THE ONE and the MANY English-Canadian Short Story Cycles

Copy Link

Recommended publications

The Underpainter

Canadian Literature / Littérature canadienne A Quarterly of Criticism and Review Number 212, Spring 212 Published by The University of British Columbia, Vancouver Editor: Margery Fee Associate Editors: Judy Brown (Reviews), Joël Castonguay-Bélanger (Francophone Writing), Glenn Deer (Poetry), Laura Moss (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New (1977–1995), Eva-Marie Kröller (1995–23), Laurie Ricou (23–27) Editorial Board Heinz Antor University of Cologne Alison Calder University of Manitoba Cecily Devereux University of Alberta Kristina Fagan University of Saskatchewan Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Helen Gilbert University of London Susan Gingell University of Saskatchewan Faye Hammill University of Strathclyde Paul Hjartarson University of Alberta Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Lianne Moyes Université de Montréal Maureen Moynagh St. Francis Xavier University Reingard Nischik University of Constance Ian Rae King’s University College Julie Rak University of Alberta Roxanne Rimstead Université de Sherbrooke Sherry Simon Concordia University Patricia Smart Carleton University David Staines University of Ottawa Cynthia Sugars University of Ottawa Neil ten Kortenaar University of Toronto Marie Vautier University of Victoria Gillian Whitlock University
Cahiers-Papers 53-1

The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf.
Download Full Issue

191CanLitWinter2006-4 1/23/07 1:04 PM Page 1 Canadian Literature/ Littératurecanadienne A Quarterly of Criticism and Review Number , Winter Published by The University of British Columbia, Vancouver Editor: Laurie Ricou Associate Editors: Laura Moss (Reviews), Glenn Deer (Reviews), Kevin McNeilly (Poetry), Réjean Beaudoin (Francophone Writing), Judy Brown (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New, Editor emeritus (1977–1995), Eva-Marie Kröller (1995–2003) Editorial Board Heinz Antor Universität Köln Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Neil ten Kortenaar University of Toronto Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Leslie Monkman Queen’s University Maureen Moynagh St. Francis Xavier University Élizabeth Nardout-Lafarge Université de Montréal Ian Rae Universität Bonn Roxanne Rimstead Université de Sherbrooke Patricia Smart Carleton University David Staines University of Ottawa Penny van Toorn University of Sydney David Williams University of Manitoba Mark Williams University of Canterbury Editorial Laura Moss Playing the Monster Blind? The Practical Limitations of Updating the Canadian Canon Articles Caitlin J. Charman There’s Got to Be Some Wrenching and Slashing: Horror and Retrospection in Alice Munro’s “Fits” Sue Sorensen Don’t Hanker to Be No Prophet: Guy Vanderhaeghe and the Bible Andre Furlani Jan Zwicky: Lyric Philosophy Lyric Daniela Janes Brainworkers: The Middle-Class Labour Reformer and the Late-Victorian Canadian Industrial Novel 191CanLitWinter2006-4 1/23/07 1:04 PM Page 2 Articles, continued Gillian Roberts Sameness and Difference: Border Crossings in The Stone Diaries and Larry’s Party Poems James Pollock Jack Davis Susan McCaslin Jim F.
Weather Images in Canadian Short Prose 1945-2000 Phd Dissertation

