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_CV KERRY PANAGGIO _SUMMARY OF COMMERCIAL STYLING WORK FASHION & COMMERCIAL STYLIST FACEBOOK World Cup 2018 Campaign Images GOOGLE Campaign for Google Drive MINI COOPER Multiple Campaigns _DETAILS MERCEDES BENZ F1 Event Dressing,163 People In 50s Clothing VISA Christmas Campaign EMAIL: [email protected] METLIFE Global Campaigns INSTAGRAM: @kerrypanaggio LLOYDS ‘250 Years’ Campaign WEBSITE kerrypanaggio.com BRITISH AIRWAYS Entire Stock Imagery Rebrand BARCLAYS Multiple Campaigns NATWEST Multiple Campaigns _TEACHING & EDUCATION CHELSEA FC Kit Launch, Team Styling, Hospitality BT Multiple Campaigns ASSOCIATE LECTURER AVIVA ‘Family Challenge’ Campaign UAL, London JOHN LEWIS Campaigns, Social/ BTS JD Institute, India WAITROSE Campaigns, Social/ BTS Hungkuang University, Taiwan SAINSBURYS Christmas TU campaign IRITHI Contemporary Craft Council, Sharjah VMWEAR Global Campaign PETRONAS TV Commercial MA HIVE Multiple Campaigns Fashion History and Culture VODAFONE Lost Campaign London College of Fashion HEATHROW AIRPORT Campaign SAINSBURYS HOME Campaigns and Social BA DEPT FOR EDUCATION Power Ahead Campaign Writing Fashion and Culture SKY West:Word Styling Lauren Laverne Southampton Solent University EXPERIAN Campaign SAVE THE CHILDREN First Day Back To School Campaign HM GOVERMENT Modern Slavery Campaign BEEFEATER GIN ‘Pink Gin’ Campaign FCA ‘I’m Ready’ Campaign CADBURYS ‘Inventor’ Campaign NIO ELECTRIC CAR Launch BBC Styling Lauren Laverne BBC Sounds _SUMMARY OF FASHION STYLING WORK ADIDAS - Campaigns, Kit Launch TOAST - Campaigns, Lookbooks & E-comm PEOPLE TREE - Consultancy, Campaigns & E-commerce CARAMEL - Consultancy, Campaigns & E-commerce KAREN MILLEN - Lookbooks, Events and Seasonal Features CHINTI AND PARKER - Lookbooks and E-comm ASOS - E-Commerce SPEEDO - Campaign LAUREN LAVERNE - Celebrity Styling KATY ENGLAND - First Assistant & Studio Manager - 2.5 Years - National & International Catwalk Shows / Editorial & Commercial Shoots NANCY ROHDE - First Assistant - 1 Year - National / International Catwalk Shows, Editorial & Commercial Shoots CAROLINE SIEBER - Part Time First Assistant - 2 Years - Sittings for American Vogue & Celebrity Dressing inc Emma Watson AMERICAN VOGUE - Editorial & Sittings Shoots for American Vogue With Hamish Bowles, Phyllis Posnick & Tonne Goodman THE OBSERVER MAGAZINE - Part Time In-House Fashion Assistant - 1 Year GUARDIAN WEEKEND MAGAZINE - Part Time In-House Fashion Assistant - 1 Year KARL TEMPLER - Freelance - National & International Editorial / International Commercial Shoots JANE HOW - Freelance - Catwalk Shows ALISON ELWIN - Girls Aloud, Leona Lewis, Sugababes JESSICA DIEHL - Freelance - Cover & Editorial Sittings / Vanity Fair __NOTED DESIGNERS AND BRANDS __NOTED PUBLICATIONS __NOTED PHOTOGRAPHERS ALEXANDER MCQUEEN / V&A Exhibition AMERICAN VOGUE BRUCE WEBER DRIES VAN NOTEN / Mens and Womenswear ANOTHER MAGAZINE BEN WELLER GIVENCHY / Mens and Womenswear ANOTHER MAN BOO GEORGE GUCCI / Mens and Womenswear BRITISH VOGUE COLLIER SCHORR JIL SANDER / Mens and Womenswear DAZED AND CONFUSED DAVID BAILEY MARGARET HOWELL / Womenswear FRENCH VOGUE DAVID SIMS MARIOS SCHWAB / Womenswear GUARDIAN WEEKEND MAGAZINE FRANÇOIS HALARD MARY KATRANTZOU / Womenswear ITALIAN VOGUE FREDERIKE HELWIG PHILIP LIM / Womenswear INTERVIEW GLEN LUCHFORD PHILIP TREACY / Womenswear LULA MARIO TESTINO PAUL SMITH / Womenswear NYLON MEL BLES GAP / Mens and Womenswear RADIO TIMES MERT AND MARCUS MODA OPERANDI / Campaign SUNDAY TIMES STYLE NICK KNIGHT RIMMEL / Multiple Campaigns TEEN VOGUE SOLVE SUNDSBO KATE MOSS TOPSHOP / Research T MAGAZINE TIM WALKER .

