Winter Festival 2017
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Juilliard Orchestra Student Composers Monday, February 25, 2013 at 8 PM the Peter Jay Sharp Theater Printed on Recycled Paper the Juilliard School Presents The
Juilliard Orchestra student cOmpOsers Monday, February 25, 2013 at 8 PM The Peter Jay Sharp Theater PrinTed on recycled PaPer The Juilliard School presents the Juilliard Orchestra featuring fOur wOrld premieres by Juilliard cOmpOsers Jeffrey milarsky, Conductor Monday, February 25, 2013 at 8 PM The Peter Jay Sharp Theater paul frucht Relic* yuri bOguinia Margarita at the Ball Maxwell FoSTer , piano inTerMiSSion stefan cwik The Illusionist The Nectar, Suite no. 1 (from the Two-act Ballet) peng-peng gOng City Scenes Dance of the Boy The Blue-Eyed Awakening Pas de Deux Dance of the Killers *winner, 2013 arthur Friedman composition Prize this performance is supported in part by the muriel gluck production fund. Please make certain that the electronic signal on your watch, pager, or cell phone is turned off during the concert. The taking of photographs and the use of recording equipment are not permitted in this theater. aBouT The PrograM Relic That being said, this is not a re-working paul frucht of anyone’s music in particular nor is this piece paying homage to any particular com - at the same time as i was beginning to con - poser. instead, this piece pays homage to ceive this piece, i was studying harmony and sonority, a relic and cornerstone of harmony, counterpoint fairly rigorously. i began to filtered through my own contemporary find myself fascinated with the triad as one voice. of the most, if not the most, important har - monic formation in western music since the —Paul Frucht 16th century. as i learned how the triad came to be —out of contrapuntal rules relat - aBouT Paul FruchT ing to consonances and dissonances —i Paul Frucht is a composer and percussionist found it astonishing how far the triad had dedicated to creating and performing music come and how it has survived through all of with a vibrant, unique sound that engages a the periods of harmonic innovation through - wide spectrum of audiences. -
Bulletin 2006/Music/Pages
ale university July 20, 2006 2007 – Number 4 bulletin of y Series 102 School of Music 2006 bulletin of yale university July 20, 2006 School of Music Periodicals postage paid New Haven, Connecticut 06520-8227 ct bulletin of yale university bulletin of yale New Haven Bulletin of Yale University The University is committed to basing judgments concerning the admission, education, and employment of individuals upon their qualifications and abilities and affirmatively seeks to Postmaster: Send address changes to Bulletin of Yale University, attract to its faculty, staff, and student body qualified persons of diverse backgrounds. In PO Box 208227, New Haven ct 06520-8227 accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against any individual on PO Box 208230, New Haven ct 06520-8230 account of that individual’s sex, race, color, religion, age, disability, status as a special disabled Periodicals postage paid at New Haven, Connecticut veteran, veteran of the Vietnam era, or other covered veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation. Issued seventeen times a year: one time a year in May, November, and December; two times University policy is committed to affirmative action under law in employment of women, a year in June; three times a year in July and September; six times a year in August minority group members, individuals with disabilities, special disabled veterans, veterans of the Vietnam era, and other covered veterans. Managing Editor: Linda Koch Lorimer Inquiries concerning these policies may be referred to Valerie O. -
The Tallis Scholars Heinrich Isaac at 500