But a Few Acres of Snow? − Weather Images in Canadian Short Prose 1945-2000 PhD Dissertation Judit Nagy Acknowledgements First and foremost, I would like to express my sincere and heartfelt thanks to my advisor and director of the Modern English and American Literature, Dr. Aladár Sarbu for his professional support, valuable insights and informative courses, which all markedly prompted the completion of my dissertation. I would also thank Dr. Anna Jakabfi for her assistance with the Canadian content of the dissertation, the cornucopia of short stories she has provided me with, and for her painstaking endeavours to continually update the Canadian Studies section of the ELTE-SEAS library with books that were indispensable for my research. I am also grateful to Dr. Istán Géher, Dr. Géza Kállay, Dr. Péter Dávidházi and Dr. Judit Friedrich, whose courses inspired many of the ideas put forward in the second chapter of the dissertation (“Short Story Text and Weather Image”). I would also like to express my gratitude to the Central European Association of Canadian Studies for the conference grant that made it possible for me to deliver a presentation in the topic of my dissertation at the 2nd IASA Congress and Conference in Ottawa in 2005, to the Embassy of Canada in Hungary, especially Robert Hage, Pierre Guimond, Agnes Pust, Yvon Turcotte, Katalin Csoma and Enikő Lantos, for their on-going support, to the Royal Canadian Geographic Society and Environment Canada for providing me with materials and information regarding the geographical-climatological findings included in my dissertation, and, last but not least, to the chief organisers of the “Canada in the European Mind” series of conferences, Dr.
Abortion in Canadian Literature

Citation for the following article: Jeff Koloze, “Abortion in Canadian Literature: Comparisons with American Literature and Canada’s Unique Contributions,” Proceedings of the Nineteenth University Faculty for Life Conference at the University of St. Thomas School of Law, Minneapolis MN (2009), ed. Joseph W. Koterski, S.J. (Washington, D.C.: University Faculty for Life, 2013), pp. 207-225. Abortion in Canadian Literature: Comparisons with American Literature and Canada’s Unique Contributions Jeff Koloze A BSTRACT: After reviewing the scholarship on abortion in twentieth- century Canadian fiction written in English, the essay discusses various abortion scenes in major Canadian works by comparing and contrasting them with major works from the United States. The essay then discusses post-abortion syndrome and illustrates passages in Canadian fiction on abortion where numerous characters display features of that syndrome. OCATING CANADIAN NOVELS concerned with abortion often approximates an archaeological dig since compilations of literary Lcriticism frequently obscure, minimize, or lack references to abortion. Margaret Atwood’s Survival: A Thematic Guide to Canadian Literature1 has much to say about babies being an inappropriate solution for a plot’s denouement, calling this technique the “Baby Ex Machina,”2 1 Margaret Atwood, Survival: A Thematic Guide to Canadian Literature (Toronto ON: McClelland & Stewart, 1972). 2 Atwood, Survival, p. 247. The “Baby Ex Machina” denouement is well- established in Canadian fiction. Frederick Philip Grove’s 1925 Settlers of the Marsh (Toronto ON: Penguin Canada,2006) ends with two instances of children bringing closure to an otherwise disastrous plot: Bobby, a young man befriended by Niels, the main character, and encouraged to do well, has five children; Ellen, the love of Niels’s life, realizes at novel’s end that she needs to be a mother (pp.
Conrad Grebel University College

Conrad Grebel University College GREBEL NOW New agreement on Theological Education On December 18, 2006 an historic agreement on Graduate Theological Studies (GTS) was signed between Conrad Grebel University College, St. Jerome’s University and the University of Waterloo (UW). “This new milestone in our GTS program is the happy result of the good reputation established by the program, a compelling vision for the future, and much goodwill among those who worked together to reach this agreement,” observed Jim Pankratz, Academic Dean at Conrad Grebel. Since his arrival in January 2006, one of his biggest tasks has been leading this discussion about Graduate Theological Studies at the College. Photo: Myroslaw Tataryn, Acting President , St Jerome’s University, (left), David Johnston, President, University of Waterloo, Henry Paetkau, President, Conrad Grebel University College and Amit Chakma Vice-President, Academic and Provost, gathered to sign the agreement that will see funding flow to Conrad Grebel University College and St. Jerome’s University for their graduate programs in theological studies. ...continued on page 3 Mennonite Writers “Mennonite sells,” Sandra Birdsell’s Random House publicist declared to an audience that In this Issue... gathered at Conrad Grebel last year to hear Birdsell read from her novel Children of the Day, the sequel to her Giller Prize-nominated The Russländer. In recent years Mennonite Mennonite Writers continued ...page 2 writers like Sandra Birdsell, Rudy Wiebe, David Bergen, and Miriam Toews have brought The Make-A-Difference-Market ...page 3 the Mennonites to national – and international – attention. Theological Education cont. ...page 3 Mennonite writers have had a presence at Grebel and the University of Waterloo for many years.
Liepman Belletristik FJ2021.Pdf

