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The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
Score: a Hockey Musical
Mongrel Media Presents Score: A Hockey Musical A Film by Michael McGowan (92min., Canada, 2010) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html 1 OVERVIEW Music icon Olivia Newton-John (whose career has spanned over four decades, from Grease in 1978 to TV’s Glee in 2010) stars in Michael McGowan’s Score: A Hockey Musical, a film that combines musical numbers with Canada’s national sport. The film – which tells the story of a teenage hockey phenom who goes from obscurity to overnight fame – also stars a slew of Canadian talent. Among those are singer/songwriter Marc Jordan (whose composing credits include Rod Stewart’s “Rhythm of My Heart” and Cher’s “Taxi Taxi”), newcomers Noah Reid and Allie MacDonald, along with cameos by music artists Nelly Furtado, Dave Bidini, Hawksley Workman and John McDermott, journalists George Stroumboulopoulos and Evan Solomon, sports anchor Steve Kouleas, hockey dad Walter Gretzky and hockey star Theo Fleury. Unlike other musicals, the story doesn’t stop just for the sake of a song. Instead, the lyrics (written by McGowan) drive the plot. There are 20 original songs, among them one called “Darryl vs. the Kid” by Barenaked Ladies, as well as “Hugs” by Olivia Newton-John, Amy Sky and Marc Jordan, and five songs on which Hawksley Workman contributed. -
THE ONE and the MANY English-Canadian Short Story Cycles
THE ONE AND THE MANY English-Canadian Short Story Cycles Gerald Lynch 'VER THE PAST HUNDRED years the short story cycle has Q 1 become something of a sub-genre within the Canadian short story. This is not to argue that the story cycle has been ignored by American and British writers ( or by French, Australian, and Russian writers, or, for that matter, by the writers of any other national literature) — it hasn't — only that the form has held a special at- traction for Canadian writers. Doubtless there are shared reasons for the story cycle's current popularity internationally and in Canada, even such commercial reasons as its attraction for publishers who assume that readers are more comfort- able with the linkages of the cycle than with the discontinuities of a miscellany. But such matters are not within this paper's literary-historical and theoretical scope. The present study sketches the history of the story cycle in Canada, gives an idea of its diversity and continuing popularity, considers some of the fundamental ques- tions about this comparatively new form, and concludes with an illustrative analysis of the function of one important aspect of story cycles, their concluding stories. Although the short story is the youngest of genres, beginning only in the early nineteenth century, literary historians and theorists often begin their discussions by casting back to the Story of Job, even to pre-literate oral history, so that the epic poems of various cultures are made to seem proto short story cycles.2 Thus aca- demics dress their new subject in the respectable robes of a literary history. -
ENGL 3940-01 Struthers F21.Pdf
Preliminary Web Course Description *Please note: This is a preliminary web course description only. The department reserves the right to change without notice any information in this description. The final, binding course outline will be distributed in the first class of the semester. School of English and Theatre Studies Course Code: Course Title: Date of Offering: 3940*01 Seminar: Form, Genre & Literary Value Fall 2021 Topic for Sec. 01: Autobiography, Ficticity, Allegory Course Instructor: Course Format: Dr. J.R. (Tim) Struthers Asynchronous (For details, see end of this document) Brief Course Synopsis: Please Note: As needed, this Fall’s offering of ENGL*3940*01 (and ENGL*3940*02) may count as a .5 credit in “Canadian literature” if such a .5 credit is required in terms of specific “Distribution Requirements” for English Programs. The topic I have chosen for this course – “Autobiography, Ficticity, Allegory” -- and my personal desire to encourage a creative and a critical and a personal approach to reading and writing