Eliminatory Round Competitors Must Perform Two Pieces, by Different Authors, One to Be Chosen from Group A; Obligatory Piece: -V
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VALENTINO BUCCHI PRIZE YEAR 2011 34th edition PROGRAM (VIOLIN) Eliminatory Round Competitors must perform two pieces, by different authors, one to be chosen from Group A; Obligatory piece: -V. Bucchi, Concerto lirico per violino e archi, reduction for violin and piano (edition Premio Valentino Bucchi 1993, Via Ubaldino Peruzzi 20, 00139 Roma); -One piece for violin solo, chosen by the candidate, written and published in the 20th or 21st century, by a composer of a same nationality as that of the candidate. Participants must send three copies of this composition with the request to enter the competition. Group A: C. Debussy, Sonate pour violon et piano (Durand, Paris orPeters, London); P. Hindemith, Sonate für Violine allein Op. 31 n. 1 orn. 2 (Schott’s Söhne, Mainz); E. A. Ysaye, Sonate pour violon seul, Op. 27, n. 3 orn. 6 (Schott Frères, Bruxelles). N.B. - The candidates must perform the above-mentioned compositions, entirely or in part at the discretion of the jury. Semifinal Round Participants must perform three pieces by different authors, chosen among the following ones: one from Group A, one from Group B, and one from Group C. Group A: B. Bartók, Sonate pour violon et piano n. 1 orn. 2 (Universal, Wien); B. Britten, Three pieces for Violin and Piano, from Suite Op. 6 (Boosey & Hawkes, London); L. Dallapiccola, Due studi per violino e pianoforte (Suvini Zerboni, Milano); F. Martin, Sonate, violon et piano, 1931/32 (Universal, Wien); B. Martinu, Sonate pour violon et piano (Salabert, Paris); O. Messiaen, Thèmes et variations pour violon et piano (Leduc, Paris); F. Pires, Sonatina per violino e pianoforte (Curci, Milano), chosen by: Ministry of Culture of Portugal; S. Prokofiev, Sonata n. 1 orn. 2 Violin and Piano (Anglo-Soviet Music Press, c/o Boosey & Hawkes, London); M. Ravel, Sonate pour violon et piano (Durand, Paris); M. Reger, Suite im alten Stil, für Violine und Klavier Op. 93 (Peters, London); A. Schoenberg, Phantasy for Violin with Piano accompaniment, Op. 47 (Peters, London); I. Stravinskij, Suite italienne pour violon et piano (Edition Russe de Musique, Boosey & Hawkes, London); I. Zeljenka, Sonata for Violin and Piano, chosen by: Slovensky Hudobny Fond, Bratislava 1993. Group B: a piece for violin solo, to be chosen by the candidate, written and published in the 20 th or 21st century by a composer of a different nationality as that of the candidate. Participants must send threecopies of this composition with the request to enter the competition. Group C: F. Agsteribbe, Partita per violino solo, chosen by: Flemish Community of Belgium; B. Bettinelli, Monologo per violino solo, 1986, chosen by: Ed. Curci, Milano; P. Bozzi, Meta-Kitsch per violino solo, 1986, chosen by: Ed. mus. Pizzicato, Udine; F. Donatoni, Argot. Due pezzi per violino, 1979 (Ricordi, Milano); G. Ferrari, Improvvisazioni per violino solo (Zanibon, Padova); C. Halffter, Sonata per violino solo, Op. 20, chosen by: Ed. Universal, Wien; H. W. Henze, Sonata per violino solo: Tirsi, Mopso, Aristeo (Schott’s Söhne, Mainz); A. Honegger, Sonate pour violon seul (Salabert, Paris); H. Jelinek, Sonata für Violine allein, Op. 27 (Modern, München); A. Kaciaturian, Sonata Monologo per violino solo, 