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Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY CHRONOLOGICAL LIST OF CANADIAN FEATURE FILMS, FEATURE DOCUMENTARIES AND MADE-FOR-TELEVISION FILMS, 1945-2011 COMPILED BY PAUL GRATTON MAY, 2012 2 5.Fast Ones, The (Ivy League Killers) 1945 6.Il était une guerre (There Once Was a War)* 1.Père Chopin, Le 1960 1946 1.Canadians, The 1.Bush Pilot 2.Désoeuvrés, Les (The Mis-Works)# 1947 1961 1.Forteresse, La (Whispering City) 1.Aventures de Ti-Ken, Les* 2.Hired Gun, The (The Last Gunfighter) (The Devil’s Spawn) 1948 3.It Happened in Canada 1.Butler’s Night Off, The 4.Mask, The (Eyes of Hell) 2.Sins of the Fathers 5.Nikki, Wild Dog of the North 1949 6.One Plus One (Exploring the Kinsey Report)# 7.Wings of Chance (Kirby’s Gander) 1.Gros Bill, Le (The Grand Bill) 2. Homme et son péché, Un (A Man and His Sin) 1962 3.On ne triche pas avec la vie (You Can’t Cheat Life) 1.Big Red 2.Seul ou avec d’autres (Alone or With Others)# 1950 3.Ten Girls Ago 1.Curé du village (The Village Priest) 2.Forbidden Journey 1963 3.Inconnue de Montréal, L’ (Son Copain) (The Unknown 1.A tout prendre (Take It All) Montreal Woman) 2.Amanita Pestilens 4.Lumières de ma ville (Lights of My City) 3.Bitter Ash, The 5.Séraphin 4.Drylanders 1951 5.Have Figure, Will Travel# 6.Incredible Journey, The 1.Docteur Louise (Story of Dr.Louise) 7.Pour la suite du monde (So That the World Goes On)# 1952 8.Young Adventurers.The 1.Etienne Brûlé, gibier de potence (The Immortal 1964 Scoundrel) 1.Caressed (Sweet Substitute) 2.Petite Aurore, l’enfant martyre, La (Little Aurore’s 2.Chat dans -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
HIGHLIGHTS … They Have Created a Public Event You Could No More Cancel Than You Could Cancel Valentine’S Day
2018HIGHLIGHTS … they have created a public event you could no more cancel than you could cancel Valentine’s Day. — Kate Taylor, The Globe and Mail Contents 1 INTRODUCTION NCFD by the numbers • Spotlight on Women • Trailblazers 12 SCREENING EVENTS Interactive Google map • Enhanced events • International events • 2018 communities • RCtv 26 SCREENING PARTNER RESOURCES 30 ONLINE, ON-AIR AND IN-THE-AIR PROGRAMMING 36 BUZZ Promotional video • Media coverage highlights • Social media highlights • Website highlights • Media partnerships 46 TESTIMONIALS 50 SUPPORT REEL CANADA Board of Directors and Advisory Committee • Our Sponsors • Our Partners Introduction “… they have, in five short years, created a public event you could The way Canadians embraced our spotlight on women also showed no more cancel than you could cancel Valentine’s Day.” us that Canadians are not only hungry for homegrown stories, but – Kate Taylor, The Globe and Mail are deeply interested in hearing underrepresented voices, and celebrating them. When the article quoted above was published, that’s when we knew. We don’t expect you, Dear Reader, to take in every detail of this report. But we hope you will browse and enjoy some of the nuggets We knew there was a huge appetite for a cultural celebration that — the individual testimonials, the range of screening venues (and allows us to embrace our own stories, and we knew that Canadians countries!) and the ways in which screening partners made the day are beginning to think of it as a national institution! their own. It’s not very Canadian of us to toot our own horn, but we’re Reflecting on the fifth annual NCFD brings us to one conclusion: incredibly proud of the way National Canadian Film Day (NCFD) celebrating Canada by watching great Canadian films truly matters has grown over the past five years. -
Filming Feminist Frontiers/Frontier Feminisms 1979-1993
FILMING FEMINIST FRONTIERS/FRONTIER FEMINISMS 1979-1993 KATHLEEN CUMMINS A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN WOMEN’S, FEMINIST AND GENDER STUDIES YORK UNIVERSITY TORONTO, ONTARIO November 2014 © Kathleen Cummins, 2014 ii ABSTRACT Filming Feminist Frontiers/Frontier Feminisms is a transnational qualitative study that examines ten landmark feature films directed by women that re-imagined the frontiers of Canada, Australia, New Zealand, and the U.S through a feminist lens. As feminist feature films they countered Eurocentric and masculinist myths of white settlement and expansionism in the grand narrative tradition. Produced between 1979 and 1993, these films reflect many of the key debates that animated feminist scholarship between 1970 and 1990. Frontier spaces are re-imagined as places where feminist identities can be forged outside