DOCSLIB.ORG

A STAR TREK Story

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A STAR TREK Story a STAR TREK story Star Trek and all related names are registered trademarks of CBS and Paramount Pictures. This work of original fiction is written solely for non-profit purposes. EPISODE 403 THE COLDNESS OF SPACE Story by: Jon Van Pelt Written by: Jon Van Pelt Edited by: Bart Vandezande Episode 403 – The Coldness Of Space Main Characters: John Kendrick ..................................................................... Aaron Jakubenko Moa Andersson .................................................................. Ruby Rose Tolena................................................................................. Zoey Deutch Brikane ............................................................................... Adam Godley Natalie Kendrick ................................................................. Vanessa Kirby Guest Characters: Ka Adillo ............................................................................. Idris Elba Je Navral ............................................................................ Clifton Collins Jr. Klingon Prime ..................................................................... Jason Brooks Bill ....................................................................................... Michael Harney Wren ................................................................................... John Galecki Rever .................................................................................. Dave Bautista Alien Races: Bolian Cardassian Klingon Kalari INT. ALIEN SHUTTLE BAY SHOT ON: a grey metallic hatch door as a hand in a leather glove comes into view. The hand has long and sharp fingers- definitely not belonging to a human. As the hand slowly opens up the door, revealing: The frozen bodies of XARINA and MERCA (last seen in episode 306 Showdown At The Electric Nebula). As we pull back from the open hatch and reverse angle, we see that: SHOT ON: the hand in the leather glove belongs to none other than general KA ADILLO (last seen in episode 205 Green Seeds Of Vengeance). Around him stand four heavily armed KALARI SOLDIERS and his young First Officer, Colonel JE NAVRAL. All of them are staring at the two frozen Orion corpses in the retrieved escape pod. Ka Adillo lets his left hand glide over the POD'S ID, as we discover the words together: POD 1 - HAWK - U.T.C. He leans into the pod, trying to get a closer look at Xarina. His fingers touch her frozen blue-green skin. Although it’s difficult to read the facial expression of a reptilian race like the Kalari, it appears he has great difficulty reigning in his anger. As he turns back to his men: KA ADILLO How unfortunate she had to die out there, in the coldness of space. I would have loved to put my hands around her little neck and squeeze the last breath out of her lungs. His men don’t react. No doubt realizing any reaction would not be taken kindly by their general. Colonel Je Navral appears to be checking data on his padd. As he looks up at Ka Adillo while ignoring the dead bodies in the escape pod: JE NAVRAL The pod belongs to a ship called Hawk, registered with the Universal Trading Company. Ka Adillo's face straightens upon hearing the name ‘Universal Trading Company’. JE NAVRAL (CONT'D) Their headquarters are located in the Gath system. Ka Adillo locks eyes with his first officer: KA ADILLO Send out a message to our squadron: we will rendezvous at the Gath system. JE NAVRAL I will send out the order immediately, Sir. As the general strides out of the shuttle bay, followed by Je Navral: EXT. SPACE Where we hoover in the warp trail of the BLUE STAR. INT. BLUE STAR - THE GALLEY JOHN, MOA and BRIKANE are gathered around a PORTABLE SCREEN resting on the table. SHOT ON: JOHN'S FINGER as he moves it across a star chart. In the upper right corner we read "CARDASSIAN UNION". JOHN At the end of the war, the Union was carved up in 3 sectors controlled by the Federation, the Klingon and Romulan Empire with the Cardassian system as a neutral sector. As we pull back up from the star chart: MOA Looks a bit too crowded for my liking. BRIKANE The Cardassian economy lies in shambles. My people are in desperate need for food and medicines. We're a merchant vessel. We shouldn't have too much trouble reaching Cardassia in one piece. MOA (witty) With an empty cargo bay? Any ship trying to check our papers will be on to us after doing one quick sensor sweep of our little boat. 2 JOHN That’s why I suggest we enter Cardassian space through the Klingon controlled sectors. They're not as thorough as Starfleet but not as suspicious as the Romulans. If we're lucky we'll reach Cardassia without too many delays. Looking at Moa and Brikane: JOHN (CONT'D) Everybody OK with this? Brikane looks