Tracing the Origins of Rendang and Its Development Fadly Rahman
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2020-Ds-Menukaart-Juli-Engels.Pdf
AS A STARTER soto ayam 6,75 a lovely javanese chicken soup, so-oen, bean sprout, tomato and egg pangsit goreng ~ 5 pieces 6,25 fried dumpling, beef, shrimp and a tomato ginger dip lumpia semarang ~ 2 pieces 6,75 a mini egg roll with beef, shrimps, leak and bambu lumpia sayuran ~ 2 pieces 6,75 a vegetarian mini egg roll with tahu, bambu, leak, carrot, beans perkedel jagung ~ 3 pieces 7,25 corn fritters, with sweet & sour chili dip RIJSTTAFELS Rijsttafel Dewi Sri ~ 32,50 p.p. This festive rijsttafel comes in little ... Enjoy all the flavours of Java and Sumatra and imagine that your in Indonesia, just for a little while. ... Selamat makan! rendang padang spicy sumatran beef stew, coconut ayam rujak chicken, turmeric sauce, laos, terasi babi kecap pork stew, 5 spices, sweet soy sauce ayam goreng bumbu kuning crispy fried chicken drumstick that everybody loves sate ayam or sate babi ~ 2 skewers chicken or pork skewers with peanut sauce telor belado a hard boiled egg with a spicy belado sauce sayur lodeh mixed vegetables, light coconut sauce sambal goreng buncis green beans, bambu, spicy coconut sauce gado gado a lovely vegetable salad with peanut dressing tempe terik crispy fried tempe, asam, javanese palm sugar nasi putih en nasi kuning your choice of jasmin rice and coconut turmeric rice acar serundeng sweet & sour salad roasted coconut, peanuts RIJSTTAFELS Rijsttafel Sayuran ~ 32,50 p.p. This festive rijsttafel comes in little ... Enjoy all the flavours of Java and Sumatra and imagine that your in Indonesia, just for a little while. -
The Revival of Tradition in Indonesian Politics
The Revival of Tradition in Indonesian Politics The Indonesian term adat means ‘custom’ or ‘tradition’, and carries connotations of sedate order and harmony. Yet in recent years it has suddenly become associated with activism, protest and violence. Since the resignation of President Suharto in 1998, diverse indigenous communities and ethnic groups across Indonesia have publicly, vocally, and sometimes violently, demanded the right to implement elements of adat in their home territories. This book investigates the revival of adat in Indonesian politics, identifying its origins, the historical factors that have conditioned it and the reasons for its recent blossoming. The book considers whether the adat revival is a constructive contribution to Indonesia’s new political pluralism or a divisive, dangerous and reactionary force, and examines the implications for the development of democracy, human rights, civility and political stability. It is argued that the current interest in adat is not simply a national offshoot of international discourses on indigenous rights, but also reflects a specifically Indonesian ideological tradition in which land, community and custom provide the normative reference points for political struggles. Whilst campaigns in the name of adat may succeed in redressing injustices with regard to land tenure and helping to preserve local order in troubled times, attempts to create enduring forms of political order based on adat are fraught with dangers. These dangers include the exacerbation of ethnic conflict, the legitimation of social inequality, the denial of individual rights and the diversion of attention away from issues of citizenship, democracy and the rule of law at national level. Overall, this book is a full appraisal of the growing significance of adat in Indonesian politics, and is an important resource for anyone seeking to understand the contemporary Indonesian political landscape. -
Komunikasi Simbol : Peci Dan Pancasila