offer an opportunity to develop our understanding of traditionally distinct, now often merging art forms and theoretical approaches, of their values to ourselves and to others. As an important facet of this objective, members of this class should consider themselves not simply invited but strongly encouraged to reflect on and to explore the potential that the three different elements of “Autobiography; Ficticity; Allegory” contain for enhancing our thinking and writing in ways that give more scope to the individual imagination. Special attention will be given to ways in which these three elements combine in Indigenous writer (and Guelph resident) Thomas King’s book The Truth about Stories: A Native Narrative. -
Playing with Cultures
PLAYING WITH CULTURES The Role of Coyote in Sheila Watson's The Double Hook and Thomas King's Green Grass, Running Water by DOUGLAS GEORGE ARNOLD VINCENT A thesis submitted to the Department of English in conformity with the requirements for the degree of Master of Arts Queen's University Kingston, Ontario, Canada July, 1999 Copyright 0 Douglas George Arnold Vincent, 1999 National Library BiblioWque nationate du Canada Acquisitions and Acquisitions et Bibliographic Sennnnces services bibliographiques 395 Wellington Street 395. rue WellicQtOn OttawaON K1AON4 OttawaON KtAONQ Canada Canada The author has granted a non- L'auteur a accorde melicence non exclusive licence allowing the exclusive permettaut a la National Library of Canada to Bibliotheque nationale du Canada de reproduce, loan, distniute or sell reproduire, preter, distribuer ou copies of this thesis in microform, vendre des copies de cette these sous paper or electronic formats. la forme de microfiche/fXm, de reproduction sur papier ou sur format electronique. The author retains ownership of the L'auteur conserve la propriete du copyright in this thesis. Neither the droit &auteur qui protege cette these. thesis nor substantial extracts from it Ni la these ni des extraits substantiels may be printed or othewise de celleci ne doivent Stre imprimes reproduced without the author's ou autrement reproduits sans son permission. autorisation- Abstract In Canadian literature, the character of Coyote, with its origins in the oral traditions of Native cultureyhas been able to cross cultural boundaries between Native and Euro-American writers and act at a culturaI intersection where relations between the two traditions meet at the level ofmyth and story- The complex characteristics of Coyote allow authors like Sheila Watson and Thomas King to incorporate Coyote into their fictions and meet their narrative purposes without violating Coyote's Native origins. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
Download Full Issue
191CanLitWinter2006-4 1/23/07 1:04 PM Page 1 Canadian Literature/ Littératurecanadienne A Quarterly of Criticism and Review Number , Winter Published by The University of British Columbia, Vancouver Editor: Laurie Ricou Associate Editors: Laura Moss (Reviews), Glenn Deer (Reviews), Kevin McNeilly (Poetry), Réjean Beaudoin (Francophone Writing), Judy Brown (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New, Editor emeritus (1977–1995), Eva-Marie Kröller (1995–2003) Editorial Board Heinz Antor Universität Köln Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Neil ten Kortenaar University of Toronto Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Leslie Monkman Queen’s University Maureen Moynagh St. Francis Xavier University Élizabeth Nardout-Lafarge Université de Montréal Ian Rae Universität Bonn Roxanne Rimstead Université de Sherbrooke Patricia Smart Carleton University David Staines University of Ottawa Penny van Toorn University of Sydney David Williams University of Manitoba Mark Williams University of Canterbury Editorial Laura Moss Playing the Monster Blind? The Practical Limitations of Updating the Canadian Canon Articles Caitlin J. Charman There’s Got to Be Some Wrenching and Slashing: Horror and Retrospection in Alice Munro’s “Fits” Sue Sorensen Don’t Hanker to Be No Prophet: Guy Vanderhaeghe and the Bible Andre Furlani Jan Zwicky: Lyric Philosophy Lyric Daniela Janes Brainworkers: The Middle-Class Labour Reformer and the Late-Victorian Canadian Industrial Novel 191CanLitWinter2006-4 1/23/07 1:04 PM Page 2 Articles, continued Gillian Roberts Sameness and Difference: Border Crossings in The Stone Diaries and Larry’s Party Poems James Pollock Jack Davis Susan McCaslin Jim F. -