white settler patriarchal constructs, debunking frontier myths embedded in frontier historiography and the Western. A central way these filmmakers debunked frontier myths was to push the boundaries of what constitutes a frontier. Despite their common aim to demystify dominant frontier myths, these films do not collectively form a coherent or monolithic feminist revisionist frontier. Instead, this body of work reflects and is marked by difference, although not in regard to nation or time periods. Rather the differences that emerge across this body of work reflect the differences within feminism itself. As a means of understanding these differences, this study examines these films through four central themes that were at the centre of feminist debates during the 1970s, 80s, and 90s. -
Filming Politics: Communism and the Portrayal of the Working Class at the National Film Board of Canada, 1939-1946
University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2007 Filming politics: communism and the portrayal of the working class at the National Film Board of Canada, 1939-1946 Khouri, Malek University of Calgary Press Khouri, M. "Filming politics: communism and the portrayal of the working class at the National Film Board of Canada, 1939-1946". Series: Cinemas off centre series; 1912-3094: No. 1. University of Calgary Press, Calgary, Alberta, 2007. http://hdl.handle.net/1880/49340 book http://creativecommons.org/licenses/by-nc-nd/3.0/ Attribution Non-Commercial No Derivatives 3.0 Unported Downloaded from PRISM: https://prism.ucalgary.ca University of Calgary Press www.uofcpress.com FILMING POLITICS: COMMUNISM AND THE PORTRAYAL OF THE WORKING CLASS AT THE NATIONAL FILM BOARD OF CANADA, 1939–46 by Malek Khouri ISBN 978-1-55238-670-5 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. -
Reference Guide This List Is for Your Reference Only
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA ACT OF THE HEART BLACKBIRD 1970 / Director-Writer: Paul Almond / 103 min / 2012 / Director-Writer: Jason Buxton / 103 min / English / PG English / 14A A deeply religious woman’s piety is tested when a Sean (Connor Jessup), a socially isolated and bullied teenage charismatic Augustinian monk becomes the guest conductor goth, is falsely accused of plotting a school shooting and in her church choir. Starring Geneviève Bujold and Donald struggles against a justice system that is stacked against him. Sutherland. BLACK COP ADORATION ADORATION 2017 / Director-Writer: Cory Bowles / 91 min / English / 14A 2008 / Director-Writer: Atom Egoyan / 100 min / English / 14A A black police officer is pushed to the edge, taking his For his French assignment, a high school student weaves frustrations out on the privileged community he’s sworn to his family history into a news story involving terrorism and protect. The film won 10 awards at film festivals around the invites an Internet audience in on the resulting controversy. world, and the John Dunning Discovery Award at the CSAs. With Scott Speedman, Arsinée Khanjian and Rachel Blanchard. CAST NO SHADOW 2014 / Director: Christian Sparkes / Writer: Joel Thomas ANGELIQUE’S ISLE Hynes / 85 min / English / PG 2018 / Directors: Michelle Derosier (Anishinaabe), Marie- In rural Newfoundland, 13-year-old Jude Traynor (Percy BEEBA BOYS Hélène Cousineau / Writer: James R. -
Notes for a Speech by Michel Roy Chair of the Board at the 2016 Annual Public Assembly November 30, 2016 Vancouver
NOTES FOR A SPEECH BY MICHEL ROY CHAIR OF THE BOARD AT THE 2016 ANNUAL PUBLIC ASSEMBLY NOVEMBER 30, 2016 VANCOUVER CHECK AGAINST DELIVERY Thank you, Jacqueline. Hello, Ladies and Gentlemen, dear industry colleagues, and hello to all the Telefilm employees across the country watching us on Facebook. I would like to thank the Vancouver International Film Festival for hosting us today in this terrific theatre. It’s a pleasure for us to meet you here in this city that has been aptly dubbed Hollywood North. Our Annual Public Assembly is an opportunity to report on our work and to continue our dialogue with all our partners. We’ll talk to you this morning about vision, achievements, but also about memories, since 2017 will mark the 50th anniversary of Telefilm. And Carolle Brabant will then comment on the results of fiscal 2015-2016 as indicated in the annual report that we are launching today under the title Celebrating 50 years of talent. Although Telefilm’s creation dates back to 1967, filmmakers organized the very first Canadian film gala, the Canadian Film Awards, in 1949. The third edition of these awards was hosted by none other than “America’s Sweetheart,” Canadian Mary Pickford. All of this augured well, but we would have to wait another 10 years before the vision of a true Canadian film industry was born. The great visionary John Grierson, founder of the National Film Board of Canada, and Michael Spencer, the NFB’s Director of Planning, both of British origin, were very impressed by the creativity of our people. -
