CRF 2012 Program
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[email protected] BERNARD LABADIE to RETU
FOR IMMEDIATE RELEASE October 26, 2016 Contact: Katherine E. Johnson (212) 875-5718; [email protected] BERNARD LABADIE TO RETURN TO NEW YORK PHILHARMONIC TO CONDUCT ALL-MOZART PROGRAM Flute Concerto No. 2 with Principal Flute ROBERT LANGEVIN Exsultate, jubilate with Soprano YING FANG in Her Philharmonic Debut Symphony No. 31, Paris Symphony No. 39 December 1–3, 2016 Bernard Labadie will return to the New York Philharmonic to conduct an all-Mozart program: the Flute Concerto No. 2, with Principal Flute Robert Langevin as soloist; Exsultate, jubilate with soprano Ying Fang in her Philharmonic debut; Symphony No. 31, Paris; and Symphony No. 39. The program takes place Thursday, December 1, 2016, at 7:30 p.m.; Friday, December 2 at 8:00 p.m.; and Saturday, December 3 at 8:00 p.m. The concerts open with three youthful works written when Mozart was 17, 21, and 22 years old, and close with the darker Symphony No. 39, written three years before his death. A leading specialist in the Baroque and Classical repertoire, Bernard Labadie led Mozart’s Requiem in his most recent appearance with the Philharmonic, in November 2013. The New York Times described this performance as “glowing … one of the most cohesive I have heard.” These concerts will mark Principal Flute Robert Langevin’s first of Mozart’s Flute Concerto No. 2 with the Philharmonic. Soprano Ying Fang has been acclaimed for her performances of Mozart, including her Metropolitan Opera debut in The Marriage of Figaro in September 2014, and Don Giovanni with The Juilliard School in April 2012. -
21St Century Consort Composer Performance List
21st Century Consort Composer List 1975 - 2016 Archive of performance recordings Hans Abrahamsen Winternacht (1976-78) 1986-12-06 (15:27) flute, clarinet, trumpet, French horn, piano, violin, cello, conductor John Adams Road Movies 2012-05-05 (15:59) violin, piano Hallelujah Junction 2016-02-06 (17:25) piano, piano Shaker Loops (1978) 2000-04-15 (26:34) violin, violin, violin, viola, cello, cello, contrabass, conductor Bruce Adolphe Machaut is My Beginning (1989) 1996-03-16 (5:01) violin, cello, flute, clarinet, piano Miguel Del Agui Clocks 2011-11-05 (20:46) violin, piano, viola, violin, cello Stephen Albert To Wake the Dead (1978) 1993-02-13 (27:24) soprano, violin, conductor Tribute (1988) 1995-04-08 (10:27) violin, piano Treestone (1984) 1991-11-02 (38:15) soprano, tenor, violin, violin, viola, cello, bass, trumpet, clarinet, French horn, flute, percussion, piano, conductor Songs from the Stone Harp (1988) 1989-03-18 (11:56) tenor, harp, cello, percussion Treestone (1978) 1984-03-17 (30:22) soprano, tenor, flute, clarinet, trumpet, horn, harp, violin, violin, viola, cello, bass, piano, percussion, conductor Into Eclipse (1981) 1985-11-02 (31:46) tenor, violin, violin, viola, cello, contrabass, flute, clarinet, piano, percussion, trumpet, horn, conductor Distant Hills Coming Nigh: "Flower of the Mountain" 2016-04-30 (16:44) double bass, clarinet, piano, viola, conductor, French horn, violin, soprano, flute, violin, oboe, bassoon, cello Tribute (1988) 2002-01-26 (9:55) violin, piano Into Eclipse [New Version for Cello Solo Prepared -
2017–2018 Season Artist Index