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KATE MOSS SINCE 1974 Ever One to Succumb to Roydon-Born Kate Moss Is One of the Most Ndemurity, She Was Propelled Cfamous British Fashion Models
KATE MOSS SINCE 1974 ever one to succumb to roydon-born Kate Moss is one of the most Ndemurity, she was propelled Cfamous British fashion models. Since her onto the fashion scene with a well-documented discovery at JFK airport by topless cover shot for The Sarah Doukas of Storm model management Face. Creating her own legend in 1988, Kate has appeared on the cover of in her wake, Kate has gone on to be the face of a myriad every major fashion magazine in the world. This of fashion and beauty labels, includes 11 covvers of i-D and 30 covers of frequently gracing the covers of i-D, British Vogue. Her 7-year association with Vogue and Harpers Bazaar. A style Calvin Klein created some of the most definitive icon for our times, Kate has become lifestyle advertising of the 90s and Kate has also one of the most photographed and modeled for Versace, Christian Dior, Dolce & celebrated women around. As Edward Gabbana, Yves Saint Laurent and Burberry. Enninful, i-D’s Fashion Director recalls, “Kate and I met as teenagers in ’89. I was a fashion assistant and she was London’s hottest rising model. Even then I remember thinking she was the most Following a break from modelling in the late 90s and the birth of her first child in 2002, “Proof that beautiful things Kate’s presence in the fashion world is now come in small packages” stronger than ever, fronting campaigns for Rimmel, Christian Dior, Burberry, Chanel’s Coco “Kate has appeared on the Mademoiselle and Missoni.
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Fashion Photography and the Museum by Jordan Macinnis A
In and Out of Fashion: Fashion Photography and the Museum by Jordan MacInnis A thesis presented to the Ontario College of Art & Design in partial fulfillment of the requirements for the degree of Master of Fine Arts in Criticism and Curatorial Practice Toronto, Ontario, Canada, 2011 © Jordan MacInnis 2011 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required ﬁnal revisions, as accepted by my examiners. I authorize OCAD University to lend this thesis to other institutions or individuals for the purpose of scholarly research. I understand that my thesis may be made electronically available to the public. I further authorize OCAD University to reproduce this thesis by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. Signature . Date . ii In and Out of Fashion: Fashion Photography and the Museum Master of Fine Arts, 2011 Jordan MacInnis Criticism & Curatorial Practice Ontario College of Art & Design University Abstract The past two decades have witnessed an increase in exhibitions of fashion photography in major international museums. This indicates not only the museum’s burgeoning interest in other cultural forms but the acceptance of fashion photography into specific art contexts. This thesis examines two recent exhibitions of contemporary fashion photography: “Fashioning Fiction in Photography Since 1990” at the Museum of Modern Art (April 16- June 28, 2004), the first exhibition of fashion photography at a major North American museum of art, and “Weird Beauty: Fashion Photography Now” at the International Center of Photography (January 16, 2009-May 3, 2009).