Creating Space for Authentic Voice in Canada's Screen Industry: a Case
Creating space for authentic voice in Canada’s screen industry: A case study of “Women In the Director’s Chair (WIDC)” by Carol Whiteman B.F.A. (Hons.), York University, 1984 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Education in the Transformational Change Program Faculty of Education Ó Carol Whiteman 2019 SIMON FRASER UNIVERSITY Spring 2019 Copyright in this work rests with the author. Please ensure that any reproduction or re-use is done in accordance with the relevant national copyright legislation. Approval Name: Carol Whiteman Degree: Doctor of Education Title: Creating space for authentic voice in Canada’s screen industry: A case study of “Women In the Director’s Chair (WIDC)” Examining Committee: Chair: Charles Scott Adjunct Professor, Faculty of Education Carolyn Mamchur Senior Supervisor Professor Rita Deverell Supervisor Member, President’s Committee on Truth and Reconciliation Lakehead University David Kaufman Supervisor Professor Michael Ling Internal Examiner Senior Lecturer Ardra Cole External Examiner Professor Faculty of Education Mount Saint Vincent University Date Defended/Approved: January 25, 2019 ii Ethics Statement iii Abstract Using an appreciative inquiry approach and sharing a reflexive 4-D (i.e., discovery, dreams, design, delivery / destiny) narrative that explores societal, organizational and personal perspectives, this action research study describes a specially designed, internationally respected Canadian national professional development initiative for women screen directors, entitled ‘Women In the Director’s Chair (WIDC)’. The narrative traces how this initiative came to be, and within the context of North America’s ‘waves’ of feminism, where it is placed on the landscape of Canada’s screen industry. -
Synopsis CPL 1
General and PG titles Call: 1-800-565-1996 Criterion Pictures 30 MacIntosh Blvd., Unit 7 • Vaughan, Ontario • L4K 4P1 800-565-1996 Fax: 866-664-7545 • www.criterionpic.com 10,000 B.C. 2008 • 108 minutes • Colour • Warner Brothers Director: Roland Emmerich Cast: Nathanael Baring, Tim Barlow, Camilla Belle, Cliff Curtis, Joel Fry, Mona Hammond, Marco Khan, Reece Ritchie A prehistoric epic that follows a young mammoth hunter's journey through uncharted territory to secure the future of his tribe. The 11th Hour 2007 • 93 minutes • Colour • Warner Independent Pictures Director: Leila Conners Petersen, Nadia Conners Cast: Leonardo DiCaprio (narrated by) A look at the state of the global environment including visionary and practical solutions for restoring the planet's ecosystems. 13 Conversations About One Thing 2001 • 102 minutes • Colour • Mongrel Media Director: Jill Sprecher Cast: Matthew McConaughey, David Connolly, Joseph Siravo, A.D. Miles, Sig Libowitz, James Yaegashi In New York City, the lives of a lawyer, an actuary, a house-cleaner, a professor, and the people around them intersect as they ponder order and happiness in the face. of life's cold unpredictability. 16 Blocks 2006 • 102 minutes • Colour • Warner Brothers Director: Richard Donner Cast: Bruce Willis, Mos Def, David Morse, Alfre Woodard, Nick Alachiotis, Brian Andersson, Robert Bizik, Shon Blotzer, Cylk Cozart Based on a pitch by Richard Wenk, the mismatched buddy film follows a troubled NYPD officer who's forced to take a happy, but down-on- his-luck witness 16 blocks from the police station to 100 Centre Street, although no one wants the duo to make it. -
Canadian Film Anc Television an Excerpt from Take One's Essential Guide to Canadian Film • EDITED by WYNDHAM WISE
