Text: Luke 10: 25-37 “A COMPASSIONATE HEART
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Dennis Chambers
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www.zerecords.com CAN YOU IMAGINE ALL THAT MILK? The year was 1980, and Detroit was getting ready to play host to thousands of Re- publican conventioneers who were holding their quadrennial shindig in the Motor City. In a breathtaking moment of silliness, someone decided to install brand-new awnings CAN WE WHO on the windows of the recently abandoned Statler Hotel, so as not to offend any of the visiting GOP functionaries with the depressing urban financial realities of the day. Meanwhile, the members of Detroit band Was (Not Was) were engaging in a bold mu- sical experiment, splicing the genes of jazz, rock, R&B, and funk. With their futuristic grooves and intelligent (if twisted) lyrics, Was (Not Was) didn’t hide the local decay MAN TH E SHIP behind fake awnings. It gathered its ethnically diverse ranks, dressed the decay up in some fine threads and took it out dancing. The band’s ringleaders were Don Was (Donald Fagenson) and David Was (David Weiss). These brothers (of the soul variety) were in a good position to point out the absurdities of American life in the early ‘80s. Hailing from the scrubbed inner-ring De- OF STATE DENY troit suburb of Oak Park, the pair met in eighth grade, appropriately enough when they were both waiting in the principal’s office for discipline. The young friends cut their teeth listening to the homegrown sounds of Motown singles and the MC5. Add plenty of LSD and a healthy dose of the Firesign Theater to their natural mischievousness, mix well, and you’ve got a good idea of the part of the woodwork these freaks creaked IT IS SOME WHAT out of. -
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© www.totalmusicmagazine.com www.totalmusicmagazine.com - making–playing-listening-loving www.totalmusicmagazine.com Interview with Don Was Total Music: Can you recall what prompted you and David to begin making music together, and how the original ZE Records deal came about? Don Was: “As adolescents, David and I would drive aimlessly around Detroit trying to pick-up girls but to be honest, we rarely scored and would vent our frustration by going back to David's basement, smoking a lot of pot, grabbing some instruments and turning the tape recorder on. Short of getting laid - which seemed out of the question at that point - writing and recording music was the coolest thing we could think of to do. Jump ahead fifteen years, we were both married with kids and living a couple thousand miles apart but would still get together to record. During one session in 1980, we stumbled on ‘Wheel Me Out’ and knew instantly that we’d landed on something radical, it was a clean amalgamation of our Detroit musical roots: jazz trumpeter Marcus Belgrave and MC5 guitarist Wayne Kramer wailing over a deep R&B dance groove and some beat poetry, there was nothing like it at the time. I'd been listening to a lot of stuff coming out on the ZE Records label - James White & The Blacks, material, Kid Creole – and it seemed like a good home for us. David was working as a jazz critic for the now-defunct Los Angeles Herald Examiner so we hatched a devious plan whereby he would call up Michael Zilkha (head of ZE) under the pretence of interviewing him for the paper. -
D}£ Jse&Imtcc Purple
1 - (D}£ JSe&imtcc purple The Official Organ of the Students of the University of the South A Legacy oj 103 years of Student Journalism NOVEMBER 22, 1994 VOLUME CLXXIV, N0.6 THEUNlVl-.KMn OF 1 1 II SOI 1 11 SEW ANEE,TN 37383-1000 Biting the Hand that Feeds Us as at the luncb rush would probablj by Chris Cudabac there are still any around is not for lack of not been quite so bad ( lailoi BC during when he News Editor effort on Marriott's part. Gailor is now being The primary woe that the BC now expe- understand what Di Kepple means sprayed for bugs every other evening. Dr. riences, one thai Gailor also know s, is ihat ol said that ' The BC dining room Vt as not meant " so people I le on "The thought of going to dinner fills me with Kepple noted, and, over Christmas break, is trying to make certain thai plates get prop- to hold nearly many went to another that the dirty dread." Thus, in a somewhat melodramatic due to receive what the Board of Directors' erly cleaned. An informal survej indicated note that problem, of in '. w fa< ility, that fashion, did a senior sum up his feelings minutes describe as a "very major bombing." that the majority oi the "wooden" salad bowls plates the h< as due to the wasneeded towards Marriott, feelings that many share. Most of Sewanee is familiar with the had cereal remains in them. This is due to (he is thai anewj 10,000 dishwashei in it A mam cause ol the insect problems This semester has seen the a sudden surge of experimentation with the Wellness line ear- fact that, when cereal dries in one of these , ailor is simply that the building is forty years expressed discontent with the food services lier this semester. -