at Moa and nods. Moa still doesn’t look too convinced but finally resigns and nods as well. JOHN (CONT'D) Then it’s settled. I'll order Natalie to change course. On this we jump to: EXT. SPACE Where the Blue Star, still at warp speed, slowly alters course. INT. BLUE STAR - JOHN'S CABIN John sits at his desk behind his computer. The doorbell CHIMES. Still looking at his computer screen, he gets up and slams the door key. As he sits back down, the door slides open. TOLENA enters his cabin, wearing a nightgown that leaves little or nothing to the imagination. TOLENA Still hard at work, are we? Without looking up: JOHN A starship captain never rests. TOLENA Well, they should at least take some time to relax once and awhile. 3 John is still focused on the data and schematics on his computer screen. Tolena swiftly steps behind him and gently places her hands on his shoulders. As she starts giving him a neck massage: JOHN (relaxing) Hmmm. That feels good. Just what I needed. As she lowers her head, reaching in for kiss on his left ear: JOHN (surprised) Well now, that's not part of a standard neck massage. She smiles as she moves her hands down to his shoulders: TOLENA You deserved a little something extra. JOHN (playful) 'Cause I'm the captain? It’s only now that he looks up at her. His eyes widen both in excitement as well as surprise to see her in her nightgown and not in uniform. As he places his hands on her, stopping the massage: JOHN (CONT'D) (hesitating) This probably isn't a such good idea, Tolena. TOLENA We're not on one of your Starfleet ships, remember? We play rather loose with regulations on this boat. She leans in and gently places her blue lips on his. He doesn't resist. As she slowly tilts her head back up: TOLENA (CONT'D) See: nothing bad happened. The ship is still flying. Just as John smiles: The ship's ALARM CLAXON goes off. 4 NATALIE's VOICE echoes over the comm system: NATALIE (O.S.) (over comm) We've got company, people. John jumps out of his chair. As he takes Tolena’s hands in his: JOHN We’ll talk later. I promise. As John hits the door key and exits the cabin: TOLENA (disappointed) Right. Of course. Shaking her head slightly, trying to refocus all of her energy back on her job as ship’s engineer, she too exits the cabin. EXT. SPACE The Blue Star still flying a warp speed. INT. BLUE STAR - THE PIT Where we find Moa at the Helm and Natalie at OPS. Natalie looks over her shoulder and sees John, as if touched by a strike of lightning, jumping down the ladder. JOHN (worried) What's going on? NATALIE We've got Klingons running hot on our tail. They're ordering us to drop out of warp. JOHN (clearly disappointed) Dammit. MOA We could try ignoring them. Fake a problem with our communication array. 5 JOHN That'll only make us a target for their shooting practice. No. Let's follow their orders and drop out of warp and pray to God it’s hopefully just a routine inspection. MOA Aye captain. Buckle up then. We’re going to drop out of warp in five-four-three- As the ship starts to rumble: EXT. SPACE The Blue Star drops out of warp, soon after followed by a de-cloaking Klingon BIRD-OF-PREY. INT. BLUE STAR - THE CARGO BAY Where Brikane stands at the transporter platform, hands folded firmly behind his back. He looks over his shoulder as he hears the doors to the cargo bay opening up, revealing John. Looking back at the transporter platform: BRIKANE I was starting to think you guys were going to let me face those ugly turtle heads on my own down here. JOHN (smiling) And miss out on all the fun? Just as John gives Brikane a friendly slap on the back, the transporter starts to fill the cargo bay with the BLUE LIGHT of a transport beam, materializing THREE ARMED KLINGONS onto the platform -phasers at the ready. As the beam-in is completed: JOHN (challenging) I was under the assumption this was an inspection, not a raid. There is no need in pointing those phasers at us. We're a peaceful bunch. 6 The head of the Klingon inspection team -referred to as KLINGON PRIME- steps down the platform, followed by his two AIDES -referred to as AIDE ONE and TWO. KLINGON PRIME Consider it a precaution. As he looks around the cargo bay as if scanning the area: KLINGON PRIME (CONT'D) Space these days is filled with pirates, mercenaries and criminals all looking for their little piece of Cardassia. Seeing there is no danger here, he puts away his phaser in the holster hanging from his belt. He nods at his two aides, signaling them to do the same. As they do: KLINGON PRIME (CONT'D) (at John) Are you the ship's captain? JOHN That would be me, yes. I'm captain John Kendrick and this ship is the Blue Star, flying under the flag of the Universal Trading Company. KLINGON PRIME That name is unfamiliar to me. JOHN Probably because it's our first trading mission to Cardassia Prime.