KOMUNIKASI SIMBOL : PECI DAN PANCASILA Rama Kertamukti (Dosen Ilmu Komunikasi FISHUM UIN Sunan Kalijaga Yogyakarta) ABSTRACT The use of peci in the activities of the community in Indonesia is an equivalent form of the symbol of amity and simple. Amity and the simplicity of it is visible in the form of a caps which usually contains only one element of black color and the shape of a tube-like caps follow the head of its users. The use of caps or songkok in Indonesia has been regarded as the culture (Pancasila). Caps in Indonesia became a symbol of resistance in a simplicity pattern to form a balance in society concerned with the material. Black in a psychology color have stimuli the nature of human emotion strong and have expertise are defined although official or formal. Symbol- ism key of mental life typical human and exceeding tiers animal of economics. Basic needs will symbolization clear in humans serves continuously and is a process of fundamental the human mind. As users and interpreter of symbol, human sometimes irrational to think of as if there natural of a connection between a symbol with what symbolized. : Peci, Pancasila, Symbol, Society A. Pendahuluan khas cara berpakaian sebagian umat muslim Sejarah adalah pondasi masa sekarang, di Indonesia. Sebagai Penutup kepala, Peci ada- ketika membaca buku sejarah Indonesia pada lah sunnah nabi dan mereka meyakini bahwa masa pergerakan melawan penjajahan menggunakan penutup kepala berarti mereka imperialisme, banyak terlihat para pejuang mencintai nabinya. Mereka berpendapat ke- bangsa semisal Soekarno, Sutan Sjahrir, Moh. biasaan menelanjangi kepala, tanpa peci atau Hatta selalu menggunakan peci hitam yang surban adalah kebiasaan orang di luar Islam. -
R E S E R V E C
R E S E R V E C U T SPRING DINNER MENU GLATT R E S E R V E C U T R E S E R V E C U T GLATT GLATT ★★★★★ S U S H I & S A S H I M I TUNA 7/9 H O U S E - M A D E & C U R E D M E A T S FLUKE 6/8 SHIMA AJI 7/9 CHARCUTERIE PLATE KAMPACHI 7/9 VEAL SAUSAGE OCEAN TROUT 7/9 HAMACHI 7/9 BEEF SAUSAGE SALMON 7/9 SMOKED LAMB SAUSAGE MADAI 7/9 DUCK PROSCIUTTO IKURA 6/8 WITH ACCOMPANIMENTS TORO MP 32 C U T & H A N D R O L L S BUTCHERS CUT TERIYAKI BEEF JERKY 13 EACH 29 SPICY TUNA ★★★★★ SPICY SALMON AVOCADO CUCUMBER YELLOWTAIL JALAPENO C O L D A P P E T I Z E R S FLUKE SHISHITO PEPPER SALMON AVOCADO CLASSIC ‘WAGYU’ BEEF TARTARE CALIFORNIA SHALLOTS, CORNICHONS, QUAIL YOLK 28 S I G N A T U R E R O L L S YELLOWTAIL CARPACCIO JALAPENO, BLACK CAVIAR, MICRO CILANTRO, TUNA & BLACK TRUFFLE 24 CITRUS PONZU AVOCADO, CRUNCH, TERIYAKI, CILANTRO 24 SEARED MADAI WITH CRISPY SHALLOTS 22 TUNA, AVOCADO, CITRUS TERIYAKI, CILANTRO BIGEYE AHI TUNA TARTARE AVOCADO MOUSSE, SESAME -MEYER LEMON DRESSING YELLOWSTONE 22 24 KANI, YAMAGOBO, CUCUMBER & SWEET BBQ SALMON SALMON TARTARE VOLCANO 22 TORTILLA CHIPS, SCALLIONS, CAYENNE AIOLI SPICY TUNA, AVOCADO, AIOLI SAUCE & TEMPURA 22 SALMON, TUNA & BLACK CAVIAR (NO RICE) 23 RC CRISPY RICE & SPICY TUNA TUNA WRAPPED ATLANTIC SALMON, SCALLIONS CILANTRO SPROUTS & CHIPOTLE AIOLI 21 GARDEN VEGETABLES 21 CARROTS, CUCUMBER, AVOCADO, CARROT GINGER SAUCE CRISPY ALMOND TRIPLE (NO RICE) 23 H O T A P P E T I Z E R S SALMON AND YELLOWTAIL OSHINKO WRAPPED IN TUNA LAMB MERGUEZ SAUSAGE MEDITERRANEAN COUS COUS, ROASTED EGGPLANT, GRILLED CHILEAN SEA BASS 23 BUTTERNUT SQUASH, ZUCCHINI CRISPY CUCUMBER, AVOCADO, TERIYAKI, GARLIC CHIPS 26 M.I.T.B. -
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ORGANIC FOOD Ikan Nila Bakar Organik 72 Organic grilled nila fish with steamed rice and organic vegetables Pindang Ikan Nila Organik 72 Boiled nila fish with steamed rice Ikan Nila Kukus Organik 72 Organic steamed nila fish with steamed rice and organic vegetables FROM BAKERY Choice of White or Whole Wheat Toast 25 Choice of Croissant or Danish 59 Choice of white or wheat toast, croissant or danish served with butter, marmalade or strawberry jam FRESHLY BREWED FOR YOU Hot Coffee 27 Hot Chocolate 32 Coffee Latte 37 Hot Tea 20 Cappuccino 37 Teh Tarik 32 Espresso 27 Bandrek 27 Kopi Tubruk 32 Bandrek