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Comparative and Superlative Adjectives
ComparativeComparative andand SuperlativeSuperlative AdjectivesAdjectives ComparativeComparative andand SuperlativeSuperlative AdjectivesAdjectives Comparative adjectives Superlative adjectives ComparativeComparative adjectivesadjectives When do we use them? We use them to compare TWO objects, people, places… ComparativeComparative adjectivesadjectives How do we use them? There are 5 rules: g Rule 1 g Rule 2 g Rule 3 g Rule 4 g Rule 5 g Summary ComparativeComparative adjectivesadjectives g Rule 1 Adjectives with 1 syllable add –er. Adj. + -er + than Example: Bart is taller than Maggie. ComparativeComparative adjectivesadjectives g Rule 2 Adjectives ending –Y change it into -IER. Adj.(-y) Adj.(-ier) + than Example: lazy lazier than Homer is lazier than Lisa. ComparativeComparative adjectivesadjectives g Rule 3 One syllable adjectives ending with CONSONANT+VOWEL+CONSONANT double the last consonant and add –er. Example: x2 consonants fat fatter than C V C Homer is fatter than Marge ComparativeComparative adjectivesadjectives g Rule 4 Adjectives with 2 or more syllables add MORE before the adjective. more + adj. (2 or more syllables) + than Example: beautiful more beautiful than Maggie is more beautiful than Mr. Burns. ComparativeComparative adjectivesadjectives g Rule 5 Irregular adjectives to memorize. good better than bad worse than far further than ComparativeComparative adjectivesadjectives g Summary Rule… adjective comparative tall taller than 1.1. add -er small smaller than lazy lazier than 2.2. drop –y, add -er happy happier than 3.3. C+V+C = doubles last fat fatter than consonant big bigger than beautiful more beautiful than 4.4. 2 or + syllables add MORE dangerous more dangerous than good better than 5.5. Irregular forms (memorize) bad worse than SuperlativeSuperlative adjectivesadjectives When do we use them? We use them to compare ONE object, person, place… in a GROUP. -
2000 Film Program Schedule
ACCOUNTANT, THE USA 2000 Betacam SP/16mm 106 mins. One Wheel Panther Productions East Coast Premiere [email protected] Director/Writer/Editor: Glenn Gers Producer: Spencer M. Clarke, Jr. Cinematography: Noah Prince Music: Bryan E. Miller Costumes: Loren Bevans Starring: David Valcin, Marlene Forte, John Randolph Jones The story of a gentleman who tries to protest the lack of civilized behavior in New York City and inadvertently brings about the end of civilization. A narrator-hero guides us through an Altmanesque/neo-Dickensian tale involving 18 principal characters in a tragicomedy of race, class, good intentions and bad luck. Shot for $62,000 in 88 locations with 120 actors, "The Accountant" is a no-budget magical-realist disaster movie. A.J.’S DOGUMENTARY USA 1999 Digital Video 53 mins. New England Premiere Director: A.J. Poulin The film offers a comic glimpse into the lives of obsessive dog owners, and shows the bizarre ways they pamper their pets. A.J.’s Dogumentary has been in four film festivals, winning the audience award for favorite film three times. ALZIRA: A MATRIARCH TELLS HER STORY USA 2000 Digital Video 63 mins. In English and Portuguese (with English subtitles) http://members.tripod.com/~christian-d/index.html Breaking Branches Pictures Official World Premiere [email protected] Director: Christian de Rezendes Music: Alberto Resendes Featuring: Alzira Rodrigues By 1929, Alzira de Jesus Soares had survived the conditions of her impoverished village in the north of Portugal, a place called Bouçoais - where her father and two younger siblings had died from influenza and starvation. Only months earlier, she had been granted the most unique of opportunities for those in her native homeland: a better life in America. -
The Godfather, Part II