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Large Print Guide
Large Print Guide You can download this document from www.manchesterartgallery.org Sponsored by While principally a fashion magazine, Vogue has never been just that. Since its first issue in 1916, it has assumed a central role on the cultural stage with a history spanning the most inventive decades in fashion and taste, and in the arts and society. It has reflected events shaping the nation and Vogue 100: A Century of Style has been organised by the world, while setting the agenda for style and fashion. the National Portrait Gallery, London in collaboration with Tracing the work of era-defining photographers, models, British Vogue as part of the magazine’s centenary celebrations. writers and designers, this exhibition moves through time from the most recent versions of Vogue back to the beginning of it all... 24 June – 30 October Free entrance A free audio guide is available at: bit.ly/vogue100audio Entrance wall: The publication Vogue 100: A Century of Style and a selection ‘Mighty Aphrodite’ Kate Moss of Vogue inspired merchandise is available in the Gallery Shop by Mert Alas and Marcus Piggott, June 2012 on the ground floor. For Vogue’s Olympics issue, Versace’s body-sculpting superwoman suit demanded ‘an epic pose and a spotlight’. Archival C-type print Photography is not permitted in this exhibition Courtesy of Mert Alas and Marcus Piggott Introduction — 3 FILM ROOM THE FUTURE OF FASHION Alexa Chung Drawn from the following films: dir. Jim Demuth, September 2015 OUCH! THAT’S BIG Anna Ewers HEAT WAVE Damaris Goddrie and Frederikke Sofie dir.
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A Century of Fashion Photography, 1911-2011 June 26 to October 21, 2018 the J
Icons of Style: A Century of Fashion Photography, 1911-2011 June 26 to October 21, 2018 The J. Paul Getty Museum at the Getty Center 4 4 1. Louise Dahl-Wolfe 2. Louise Dahl-Wolfe American, 1895 - 1989 American, 1895 - 1989 ICONS _FASH ICONS ION _FASH Keep the Home Fires Burning, 1941 ION Andrea, Chinese Screen, 1941 Gelatin silver print Gelatin silver print Image: 13.7 × 13.1 cm (5 3/8 × 5 3/16 in.) Image: 32.6 × 27.8 cm (12 13/16 × 10 15/16 in.) The J. Paul Getty Museum, Los Angeles The J. Paul Getty Museum, Los Angeles © 2018 Center for Creative Photography, © 1989 Center for Creative Photography, Arizona Board Arizona Board of Regents / Artists Rights Society (ARS), of Regents / Artists Rights Society (ARS), New York New York 84.XM.195.12 84.XM.195.7 4 4 3. George Hoyningen-Huene 4. Cecil Beaton American, born Russia, 1900 - 1968 British, 1904 - 1980 ICONS ICONS _FASH _FASH ION ION Model Posed with a Statue, New York, 1939 Debutantes—Baba Beaton, Wanda Baillie Hamilton & Gelatin silver print Lady Bridget Poulet, 1928 Image: 27.9 × 21.6 cm (11 × 8 1/2 in.) Gelatin silver print The J. Paul Getty Museum, Los Angeles Image: 48.7 × 35.1 cm (19 3/16 × 13 13/16 in.) © Horst The J. Paul Getty Museum, Los Angeles 84.XM.196.4 © The Cecil Beaton Studio Archive at Sotheby's 84.XP.457.16 June 21, 2018 Page 1 of 3 Additional information about some of these works of art can be found by searching getty.edu at http://www.getty.edu/art/collection/ © 2018 J.