2017–2018 Season Artist Index Following is an alphabetical list of artists and ensembles performing in Stern Auditorium / Perelman Stage (SA/PS), Zankel Hall (ZH), and Weill Recital Hall (WRH) during Carnegie Hall’s 2017–2018 season. Corresponding concert date(s) and concert titles are also included. For full program information, please refer to the 2017–2018 chronological listing of events. Adès, Thomas 10/15/2017 Thomas Adès and Friends (ZH) Aimard, Pierre-Laurent 3/8/2018 Pierre-Laurent Aimard (SA/PS) Alarm Will Sound 3/16/2018 Alarm Will Sound (ZH) Altstaedt, Nicolas 2/28/2018 Nicolas Altstaedt / Fazil Say (WRH) American Composers Orchestra 12/8/2017 American Composers Orchestra (ZH) 4/6/2018 American Composers Orchestra (ZH) Anderson, Laurie 2/8/2018 Nico Muhly and Friends Investigate the Glass Archive (ZH) Angeli, Paolo 1/26/2018 Paolo Angeli (ZH) Ansell, Steven 4/13/2018 Boston Symphony Orchestra (SA/PS) Apollon Musagète Quartet 2/16/2018 Apollon Musagète Quartet (WRH) Apollo’s Fire 3/22/2018 Apollo’s Fire (ZH) Arcángel 3/17/2018 Andalusian Voices: Carmen Linares, Marina Heredia, and Arcángel (SA/PS) Archibald, Jane 3/25/2018 The English Concert (SA/PS) Argerich, Martha 10/20/2017 Orchestra dell’Accademia Nazionale di Santa Cecilia (SA/PS) 3/22/2018 Itzhak Perlman / Martha Argerich (SA/PS) Artemis Quartet 4/10/2018 Artemis Quartet (ZH) Atwood, Jim 2/27/2018 Louisiana Philharmonic Orchestra (SA/PS) Ax, Emanuel 2/22/2018 Emanuel Ax / Leonidas Kavakos / Yo-Yo Ma (SA/PS) 5/10/2018 Emanuel Ax (SA/PS) Babayan, Sergei 3/1/2018 Daniil -
Winter Festival 2017
Winter Festival 2017 January 13, 14, and 15 A Celebration of Learning, Friendships, and Fun MinJu Choi piano Terry Durbin David Evenchick violin cello Ann Montzka-Smelser Ching-chu Hu violin composition Friday Night Fun Night Masterclasses Play-in with All Students and Clinicians Old MacDurbin Had a Farm Concert featuring Minju Choi, piano Bridget AliceAnn O’Neill Saturday Jankowski cello piano Masterclasses Group Classes Enrichment Classes Clinicians Concert Sunday Roger Stieg Kate Cremean violin Masterclasses music and movement Group Classes Enrichment Classes Parents’ Session with Ann Montzka-Smelser Instrument Specific Play-in Leslie Maaser flute Wendy Stern Registration is due December 7, 2016 flute Winter Festival Clinicians MinJu Choi, piano, recently hailed as “positively mesmerizing at the piano” by The Times-Tribune, has performed throughout North America, Europe, and Asia as a recitalist, orchestral soloist, and chamber musician. She has appeared as a soloist with the Indianapolis and Shreveport Symphonies, the Northeastern Pennsylvania Philharmonic, and the Music Academy of the West and Juilliard Orchestras. Ms. Choi has been presented in recitals in cities in the U.S. and abroad, including Paris, New York City, Philadelphia, and Chicago. She has been presented in prestigious venues such as Avery Fisher Hall, Chicago Cultural Center, Steinway Hall, and the Vancouver Chamber Music Festival. She has been heard as a soloist and chamber musician in live and recorded performances on radio stations around the country including WQXR New York Radio, WFMT Chicago Radio, WQSC Santa Barbara, KDAQ Shreveport, and WICR Indianapolis. Ms. Choi was a featured artist at the Vancouver Recital Society’s Chamber Music Festival, in which her performances were broadcast on the CBC Canada Radio. -
Staking Acclaim
2014 STAKING ACCLAIM IGOR LEVIT MAKES HIS LANDMARK BACH A SIGNPOST FOR THE FUTURE THE GIVING TREES RAVINIA HOLDS A BUSHEL OF MEMORIES FOR SINGING JAMES CONLON POETIC FANNING THOMAS THE FLAMES BRANDI CARLILE FIRES UP HER MUSIC WITH VOLUME 8, NUMBER 7 HAMPSON GIVES VOICE FAMILIAL FONDNESS TO CENTURIES OF HISTORY B:8.5” T:8.25” S:7.25” David McClister MyKiaChicago.com 418 Sheridan Road Highland Park, IL 60035 847-266-5000 www.ravinia.org The SUV with a price Welz Kauffman President and CEO Nick Pullia that�s music to your ears. Communications Director, Executive Editor Nick Panfil Publications Manager, Editor Alexandra Pikeas Graphic Designer IN THIS ISSUE TABLE OF CONTENTS DEPARTMENTS Since 1991 16 Singing Poetic 13 Message from John Anderson 3453 Commercial Ave., Northbrook, IL 60062 Thomas Hampson gives voice to and Welz Kauffman www.performancemedia.us centuries of history. 