RANCIS FORD COPPOLA (Detroit, Michigan, 7 April 1939) has directed 30 films, among them Megalopolis 2005, John Grisham's The Rainmaker 1997, Bram Stoker's Dracula 1992, The Godfather: Part III 1990, Tucker: The Man and His Dream 1988, Gardens of Stone 1987, Peggy Sue Got Married 1986, The Cotton Club 1984, Rumble Fish 1983, The Outsiders 1983, One from the Heart 1982, Apocalypse Now 1979, The Conversation 1974, The Godfather 1972, The Rain People 1969, and Dementia 13 1963. He received Best Director Oscar nominations for Godfather Part III, Godfather Part II (won), Apocalypse Now, The Godfather; Best Picture nominations for Godfather Part III, Godfather Part II (won), Apocalypse Now, The Conversation, American Graffiti; Best Screenplay nominations for Apocalypse Now, Godfather Part II (won), The Conversation, The Godfather (won), and Patton November 30, 2004 (IX:14) (won). GORDON WILLIS ( 28 May 1931, Queens, NY) has shot 31 films. His colleagues call him the “Prince of Darkness” for his astonishing ability to get gorgeous scenes out of underexposed negatives. He did all three Godfather films, as well as many of Woody Allen’s films. Some of his films are The Devil's Own 1997, Malice 1993, Presumed Innocent 1990, Bright Lights, Big City 1988, The Purple Rose of Cairo 1985, Broadway Danny Rose 1984, Zelig 1983, A Midsummer Night's Sex Comedy 1982, Pennies from Heaven 1981, Stardust Memories 1980, Manhattan 1979, Annie Hall 1977, The Drowning Pool 1975, The Parallax View 1974, Bad Company 1972, Klute 1971, Little Murders 1971, End of the Road I970 and others. He received Oscar nominations only for The Godfather: Part III and Zelig 1983. -
Singh Simpsons
Copyright © 2013 by Simon Singh All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission from the publisher except in the case of brief quotations embodied in critical articles or reviews. For information address Bloomsbury USA, 1385 Broadway, New York, NY 10018. This book has not been approved, licensed, or sponsored by any entity or person involved in creating or producing The Simpsons™, the film, or the TV series. The Simpsons ® is a registered trade- mark of Twentieth Century Fox Film Corporation, © 2013 Twentieth Century Fox Film Corporation. All Rights Reserved. Nor has this book been approved, licensed, or sponsored by any entity or person involved in creating or producing Futurama™, the TV series. Futurama ® is a registered trademark of Twentieth Century Fox Film Corporation, © 2013 Twentieth Century Fox Film Corporation. All Rights Reserved. Published by Bloomsbury USA, New York All papers used by Bloomsbury USA are natural, recyclable products made from wood grown in well-managed forests. The manufacturing processes conform to the environmental regulations of the country of origin. library of congress cataloging-in-publication data Singh, Simon. The Simpsons and their mathematical secrets / Simon Singh.—First U.S. Edition. pages cm Includes bibliographical references and index. ISBN 978-1-62040-277-1 (hardback) 1. Mathematics—Miscellanea. 2. Simpsons (Television program)—Miscellanea. I. Title. QA99.S48 2013 510—dc23 2013020884 First U.S. Edition 2013 1 3 5 7 9 10 8 6 4 2 Printed and bound in the U.S.A. by Thomson-Shore Inc., Dexter, Michigan Sing_5p_all_r2.indd 4 8/16/13 7:45 PM CHAPTER 4 The Puzzle of Mathematical Humor s might be expected, many of the mathematical writers of The ASimpsons have a passion for puzzles. -
Inf3580 Spring 2014 Exercises Week 4