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Genderqueer Fashion Models and Their Representations of Gender in Visual Culture
GENDERQUEER FASHION MODELS AND THEIR REPRESENTATIONS OF GENDER IN VISUAL CULTURE. Anna Germaine Hickey BCI Visual Art, Hons. Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy (Fashion) School of Design Queensland University of Technology 2019 Keywords Fashion models Cultural intermediaries Fashion Gender Queer Genderqueer fashion models Transgender fashion models Andreja Pejić Casey Legler Hari Nef Richie Shazam Khan Genderqueer fashion models and their representations of gender in visual culture. i Abstract The rise and success oF genderqueer Fashion models in the twenty- first century indicates wider sociopolitical movements that promote equality For members oF genderqueer communities. Many high-profile genderqueer Fashion models build their careers on their gender identity and are vocal on gender rights issues, which gives them a political identity. However, these models also embody key tensions in contemporary gender discourse, as their queer identities are both made visible and commodiFied through Fashion modelling. For example, while their queer identities challenge persistent associations between cisnormative femininity and beauty, these models have also been criticised for reinforcing heteronormative beauty ideals. And while including genderqueer fashion models is widely interpreted as heralding a more socially inclusive industry, their presence might also be read as a passing trend. Drawing on Judith Butler’s ([1990] 1999) notion of ‘troubling gender’ and Pierre Bourdieu’s (1984) notion of ‘cultural intermediation’, this project examines the contemporary genderqueer fashion model by analysing fashion editorials, commercial endorsements, artistic outputs and journalistic coverage. Specifically, it focuses on the ways in which four models—Andreja Pejić, Hari Nef, Casey Legler and Richie Shazam Khan—construct and communicate contemporary notions of gender via their work in the Fashion-modelling industry.
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Equinox Unveils “Make Yourself a Gift to the World”
FOR IMMEDIATE RELEASE EQUINOX UNVEILS “MAKE YOURSELF A GIFT TO THE WORLD” CAMPAIGN Film directed by Floria Sigismondi and photography by Glen Luchford - champions physical, emotional and spiritual well-being NEW YORK, NEW YORK (January 6, 2020) — Equinox, the global high-performance lifestyle leader, today unveiled its 2020 brand campaign “Make Yourself a Gift to the World,” a celebration and exploration of the positive effects that come from a deep devotion to oneself. Campaign stills, shot by iconic fashion photographer Glen Luchford and an accompanying film directed by world-renowned creative Floria Sigismondi, will roll out in the U.S., Canada and London with print, digital, social, out of home and video components. Equinox, renowned for its bold, thought-provoking campaigns that channel the collective mindset, explores the theme of healthy self-obsession to provide a fresh take on a concept already central to its mission of empowering a life well lived. This year, the brand challenges people to commit to becoming the best version of themselves through self-devotion, and in so doing, become a better person, better friend, better partner — improving the world around them. “Year after year, we see the brand campaign as our opportunity to lead with a strong point of view and communicate a universal truth that is relevant to our community and reflects what’s happening in culture,” said Seth Solomons, Chief Marketing Officer of Equinox. “Our message this year, delivered in a playful, tongue-in- cheek way, is a statement about the benefits of being your best self for the benefit of others, turning the idea of self- obsession on its head.” Through the lens of Luchford for campaign stills and eyes of Sigismondi for the accompanying film, the new campaign, developed in partnership with creative agency Droga5, creates a rich visual world that promotes unwavering devotion to oneself.