Load more

Recommended publications
  • Trekkies Beware! Paramount Pictures V. Axanar Productions by Joel M
    Thursday, March 23, 2017 LAW BUSINESS TECHNOLOGY BUSINESS TECHNOLOGY LAW TECHNOLOGY LAW BUSINESS RECORDERdaily at www.therecorder.com Trekkies Beware! Paramount Pictures v. Axanar Productions By Joel M. Grossman ovie and far and actually produce a very TV stu- professional movie funded by dios often crowdsourcing? That is the allow their question raised by the case of fans to Paramount Pictures Corp. v. Mengage in behavior which tech- Axanar Productions, Inc. The nically might violate copyright case has not been fully liti- or trademark law. For exam- gated, but the district court’s ple, the studio which owns the ruling on cross-motions for copyright to Star Wars might summary judgment is both let fans produce a short video amusing and instructive. in which fans dress up as Darth To begin with the basic facts, Vader or Princess Leia, and act plaintiff Paramount Pictures Trek films before with no law- out a scene from the film. If and CBS own the copyright to suit from Paramount, Axanar the fans post their homemade the Star Trek television shows sought to go “where no man 10 minute video on You Tube, and Paramount owns the copy- has gone before” and produce the studio probably wouldn’t right to the thirteen full-length a professional Star Trek film, mind. They might even encour- movies that followed. While with a fully professional crew, age such amateur tributes, as the copyright owners allowed many of whom worked on one they might keep interest in the fans to make their own ama- or more Star Trek productions.
    [Show full text]
  • Star Trek: Exploring New Worlds Is a Fully Immersive Exhibition That Showcases Star Trek’S Significant Impact on Culture, Society, Arts, Sports, Tech and Fashion
    STAR TREK: EXPLORING NEW WORLDS IS A FULLY IMMERSIVE EXHIBITION THAT SHOWCASES STAR TREK’S SIGNIFICANT IMPACT ON CULTURE, SOCIETY, ARTS, SPORTS, TECH AND FASHION. VENUE: SECURITY: AVAILABILITY: ORGANIZATION 5,000–7,000K SF Medium October April rental period of 2019 2020 & CONTACT 12–14 weeks SPECIAL Shawana Lee REQUIREMENTS Group Sales Manager FEE: ADDITIONAL 206 262 3420 Min. ceiling height of $250,000 plus 14 feet, climate control, shipping & RESOURCES [email protected] gallery supervision, installer’s travel Marketing & promo standard electrical sup- Museum of POP Culture costs templates provided ply, traveling installer (formerly EMP Museum) expenses: (est. $8K) EXHIBIT HIGHLIGHTS Set pieces Transporter simulator EXHIBITION ELEMENTS from Star Trek: The Original Series, where visitors can create a film that including a self destruct panel and shows them being beamed to anoth- Artifacts the navigation console. er location and performing in a Star -Costumes Trek-inspired scene. 100+ props and artifacts -Props from the five Star Trek television series KHAAAAN! video booth and many of the films including: where visitors can recreate the -Scripts, Production -original series tricorder memorable scene from Star Trek II: Documents/Storyboards -communicator phaser The Wrath of Khan -a Borg cube -Sketches -Klingon disruptor pistol Spaceship filming models -Models -Tribbles, and more of the Enterprise, USS Excelsior, a Klingon battle cruiser, and Rare costumes Deep Space Nine space station Films including: Spock’s tunic worn by -Five interpretive
    [Show full text]
  • Is Klingon an Ohlonean Language? — a Comparison of Mutsun and Klingon
    Is Klingon an Ohlonean Language? | A Comparison of Mutsun and Klingon Dick Grune [email protected] April 19, 1996 1 Introduction Klingon is an artificial language designed by Marc Okrand [1] in 1985 for Paramount Pictures Cor- poration, to serve as the language of the Klingons in the second Star Trek movie and all subsequent Star Trek and spin-off productions. Its best known expression is Qapla'! = Success! Mutsun (pronounced moot-soon, with the short oo of book, and the t and the s well separated) was an American Indian language of the Ohlonean [3] (= Costanoan) family, which, together with Tsimshian in British Columbia, the Mayan languages in Mexico, and many others, is part of the Penutian stock. It was spoken until the beginning of the 20th century around Mission San Juan Bautista, just south of San Francisco, Ca. Its last speaker, Mrs. Ascensi´onSolorsano de Cervantes, died Jan. 29, 1930, at the age of 74. The most accessible work on Mutsun is a grammar produced as a PhD thesis by this same Marc Okrand [2]. So, naturally, the question arises to what degree Klingon was inspired by Mutsun. Already being in the possession of [1] and having recently been able to put my hands on a copy of [2], I set out reading and comparing, in order to find the answer to this question. Those of you who are just after a juicy bit of gossip will be disappointed: No, Klingon is not more similar to Mutsun than it is to any other American Indian language, neither in vocabulary nor in structure.