David Sarnoff, RCA, and the Rise of Broadcasting from Forbes Greatest Business Stories of All Time by Daniel Gross, Et Al
David Sarnoff, RCA, and the Rise of Broadcasting from Forbes Greatest Business Stories of All Time by Daniel Gross, et al. Brigadier General David Sarnoff commanded what radio pioneer Lee De Forest called, “an Invisible Empire of the Air, intan- gible, yet solid as granite.” This invisible empire became, under Sarnoff’s guidance and stewardship, the foundation for today’s electronic mass media. At the tender age of fifteen, David Sarnoff took a job as office boy for the firm that became the Radio Corporation of America (RCA). Quickly climbing the ranks to high-level man- agement, he foresaw radio’s commercial potential and helped it grow. After he ascended to the presidency of RCA in 1930, the post he held for the next forty years, Sarnoff fostered another new mass media technology: television. Sarnoff chalked up some of his success to good fortune. “I was lucky that at an early age I hitched my wagon to the electron,” he said in 1967. But timing wasn’t everything. “The uniqueness of David Sarnoff lies in his combination of a vision- ary and determined builder and hardheaded industrial leader,” wrote the MIT scientist Dr. Jerome Wiesner. An Immigrant Boy is Present at the Creation of the Wireless David Sarnoff was born in 1891 in Uzlian, a tiny Jewish village near Minsk. When David was five, his father, Abraham Sarnoff (a house painter) immigrated to the United States, and his mother sent her precocious son off to a yeshiva in Borisov. David quit his study of the Talmud when, in 1900, Abraham had saved the $144 needed to book passage for his family’s arduous journey to New York City’s Lower East Side. -
Oral History Interview with Marguerite Van Cook, 2016 September 19-21
Oral history interview with Marguerite Van Cook, 2016 September 19-21 Funded by the Keith Haring Foundation. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Marguerite Van Cook on September 19 and 21, 2016. The interview took place in New York, N.Y., and was conducted by Alex Fialho for the Archives of American Art, Smithsonian Institution. This interview is part of the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project. Marguerite Van Cook and Alex Fialho have reviewed the transcript. Their corrections and emendations appear below in brackets with initials. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview ALEX FIALHO: This is Alex Fialho interviewing Marguerite Van Cook at the Visual AIDS office in New York City, New York, on September 19, 2016, for the Archives of American Art, Smithsonian Institution, card number one. So, Marguerite, let's start at the beginning and spend some time on how you grew up. When and where were you born? MARGUERITE VAN COOK: I was born in Portsmouth, in England, on the South Coast, and I grew up there, and I spent some of my life on the Isle of Wight. My mother—when I was around 12, my mother and her boyfriend got a place in the country on the Isle of Wight, and they used to go there on the weekends. -
Geddy Fantastic Time As I'm Sure You Did As Well
s p I R I T o F I S S u E 5 4 A u T , U M N 2 000 lHE A1RE )OE ON URNI\~G t' AM &~. - -~ .. !!~._ii __ ii_ ... -~~ .. ~1If It.' . ~ I ;.a-...:o.. :l ;,>I'L ~ A W- • - • • E d I t 0 r I a I Welcome to the last issue of Spirit in the proceedings like you've never seen year 2000. I hope you all have your copies B4, because - 'We're Listening' to what you of 'My Favorite Headache' by now and are want from the day. No excuses now - See U enjoying it as much as we here at Spirit are. all there next year I!! Please send your comments/reviews of it to us before the end of the year - the next It was great to meet many Spirit readers at issue will be out mid-Jan.2001. both the Dream Theater and Spock's Beard shows back in October, we all had a We have an exclusive interview with Geddy fantastic time as I'm sure you did as well. about the album in this issue, we hope you enjoy it. Next issue we will print a Enough waffle now, if you have a re - transcription of Geddy's lastest 'Rockline' subscription reminder with this issue please appearance - these are always worth a try and get it back to me ASAP - Thank you read because it's us (the fans) who are and goodnight. asking the questions. Happy 2001 to you all. Everyone who attended the convention at the Limelight back on September ninth seemed to enjoy themselves. -