58 FoodStuff Gail McGrath Publisher & President Sheldon Levin Publisher & Director of Finance 24 Staking Acclaim 60 Ravinia’s Steans Music Institute Account Managers Igor Levit makes his landmark Bach Mike Hedge - Arnie Hoffman 62 REACH*TEACH*PLAY Karen Mathis - Greg Pigott a signpost for the future. 67 Salute to Sponsors East Coast 32 Fanning the Flames Manzo Media Group 610-527-7047 Annual Fund Donors 82 B:10.75” T:10.5” Brandi Carlile fires up her music with S:9.5” Southwest 88 Corporate Partners Betsy Gugick & Associates 972-387-1347 familial fondness. Sales & Marketing Consultant 89 Corporate Matching Gifts 40 The Giving Trees David L. Strouse, Ltd. 847-835-5197 Ravinia holds a bushel of memories for 90 Special Gifts Cathy Kiepura Graphic Designer Lory Richards Graphic Designer James Conlon. -
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MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Juilliard Orchestra Student Composers Monday, February 25, 2013 at 8 PM the Peter Jay Sharp Theater Printed on Recycled Paper the Juilliard School Presents The
Juilliard Orchestra student cOmpOsers Monday, February 25, 2013 at 8 PM The Peter Jay Sharp Theater PrinTed on recycled PaPer The Juilliard School presents the Juilliard Orchestra featuring fOur wOrld premieres by Juilliard cOmpOsers Jeffrey milarsky, Conductor Monday, February 25, 2013 at 8 PM The Peter Jay Sharp Theater paul frucht Relic* yuri bOguinia Margarita at the Ball Maxwell FoSTer , piano inTerMiSSion stefan cwik The Illusionist The Nectar, Suite no. 1 (from the Two-act Ballet) peng-peng gOng City Scenes Dance of the Boy The Blue-Eyed Awakening Pas de Deux Dance of the Killers *winner, 2013 arthur Friedman composition Prize this performance is supported in part by the muriel gluck production fund. Please make certain that the electronic signal on your watch, pager, or cell phone is turned off during the concert. The taking of photographs and the use of recording equipment are not permitted in this theater. aBouT The PrograM Relic That being said, this is not a re-working paul frucht of anyone’s music in particular nor is this piece paying homage to any particular com - at the same time as i was beginning to con - poser. instead, this piece pays homage to ceive this piece, i was studying harmony and sonority, a relic and cornerstone of harmony, counterpoint fairly rigorously. i began to filtered through my own contemporary find myself fascinated with the triad as one voice. of the most, if not the most, important har - monic formation in western music since the —Paul Frucht 16th century. as i learned how the triad came to be —out of contrapuntal rules relat - aBouT Paul FruchT ing to consonances and dissonances —i Paul Frucht is a composer and percussionist found it astonishing how far the triad had dedicated to creating and performing music come and how it has survived through all of with a vibrant, unique sound that engages a the periods of harmonic innovation through - wide spectrum of audiences. -
Walt Disney Concert Hall Opening Season
WALT DISNEY CONCERT HALL 2013/14 CHRONOLOGICAL LISTING OF EVENTS SEPTEMBER 2013 LOS ANGELES PHILHARMONIC Wednesday, September 25, 2013 Neighborhood Concerts in community Thursday, September 26, 2013 venues Friday, September 27, 2013 10th ANNIVERSARY CELEBRATION Details to be announced YOLA/LOS ANGELES Sunday, September 29, 2013 PHILHARMONIC th Community Concert 10 ANNIVERSARY CELEBRATION Details to be announced LOS ANGELES PHILHARMONIC Monday, September 30, 2013, at 7 PM -OPENING NIGHT GALA- th Walt Disney Concert Hall 10 ANNIVERSARY CELEBRATION (Non-subscription) OPENING NIGHT CONCERT AND GALA: WALT DISNEY CONCERT HALL, THE FIRST TEN YEARS Gustavo Dudamel, conductor Yo-Yo Ma, cello Details to be announced The gala evening benefits the Los Angeles Philharmonic Association and its education programs. OCTOBER 2013 LOS ANGELES PHILHARMONIC Thursday, October 