Belletristik Frühjahr 2021 Literatur 3 Unterhaltung 24 Spannung 34 Weitere Highlights 42 Marc Koralnik [email protected] Anja Kretschmann Liepman AG Asylstrasse 92 [email protected] CH-8032 Zürich +41 43 268 23 80 [email protected] Hannah Nuspliger-Fosh www.liepmanagency.com [email protected] Mai Al-Nakib STRANGE BIRDS Publisher Client Custom House Ayesha Pande Literary 2022 Contact 393 pages Anja Kretschmann Acclaimed short-story writer Mai Al-Nakib’s transporting debut novel, STRANGE BIRDS is a multigenerational saga which spans Lebanon, Iraq, India, the United States, and Kuwait to bring to life the heart-stopping triumphs and failures of three generations of Arab women. In 2013, Sara is a philosophy professor at Kuwait University, hav- ing returned to Kuwait from Berkeley in the wake of her mother’s sudden death eleven years earlier. Her main companions are her grandmother’s talking parrot, Bebe Mitu; the family cook, Aasif; and Maria, her childhood ayah and the one person who has always been there for her. When she is faced with the twin calamities of an accusation Literatur of blasphemy (for teaching Nietzsche in her Intro to Philosophy course), which carries with it the threat of execution, and Maria’s sudden heart-attack, Sara begins to unravel. As the days leading up to her trial tick down, Sara finds herself retracing the past, exca- vating what she remembers of her own choices and those of the women who made her, hoping that if she can understand what led her home in the first place, she might figure out how to leave behind this country she no longer recognizes – if it is not too late.
MAY Nis Gmadian Forum Imegee of Our Time

8 Con9 and Prow. Roger Cemn has Irenrlorrned himself fmm a violenl criminal into e novelist. By John Goddard 12 Adulce and fNeeenl. Whal’s right - or wmng - with CanLit? Comments Imm our readers on Ihe Nate of the an. 15 Yesterday’s New. F.R. Swtt’s ‘socialism’ wee es misleading es the version portrayed by conservatives today. By Leo Penitch 10 Charter el Wrongs. As George Grant shows. deceplive language shmuds our notfan of fights and freedoms. By Barry Cooper 20 Brief Geelowe. Short notices on recent fiction, non-liction. end poetry EVIEWS 16 Tho Indigo Orers and Other Slories. by Aona Murray 19 Tmnto?r Tree. by H.R. Percy 26 Inroectlne the Vouile. bu Eric McCarmack Ill Maw& by Pbilif : Journey by George Gall IlllonE& I 31 Speaking ior Myeelf: Ceinsdlan Wrlten in Interulew. by Andrew Germd 32 The SoIltory Outlow, by B.W. Pave 32 The BolldIngs el Samuel Maelure: In Seemh ol Appmprlote Form, by Martin Segger; Robson Square, by Ann Rosenberg; Tomnto Observed: Ne Arehlteclore. Patrons. end Hletory. by William Oendy and William Kilbourn; Vlclorion Arehlteeture In London and Southweotern Onterfo: Symbol9 01 Aeplretlon. by Nancy 2. Tausky and Lynne D. GiStefano 34 Ted Trindoll, AMtIe Wltneee to the Norih. by Jean M&set and FtnseMarie Pelletier: The Immlgnnt Yearn: From Eumps lo Caned& lYS-lg57. by Barry Bmadloot 36 Lev(l Unknown. by A.N. Wllsan EPAFaBMEWTS 3 Flold Ndas 40 Recommended Engllrh. Our Engllrh. by Bob Blackbum 40 Neeelead Flref Novels, by Janice Kulyk Keefer 41 CanWIt No. 120 .lntenrlew _.._- with Brian Fewcett.
Longlisted & Shortlisted Books 1994-2018