VIEW THIS EMAIL IN YOUR BROWSER FOR IMMEDIATE RELEASE PRESS CONTACTS November 2, 2017 Aleba Gartner, 212/206-1450 Tickets & Information: 212/854-7799 [email protected] www.millertheatre.com Lauren Bailey, 212/854-1633 [email protected] Miller Theatre at Columbia University School of the Arts continues its 2017-18 Early Music series with The Tallis Scholars Heinrich Isaac at 500 Directed by Peter Phillips Wednesday, December 6, 2017, 8:00 p.m. Church of St. Mary the Virgin (145 West 46th Street, New York, NY) Tickets: $40-$55 • Students with valid ID starting at $7 and concludes its 2017-18 Bach series with Bach Piano Concertos featuring Simone Dinnerstein, piano Awadagin Pratt, piano Dan Tepfer, piano Philip Lasser, piano Ensemble Baroklyn Thursday, December 7, 2017, 8:00 p.m. Miller Theatre (2960 Broadway at 116th Street) Tickets: $35-$55 • Students with valid ID starting at $7 From Miller Theatre Executive Director Melissa Smey: “Our annual collaboration with Peter Phillips and The Tallis Scholars is always a highlight of the season. The ethereal setting of the Church of St. Mary the Virgin is the perfect location for this celebrated ensemble. And the very next evening at Miller Theatre, Simone Dinnerstein headlines an exploration of Bach's beloved piano concertos, including works for one, two, three, and four keyboards.” Early Music December 6, 2017, 8:00 p.m. Church of St. Mary the Virgin (145 West 46th Street, New York, NY) Tallis Scholars: Heinrich Isaac at 500 2017 marks the 500th anniversary of the death of Netherlandish Renaissance composer Heinrich Isaac, whose career spanned the European continent and encompassed both sacred and secular genres. -
American Brass Quintet
American Brass Quintet WHEN: VENUE: SUNDAy, BING OCTOBER 15, 2017 CONCERT HALL 2:30 PM Photo: Matt Dine Program Artists American Brass Quintet Consort Music of Elizabethan and Jacobean England: Edited by Louis Hanzlik Kevin Cobb, trumpet Arise, awake Thomas Morley (1557-1603) Louis Hanzlik, trumpet Lachrimae Antiquae (Pavan) John Dowland (1563-1626) Eric Reed, horn I Go Before, My Darling Thomas Morley Michael Powell, trombone Though Philomela Lost Her Love Thomas Morley John D. Rojak, bass trombone Oft Have I Vow’d John Wilbye (1574-1638) Canzon William Brade (1560-1630) The American Brass Quintet is represented by Kirshbaum Associates, New york. Music of the Early Republic: Arranged by David Fetter The President’s March (1793) Philip Phile Minuet Alexander Reinagle (1756-1809) Gavotte Alexander Reinagle General Burgoyne’s March from the Bellamy Band, 1799 (composer unknown) Three Romances Steven Franklin (b. 1995) Elegy Divertimento Finale —INTERMISSION— Brass Quintet No. 2 “American” Kenneth Fuchs (b. 1956) Canons of the 16th Century: Edited by Raymond Mase Vive le roy Josquin des Prés (1440-1521) Pleni sunt caeli Giovanni Pierluigi da Palestrina (1525-1594) J’ay pris amours Johannes Martini (c. 1440-1497) Pleni sunt caeli; Agnus Dei Josquin; Palestrinay Co lchester Fantasy Eric Ewazen (b. 1954) The Rose and Crown The Marquis of Granby The Dragoon The Red Lion PROGRAM SUBJECT TO CHANGE . Please be considerate of others and turn off all phones, pagers, and watch alarms. Photography and recording of any kind are not permitted. Thank you. Program Notes Photo: Matt Dine Elizabethan and Jacobean Consort Music English society to also take up the the Italian madrigalists of the time (Edited by Louis Hanzlik) instrument. -
CRF 2012 Program
The Classical Recording Foundation ELEVENTH ANNUAL AWARDS CEREMONY TUESDAY, NOVEMER 20, 2012 WEILL RECITAL HALL AT CARNEGIE HALL NEW YORK CITY The Classical Recording Foundation ELEVENTH ANNUAL AWARDS CEREMONY Weill Recital Hall at Carnegie Hall Tuesday, November 20, 2012, 7:30 PM 2012 FOUNDATION AWARDS 2012 Foundation Award Gerald Ranck 2012 Samuel Sanders Collaborative Artist Award Barbara Govatos and Marcantonio Barone 2012 Young Artist Award Bridget Kibbey 2012 Composer of the Year Award Philip Lasser CONCERT AND PRESENTATION OF 2012 AWARD WINNERS — INTERMISSION — Opening Remarks Adam Abeshouse, President of The Classical Recording Foundation Selections from Music Box ...................................................... Various I. Habanera and Bandoneon (by Paquito d’Rivera) Selections from The Well-Tempered Clavier ......................... J.S. Bach II. It’s About Time (by Kinan Azmeh) III. Caja de Musica 1 and 2 (by David Bruce) I. Prelude and Fugue in C major, BWV 846 II. Prelude and Fugue in c minor, BWV 847 Bridget Kibbey, harp III. Prelude and Fugue in D major, BWV 874 IV. Prelude and Fugue in g minor, BWV 885 Presentation of the Young Artist Award to Gerald Ranck, harpsichord Bridget Kibbey Andrew Cyr, Director of Metropolis Ensemble Presentation of the Foundation Award to Gerald Ranck William Zito Guitarist and Hofstra University Music Faculty Four Songs from “Les Visages de l'Amour” (“The Faces of Love”) ...................................................... Philip Lasser I. L’amour est une Vallée (poem by Michel d’Arençon) Sonata in A for violin and piano, Opus 47 .......................... Beethoven II. L’Oiseau dans les bois (poem by Gerard de Nerval) III. J’aime une femme (poem by Paul Laurent) I. -