3, 2013, at 8 PM Walt Disney Concert Hall Friday, October 4, 2013, at 8 PM Saturday, October 5, 2013, at 8 PM Sunday, October 6, 2013, at 2 PM 10th ANNIVERSARY CELEBRATION Gustavo Dudamel, conductor Yefim Bronfman, piano Pedro Carneiro, percussion SCHUBERT Symphony No. 4 LIEBERSON Shing Kham (world premiere, LA Phil commission) TCHAIKOVSKY Piano Concerto No. 1 CHAMBER MUSIC SOCIETY Tuesday, October 8, 2013, at 8 PM Walt Disney Concert Hall Brett Dean, viola All-Beethoven program to include String Trio in C minor, Op. 9, No. 3 COLBURN CELEBRITY Wednesday, October 9, 2013, at 8 PM RECITALS Walt Disney Concert Hall BACH KEYBOARD CYCLE András Schiff, piano BACH English Suites 2 LOS ANGELES PHILHARMONIC Thursday, October 10, 2013, at 8 PM Walt Disney Concert Hall Friday, October 11, 2013, at 8 PM Saturday, October 12, 2013, at 8 PM Sunday, October 13, 2013, at 2 PM 10TH ANNIVERSARY CELEBRATION Gustavo Dudamel, conductor Leif Ove Andsnes, piano Los Angeles Master Chorale Grant Gershon, music director BEETHOVEN The Ruins of Athens Overture BEETHOVEN Piano Concerto No. -
ABSTRACT Title of Dissertation: INSPIRATIONS and INFLUENCES
ABSTRACT Title of Dissertation: INSPIRATIONS AND INFLUENCES: POPULAR COMPOSITION TRENDS IN THE CONTEMPORARY CLARINET REPERTOIRE (1996-2010) Emily Marie Robinson, Doctor of Musical Arts, 2015 Directed by: Associate Professor Robert DiLutis School of Music Clarinetists have seen a large increase in the diversity of styles and influences available for performance in the concert hall since 1996. Being an instrument that easily adapts to a wide range of musical styles, the clarinet is ideal for composers to utilize as they explore exciting new ways to create unique programmable works. From the incorporation of the more traditional folk sounds found in Jewish folk music to the assimilation of electronic distortion and classic rock, new repertoire for the clarinet showcases the instrument’s great range, flexibility, and versatility. The future can only hold more opportunities for fantastic new compositions in the same vein as composers become even more familiar with the possibilities available when writing for the clarinet. This dissertation explores popular composition trends in the contemporary clarinet repertoire through three thematic recital programs. The first contains works that integrate the Jewish folk music style of Klezmer; the second consists of programmatic works that all seek to represent a specific source of inspiration; and the third showcases works that integrate a variety of styles of American popular music. The works performed and discussed in this dissertation are the following: Samuel Adler - Cantos XIV – A Klezmer Fantasy; Ronn Yedidia - Impromptu, Nocturne, and World Dance; Ruth Schonthal - Bells of Sarajevo; Dana Wilson - Liquid Ebony; Christopher Rouse - Compline; Richard Toensing - Children of Light; Paul Moravec - Tempest Fantasy; John Adams - Gnarly Buttons; Anna Clyne - Rapture; and Scott McAllister - Black Dog. -
Subito Music 2010
To Trio Solisti (Maria Bachmann, Alexis Pia Gerlach, Jon Klibonoff) and David Krakauer Tempest Fantasy Clarinet Leggiero, molto vivace, in Bb q. = 76 1. Ariel Subito Music Violin and affiliatedpizz. agencies Paul Moravec Sight & Sound f p Interactive CD-ROM disks from Subito MusicS Violoncello UARTET pizz. 3 S & Q TRIO S ChamberTRING Music SamplerNSEMBLE HAMBER E mp 1: S RIOS & - f C VOLUME T MIXED fp 2: - VOLUME Piano p C USI f f p M p Scores and recordings to over 40 newly published cham ber works from the catalogs of Subito Music and affili mp sf ated agencies. These Sight & Sound disks contain view 5 Cl . only pdf files of complete scores with archive recordings ATALOG C 3 embedded in the file. Now perusing new chamber works p is as easy as surfing the web. Vln. mf Subito Music Vc. Sight & Sound Chamber Music Sampler f All works © by Subito Music Subito Music Publishing. (ASCAP) Notevole Music Publishing (BMI) Sight & Sound f Pn Chamber Music Sampler o f Volume 1: String Trios & Quartets p Interactive CD-ROM includes Scores and Recordings Subito Music Corporation, Verona, New Jersey All works © by www.subitomusic.com Subito Music Publishing. (ASCAP) Notevole Music Publishing mf (BMI) f p -