    [Show full text]
  • The Original Series, Star Trek: the Next Generation, and Star Trek: Discovery
    Gender and Racial Identity in Star Trek: The Original Series, Star Trek: The Next Generation, and Star Trek: Discovery Hannah van Geffen S1530801 MA thesis - Literary Studies: English Literature and Culture Dr. E.J. van Leeuwen Dr. M.S. Newton 6 July, 2018 van Geffen, ii Table of Contents Introduction............................................................................................................................. 1 1. Notions of Gender and Racial Identity in Post-War American Society............................. 5 1.1. Gender and Racial Identity in the Era of Star Trek: The Original Series........... 6 1.2. Gender and Racial Identity in the Era of Star Trek: The Next Generation......... 10 1.3. Gender and Racial Identity in the Era of Star Trek: Discovery........................... 17 2. Star Trek: The Original Series........................................................................................... 22 2.1. The Inferior and Objectified Position of Women in Star Trek............................ 23 2.1.1. Subordinate Portrayal of Voluptuous Vina........................................... 23 2.1.2. Less Dependent, Still Sexualized Portrayal of Yeoman Janice Rand.. 25 2.1.3. Interracial Star Trek: Captain Kirk and Nyota Uhura.......................... 26 2.2. The Racial Struggle for Equality in Star Trek..................................................... 28 2.2.1. Collaborating With Mr. Spock: Accepting the Other........................... 28 3. Star Trek: The Next Generation........................................................................................
    [Show full text]
  • {PDF} Timescape
    TIMESCAPE PDF, EPUB, EBOOK Gregory Benford | 416 pages | 09 Mar 2000 | Orion Publishing Co | 9781857989359 | English | London, United Kingdom TIMESCAPES Soundtrack - Nigel John Stanford Sep 30, C. This was a great installment for the series, but I only gave three stars because Liparulo got too religious for a bit. While the family's religious preferences are clear in the first three books, in Timescape, the author includes an entire section where the brothers question their religion and discuss it with each other. While the boys are at the right age to start questioning these things, it was handled awkwardly. It seemed to be plopped in for no reason and pulled me out of the Dreamhouse This was a great installment for the series, but I only gave three stars because Liparulo got too religious for a bit. It seemed to be plopped in for no reason and pulled me out of the Dreamhouse world. It didn't seem to add anything to the story at all. Beyond that there are the usual complaints of Xander's immaturity and constant insubordination without consequence and the sexist way they all the men in the family treat the daughter. But those have not so far taken away from the good of the story too much. Hopefully the remaining two books will not include such weird proselytizing. Dec 15, LeeAnn rated it really liked it. So, one of the strange and amazing things about my library is that we don't always have every book in a series. In fact, sometimes we have just book one -- or in this case, just book four.