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EMILY BEATTY PERSONAL DETAILS: Gideon Ponte October 2020 - Palace X Moschino; Shot by Telephone: 07808876060 David Sims, Not Yet Published
EMILY BEATTY PERSONAL DETAILS: Gideon Ponte October 2020 - Palace X Moschino; Shot by Telephone: 07808876060 David Sims, not yet published. Email: [email protected] October 2020 - Black Theatre; Shot by Hugo Comte, not yet published. October 2020 - Vogue Italia cover shoot; Shot by David Sims, not yet published. EMPLOYMENT HISTORY December 2019 - Equinox campaign; shot by Glen Luchford. Personal Set Design Work July 2019 - Self Service editorial; shot by Glen July 2020 - Editorial for Goat magazine; Shot by Luchford. Barney Curran, not yet published. March 2019 - Gucci F/W 19 Campaign; shot by Glen Luchford. Assisting Work - Film January 2019 - Gucci Pre Fall 19 Campaign; shot by Glen Luchford. Return To Slygo; Production designer Phoebe Platman. Art Department Assistant, Emily Beatty. Shona Heath May 2018 - Jo Malone brand film 2018. Assisting Work - Fashion March 2018 - Jo Malone Christmas 2018 shot by Tim Walker. Andy Hillman Studios November 2020 - British Vogue Cover Shoot; Roxy Walton Shot by Mikael Jansson, not yet published. July 2020 - Self Service editorial; Shot by October 2019 - Topshop Campaign; Shot by Douglas Irvine, not yet pulished. Simon Eeles. Janurary 2020 - Net a Porter campaign. May 2019 - Jo Malone Cologne Intense January 2020 - Wall Street Journal editorial; Shot Campaign; Shot by Emma Summerton. by Bibi Borthwick. March 2019 - Prep for Longchamp Campaign. September 2019 - Thomas Pink fashion week December 2018 - Burberry Campaign; shot by event. Colin Dodgson. July 2019 - Dazed China Cover shoot; shot by December 2018 - Dazed Editorial; shot by Taylor Hnnah Moon. Mitchell. July 2019 - Dazed Editorial; shot by Hannah October 2018 - Bristish Vogue Editorial; shot by Moon.
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THE POWER of STYLE Tom Ford on Fashion and Fatherhood Sold Exclusively in Louis Vuitton Stores and on Louisvuitton.Com
THE POWER OF STYLE tom ford on fashion and fatherhood Sold exclusively in Louis Vuitton stores and on louisvuitton.com. om .c cartier New Collection TANK MC ASPORTINGLIFE! 1-800-441-4488 Hermes.com A NDREW LAUREN F ILMMAKER FOR PRIVATE APPOINTMENTS AND MADE TO MEASURE INQUIRIES: 888.475.7674 A NDRER WALPHL AULAURERENN,F.COMILMMAKER NEW YORK BEVERLY HILLS DALLAS HOUSTON CHICAGO PALM BEACH BAL HARBOUR EAST HAMPTON Su Misura Made to Measure is the Art of Personal Elegance Our promise is to deliver perfectly tailored apparel designed for your individual character from an unparalleled collection of Zegna fabrics. From personalized suits to entire wardrobes. 1.855.44.ZEGNA | zegna.com a sporting life Nick Compton, English National Cricketer 2 Sav i le Row, London 816 Madison Avenue, New York kentandcurwen.us.com ONLY AT PAUL STUART PAULSTUART.COM Available at Macy’s and macys.com Armanibeauty.com SEPTEMBER 2013 MEN’S STYLE 28 EDITOR’S LETTER 32 CONTRIBUTORS 34 COLUMNISTS on Patience 37 THE WSJ. FIVE The five hottest items from the runways. 124 STILL LIFE Robert Evans The Hollywood producer shares a few of his favorite things. Photography by Lisa Eisner What’s News. 43 The Rise of Mid-Century Cocktails Dedon’s Do-Good Mission in the Philippines John Baldessari Debuts in Russia 45 The Bay Area’s Glam Social Club Ecoalf’s 100-Percent Recycled Clothing Line De Young Museum Showcases Bulgari Gems 46 Exfoliation for Men Culinary Courses at Venice’s Epicurean School Tod’s Clubby Milan Boutique Houses a New Line 47 Electric Supercars from Ferrari, Porsche & McLaren A Film Celebrating Formula One’s Glory Days 48 Fall’s Eye-Catching Photo Books New Accessories From Venerable Menswear Brands 50 Blum & Poe Gallery Opens in New York and Tokyo 52 Q&As With Three Top Menswear Designers ON THE COVER Tom Ford in his own design.