1976 (H. Sikorski, Hamburg); F. Kreisler, Recitativo und Scherzo - Caprice, Op. 6 (Schott’s Söhne, Mainz, 1911, reprint 1939); B. Maderna, Pièce pour Yvry (1971) per violino solo (Ricordi, Milano); D. Matthews, Three Studies for solo Violin, Op. 39, chosen by: Faber Music, London; C. Nielsen, Praeludium und Thema mit Variationen für Violine solo, Op. 48 (Peters, London); P. Papadatos, Braarmarapha for Violin solo, chosen by: Ministry of Culture of Greece; C. Pascal, Sonate pour violon seul, chosen by: Ed. Combre, Paris; K. Penderecki, Cadenza (Schott’s Söhne, Mainz) 1989; V. Persichetti, Sonata for solo violin, Op. 10 (Elkan - Vogel, Inc., Bryn Mawr, Pa) 1956; G. Petrassi, Elogio per un’ombra per violino solo (Suvini Zerboni, Milano); H. Pousseur, Flexions III per violino solo, (Suvini Zerboni, Milano, 1979) S. Prokofiev, Sonate für Violine solo, Op. 115 (H. Sikorski, Hamburg); C. Prosperi, White jazz per violino solo (Suvini Zerboni, Milano); E. Rautavaara, Variétude, violino solo, Op. 82 (Fazer, Helsinki); M. Reger, Praeludium und Fuge (a moll) für Violine allein (Bote & G. Bock, Berlin 1909, reprint 1940); F. Resch, Cadenz solo violin, chosen by: Ed. Rugginenti, Milano; A. Schnittke, A Paganini per violino solo (H. Sikorski, Hamburg) 1983; S. Sciarrino, Sei capricci per violino solo (Ricordi, Milano); P. Sculthorpe, Irkanda I for Violine alone, chosen by: Faber Music, London; I. Stravinskij, Elégie violino solo (Chappell & Co., Inc., New York) 1945; J. Vella, Monologo in tre parti per violino solo, Op. 32, chosen by: Ministry of Culture of Malta; I. Xenakis, Mikka “s” violon solo (Salabert, Paris); B. A. Zimmermann, Sonate für Violine solo, 1951 (Schott, Mainz) - or a piece for solo violin to be chosen by the candidate, written and published in the first half of the 20thcentury, not performed in other rounds. Participants must send threecopies of this composition with the request to enter the competition. N.B. - The candidates must perform the above- mentioned compositions, entirely or in part at the discretion of the jury. Final Round Participants must perform three pieces, by different authors, one to be chosen from Group A: one from Group Band obligatory: V. Bucchi: Concerto lirico per violino e archi (Premio Valentino Bucchi, Via U. Peruzzi, 20 - 00139 Roma), the same of the eliminatory round. Group A: I. Stravinskij, Duo concertant pour violon et piano (Edition Russe de Musique, Boosey & Hawkes, London); M. Ravel, Tzigane Rapsodie de concert pour violon et piano (Durand, Paris). Group B: B. Bartók, Sonata for solo Violin (Boosey & Hawkes, London); E. Ysaye, Sonate Op. 27 pour violon seul n. 1, or 2, or 4 or 5 (Schott Frères, Bruxelles) or a piece for violin solo, written and published after 1950 or of the 21stcentury, also unpublished, to be chosen by the candidate, not performed in other rounds. Participants must send threecopies of this composition with the request to enter the competition. N.B The candidates must perform the above-mentioned three compositions, entirely or in part at the discretion of the jury. The editions are advisable but not compulsory. 