INF3580 SPRING 2014 EXERCISES WEEK 4 Martin G. Skjæveland 10 mars 2014 4 SPARQL Read • Semantic Web Programming: chapter 6. • Foundations of Semantic Web Technologies: chapter 7. 4.1 Query engine In this exercise you are asked to make a SPARQL query engine. 4.1.1 Exercise Write a java program which reads an RDF graph and a SPARQL query from file, queries the graph and outputs the query results as a table. Your program should accept SELECT queries, CONSTRUCT queries and ASK queries. A messages should be given if the query is of a different type. Tip If I query the Simpsons RDF graph (simpsons.ttl) we wrote in a previous exercise with my SPARQL query engine and the SELECT query 1: PREFIX sim: <http://www.ifi.uio.no/INF3580/v13/simpsons#> 2: PREFIX fam: <http://www.ifi.uio.no/INF3580/v13/family#> 3: PREFIX xsd: <http://www.w3.org/2001/XMLSchema#> 4: PREFIX foaf: <http://xmlns.com/foaf/0.1/> 5: SELECT ?s ?o 6: WHERE{ ?s foaf:age ?o } 7: LIMIT 1 I get1 the following: (To get the nicely formatted output I use the class ResultSetFormatter.) ------------------------------------------------------------------ | s | o | ================================================================== | <http://www.ifi.uio.no/INF3580/simpsons#Maggie> | "1"^^xsd:int | ------------------------------------------------------------------ Executing with the ASK query 1: ASK{ ?s ?p ?o } 1Note that your results may be different according to how your Simpsons RDF file looks like. 1 gives me true Executing with the CONSTRUCT query 1: PREFIX rdfs: <http://www.w3.org/2000/01/rdf-schema#> 2: PREFIX fam: <http://www.ifi.uio.no/INF3580/v13/family#> 3: PREFIX sim: <http://www.ifi.uio.no/INF3580/v13/simpsons#> 4: PREFIX foaf: <http://xmlns.com/foaf/0.1/> 5: CONSTRUCT{ sim:Bart rdfs:label ?name } 6: WHERE{ sim:Bart foaf:name ?name } gives me @prefix rdfs: <http://www.w3.org/2000/01/rdf-schema#> . -
The Fifth Simpsons Packet.Pdf
Ground Zero; About Me; Model U.N.; International Relations; Web Pages; Internet Links The following packet was written by Hayden Hurst. Please direct any comments to [email protected]. The Fifth Simpsons Packet Toss-Ups 1. The Simpsons' first Emmy win for Outstanding Music and Lyrics in 1997 came for "We Put The Spring In Springfield". It's second came one year later, with a song that involved no traditional Simpsons cast members. It is, however, a relatively elaborate number - moving from Los Angeles to elsewhere in California - all while never leaving New York. Oh, and it also involves strapping down Liza Minelli. For ten points, name this song, a key feature of the Broadway play "Kickin' It". ANSWER: You're _CHECKING IN_ (accept ''I'm Checking In") (accept "We Put The Spring In Springfield" before it's said) 2. Its adjunct gets its name from Chief Starving Bear, and it's located on Bid Snake Lake and below Mount Avalanche. It was originally run by Mr. Black - afterwards, it was worse than Vietnam, Afghanistan, and Iraq put together. For ten points, name this Krustiest place on Earth. ANSWER: _KAMP KRUSTY_ 3. The answer is sort of a tie. In any case, it does not involve running around a beer truck or marrying Marge. It may involve a Krustyburger, an hour-long episode of Mama's family, and Lisa's birth. However, it's probably involves skipping church, winning a radio contest, making moon waffles, and finding a penny. For ten points, what am I talking about? ANSWER: _BEST DAY OF HOMER'S LIFE_ (accept equivalents) 4. -
Program Book 2015.Indd
2015 CRYSTAL BALL LIVE AUCTION 1) Emily’s Exquisite Wine and Dine • Dinner for 6, up to 8 courses, in Emily’s private tasting room in Bristol, CT. Each course paired with the appropriate wine • Vocalist and guitarist Alan James will add a unique musical element to your dinner with his blend of blues and folk music Restrictions: Contact Emily’s Catering Group and Alan James to coordinate date. Some blackout dates apply. Donated by Emily’s Catering Group, Alan James, Value: $2,875 2) Sweet Caroline – Red Sox by Limo! • 4 tickets to a Red Sox game at Fenway Park – Your choice • Location is about 4 rows up from fi eld - behind 3rd base • Limo service to and from game (8 hour maximum) Restrictions: Game date to be mutually agreed upon. Seats are Section 29, Box 71, Row E Seats 7 & 8, Row F Seats 8 & 9. Donated by Data-Mail, Inc., Value: Priceless 3) The Big Apple Take the City That Never Sleeps by storm with this amazing package. You’ll sit in on tapings for two of the hottest shows on TV, eat at one of the best Italian restaurants in Manhattan, and stay in a 4-star hotel that blends old school luxury with New Age touches. • 2 tickets to the Tonight Show with Jimmy Fallon • 2 tickets to The Daily Show • 2 one-night stays at the Carlton Hotel on Madison Ave. • $100 gift certifi cate to Marcony Restaurant on Lexington Ave. Restrictions: The Daily Show tapes Monday thru Thursday only, and requests 4-8 weeks advance notice. -