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Easy Being Green
BERLIN-BOUND WHAT TO DO, WHO TO SEE AND THE CHANGES AHEAD AT BERLIN FASHION WEEK. SECTION II THE DUCHESS AND THE GARTER. PAGE 11 WWDTUESDAY, JUNE 19, 2012 ■ WOMEN’S WEAR DAILY ■ $3.00 SHOCK DEPARTURE Michael Francis Exits Key Role at Penney’s No further explanation was RT By DAVID MOIN provided and Penney’s did not re- SO 20 E 13 turn calls seeking comment. R MICHAEL FRANCIS, J.C. Penney Penney’s said Johnson will as- Co. Inc.’s president and flashy sume direct responsibility and image maker, has abruptly left oversight of the company’s market- COLLECTIONS the company. ing and merchandising functions. The stirring development comes In after-hours trading, Penney’s NEW YORK just eight months after Francis shares fell 5.5 percent to $23, fol- joined Penney’s from Target Corp., lowing the announcement, which and adds fuel to concerns over was made after the closing bell. Penney’s daring reinvention and While any company undergoing the aggressive tactics that Francis sharp repositioning would expect was orchestrating along with chief to see declines, the last quarter executive ofﬁ cer Ron Johnson. The was worse than either Johnson Easy departure of Francis, Penney’s sec- or investors expected. Penney’s ond-in-command, comes after steep logged a $163 million ﬁ rst-quarter losses at the retailer. loss and an 18.9 percent decline On Monday, Penney’s issued in same-store sales. Despite the a brief announcement about disappointing quarterly report, Francis’ exit, with a statement Johnson maintained that the re- from Johnson that simply read: tailer’s transformation is “way Being “We thank Michael for his hard ahead of schedule” and improving work at J.C.
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O Conceito Genderfluid Nas Campanhas Publicitárias Da Gucci 1
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XXXIX Congresso Brasileiro de Ciências da Comunicação – São Paulo - SP – 05 a 09/09/2016 O Conceito Genderfluid Nas Campanhas Publicitárias Da Gucci 1 José Augusto RIBAS2 Amilcar BEZERRA3 Universidade Federal de Pernambuco, Caruaru, PE Resumo Este artigo relata um estudo realizado sobre as últimas campanhas da marca Gucci em 2015 e 2016. Nela, é possível perceber uma tendência à desintegração das fronteiras entre os gêneros, caracterizando aquilo que alguns autores chamam de uma identidade “genderfluid”. Nosso objetivo é identificar algumas tendências sociais que possivelmente contribuíram para moldar esse conceito numa marca mainstream como a Gucci, bem como mapear quais referências simbólicas foram agenciadas para a construção desta imagem de moda “genderfluid”. A pesquisa visa pôr em evidência como a publicidade e a moda estão cada vez mais sintonizadas com questões sociais emergentes. Palavras-chave: genderfluid; gucci; publicidade. Introdução A Gucci, uma das marcas de moda mais famosas do mundo, é uma grife mainstream que recentemente vem incorporando a suas criações uma imagem plural de modelos de masculinidade e feminilidade. Fundada em 1920 por Guccio Gucci, teve um ‘boom’ em seu consumo simbólico nas décadas de 1950 e 1960, após algumas celebridades, como a atriz Grace Kelly, começarem a exibir carteiras da marca em eventos famosos. (NOGUEIRA, 2012) Contudo, foi só nos últimos dez anos que a marca posicionou-se como grife avant- garde graças ao trabalho do seu ex head-designer, o americano Tom Ford, em parceria com o fotógrafo Mario Testino. Após ir quase à falência nos anos 1990, a Gucci sob o comando de Ford adquiriu o status de megabrand, com vendas que ultrapassaram mais de US$ 3 1 Trabalho apresentado no GP Publicidade e Propaganda do XVI Encontro dos Grupos de Pesquisa em Comunicação, evento componente do XXXIX Congresso Brasileiro de Ciências da Comunicação.
