An Uncanny Architecture of Cultural Heritage: Representations of the Japanese Occupation in Harbin, China." Visual Histories of Occupation: a Transcultural Dialogue
Hillier, Jean, and Shulan Fu. "An uncanny architecture of cultural heritage: Representations of the Japanese occupation in Harbin, China." Visual Histories of Occupation: A Transcultural Dialogue. Ed. Jeremy E. Taylor. London,: Bloomsbury Academic, 2021. 207–228. Bloomsbury Collections. Web. 25 Sep. 2021. <http://dx.doi.org/10.5040/9781350167513.ch-009>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 05:09 UTC. Copyright © Jeremy E. Taylor 2021. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 9 An uncanny architecture of cultural heritage: Representations of the Japanese occupation in Harbin, China Jean Hillier and Shulan Fu Introduction Occupation has a lasting impact, leaving forms of cultural legacy. Transforming legacy into heritage involves active selection and a valuation of tangible and intangible occupation elements.1 Selected elements may be represented by previously occupied territories in memorial museums dedicated to ‘historic events commemorating mass suffering of some kind’.2 Also referred to as ‘trauma sites’3 or ‘atrocity heritage’,4 museums and landscapes exist as material testimony to the violence which occurred at a certain place. In this chapter, we explore the cultural expression of the legacies of occupation in the city of Harbin, China. In a period of just over 100 years, Harbin was controlled by Russian, Japanese, Soviet and Chinese authorities, experiencing a rapid succession of different regimes. As Wei Song, Robert St Clair and Song Wang comment: ‘The modern history of China is written all over Harbin.’5 Harbin is the capital city of Heilongjiang Province, and is currently undergoing an attempted economic transition from manufacturing to tourism.
[Show full text]