Invigorating the American Orchestral Tradition Through New Music
FEARLESS PROGRAMMING: INVIGORATING THE AMERICAN ORCHESTRAL TRADITION THROUGH NEW MUSIC Octavio Más-Arocas A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS August 2016 Committee: Emily Freeman Brown, Advisor Timothy F. Messer-Kruse Graduate Faculty Representative Marilyn Shrude Kenneth Thompson © 2016 Octavio Más-Arocas All Rights Reserved iii ABSTRACT Emily Freeman Brown, Advisor Despite great efforts by American composers, their prodigious musical output has been mostly ignored by American orchestras. Works by living American composers account for an annual average of only 6% of all the music performed by American orchestras, while works by living composers of all nationalities combined totals a meager 11%. This study examines some of the historical breaking points in the relationship between American orchestras and new music. Five exceptional orchestras are cited, the New York Philharmonic, Los Angeles Philharmonic, Chicago Symphony Orchestra, the Atlanta Symphony, and the Seattle Symphony, that are thriving while successfully incorporating new music in their programing. This document draws attention to the significant role new music can play in the future of American orchestras by analyzing the programing of new music and projects that support composers, identifying innovative orchestral leaders and composers who have successfully served in advisory positions, and by recognizing and discussing the many creative strategies orchestras are using today. This document attempts to increase the understanding of the need for change in concert programing while highlighting several thrilling examples of innovative strategies that are making an essential contribution to the future of orchestral music. -
Classical Recording Foundation
The Classical Recording Foundation FIFTEENTH ANNUAL AWARDS CEREMONY MONDAY, NOVEMER 7, 2016 NATIONAL SAWDUST IN WILLIAMSBURG NEW YORK CITY The Classical Recording Foundation FIFTEENTH ANNUAL AWARDS CEREMONY National Sawdust Brooklyn, New York Monday, November 7, 2016, 7:30 PM 2016 FOUNDATION AWARDS 2016 Young Artist Award Eric Silberger 2016 Composer of the Year Award Edward Smaldone 2016 Foundation Award Duo Scorpio 2016 Samuel Sanders Collaborative Artist Award Jocelyn Dueck Mission Statement To provide great performing artists and composers with an opportunity to record, release, and promote new classical recordings in a manner that captures ideal performances that define our era, by providing established artists with awards and new artists with grants. Please visit our website for Foundation news and events: www.ClassicalRecordingFoundation.org CONCERT AND PRESENTATION OF 2016 AWARD WINNERS Opening Remarks Fast Dances, No. 1-5 ......................................................... Nico Muhly Adam Abeshouse, No. 1 President of The Classical Recording Foundation No. 2 No. 3 No. 4 No. 5 Sonata for Violin and Piano No. 1, Op. 13 .................................. Fauré I. Allegro molto Duo Scorpio Kathryn Andrews and Kristi Shade, harps Caprice No. 24 ........................................................................ Paganini Presentation of the Foundation Award to Duo Scorpio Eric Silberger, violin and Kwan Yi, piano Susan Jolles, Professor of Harp at Manhattan School of Music and Mannes School of Music Presentation of the Young -
Presents Season Opening Concert and Celebration Metropolis
