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The Tallis Scholars Heinrich Isaac at 500

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The Tallis Scholars Heinrich Isaac at 500 VIEW THIS EMAIL IN YOUR BROWSER FOR IMMEDIATE RELEASE PRESS CONTACTS November 2, 2017 Aleba Gartner, 212/206-1450 Tickets & Information: 212/854-7799 [email protected] www.millertheatre.com Lauren Bailey, 212/854-1633 [email protected] Miller Theatre at Columbia University School of the Arts continues its 2017-18 Early Music series with The Tallis Scholars Heinrich Isaac at 500 Directed by Peter Phillips Wednesday, December 6, 2017, 8:00 p.m. Church of St. Mary the Virgin (145 West 46th Street, New York, NY) Tickets: $40-$55 • Students with valid ID starting at $7 and concludes its 2017-18 Bach series with Bach Piano Concertos featuring Simone Dinnerstein, piano Awadagin Pratt, piano Dan Tepfer, piano Philip Lasser, piano Ensemble Baroklyn Thursday, December 7, 2017, 8:00 p.m. Miller Theatre (2960 Broadway at 116th Street) Tickets: $35-$55 • Students with valid ID starting at $7 From Miller Theatre Executive Director Melissa Smey: “Our annual collaboration with Peter Phillips and The Tallis Scholars is always a highlight of the season. The ethereal setting of the Church of St. Mary the Virgin is the perfect location for this celebrated ensemble. And the very next evening at Miller Theatre, Simone Dinnerstein headlines an exploration of Bach's beloved piano concertos, including works for one, two, three, and four keyboards.” Early Music December 6, 2017, 8:00 p.m. Church of St. Mary the Virgin (145 West 46th Street, New York, NY) Tallis Scholars: Heinrich Isaac at 500 2017 marks the 500th anniversary of the death of Netherlandish Renaissance composer Heinrich Isaac, whose career spanned the European continent and encompassed both sacred and secular genres. Though less widely known today than his contemporary Josquin des Prez, his work has nonetheless been massively influential. The Tallis Scholars return to Miller to celebrate the legacies of these prolific composers, performing two of Isaac’s motets alongside selections from Josquin, John Browne, and Nicolas Gombert. ARTISTS: The Tallis Scholars Peter Phillips, conductor PROGRAM: Josquin des Prez: Gaude virgo Josquin des Prez: Stabat mater Josquin des Prez: Absalom fili mi Nicolas Gombert: Lugebat Absalom Heinrich Isaac: Optime divino John Browne: Stabat juxta Heinrich Isaac: Tota pulcra es Josquin des Prez: Inter natos mulierum Nicolas Gombert: Regina caeli a 10 Bach December 7, 2017, 8:00 p.m. Miller Theatre (2960 Broadway at 116th Street) h i Bach Piano Concertos Bach wrote many concertos for harpsichord throughout his lifetime, and given his attraction to the possibilities of counterpoint and harmony, it comes as no surprise that one keyboard could not satisfy his imagination. In this program, Simone Dinnerstein teams up with fellow pianists Philip Lasser, Awadagin Pratt, and Dan Tepfer for an unparalleled performance of Bach’s concertos for one, two, three, and four keyboards. ARTISTS: Simone Dinnerstein, piano Awadagin Pratt, piano Dan Tepfer, piano Philip Lasser, piano Ensemble Baroklyn PROGRAM: J.S. Bach: Gottes Zeit ist die allerbeste Zeit, BWV 106 (arr. Kurtag) J.S. Bach: Nun komm, der Heiden Heiland, BWV 62 (arr. Busoni) J.S. Bach: Wachet auf, ruft uns die Stimme, BWV 140 (arr. Busoni) J.S. Bach: Concerto in C minor for Two Pianos, BWV 1060 Dan Tepfer: Algorithmic Improvisation on B.A.C.H. J.S. Bach: Concerto in C major for Two Pianos, BWV 1061 J.S. Bach: Concerto in F minor for Piano, BWV 1056 J.S. Bach: Concerto in D minor for Three Pianos, BWV 1063 Philip Lasser/Bach: Intermezzo and Fugatine on the E major Prelude and Fugue from The Well­Tempered Clavier Bk. 1 J.S. Bach: Concerto in A minor for Four Pianos, BWV 1065 Yamaha grand pianos and Yamaha Disklavier reproducing piano provided by Yamaha Artist Services, New York. BIOS The Tallis Scholars were founded in 1973 by their director Peter Phillips. Through recordings and concert performances, they have established themselves as the leading exponents of Renaissance sacred music throughout the world. Peter Phillips has worked with the ensemble to create, through good tuning and blend, the purity and clarity of sound which he feels best serve the Renaissance repertoire, allowing every detail of the musical lines to be heard. It is the resulting beauty of sound for which The Tallis Scholars have become so widely renowned. The Tallis Scholars perform in both sacred and secular venues, usually giving around 70 concerts each year across the globe. In 2013 the group celebrated their 40th anniversary with a World Tour performing 99 events in 80 venues in 16 countries and traveling sufficient air-miles to circumnavigate the globe four times. They kicked off the year with a spectacular concert in St. Paul’s Cathedral, London, including a performance of Thomas Tallis’ 40-part motet Spem in alium and the world premieres of works written specially for them by