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Icons of Style: a Century of Fashion Photography
FOR IMMEDIATE RELEASE ANNOUNCING PUBLICATION OF: ICONS OF STYLE: A CENTURY OF FASHION PHOTOGRAPHY BY PAUL MARTINEAU WITH CONTRIBUTIONS BY ELIZABETH ANNE MCCAULEY, IVAN SHAW, SUSANNA BROWN, AND MICHAL RAZ-RUSSO GETTY PUBLICATIONS / JULY 10, 2018 Publication Coincides with an Accompanying Exhibition On View June 26–October 21, 2018 at the J. Paul Getty Museum, Getty Center, Los Angeles ________________________________________________________________________________________________ In 1911, the French publisher Lucien Vogel challenged Edward Steichen to create the first artistic, rather than merely documentary, fashion photographs, a moment that is now considered to be a turning point in the history of fashion photography. As fashion changed over the next century, so did the photography of fashion. Steichen’s modernist approach was forthright and visually arresting. In the 1930s, the photographer Martin Munkácsi pioneered a gritty, photojournalistic style. In the 1960s, Richard Avedon encouraged his models to express their personalities by smiling and laughing and Helmut Newton brought an explosion of sexuality into fashion images, turning the tables on traditional gender stereotypes. In the 1970s and 1980s, Bruce Weber and Herb Ritts made male sexuality an important part of fashion photography. Today, following the integration of digital technology, teams like Inez & Vindoodh and Mert & Marcus are reshaping our notion of what is acceptable—not just aesthetically but technically and conceptually—in a fashion photograph. From glossy pages in Vogue and Harper’s Bazaar to framed prints on museum walls, fashion photography encompasses both commercial advertising and fine art. Left: Bettina and Frances McLaughlin-Gill, New York, 1950, Gordon Parks (American, 1912–2006), Gelatin silver print; 13 1/2 x 10 3/4 in., courtesy and © The Gordon Parks Foundation.
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Photographs New York I April 5, 2019
Photographs New York I April 5, 2019 Photographs New York | Friday April 5, 2019, at 2pm EST BONHAMS LIVE ONLINE BIDDING IS INQUIRIES ILLUSTRATIONS 580 Madison Avenue AVAILABLE FOR THIS SALE Laura Paterson Front cover: lot 30 New York, New York 10022 Please email bids.us@bonhams. Director, Photographs Inside front cover: lot 104 bonhams.com com with “Live bidding” in +1 (917) 838 3299 Session page: lot 129 the subject line 48hrs before [email protected] Inside back cover: lot 47 PREVIEW the auction to register for this Back cover: lot 82 New York service. Elizabeth Meyer Junior Specialist Saturday March 30, 12pm to 5pm REGISTRATION Bidding by telephone will only be +1 (917) 206 1619 Sunday March 31, 12pm to 5pm IMPORTANT NOTICE accepted on a lot with a lower [email protected] Monday April 1, 10am to 5pm Please note that all customers, estimate in excess of $1000 Tuesday April 2, 10am to 5pm irrespective of any previous activity Kate Cheney Wednesday April 3, 10am to 5pm with Bonhams, are required to Please see pages 176 to 179 Administrator Thursday April 4, 10am to 5pm complete the Bidder Registration for bidder information including +1 (917) 206 1632 Friday April 5, 10am to 12pm Form in advance of the sale. The Conditions of Sale, after-sale [email protected] form can be found at the back collection and shipment. All BIDS of every catalogue and on our items listed on page 179, will be SALE INCLUDING website at www.bonhams.com +1 (212) 644 9001 transferred to off-site storage COLLECTIONS OF and should be returned by email or +1 (212) 644 9009 fax along with all other items • An Important Miami Collection post to the specialist department [email protected] purchased, if not removed by • The Archives of Galerie Gérard or to the bids department at 5pm Tuesday 9 April.
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