Longlisted & Shortlisted Books 1994-2018 www.scotiabankgillerprize.ca # The Boys in the Trees, Mary Swan – 2008 13 Ways of Looking at a Fat Girl, Mona Awad - 2016 Brother, David Chariandy – 2017 419, Will Ferguson - 2012 Burridge Unbound, Alan Cumyn – 2000 By Gaslight, Steven Price – 2016 A A Beauty, Connie Gault – 2015 C A Complicated Kindness, Miriam Toews – 2004 Casino and Other Stories, Bonnie Burnard – 1994 A Fine Balance, Rohinton Mistry – 1995 Cataract City, Craig Davidson – 2013 The Age of Longing, Richard B. Wright – 1995 The Cat’s Table, Michael Ondaatje – 2011 A Good House, Bonnie Burnard – 1999 Caught, Lisa Moore – 2013 A Good Man, Guy Vanderhaeghe – 2011 The Cellist of Sarajevo, Steven Galloway – 2008 Alias Grace, Margaret Atwood – 1996 Cereus Blooms at Night, Shani Mootoo – 1997 Alligator, Lisa Moore – 2005 Childhood, André Alexis – 1998 All My Puny Sorrows, Miriam Toews – 2014 Cities of Refuge, Michael Helm – 2010 All That Matters, Wayson Choy – 2004 Clara Callan, Richard B. Wright – 2001 All True Not a Lie in it, Alix Hawley – 2015 Close to Hugh, Mariana Endicott - 2015 American Innovations, Rivka Galchen – 2014 Cockroach, Rawi Hage – 2008 Am I Disturbing You?, Anne Hébert, translated by The Colony of Unrequited Dreams, Wayne Johnston – Sheila Fischman – 1999 1998 Anil’s Ghost, Michael Ondaatje – 2000 The Colour of Lightning, Paulette Jiles – 2009 Annabel, Kathleen Winter – 2010 Conceit, Mary Novik – 2007 An Ocean of Minutes, Thea Lim – 2018 Confidence, Russell Smith – 2015 The Antagonist, Lynn Coady – 2011 Cool Water, Dianne Warren – 2010 The Architects Are Here, Michael Winter – 2007 The Crooked Maid, Dan Vyleta – 2013 A Recipe for Bees, Gail Anderson-Dargatz – 1998 The Cure for Death by Lightning, Gail Arvida, Samuel Archibald, translated by Donald Anderson-Dargatz – 1996 Winkler – 2015 Curiosity, Joan Thomas – 2010 A Secret Between Us, Daniel Poliquin, translated by The Custodian of Paradise, Wayne Johnston – 2006 Donald Winkler – 2007 The Assassin’s Song, M.G.
Journal of the Short Story in English, 47 | Autumn 2006 Storykeepers: Circling Family Voice in Stories by Thomas King, Olive Senior,

Journal of the Short Story in English Les Cahiers de la nouvelle 47 | Autumn 2006 Special issue: Orality Storykeepers: circling family voice in stories by Thomas King, Olive Senior, Alistair Macleod and Guy Vanderhaeghe Laurie Kruk Electronic version URL: http://journals.openedition.org/jsse/793 ISSN: 1969-6108 Publisher Presses universitaires de Rennes Printed version Date of publication: 1 December 2006 ISSN: 0294-04442 Electronic reference Laurie Kruk, « Storykeepers: circling family voice in stories by Thomas King, Olive Senior, Alistair Macleod and Guy Vanderhaeghe », Journal of the Short Story in English [Online], 47 | Autumn 2006, Online since 01 December 2008, connection on 03 December 2020. URL : http:// journals.openedition.org/jsse/793 This text was automatically generated on 3 December 2020. © All rights reserved Storykeepers: circling family voice in stories by Thomas King, Olive Senior, ... 1 Storykeepers: circling family voice in stories by Thomas King, Olive Senior, Alistair Macleod and Guy Vanderhaeghe1 Laurie Kruk 1 Asked to explain how he begins a new short story, Canadian author Jack Hodgins emphasized the role of storyteller, declaring “the voice is the story” (Kruk Voice 156). My interest is in the remarkable ability of four Canadian writers—King, MacLeod, Senior, Vanderhaeghe—to evoke the spoken word on the page through first-person narrators, often creating what I call the “double voice”: narratively, linguistically, culturally. Drawing on Bakhtin’s illumination of the fictional strategy of “double- voicing” as a means of creating meaningfully “dialogized” narratives, I will examine how these writers create orality effects that undermine dominant discourses, especially those of gender, nationality, ethnicity and class.
University of Saskatchewan Department of English Ph.D