KREVISS Cargo Records Thanks WW DISCORDER and All Our Retail Accounts Across the Greater Vancouver Area
FLAMING LIPS DOWN BY LWN GIRL TROUBLE BOMB ATOMIC 61 KREVISS Cargo Records thanks WW DISCORDER and all our retail accounts across the greater Vancouver area. 1992 was a good year but you wouldn't dare start 1993 without having heard: JESUS LIZARD g| SEBADOH Liar Smash Your Head IJESUS LIZARD CS/CD On The Punk Rock CS/CD On Sebadoh's songwriter Lou Barlow:"... (his) songwriting sticks to your gullet like Delve into some raw cookie dough, uncharted musical and if he ever territory. overcomes his fascination with the The holiday season sound of his own being the perfect nonsense, his time for this baby Sebadoh could be from Jesus Lizard! the next greatest band on this Hallelujah! planet". -- Spin ROCKET FROM THE CRYPT Circa: Now! CS/CD/LP San Diego's saviour of Rock'n'Roll. Forthe ones who Riff-driven monster prefer the Grinch tunes that are to Santa Claus. catchier than the common cold and The most brutal, loud enough to turn unsympathetic and your speakers into a sickeningly repulsive smoldering heap of band ever. wood and wires. A must! Wl Other titles from these fine labels fjWMMgtlllli (roue/a-GO/ are available through JANUARY 1993 "I have a responsibility to young people. They're OFFICE USE ONLY the ones who helped me get where I am today!" ISSUE #120 - Erik Estrada, former CHiPs star, now celebrity monster truck commentator and Anthony Robbins supporter. IRREGULARS REGULARS A RETROSPECT ON 1992 AIRHEAD 4 BOMB vs. THE FLAMING LIPS COWSHEAD 5 SHINDIG 9 GIRL TROUBLE SUBTEXT 11 You Don't Go To Hilltop, You VIDEOPHILTER 21 7" T\ REAL LIVE ACTION 25 MOFO'S PSYCHOSONIC PIX 26 UNDER REVIEW 26 SPINLIST. -
Narrative Voice in David Elias's Sunday Afternoon
Speaking Redemption: Narrative Voice in David Elias’s Sunday Afternoon Edna A. Froese, St. Thomas More College, Saskatoon Whatever the recent developments in narrative theology have accomplished by way of allowing Christian believers to negotiate postmodern challenges to the authority of the scriptural foundations of their beliefs, the newly emphasized parallels between theology and literature open up wonderful possibilities for reading fiction as well as the Bible itself. Catherine Wallace, for example, in “Faith and Fiction: Literature as Revelation,” argues that literature “has much to offer religion that religion fails to understand and to accept” (2). With Coleridge and then Steiner, Wallace observes that faith is neither “an act of will [nor] an act of knowledge” but “a creative act, the act of imagination”; thus “art and the encounter with God share a common origin in the human spirit” (5). Since “the knowledge of God is not propositional but visionary” (5-6), the poet (or novelist or playwright) is also an “autonomous and significant theologian” (1), whose task it is “to take all the muddled disruptive incoherence of real fact and actual memory – whether communal or personal – and then select and arrange, reform and recast them into a coherent aesthetic whole that tells a visionary truth that facts alone cannot reveal” (10).1 If the 202 Journal of Mennonite Studies truth that the poet thus reveals is to be understood, whether that poet happens to be the redactor of Scripture or a contemporary novelist, “we must first of all read properly, which is to say attentively, details regarded not as historical facts but as poetic choices” (Wallace 10). -
On Deformity: Bodies in Contemporary Canadian Fiction