Kelapa 32 INDONESIAN BREAKFAST Bubur Ayam Rancamaya 45 Traditional rice porridge served with shredded chicken, chicken broth and crackers Lontong Sayur 52 Rice wrapped in banana leaves served with vegetables in coconut milk, chicken, tofu, fermented soybeans and crackers Nasi Goreng Breakfast 69 Rancamaya’s fried rice with egg, fried chicken and shrimp crackers OTHERS Breakfast Special I 72 Two boiled / scrambled / fried / sunny side up eggs served with toast, potatoes, and coffee or tea of your choice Breakfast Special II 58 Continental breakfast, croissant, and toast served with marmalade, butter, jam or honey, and coffee or tea of your choice Two Eggs According To Your Taste 72 Scrambled / fried or as an omelette served with sausages, potatoes, and toast served with coffee or tea of your choice French Toast 35 Coated slices bread with egg, milk, and flavoured cinnamon, pan fried with butter, served with maple syrup and slices of fruit Fresh -
Representasi Pergeseran Budaya Patriarki Dalam Film “Kartini” Karya Hanung Bramantyo
eJournal Ilmu Komunikasi, 2021, 9 (1): 209-221 ISSN 2502-5961 (Cetak), 2502-597X (Online), ejournal.ilkom.fisip-unmul.ac.id © Copyright2021 REPRESENTASI PERGESERAN BUDAYA PATRIARKI DALAM FILM “KARTINI” KARYA HANUNG BRAMANTYO Saikah Suhroh1, Hairunnisa2, Sabiruddin3 Abstrak Film Kartini merupakan film biopik, film yang menceritakan biografi suatu tokoh. Tokoh yang diangkat oleh Hanung Bramantyo kali ini adalah biografi tentang perjuangan seorang pahlawan wanita paling populer di Indonesia, (Raden Ajeng) RA.Kartini. Pada awal abad 19, di kala Indonesia masih dijajah oleh Belanda, Pulau Jawa dipimpin oleh kaum ningrat di bawah pengawasan pemerintah Belanda. Hanya keturunan bangsawan (kaum ningrat) yang dapat menempuh pendidikan di bangku sekolah, namun wanita tidak diberi hak yang sama untuk memperoleh pendidikan tinggi layaknya kaum pria. Wanita Jawa kala itu hanya memiliki satu tujuan hidup, yakni menjadi istri seorang pria tanpa peduli menjadi istri keberapa. Akan tetapi, dalam film ini direpresentasikan bagaimana budaya patriarki sebagai suatu sistem sosial berdasarkan Budaya yang berlaku di tengah kaum feodal pada zaman Kolonial Belanda di tanah masyarakat Jawa mulai mengalami pergeseran yang disebabkan oleh mulai terjadinya perubahan dengan sosok Kartini sebagai pelopor. Terlebih sutradara merangkap penulis naskah film ini adalah Hanung Bramantyo yang memiliki ciri khas menonjolkan kaum yang termarginalkan atau di-‘pinggir’-kan oleh masyarakat sekitar pada setiap film buatannya untuk menunjukkan sisi lain dari realitas yang umumnya -
Religious Specificities in the Early Sultanate of Banten
Religious Specificities in the Early Sultanate of Banten (Western Java, Indonesia) Gabriel Facal Abstract: This article examines the religious specificities of Banten during the early Islamizing of the region. The main characteristics of this process reside in a link between commerce and Muslim networks, a strong cosmopolitism, a variety of the Islam practices, the large number of brotherhoods’ followers and the popularity of esoteric practices. These specificities implicate that the Islamizing of the region was very progressive within period of time and the processes of conversion also generated inter-influence with local religious practices and cosmologies. As a consequence, the widespread assertion that Banten is a bastion of religious orthodoxy and the image the region suffers today as hosting bases of rigorist movements may be nuanced by the variety of the forms that Islam took through history. The dominant media- centered perspective also eludes the fact that cohabitation between religion and ritual initiation still composes the authority structure. This article aims to contribute to the knowledge of this phenomenon. Keywords: Islam, Banten, sultanate, initiation, commerce, cosmopolitism, brotherhoods. 