21St Century Consort Composer Performance List
21st Century Consort Composer List 1975 - 2019 Archive of performance recordings Hans Abrahamsen Winternacht (1976-78) 1986-12-06 (15:27) flute, clarinet, trumpet, French horn, piano, violin, cello, conductor John Adams Hallelujah Junction 2016-02-06 (17:25) piano, piano Road Movies 2012-05-05 (15:59) violin, piano Shaker Loops (1978) 2000-04-15 (26:34) violin, violin, violin, viola, cello, cello, contrabass, conductor Bruce Adolphe Machaut is My Beginning (1989) 1996-03-16 (5:01) violin, cello, flute, clarinet, piano Miguel Del Agui Clocks 2011-11-05 (20:46) violin, piano, viola, violin, cello Stephen Albert Treestone (1984) 1991-11-02 (38:15) soprano, tenor, violin, violin, viola, cello, bass, trumpet, clarinet, French horn, flute, percussion, piano, conductor Distant Hills Coming Nigh (1989-90) 1991-05-11 (31:28) tenor, soprano, violin, cello, bassoon, clarinet, viola, piano, French horn, double bass, flute, conductor Tribute (1988) 2002-01-26 (9:55) violin, piano Into Eclipse [New Version for Cello Solo Prepared by Jonathan Leshnoff] (2002) 2002-01-26 (31:53) violin, violin, viola, cello, cello, contrabass, flute, clarinet, trumpet, percussion, percussion, piano, conductor To Wake the Dead (1978) 1993-02-13 (27:24) soprano, violin, conductor Treestone (1978) 1984-03-17 (30:22) soprano, tenor, flute, clarinet, trumpet, horn, harp, violin, violin, viola, cello, bass, piano, percussion, conductor To Wake the Dead (1978) (Six Sentimental Songs and an Interlude After Finnegans Wake) 2013-02-23 (28:24) violin, clarinet, piano, flute, conductor, -
Regular Vocal Coaches' Bios for Spring 2020
VOCAL COACHING REGULAR COACHES’ BIOGRAPHIES — SPRING 2020 Pianist NOBUKO AMEMIYA has built a reputation as a dynamic and versatile collaborator; her playing is described as “soaring with a thrilling panache, and then with great warmth and suppleness.” (Valley News, VT) Equally committed to opera, artsongs and instrumental chamber music, she traveled three continents to give recitals and concerts with numerous renowned conductors and soloists such as Seiji Ozawa, James Conlon, Brian Priestman, James Dunham, Colin Carr, Rober Spano, and Lucy Shelton. An enthusiastic advocate of new music, Ms. Amemiya has worked with today’s leading composers, including John Harbison, George Crumb, Bright Sheng, Oliver Knussen and George Benjamin. Her music festival appearances include Música da Figueira da Foz in Portugal, Britten-Pears Institute at Aldeburgh Music Festival, Festival de Musique Lausanne in Switzerland, Aspen Music Festival, and Tanglewood Music Center where she was awarded Tanglewood Hooton Prize, acknowledging the “extraordinary commitment of talent and energy.” Prizes and awards include “Vittorio Gui” in Florence, Italy, the Munich International Music Competition, Manhattan School of Music President’s Award and Aldeburgh Music Festival Grant. Also active as a coach and educator, she worked for AIMS in Graz, Opera North, Aspen Music School, IIVA in Italy, Lotte Lehmann Akademie, New England Conservatory and Palazzo Ricci Akademie für Musik in Montepulciano. Ms. Amemiya currently works for the Manhattan School of Music, Prelude to Performances by Martina Arroyo Foundation, Lyric Opera Studio Weimar and Berlin Opera Academy in Germany. Accompanist/vocal coach, KARINA AZATYAN, extensively collaborates with leading figures of vocal art in United States, Europe and Israel.