University of Saskatchewan Department of English Ph.D. Field Examination Ph.D. candidates take this examination to establish that they have sufficient understanding to do advanced research and teaching in a specific field. Field examinations are conducted twice yearly: in October and May. At least four months before examination, students must inform the Graduate Chair in writing of their intention to sit the examination. Ph.D. students are to take this examination in May of the second year of the program or October of the third. The examination will be set and marked by three faculty specialists in the area that has been chosen by the candidate. The following lists comprise the areas in which the Department of English has set readings for Ph.D. candidates: American, Commonwealth/Postcolonial, English- Canadian, Literary Theory, Literature by Women, Medieval, Modern British, Nineteenth- Century British, Renaissance, and Restoration/Eighteenth Century. Each candidate is either to select one of the areas listed here or to propose an examination in an area for which a list is not already set. The set lists themselves are not exhaustive; each is to be taken as two-thirds of the reading to be undertaken for the examination, the final third to be drafted by the candidate in consultation with the supervisor. At least three months before examination, this list will be submitted to the candidate’s Examining Committee for approval. A candidate may choose to be examined in an area for which there is no list. Should this option be chosen, the candidate (in consultation with the supervisor) will propose an area to the Graduate Committee at least six months before the examination is to be taken.
What Would Sam Waters Do? Guy Vanderhaeghe and Søren Kierkegaard

Stephen Dunning What Would Sam Waters Do? Guy Vanderhaeghe and Søren Kierkegaard He takes a step towards me [Ed]. I find myself thinking very hard. The inevitable question arises. What would Sam Waters do in such a situation? I have a good idea what Sam would do, but I know equally well that I am incapable of imitation. —Guy Vanderhaeghe, “Sam, Soren, and Ed” Reflection is not the evil; but a reflective condition and the deadlock which it involves, by transforming the capacity for action into a means of escape from action, is both corrupt and dangerous, and leads in the end to a retrograde movement. —Søren Kierkegaard, The Present Age Guy Vanderhaeghe is probably best known today as a regional, western Canadian writer with a strong bent towards historical fic- tion who, like his co-regionalists Robert Kroetsch and Rudy Wiebe, offers meticulously researched and darkly disturbing tales that challenge what were once comforting metanarratives of national expansion and consolida- tion. Witness The Englishman’s Boy in which Shorty McAdoo finally recounts his story of the infamous Cypress Hill Massacre (1873), thereby discredit- ing a Hollywood producer’s attempt to appropriate the event as nationalist propaganda. This authorial agenda, which here and elsewhere deconstructs European cultural pretensions, has led many to read Vanderhaeghe as a thoroughly secular, postmodern author in Jean-Francios Lyotard’s sense of the word, namely one deeply suspicious of all metanarrative—including, of course, religious metanarrative (xxiv).1 Sue Sorensen, however, proves an exception, showing in her recent essay that his fiction is deeply engaged with religious matters, which should not surprise given that Vanderhaeghe in an early interview not only identifies the Bible as his foremost influence, but also confesses to being a Christian, though he adds he may be “an eccentric and anarchic one” (28).