1 Banten is well-known by historians to have been, during the Dutch colonial period at the XIXth century, a region where the observance of religious duties, like charity (zakat) and the pilgrimage to Mecca (hajj), was stronger than elsewhere in Java1. In the Indonesian popular vision, it is also considered to have been a stronghold against the Dutch occupation, and the Bantenese have the reputation to be rougher than their neighbors, that is the Sundanese. This image is mainly linked to the extended practice of local martial arts (penca) and invulnerability (debus) which are widespread and still transmitted in a number of Islamic boarding schools (pesantren). -
{Download PDF} Jakarta: 25 Excursions in and Around the Indonesian Capital Ebook, Epub
JAKARTA: 25 EXCURSIONS IN AND AROUND THE INDONESIAN CAPITAL PDF, EPUB, EBOOK Andrew Whitmarsh | 224 pages | 20 Dec 2012 | Tuttle Publishing | 9780804842242 | English | Boston, United States Jakarta: 25 Excursions in and around the Indonesian Capital PDF Book JAKARTA, Indonesia -- A jet carrying 62 people lost contact with air traffic controllers minutes after taking off from Indonesia's capital on a domestic flight on Saturday, and debris found by fishermen was being examined to see if it was from the missing plane, officials said. Bingka Laksa banjar Pekasam Soto banjar. Recently, she spent several months exploring Africa and South Asia. The locals always have a smile on their face and a positive outlook. This means that if you book your accommodation, buy a book or sort your insurance, we earn a small commission at no extra cost to you. US Capitol riots: Tracking the insurrection. The Menteng and Gondangdia sections were formerly fashionable residential areas near the central Medan Merdeka then called Weltevreden. Places to visit:. We'll assume you're ok with this, but you can opt-out if you wish. Some traditional neighbourhoods can, however, be identified. Tis' the Season for Holiday Drinks. What to do there: Eat, sleep, and be merry. Special interest tours include history walks, urban art walks and market walks. Rujak Rujak cingur Sate madura Serundeng Soto madura. In our book, that definitely makes it worth a visit. Jakarta, like any other large city, also has its share of air and noise pollution. We work hard to put out the best backpacker resources on the web, for free! Federal Aviation Administration records indicate the plane that lost contact Saturday was first used by Continental Airlines in Articles from Britannica Encyclopedias for elementary and high school students. -
Talempong Kreasi and Talempong Goyang in West Sumatra
HUMANIORA VOLUME 29 Number 3 October 2017 Page 245–255 Postcolonial Aesthetics: Talempong Kreasi and Talempong Goyang in West Sumatra Andar Indra Sastra, Nadya Fulzi, Syahri Anton E-mail: [email protected] ABSTRACT The aim of this article is to disclose the postcolonial aesthetics of talempong kreasi and talempong goyang in West Sumatra. Aesthetics can be defined as a sense of perception or the various kinds of feelings that are aroused by an art object that is being observed. Postcolonialism is understood to be the continuation of colonialism; hence postcolonial aesthetics discusses the sense of perception, in this case with reference to talempong kreasi and talempong goyang as the material object. Talempong is a type of bronze musical instrument found in West Sumatra; the word kreasi means ‘creation’ or something new, while the word goyang means ‘rocking’ or ‘swaying’ and refers to the body movements of the spectators as they appear to dance in time to the talempong music. The addition of the words kreasi and goyang after the word talempong create the impression that this type of music belongs to the domain of popular music. The emergence of these two concepts in West Sumatra cannot be separated from the influence and power of a number of leading figures in the field of education – specifically artists – from the colonial era, who had a background in Western music education. Talempong kreasi and talempong goyang are dynamic in nature and have the ability to play both major and minor melodies as the talempong instruments are tuned to chromatic pitches. The tuning system of the talempong is akin to that of diatonic musical instruments, and as a musical system it presents the harmonies of Western music through its melodies and chords. -