Canadian Film anc Television An Excerpt from Take One's Essential Guide To Canadian Film • EDITED BY WYNDHAM WISE In conjunction with Take One's 10th anniversary, the University of Toronto Press is publish- ing Take One's Essential Guide to Canadian Film, the most exhaustive and up—to—date reference book on Canadian film and filmmakers, combining 700 reviews and biographical listings with a detailed chronology of major events in Canadian film and television history. Complied by myself, with a foreward by director Patricia Rozema, this is the only reference book of its kind published in English. Wynd ham Wise Take One's Essential able, a brief career overview and a filmogra- Guide to Canadian phy. Take One's Essential Guide is by no means Film had its gene- complete. It is a start, a work in progress that sis in an issue I will grow with each new edition. Some names put together in the summer of 1996 for Take and films have been omitted due both to space One's celebration of the 100th anniversary of constraints and the availability of the films to Canadian cinema. This issue featured 100 of be viewed (always a problem when it comes the most famous Canadians to have made a to Canadian cinema). It is my intention that living in film, whether at home, in Hollywood they will be included in future editions. or abroad; it engendered a shock of recogni- Take One's Essential Guide to Canadian Film tion. From the stars of silent movies, such as would not have been possible without the Walter Huston, Mary Pickford, Norma helpful assistance and encouragement -
Cinema in the Age of Globalization
01Chap1.qxd 7/8/02 10:24 AM Page 3 1 Cinema in the Age of Globalization My first recollection of the film industry in British Columbia dates from , when my friend Gord Darby invited me to attend the Vancouver pre- mier of a film in which he claimed to have played a central role. Gord is -foot- and played college basketball. As he tells it, he received a phone call at home one evening from a film producer, whose first words were, “I hear you’re tall.” Gord was thus recruited to wear the large and cumbersome cos- tume of the monster in the John Frankenheimer horror movie Prophecy, which was shooting some scenes in North Vancouver. We laughed all the way through this ridiculous film – until the end, that is, when Gord’s name was excluded from the credits, leading us to believe that none of his scenes had made the final cut. I had a similar experience in when another friend, Larry Pynn, a reporter with the Vancouver Sun, signed on as an extra for the Michael Chapman fantasy Clan of the Cave Bear, then filming on Bowen Island. At the film’s Vancouver debut, it seemed that most of the audience consisted of extras like Larry. To this day, Larry still searches for himself on the screen – midway through the film, at the edge of the frame of a busy scene in which hundreds of extras adorned in animal skins arrive for a gathering of the clans. I found him as hard to recognize as Gord had been in his monster cos- tume. -
Canada's 150 Definitive Works
October 13, 2016 .NEWS RELEASE. LIGHT UP THE NATION: CANADA’S 150 DEFINITIVE WORKS Animation. Commercials. Music videos. Moving-image installations. Features. Television. Shorts. Experimental films and video. Documentaries. TIFF announces the 150 seminal contributions to the country’s cinematic landscape The Sweater, Sheldon Cohen (1980) Photo Credit: Film Reference Library TORONTO — TIFF has unveiled plans for Canada on Screen, a co-production between TIFF and three core project partners — Library and Archives Canada, the Cinémathèque québécoise, and The Cinematheque in Vancouver — for Canada’s sesquicentennial in 2017. Beginning in January and running throughout the year, the free programme will present moving-image installations, special events, special guests, an extensive online catalogue, screenings across the country, and a list of the 150 essential moving-image works from Canada’s history (announced below) based on a national poll of industry professionals. The Government of Canada and RBC are Presenting Partners of Canada on Screen. As a Canada 150 Signature Project, The Government of Canada is contributing funding of up to $1.3 million. “This Canada 150 Signature Project funding will allow us and our partner organizations across the country to celebrate the riches and achievements of Canada's moving-image heritage through screenings and a digital extension,” said Piers Handling, Director and CEO, TIFF. “For the first time in our history, Canada on Screen will showcase the most significant moving-image productions ever made in the country — features and shorts, documentaries and television, music videos and commercials — to Canadians everywhere throughout all of 2017.” The Honourable Mélanie Joly, Minister of Canadian Heritage said, “Thanks to the Signature Project Canada on Screen, Canadians across the country will have the pleasure of seeing some of this country’s best moving-image works newly restored.