Morning Final No. 3 HOT AIR the WORLD of by MELNE
Morning Final No. 3 HOT AIR THE WORLD OF BY MELNE Well, surprise material contained G’day mates! It’s the MF Back-to-School issue, so included surprise...When on COE:TMY... here is our obligatory essay, What I Did On My Summer Vacation: we were since only half of Our two week excursion to the East Coast is detailed in the feature told it was live mate- article this issue. Our very special thanks go this time to our guest that rial. Come to artist Zeke Roeser, who provided his summer vacation activities for the EE CBS find out now EE cover. Also thanks to Rob Reich and Rick “C.C. Voodoo” Carroll for was releasing CBS is plan- their contributions and Laser Ray for Career Of ning to his photographic skill. TT TT Evil:TMY instead release ETL You’ll note the different, more con- of a CD release of after all, and sistent look in this issue, as we finally LL Extra Terrestrial you can look LL became computerized! What a God- Live, we were left for it to be send! Things should really start shap- wondering about released sometime ing up now: Keeping track of mem- the choice of around November. bership, tapes and videos, and every- thing else will be a lot easier now. (Now I can hardly believe the way I used to assemble this magazine!) The usual plethora of frivolous in- formation is contained here—in case you’re ever invited to a BÖC-version of Trivial Pursuit you’ll have a wealth Hey Joe! Whadaya of information from which to Hey Joe! Whadaya draw....So, get to it and turn the page! Know?Know? Looking for love in all the wrong places Bolle at the Öyster Bar in New York The Cult Brothers are, as I write this, in Myrtle Beach, South Carolina playing a six-night-stand at a place on the beach called Rock Burger—sink your teeth into that one! They plan to work hard on a lot of new songs, playing new ones every night so that when they return they can go into the studio and start recording a Cult Bros. -
Barry Harris Our Thing Julian Lage Spike Wilner
171187_HH_July_0 6/24/16 11:40 AM Page 1 The only jazz magazine in NY in print, online and on apps! July 2016 www.hothousejazz.com Mezzrow & Smalls Page 21 Jazz Standard Page 10 Spike Wilner Julian Lage Our Thing Barry Harris Jazz at Kitano Page 10 Village Vanguard Page 17 Where To Go & Who To See Since 1982 171187_HH_July_0 6/24/16 9:43 AM Page 2 2 171187_HH_July_0 6/24/16 9:43 AM Page 3 3 171187_HH_July_0 6/24/16 9:43 AM Page 4 4 171187_HH_July_0 6/24/16 9:43 AM Page 5 5 171187_HH_July_0 6/24/16 9:43 AM Page 6 6 171187_HH_July_0 6/24/16 9:43 AM Page 7 7 171187_HH_July_0 6/24/16 9:43 AM Page 8 8 171187_HH_July_0 6/24/16 9:43 AM Page 9 9 171187_HH_July_0 6/24/16 9:43 AM Page 10 WINNING SPINS By George Kanzler IKE PIANO, GUITAR IS LARGELY with an air of hypnotic mystery by the trio. Limmune from easy jazz categorization. Arclight, Julian Lage (Mack Avenue), Guitarists work more in a jazz guitar tra- the third album from the guitarist, is the dition than in any specific genre—like first to employ the smaller trio ensemble swing or bebop or fusion—and most of format. He's joined by bassist Scott Colley them are much more influenced by other and drummer Kenny Wollesen. A former players than by stylistic giants of jazz. child prodigy who was playing in Gary These two Winning Spins are thorough- Burton's band as a teenager, Lage is now ly steeped in guitar traditions and both close to 30. -
Winter 2020 / 2021 F
VALLEY PUBLIC RADIO Winter • 2020 A Chanticleer Christmas Sunday December 21st - 7:00 PM Plus more holiday specials inside INSIDE: Meet the hosts of Holiday Special NPR Says Goodbye KVPR Classical Programming to David Greene Page 8 Page 12 Page 15 A New Season of Carnegie Hall Live Debuts Wednesdays at 8:00 p.m. on KVPR FM 89 in 2021 Valley Public Radio is pleased to offer a new season of Carnegie Hall Live as we start the new year. The 13 week series will consist of 7 concerts recorded during the abbreviated 19-20 season, supplemented by 6 concerts from the archives. The broadcasts will air on KVPR FM 89 Wednesday nights from 8:00 p.m. till 10:00 p.m. beginning Wednesday January 6, 2021 and