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Halia Restaurant Ramadhan Buffet 2018 (17/5,20/5,23/5,26/5,29/5,1/6,4/6,7/6,10/6/2018)
HALIA RESTAURANT RAMADHAN BUFFET 2018 (17/5,20/5,23/5,26/5,29/5,1/6,4/6,7/6,10/6/2018) MENU1 Live Stall 1- Appitizer Thai Som Tum Salad, Kerabu Mangga, Sotong Kangkung (Live) Ulam Ulaman Tradisonal (Pegaga, Daun Selom, Ulam Raja, Jantung Pisang, Kacang Botol, Tempe Goreng) Sambal Belacan, Sambal Mangga, Sambal Tempoyak, Cincaluk, Budu, Sambal Gesek Ikan Masin Bulu Ayam, Ikan Masin Sepat dan Ikan Kurau, Ikan Perkasam, Telor Masin Keropok Ikan, Keropok Udang, Keropok Sayur dan Papadhom Live Stall 2 - Mamak Delights Rojak Pasembor with Peanut Sauce & Crackers Live Stall 3 - Soup Aneka Sup Berempah (Bakso Daging, Ayam, Daging, Perut, Tulang Kambing, Tulang Rawan, Ekor, Gear Box) ( Mee Kuning, Bee Hoon, Kuey Teow) Condiments – (Taugeh, Daun Bawang, Daun Sup, Bawang Goreng, Cili Kicap) Roti Benggali Curry Mee with Condiments Bubur - Bubur Lambuk Berherba dan Sambal Main Dishes Ayam Masak Lemak Rebung Stired Fried Beef with Black Pepper Sauce Perut Masak Lemak Cili Padi Ikan Pari Asam Nyonya Prawn with Salted Eggs Sotong Sambal Tumis Petai Stired Fried Pok Choy with Shrimp Paste Nasi Putih Live Stall 4 - Japanese Section Assorted Sushi and Sashimi, Assorted Tempura, Udon / Soba & Sukiyaki Live Stall 5 – Pasta Corner Assorted Pizza (Margarita, Pepperoni, Futi De Mare ) Spaghetti, Penne & Futtuchini with Bolognese, Cabonnara and Tomato Concasse Sauce Live Stall 6 - Sizzler Hot Plate (Assorted Vegetables, Squid, Fish Slice, Clam, Prawn, Mussel, Bamboo Clam) (Sauces: Sweet & Sour, Black Oyster Sauce, Black Pepper & Tom Yam) Live Stall 7 - Steamboat -
Figurative Language in Amir Hamzah's Poems
Novia Khairunnisa, I Wy Dirgeyasa, Citra Anggia Putri Linguistica Vol. 09, No. 01, March 2020, (258-266) FIGURATIVE LANGUAGE IN AMIR HAMZAH’S POEMS 1 2 3 NOVIA KHAIRUNISA . I WY DIRGEYASA , CITRA ANGGIA PUTRI 123 UNIVERSITAS NEGERI MEDAN Abstract This study dealt with figurative language in Amir Hamzah’s selected poems. The objective of this study were to investigate the types of figurative language found in Amir Hamzah’s selected poems and to find out the literal meaning of figurative language found. This study was conducted by using qualitative method to solve the problems. The data of this study were phrases and sentences contained figurative language in the poems. The sources of data were six poems poems which had multiple series taken from Amir Hamzah’s Poetry Anthology of Buah Rindu. The data were selected by using random sampling technique. For collecting the data, this study used documentary technique, and the instruments of data were documentary sheets. The data were analyzed by using descriptive qualitative method. The findings of this study are there twenty two figurative languages found as follows, three figurative language of metaphor (13.63%), seven figurative language of hyperbole (31.81%), five figurative language of personification (22.72%) and seven figurative language of simile (31.83%). The literal meaning of figurative language found in Amir Hamzah’s poems were basically was about the love story of Amir himself and also talking about his longing to his mother. Keywords : Figurative Language, Figure of Speech, Poem INTRODUCTION Poem is a literary work in patterned language. It can also be said as the art of rhythmical composition.