Sarah Connor (from The Terminator) may have introduced the female action hero in cinema; Buffy the Vampire Slayer, argues Robert Moore, changed the face of television and Emily Nussbaum observed in the New York Times that ‘The show’s influence can be felt everywhere.’ Specifically Buffy can be positioned as a key influence on the contemporary Dark Romance (sometimes called paranormal romance) publishing and media boom. Just as Buffy draws on previous female action heroes from comic books, movies, fiction, and TV, Dark Romances from Twilight movies to HBO television show True Blood offer variations on Buffy’s complex representation of romance, sexuality and gender. Now that VILF (Vampire I’d Like to Fuck) has entered the lexicon, the Dark Romance (in which a female protagonist falls in love with a dark hero, usually a vampire or werewolf, though sometimes another supernatural male) has truly arrived. -
Is This Bizarro World?” the Adaptation of Characterisation and Intertextuality in German
“Is this Bizarro World?” The Adaptation of Characterisation and Intertextuality in German Audiovisual Translation Nicholas David Peat Thesis submitted for the Degree of Doctor of Philosophy Department of Linguistics and English Language Lancaster University February 2017 !1 Declaration I hereby confirm that this thesis is my own work and has not been submitted for the award of a higher degree elsewhere. Nicholas David Peat February 2017 Lancaster University !2 Dedication To my parents and Bernadette. !3 Acknowledgements Discussing the German language, Mark Twain once claimed that “a gifted person ought to learn English (barring spelling and pronouncing) in 30 hours, French in 30 days, and German in 30 years”. After five-and-a-half years of analysing German dialogue, encompassing two supervisors and one diagnostic laparoscopy, I can see his point: analysing German dialogue in a PhD has proven to be a very long marathon, encompassing surprise diversions (the demise of an 18 month-programme in Siegen was a classic of the genre) and shocking twists (deadline coming up? Here’s appendicitis!). But only now, as I inch across that finish line, do I see the myriad of people without whom I would have fallen many times over. To begin, I would like to thank so many people within Lancaster University. First thanks go to Marjorie Wood from LAEL, for always being completely sensible and sympathetic, where and when I need her (and having exemplary taste in sweets). Ann Thomas of DELC, who has known me for a decade, has never been anything other than amazing every time I’ve seen her; the thing I have always done when reaching Lancaster is head straight for Ann’s office for her unique blend of common sense and kindness. -
Once More, with Feeling
Once More, With Feeling Written by Joss Whedon Directed by Joss Whedon Original Songs, Music & Lyrics by Joss Whedon Episode 6.06 Original Airdate November 6, 2001 CAST Buffy Anne Summers SARAH MICHELLE GELLAR Xander Harris NICHOLAS BRENDON Willow Rosenberg ALYSON HANNIGAN Dawn Summers MICHELLE TRACHTENBERG Spike JAMES MARSTERS Anya Jenkins EMMA CAULFIELD Tara Maclay AMBER BENSON Rupert Giles ANTHONY STEWART HEAD Sweet HINTON BATTLE Mustard Man DAVID FURY Parking Ticket Woman MARTI NOXON Handsome Young Man DANIEL WEAVER Demon/Henchman ZACHARY WOODLEE Henchman SCOT ZELLER Henchman TIMOTHY ANDERSON Henchman ALEX ESTRONEL College Guy #1 MATT SIMS College Guy #2 HUNTER COCHRAN Buffy the Vampire Slayer Once More, With Feeling ACT I Note: All sung lyrics are indicated by the ∆ symbol. 1 INT. SUMMERS HOME— BUFFY’S ROOM— DAY 1 BUFFY’s alarm clock rings. It’s 7:00 AM. She picks up, looks at it, then puts it back down. CUT TO: 2 INT. SUMMERS HOME— BUFFY’S ROOM— DAY 2 WILLOW, TARA and DAWN go about their morning routine, making beds, brushing hair, getting ready for school. While fluffing the pillows, Tara finds the flowery herb Willow used to make her forget their fight lying in the bed. She picks it up, sniffs it and smiles. CUT TO: 3 INT. THE MAGIC BOX— DAY 3 ANYA and XANDER look through Tomorrow’s Bride magazine. Xander points something out and smiles; Anya frowns, then moves off to help a customer. GILES finds Dawn reading a magick book and takes it away from her. Tara and Willow are researching ancient texts while Buffy passes the time sketching.