will continue through Wednesday March 31, 2021. These performances feature some of the classical music world’s most esteemed artists in a wide range of styles, from early music to recitals to orchestral programs. • Opening Night Gala concert with the Cleveland Orchestra and soloists Anne-Sophie Mutter, Yefim Bronfman, and Lynn Harrell in Beethoven’s Triple Concerto, led by Franz Welser-Möst • The Bavarian Radio Symphony Orchestra conducted by Mariss Jansons - his final performance before his passing just a few weeks later • Valery Gergiev and the Munich Philharmonic, with violinist Leonidas Kavakos • The Chicago Symphony led by Riccardo Muti, featuring mezzo-soprano Joyce DiDonato in Berlioz’ La mort de Cléopâtre • The New York recital debut of cellist Sheku Kanneh-Mason, accompanied by his sister, pianist Isata Kanneh-Mason • Beethoven’s 8th & 9th Symphonies performed by Orchestre Révolutionnaire et Romantique conducted by Sir John Eliot Gardiner • The National Youth Orchestra of the USA with conductor Sir Antonio Pappano and mezzo-soprano Isabel Leonard Notes from the Top by Joe Moore, President & General Manager Winter • 2020 Early on Saturday September 5, 2020, a small fire near Big Creek, a Volume 42, Number 4 mountain community about an hour east of Fresno, exploded into what KVPR-FM 89.3 Fresno is now the largest single wildfire in modern California history. -
Science-Fiction, Fantasy, and Horror in the Work of David Bowie Victoria L
Eastern Kentucky University Encompass Honors Theses Student Scholarship Spring 2014 Turn and Face the Strange: Science-Fiction, Fantasy, and Horror in the Work of David Bowie Victoria L. Dershem Eastern Kentucky University, [email protected] Follow this and additional works at: https://encompass.eku.edu/honors_theses Recommended Citation Dershem, Victoria L., "Turn and Face the Strange: Science-Fiction, Fantasy, and Horror in the Work of David Bowie" (2014). Honors Theses. 186. https://encompass.eku.edu/honors_theses/186 This Open Access Thesis is brought to you for free and open access by the Student Scholarship at Encompass. It has been accepted for inclusion in Honors Theses by an authorized administrator of Encompass. For more information, please contact [email protected]. EASTERN KENTUCKY UNIVERSITY Turn and Face the Strange: Science-Fiction, Fantasy, and Horror in the Work of David Bowie Honors Thesis Submitted in Partial Fulfillment of the Requirements of HON 420 Spring 2014 By Victoria Dershem Mentor Dr. Greg Engstrom Elizabeth K. Baker Music Library ii Abstract Turn and Face the Strange: Science-Fiction, Fantasy, and Horror in the Work of David Bowie Victoria Dershem Dr. Greg Engstrom, Elizabeth K. Baker Music Library David Bowie, one of the most recognizable names in the history of modern music, is primarily famous due to his constantly reinvented public image and often flamboyant alter-egos. However, throughout all his distinct stylistic eras, the presence of science- fiction, fantasy, and horror themes has remained a constant characteristic of his work. It is found on stage and in the studio as a singer and musician, as well as on-screen in his theatrical and television career. -
Bob Dylan the Complete Guide
Bob Dylan The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 24 Sep 2013 23:21:01 UTC Contents Articles Overview 1 Bob Dylan 1 Studio Albums 31 Bob Dylan 31 The Freewheelin' Bob Dylan 36 The Times They Are a-Changin' 51 Another Side of Bob Dylan 58 Bringing It All Back Home 64 Highway 61 Revisited 74 Blonde on Blonde 85 John Wesley Harding 101 Nashville Skyline 108 Self Portrait 114 New Morning 120 Pat Garrett & Billy the Kid 126 Dylan 130 Planet Waves 131 Blood on the Tracks 138 The Basement Tapes 143 Desire 156 Street-Legal 164 Slow Train Coming 169 Saved 176 Shot of Love 178 Infidels 184 Empire Burlesque 191 Knocked Out Loaded 199 Down in the Groove 203 Oh Mercy 206 Under the Red Sky 210 Good as I Been to You 213 World Gone Wrong 217 Time Out of Mind 220 Love and Theft 228 Modern Times 232 Together Through Life 239 Christmas in the Heart 244 Tempest 248 Live Albums 254 Before the Flood 254 Hard Rain 258 Bob Dylan at Budokan 260 Real Live 263 Dylan & the Dead 265 The 30th Anniversary Concert Celebration 268 MTV Unplugged 271 Live 1961–2000: Thirty-Nine Years of Great Concert Performances 274 Live at the Gaslight 1962 275 Live at Carnegie Hall 1963 278 The Bootleg Series 279 The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991 279 The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert 283 The Bootleg Series Vol.