SPECIAL THANKS Metropolis Ensemble Team: Andrew Cyr (Artistic Director/Conductor), Stephanie Amarnick (Business Director), Armistead Booker (Web and Marketing), Daniel Hunninghake (Graphic Design), and Jenna Mulberry (Production Assistant). presents Documentation Team: Ryan Streber (Audio Engineering), Aleksandr Popov (Videography), and Carly Gaebe (Photography). Metropolis Ensemble Board of Directors: Mali Sananikone Gaw, Jeff Guida, Mikhail Iliev, Edward Jones, Eduardo Loja, Candice Madey, Glenn Schoenfeld, Jennifer Salomon, Edward Sien, and June Wu. Special Thanks: Stephanie Amarnick, Timothy Andres, Nate Bachhuber, Robert Bielecki, Raymond Bisha, Rachel Calin, Barry Centanni, David DeForest Keys, Libby and Paul De Rosa, John Glover and The DiMenna Center, Joan and Allan Fisch, David Frost, Vivian Fung, Conor Hanick, David Hsia, Daniel Hunninghake, Kate Gilmore, Jolle Greenleaf and TENET, Kristin Lee, Ray Lustig, Tim Martyn, Paula Mlyn, Makia Matsumura and Yamaha Pianos, Britton Matthews, Jenna Mulberry, Paul Murphy, Barbara Renner, Jennifer Salomon, Jonathan Schorr, June Wu, Jeffrey Zurofsky, and ‘wichcraft. JOIN THE COMMUNITY Join our vibrant community of artists, arts enthusiasts, and patrons! Here are several ways you can get involved. Thank you for your generous support! Become a Member: Metropolis members ($50 students, $100 individuals, $175 couples) enjoy benefits including invitations to members-only events and exclusive discounts for concerts. Make a Donation: Consider supporting Metropolis with a tax-deductible donation. 100% of your donation goes to fund our artistic and education programs. Season Opening Concert and Celebration Get Involved: Friends of Metropolis is a group of talented, enthusiastic supporters who contribute time, talent, and resources to make a difference. Metropolis Ensemble Be Informed: Stay in the loop about upcoming concerts, ensemble news, and great offers from Andrew Cyr, Artistic Director / Conductor Metropolis delivered right to your email inbox. -
School of Music 2007-2008
umber 4 20, 2007 July N bulletin of yale university bulletin of yale Series 103 School of Music 2007–2008 bulletin of yale university July 20, 2007 School of Music Periodicals postage paid Periodicals Connecticut Haven, New 06520-8227 CT bulletin of yale university bulletin of yale Haven New Bulletin of Yale University The University is committed to basing judgments concerning the admission, education, and employment of individuals upon their qualifications and abilities and a∞rmatively seeks to Postmaster: Send address changes to Bulletin of Yale University, attract to its faculty, sta≠, and student body qualified persons of diverse backgrounds. In PO Box 208227, New Haven CT 06520-8227 accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against any individual PO Box 208230, New Haven CT 06520-8230 on account of that individual’s sex, race, color, religion, age, disability, status as a special Periodicals postage paid at New Haven, Connecticut disabled veteran, veteran of the Vietnam era, or other covered veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or Issued seventeen times a year: one time a year in May, November, and December; two times expression. a year in June; three times a year in July and September; six times a year in August University policy is committed to a∞rmative action under law in employment of women, minority group members, individuals with disabilities, special disabled veterans, Managing Editor: Linda Koch Lorimer veterans of the Vietnam era, and other covered veterans. -
Chamber Music Society of Louisville March 18, 2018 Louisville, KY
Chamber Music Society of Louisville March 18, 2018 Louisville, KY THE AMERICAN BRASS QUINTET Kevin Cobb, trumpet Louis Hanzlik, trumpet Eric Reed, horn Michael Powell, trombone John D. Rojak, bass trombone PROGRAM Consort Music of Elizabethan and Jacobean England edited by Louis Hanzlik Arise, awake Thomas Morley (1557-1603) Lachrimae Antiquae (Pavan) John Dowland (1563-1626) I Go Before, My Darling Thomas Morley Though Philomela Lost Her Love Thomas Morley Oft Have I Vow’d John Wilbye (1574-1638) Canzon William Brade (1560-1630) Suite from 19th Century Russia (Edited by Kevin Cobb) Kriegslied Ludwig Maurer (1789-1878) Scherzo Antoine Simon (1850-1916) Lied Ludwig Maurer Divertissement Antoine Simon Morgengruss Ludwig Maurer Music for Brass Instruments Ingolf Dahl (1912-1970) Chorale Fantasy: On "Christ Lay in the Bonds of Death" Intermezzo Fugue INTERMISSION Common Heroes, Uncommon Land Philip Lasser (b. 1963) City Hero Hero of the Land Joy Hold Fast to Dreams Epilogue Copperwave Joan Tower (b. 