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2012-10-25 On Deformity: Bodies in Contemporary Canadian Fiction Ram, Véronique Dorais Ram, V. D. (2012). On Deformity: Bodies in Contemporary Canadian Fiction (Unpublished doctoral thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/27175 http://hdl.handle.net/11023/312 doctoral thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY On Deformity: Bodies in Contemporary Canadian Fiction by Véronique Dorais Ram A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH CALGARY, ALBERTA October, 2012 © Véronique Dorais Ram 2012 Abstract This dissertation ponders how deformity acts as an index of resistance to the conventional family saga; it challenges the authority of the genre, which perpetuates conformity to affirm the existence of a national identity. I open with a history of the trope of deformity and a theory on its applicability to questions of the nation in Canadian fiction. Bonnie Burnard’s A Good House begins the literary analysis and considers how Daphne’s asymmetrical face exemplifies the novel’s overarching deformation of the domestic realist text. -
Weather Images in Canadian Short Prose 1945-2000 Phd Dissertation
But a Few Acres of Snow? − Weather Images in Canadian Short Prose 1945-2000 PhD Dissertation Judit Nagy Acknowledgements First and foremost, I would like to express my sincere and heartfelt thanks to my advisor and director of the Modern English and American Literature, Dr. Aladár Sarbu for his professional support, valuable insights and informative courses, which all markedly prompted the completion of my dissertation. I would also thank Dr. Anna Jakabfi for her assistance with the Canadian content of the dissertation, the cornucopia of short stories she has provided me with, and for her painstaking endeavours to continually update the Canadian Studies section of the ELTE-SEAS library with books that were indispensable for my research. I am also grateful to Dr. Istán Géher, Dr. Géza Kállay, Dr. Péter Dávidházi and Dr. Judit Friedrich, whose courses inspired many of the ideas put forward in the second chapter of the dissertation (“Short Story Text and Weather Image”). I would also like to express my gratitude to the Central European Association of Canadian Studies for the conference grant that made it possible for me to deliver a presentation in the topic of my dissertation at the 2nd IASA Congress and Conference in Ottawa in 2005, to the Embassy of Canada in Hungary, especially Robert Hage, Pierre Guimond, Agnes Pust, Yvon Turcotte, Katalin Csoma and Enikő Lantos, for their on-going support, to the Royal Canadian Geographic Society and Environment Canada for providing me with materials and information regarding the geographical-climatological findings included in my dissertation, and, last but not least, to the chief organisers of the “Canada in the European Mind” series of conferences, Dr. -
150 Canadian Books to Read
150 CANADIAN BOOKS TO READ Books for Adults (Fiction) 419 by Will Ferguson Generation X by Douglas Coupland A Better Man by Leah McLaren The Girl who was Saturday Night by Heather A Complicated Kindness by Miriam Toews O’Neill A Fine Balance by Rohinton Mistry The Handmaid’s Tale by Margaret Atwood Across The Bridge by Mavis Gallant Helpless by Barbara Gowdy Alias Grace by Margaret Atwood Home from the Vinyl Café by Stuart McLean All My Puny Sorrows by Miriam Toews Indian Horse by Richard Wagamese And The Birds Rained Down by Jocelyne Saucier The Island Walkers by John Bemrose Anil’s Ghost by Michael Ondaatje The Jade Peony by Wayson Choy Annabel by Kathleen Winter jPod by Douglas Coupland As For Me and My House by Sinclair Ross Late Nights on Air by Elizabeth Hay The Back of the Turtle by Thomas King Lives of the Saints by Nino Ricci Barney’s Version by Mordecai Richler Love and Other Chemical Imbalances by Adam Beatrice & Virgil by Yann Martel Clark Beautiful Losers by Leonard Cohen Luck by Joan Barfoot The Best Kind of People by Zoe Whittall Medicine Walk by Richard Wagamese The Best Laid Plans by Terry Fallis Mercy Among The Children by David Adams The Birth House by Ami McKay Richards The Bishop’s Man by Linden MacIntyre No Great Mischief by Alistair Macleod Black Robe by Brian Moore The Other Side of the Bridge by Mary Lawson Blackfly Season by Giles Blunt The Outlander by Gil Adamson The Book of Negroes by Lawrence Hill The Piano Man’s Daughter by Timothy Findley The Break by Katherena Vermette The Polished Hoe by Austin Clarke The Cat’s Table by Michael Ondaatje Quantum Night by Robert J.