CELEBRITIES SCHEDULED to ATTEND (Appearance of Celebrities Subject to Change)
Festival of Arts / Pageant of the Masters Celebrity Benefit Event August 25, 2018 CELEBRITIES SCHEDULED TO ATTEND (Appearance of Celebrities Subject to Change) Sarah Drew (Host) – Drew is best known for her roles as Dr. April Kepner on ABC's GREY’S ANATOMY, Hannah Rogers on WB's EVERWOOD, and the voice of Stacy Rowe on MTV's DARIA. Other television credits include SUPERNATURAL, GLEE, MAD MEN, IN PLAIN SIGHT, CASTLE, PRIVATE PRACTICE, and MEDIUM. Drew most recently starred as Cagney in the CBS pilot reboot of CAGNEY AND LACEY. Film credits include MOMS’ NIGHT OUT, TUG, FRONT OF THE CLASS, REINVENTING THE WHEELERS, AMERICAN PASTIME, THE BAXTER and RADIO. Steve Tyrell (Performer) – Ever since his glorious surprise version of “The Way You Look Tonight” in the 1991 film FATHER OF THE BRIDE, Tyrell has been setting A New Standard (the title of his 1999 debut album) for interpreting the Great American Songbook. Nine of Tyrell's own albums have reached top- five status on Billboard's Jazz charts, with his most recent "A Song For You" hitting #1. He continually works to reinvent the American Standards Songbook and connect classic tunes to a modern audience, performing extensively with his band and with orchestras across the country and around the world-from the Hollywood Bowl to Carnegie Hall to Buckingham Palace. James Callis – He is an English born actor best known for starring role of “Dr. Gaius Baltar” in the Syfy series BATTLESTAR GALACTICA and films BRIDGET JONES’S DIARY and AUSTENLAND with Keri Russell. He has also appeared in the television series EUREKA, FLASHFORWARD, ARROW and 12 MONKEYS and starred in the tv movie MERLIN AND THE BOOK OF BEASTS. -
Simpsons Comics: Dollars to Donuts Free
FREE SIMPSONS COMICS: DOLLARS TO DONUTS PDF Matt Groening | none | 22 Feb 2008 | Titan Books Ltd | 9781845767518 | English | London, United Kingdom Verify your identity Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. Enabling JavaScript in your browser will allow you to experience all the features of Simpsons Comics: Dollars to Donuts site. Learn how to enable JavaScript on your browser. Home 1 Books 2. Add to Wishlist. Sign in to Purchase Instantly. Members save with free shipping everyday! See details. Overview It's dollars to donuts you'll love the newest comic collection from The Simpsons creator, Matt Groening. Along the way see Homer trade places, spaces and, in an odd turn of events, faces with Ned Flanders; go to summer camp with Lisa Simpson and be caught up in a world of espionage and basket weaving; and witness Simpsons Comics: Dollars to Donuts early antics of your favorite crusty comedian and discover his unlikely inspiration. Product Details About the Author. About the Author. Related Simpsons Comics: Dollars to Donuts. Bart Simpson: Out to Lunch. Hop into the lunch line at Springfield Elementary School for a sweet and savory meal Hop into the lunch line at Springfield Elementary School for a sweet and savory meal high in humor and saturated satire. Join Bart Simpson and his pals and gals as they square off for the title of Class Clown, outwit View Product. Beware the Wild. Southern Gothic gets a whole new twist in Beware the Wild, now in paperback. -
Honey, I've Ruined Our Holiday by Ryan Gault