1938) The American Brass Quintet is represented by Kirshbaum Associates, New York. Program Notes Elizabethan and Jacobean Consort Music (edited by Louis Hanzlik) The reigns of Queen Elizabeth I (1558-1603) and King James I (1603-1625) occurred at the height of the English Renaissance. During their reigns music, and arguably literature, became the defining artistic forms of the English Renaissance, due certainly in part to the value both monarchs placed on the inclusion of these art forms in their personal lives and their courts. Queen Elizabeth was a music enthusiast whose love for the performance and practice of music (as well as a personal decree that all people of England embrace the things she most enjoyed) credits her with its rise as a popular art form during her reign. -
Daniel Saidenberg Facultyrecital Series
Daniel Saidenberg FacultyRecital Series American Brass Quintet Behind every Juilliard artist is all of Juilliard —including you. With hundreds of dance, drama, and music performances, Juilliard is a wonderful place. When you join one of our membership programs, you become a part of this singular and celebrated community. by Claudio Papapietro Photo of cellist Khari Joyner Become a member for as little as $250 Join with a gift starting at $1,250 and and receive exclusive benefits, including enjoy VIP privileges, including • Advance access to tickets through • All Association benefits Member Presales • Concierge ticket service by telephone • 50% discount on ticket purchases and email • Invitations to special • Invitations to behind-the-scenes events members-only gatherings • Access to master classes, performance previews, and rehearsal observations (212) 799-5000, ext. 303 [email protected] juilliard.edu The Juilliard School presents American Brass Quintet Kevin Cobb and Louis Hanzlik, Trumpets Eric Reed, Horn Michael Powell, Trombone John D. Rojak, Bass Trombone Wednesday, February 14, 2018, 8:00pm Paul Hall Part of the Daniel Saidenberg Faculty Recital Series Consort Music of Elizabethan and Jacobean England (edited by Louis Hanzlik) THOMAS MORLEY Arise, awake (1557–1603) JOHN DOWLAND Lachrimae Antiquae (Pavan) (1563–1626) MORLEY I Go Before, My Darling Though Philomela Lost Her Love JOHN WILBYE Oft Have I Vow’d (1574–1638) WILLIAM BRADE Canzon (1560–1630) Suite From 19th-Century Russia (edited by Kevin Cobb) LUDWIG MAURER Kriegslied (1789-1878) ANTOINE SIMON Scherzo (1850–1916) MAURER Lied (Program continues) Major funding for establishing Paul Recital Hall and for continuing access to its series of public programs has been granted by The Bay Foundation and the Josephine Bay Paul and C. -
For Immediate Release
NEWS RELEASE CONTACT: ARDITH HOLMGRAIN American Academy of Arts and Letters [email protected] 633 WEST 155 STREET, NEW YORK, NY 10032 (212) 368-5900 THE AMERICAN ACADEMY OF ARTS AND LETTERS ANNOUNCES 2009 MUSIC AWARD WINNERS Sixteen Composers Receive Awards Totaling $170,000 New York, March 3, 2009—The American Academy of Arts and Letters announced today the sixteen recipients of this year's awards in music, which total $170,000. The winners were selected by a committee of Academy members: Robert Beaser (chairman), Martin Bresnick, John Corigliano, Mario Davidovsky, and Shulamit Ran. The awards will be presented at the Academy's annual Ceremonial in May. Candidates for music awards are nominated by the 250 members of the Academy. ACADEMY AWARDS IN MUSIC Four composers will each receive a $7500 Academy Award in Music, which honors outstanding artistic achievement and acknowledges the composer who has arrived at his or her own voice. Each will receive an additional $7500 toward the recording of one work. The winners are David Gompper, David Lang, Andrew Waggoner, and Barbara White. BENJAMIN H. DANKS AWARD The Benjamin H. Danks award of $20,000 is given to a composer of ensemble works. This year the award will go to Sean Shepherd. GODDARD LIEBERSON FELLOWSHIPS Two Goddard Lieberson fellowships of $15,000, endowed in 1978 by the CBS Foundation, are given to mid-career composers of exceptional gifts. This year they will go to Laura Elise Schwendinger and Kurt Stallmann. WALTER HINRICHSEN AWARD Victoria Bond will receive the Walter Hinrichsen Award for the publication of a work by a gifted composer.