5b. PROGRAM (VIOLA) Eliminatory Round Competitors must perform three pieces by different authors, one to be chosen from Group A. Obligatory pieces: - V. Bucchi, Soliloquios, monodramma per viola solo(edition Premio Valentino Bucchi 1992, Via Ubaldino Peruzzi 20, 00139 Roma); - one piece for viola solochosen by the candidate, written and published in the 20thor 21st century, by a composer of the same nationalityas that of the candidate. Participants must send threecopies of this composition with the request to enter the competition. Group A: B. Britten, Lachrymae, Op. 48 for Viola and Piano (Boosey&Hawkes, London); P. Hindemith, Sonate für Viola allein, Op. 11 n. 5 orOp. 25 n. 1 (Schott’s Söhne, Mainz); A. Kaciaturian, Sonata per viola sola (Hans Sikorski, Hamburg). N.B. - The candidates must perform the above-mentioned compositions, entirely or in part at the discretion of the jury. Semifinal Round Participants must perform three pieces, by different authors, chosen among the following ones: one from Group A, one from Group B, and one from Group C. Group A: B. Bartók, Viola Concerto opera postuma - Viola and Piano reduction (Boosey & Hawkes, London); B. Bettinelli, Due movimenti per viola e pianoforte (Zanibon, Padova); C. Carneyro, Khroma para viola e piano (revisão de François Broos), (Sociedade Portuguesa de Autores, Lisboa), chosen by: Ministry of Culture of Portugal; J. Charpentier, Couleurs pour une sonate imaginaire pour alto et piano, chosen by: Ed. Leduc, Paris; G. Dávid, Pezzo per viola con accompagnamento per pianoforte (Ed. Musica, Budapest); G. Enesco, Konzert Stück für Viola und Piano (Enock, Paris); P. Hindemith, Der Schwanendreher, Konzertmusik, Op. 48, Viola and Piano reduction (Schott’s Söhne, Mainz); A. Honegger, Sonate pour alto et piano, 1920 (Salabert, Paris); D. Milhaud, 4 visages pour alto et piano, 1946 (Heugel, Paris); W. Walton, Concerto in A for Viola and Piano (Oxford, University Press). Group B: a piece for viola solo, to be chosen by the candidate, written and published in the 20 th or 21st centuryby a composer of a different nationalityas that of the candidate. Participants must send threecopies of this composition with the request to enter the competition. Gruppo C: T. Antoniou, Lament for Walter for solo viola, 1997 (Philippos Nakas Music House); V. Babayan, Sonata for viola sola, Op. 127, Bucarest, 1940; I.Baran, Bir Bölümlü Sonatina (Sonatine en un mouvement) Ankara, 1969; L. Berio, Sequenza VI per viola sola, chosen by: Ed. Universal, Wien; B. Britten, Elegy for Solo Viola, chosen by: Faber Music, London; S. Bussotti, Nudo disteso (una cadenza per viola), 1980; A. Clementi, Variazioni per viola sola (Suvini Zerboni, Milano); C. Coppens, viola sola, Une semaine de bonté, dedicato a Max Ernst, chosen by: Flemish community of Belgium; P.Costantinescu, Sonata Bizantina pentru viola sola, F. Donatoni, Ali, tre pezzi per viola sola (Ricordi, Milano); F. Druzhinin, Sonata per viola sola (1961) G. Ferrari, Improvvisazione per viola sola (Boccaccini & Spada, Roma) 1979; D.Hallmann, Ballata virtuosità für viola sola, (Peters, Leipzig), 1984; M. Jarrell, ...Some leaves II... (Lemoine, Paris); A.Jolivet, Cinq Eglogues pour alto seul (G.Billaudot, Paris), 1967, 3 at least; M. Kugel, Prelude “Ysaye” for viola solo (Alain van Kerckhaven Editeur) 1999; M.Lavista Cuaderno de Viaje, 2 piezas para viola, 1989; G. Ligeti, Sonata per viola sola (1991-1994); B. Maderna, Viola (o viola d’amore) (1971) (Ricordi, Milano); F. Mannino, Sonata per viola sola, chosen by: Ed. Curci, Milano; P. Merkù, Alba per viola sola, chosen by Ed. mus. Pizzicato, Udine; V. Micheenko, Fantasia for viola sola (A. Sheestiperov &.