Honey, I’ve Ruined Our Holiday By Ryan Gault Date – April 2007 Opening Credits – I will not shout Mayday on an airplane Couch Gag – The Family run in and jump over spikes except Homer who fails and lands in the spikes. The rest of the family tip over from the chair and also land in the spikes. Homer and Marge’s Bedroom. Night. Marge getting dressed and Homer sitting on the bed. Homer – Oh come on Marge. Do you really have to go out tonight. Marge – Homer, as you know my friends have invited me to come over their place. Homer – I thought you didn’t have any friends. Marge – I do now. Homer – But, its lamb chop night. Marge – (angry) Who cares what night it is, I’m going out and you can’t stop me. Homer – (sad) But who’ll watch the kids Marge – (really angry) You! Now I have to go otherwise I will be late. (Marge slams the door, Homer sighs.) Homer and Marge’s Bedroom. Night. All lights are off except for the alarm clock which says its 1:30. Homer asleep. Marge – Hey Homey I am home. Homer – (Half-asleep) What, oh hi Marge. What time is it Marge – (Going in to bed) Half past one. Homer – (Curious) Why are you in so late tonight? Marge – (eyes shifting) erm, I ur lost track of time. Yeah completely lost track of the time. Well Goodnight. (Turns off light) Homer – (Sighs) Oh half past one, I’ll never get back to a good night sle (falls asleep, snoring) Simpsons Kitchen. -
Title: “How Time Works in the Simpsons”
Title: “How time works in The Simpsons” Amy M. Davis University of Hull, UK Jemma Gilboy University of Hull, UK James Zborowski University of Hull, UK Dr. Amy Davis Film Studies (Larkin Building) University of Hull Cottingham Road Hull HU6 7RX [email protected] (01482) 465649 Ms Jemma Gilboy 7 Hemmingway Walk Hessle East Riding of Yorkshire HU13 9BD [email protected] Dr. James Zborowski Film Studies (Larkin Building) University of Hull Cottingham Road Hull HU6 7RX [email protected] Author biographies Amy M. Davis is a lecturer in Film and Animation History at the University of Hull (School of Drama, Music, and Screen). She teaches modules on (amongst other things) American Animation History and Disney Studies, and is the author of several papers on Disney and animation, as well as two books, Good Girls & Wicked Witches: Women in Disney’s Feature Animation (2006) and Handsome Heroes & Vile Villains: Men in Disney’s Feature Animation (2013). Jemma Gilboy is a PhD candidate in the Department of Drama, Music and Screen at the University of Hull. Her thesis is on meme theory and its application to fans' relationships with the texts and the authors of The Simpsons. She studied practical animation in her undergraduate work in Canada, and in further undergraduate and postgraduate study has narrowed her academic focus onto the theoretical sides of filmmaking, animation, and online audience participation. James Zborowski is a Lecturer in Film and Television Studies at the University of Hull. He is the author of a series of publications exploring the relationship between television and time. -
Crime Wave for Clara CRIME WAVE
Crime Wave For Clara CRIME WAVE The Filmgoers’ Guide to the Great Crime Movies HOWARD HUGHES Disclaimer: Some images in the original version of this book are not available for inclusion in the eBook. Published in 2006 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com In the United States and Canada distributed by Palgrave Macmillan, a division of St. Martin’s Press, 175 Fifth Avenue, New York NY 10010 Copyright © Howard Hughes, 2006 The right of Howard Hughes to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. The TCM logo and trademark and all related elements are trademarks of and © Turner Entertainment Networks International Limited. A Time Warner Company. All rights reserved. © and TM 2006 Turner Entertainment Networks International Limited. ISBN 10: 1 84511 219 9 EAN 13: 978 1 84511 219 6 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Typeset in Ehrhardt by Dexter Haven Associates Ltd, London Printed and bound in Great Britain by TJ International,