Gabriel Jackson and Eric Whitacre. Their new recording of the Missa Gloria tibi Trinitas by the 16th Century Tudor composer, John Taverner, was released on the exact anniversary of their first concert in 1973 and enjoyed six weeks at number one in the UK Specialist Classical Album Chart. The Tallis Scholars’s career highlights have included a tour of China in 1999, and the privilege of performing in the Sistine Chapel in April 1994 to mark the final stage of the complete restoration of the Michelangelo frescoes, broadcast on Italian and Japanese television. The ensemble has commissioned many contemporary composers during their history: in 1998 they celebrated their 25th Anniversary with a special concert in London’s National Gallery, premiering a Sir John Tavener work written for the group and narrated by Sting. A further performance was given with Sir Paul McCartney in New York in 2000. The Tallis Scholars are broadcast regularly on and have also been featured on the acclaimed ITV program The Southbank Show. Much of The Tallis Scholars' reputation for their pioneering work has come from their association with Gimell Records, set up by Peter Phillips and Steve Smith in 1980 solely to record the group. In February 1994 Peter Phillips and The Tallis Scholars performed on the 400th anniversary of the death of Palestrina in the Basilica of Santa Maria Maggiore, Rome, where Palestrina had trained as a choirboy and later worked as Maestro di Cappella. The concerts were recorded by Gimell and are available on both CD and DVD. Recordings by The Tallis Scholars have attracted many awards throughout the world. In 1987 their recording of Josquin’s Missa La sol fa re mi and Missa Pange lingua received Gramophone magazine’s Record of the Year award, the first recording of early music ever to win this coveted award. In 1989 the French magazine Diapason gave two of its Diapason d’Or de l’Année awards for the recordings of a mass and motets by Lassus and for Josquin’s two masses based on the chanson L’Homme armé. Their recording of Palestrina’s Missa Assumpta est Maria and Missa Sicut lilium was awarded Gramophone‘s Early Music Award in 1991; they received the 1994 Early Music Award for their recording of music by Cipriano de Rore; and the same distinction again in 2005 for their disc of music by John Browne. The Tallis Scholars were nominated for a Grammy Award in 2001, 2009, and 2010. In November 2012 their recording of Josquin’s Missa De beata virgine and Missa Ave maris stella received a Diapason d’Or de l’Année and in their 40th anniversary year they were welcomed into the Gramophone Hall of Fame by public vote. Peter Phillips has made an impressive if unusual reputation for himself in dedicating his life’s work to the research and performance of Renaissance polyphony. Having won a scholarship to Oxford in 1972, Peter Phillips studied Renaissance music with David Wulstan and Denis Arnold. He founded the Tallis Scholars in 1973, with whom he has now appeared in almost 2000 concerts and made nearly 60 discs, encouraging interest in polyphony all over the world. Apart from The Tallis Scholars, Peter Phillips continues to work with other specialist ensembles. He has appeared with the BBC Singers, the Collegium Vocale of Ghent and the Netherlands Chamber Choir, and is currently working with the Choeur de Chambre de Namur, Intrada of Moscow, Musica Reservata of Barcelona and El Leon de Oro of Orviedo. He gives numerous master-classes and choral workshops every year around the world – amongst other places in Rimini (Italy), Evora (Portugal) and Barcelona (Spain). In 2014 he launched the London International A Cappella Choir Competition in St John's Smith Square, attracting choirs from all over the world. Peter Phillips has made numerous television and radio broadcasts. Besides those featuring The Tallis Scholars (which include live broadcasts from the 1988, 2001, 2003, 2007, 2008, 2011, 2013 and 2014 BBC Proms), he has appeared several times on the BBC’s Music Weekly and on the BBC World Service, on Kaleidoscope (BBC Radio 4), on Today (BBC Radio 4), National Public Radio in the US and on German, French, Italian, Spanish and Canadian radio, where he has enjoyed deploying his love of languages. In 1990 ITV’s The South Bank Show featured Peter’s ‘personal odyssey’ with the Tallis Scholars; while in 2002 a special television documentary was made for the BBC about the life and times of William Byrd. Phillips has recently been appointed a Reed Rubin Director of Music and Bodley Fellow at Merton College, Oxford, where the new choral foundation he helped to establish began singing services in October 2008. They gave their first live broadcast on BBC Radio Three’s Choral Evensong in October 2011. In 2005, Peter Phillips was made a Chevalier de l’Ordre des Arts et des Lettres by the French Minister of Culture, a decoration intended to honour individuals who have contributed to the understanding of French culture in the world.
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