    [Show full text]
  • Download the Borg Assimilation
    RESISTANCE IS FUTILE… BORG CUBES Monolithic, geometric monstrosities capable of YOU WILL BE ASSIMILATED. defeating fleets of ships, they are a force to be Adding the Borg to your games of Star Trek: Ascendancy feared. introduces a new threat to the Galaxy. Where other civilizations may be open to negotiation, the Borg are single-mindedly BORG SPIRES dedicated to assimilating every civilization they encounter into Borg Spires mark Systems under Borg control. the Collective. The Borg are not colonists or explorers. They are Over the course of the game, Borg Spires will build solely focused on absorbing other civilizations’ technologies. new Borg Cubes. The Borg are not controlled by a player, but are a threat to all the forces in the Galaxy. Adding the Borg also allows you to play BORG ASSIMILATION NODES games with one or two players. The rules for playing with fewer Borg Assimilation Nodes are built around Spires. Built than three players are on page 11. Nodes indicate how close the Spire is to completing a new Borg Cube and track that Borg System’s current BORG COMPONENTS Shield Modifier. • Borg Command Console Card & Cube Card BORG TECH CARDS • 5 Borg Cubes & 5 Borg Spires Players claim Borg Tech Cards when they defeat • 15 Borg Assimilation Nodes & 6 Resource Nodes the Borg in combat. The more Borg technology you • 20 Borg Exploration Cards acquire, the better you will fare against the Borg. • 7 Borg System Discs • 20 Borg Technology Cards BORG COMMAND CARDS • 30 Borg Command Cards Borg Command Cards direct the Cubes’ movement • 9 Borg Dice during the Borg’s turn and designate the type of System each Cube targets.
    [Show full text]
  • The Human Adventure Is Just Beginning Visions of the Human Future in Star Trek: the Next Generation
    AMERICAN UNIVERSITY HONORS CAPSTONE The Human Adventure is Just Beginning Visions of the Human Future in Star Trek: The Next Generation Christopher M. DiPrima Advisor: Patrick Thaddeus Jackson General University Honors, Spring 2010 Table of Contents Basic Information ........................................................................................................................2 Series.......................................................................................................................................2 Films .......................................................................................................................................2 Introduction ................................................................................................................................3 How to Interpret Star Trek ........................................................................................................ 10 What is Star Trek? ................................................................................................................. 10 The Electro-Treknetic Spectrum ............................................................................................ 11 Utopia Planitia ....................................................................................................................... 12 Future History ....................................................................................................................... 20 Political Theory ....................................................................................................................
    [Show full text]
  • STAR TREK the TOUR Take a Tour Around the Exhibition
    R starts CONTents STAR TREK THE TOUR Take a tour around the exhibition. 2 ALL THOSE WONDERFUL THINGS.... More than 430 items of memorabilia are on show. 10 MAGIC MOMENTS A gallery of great Star Trek moments. 12 STAR TREK Kirk, Spock, McCoy et al – relive the 1960s! 14 STAR TREK: THE NEXT GENERATION The 24th Century brought into focus through the eyes of 18 Captain Picard and his crew. STAR TREK: DEEP SPACE NINE Wormholes and warriors at the Alpha Quadrant’s most 22 desirable real estate. STAR TREK: VOYAGER Lost. Alone. And desperate to get home. Meet Captain 26 Janeway and her fearless crew. STAR TREK: ENTERPRISE Meet the newest Starfleet crew to explore the universe. 30 STARSHIP SPECIAL Starfleet’s finest on show. 34 STAR TREK – THE MOVIES From Star Trek: The Motion Picture to Star Trek Nemesis. 36 STAR trek WELCOMING WORDS Welcome to Star TREK THE TOUR. I’m sure you have already discovered, as I have, that this event is truly a unique amalgamation of all the things that made Star Trek a phenomenon. My own small contribution to this legendary story has continued to be a source of great pride to me during my career, and although I have been fortunate enough to have many other projects to satisfy the artist in me, I have nevertheless always felt a deep and visceral connection to the show. But there are reasons why this never- ending story has endured. I have always believed that this special connection to Star Trek we all enjoy comes from the positive picture the stories consistently envision.
    [Show full text]
  • Warrior Culture and Science Fiction TV
    Copyright rests with Florilegium. The contents of the journal may not be copied, reprinted, or posted electronically without the editor's express written permission, although users are welcome to download and print articles for individual use. High-Tech Feudalism: Warrior Culture and Science Fiction TV Graham Knight and Jennifer Smith "Richard ΠΙ with aliens" is how Cornell (102) describes "Sins of the Father," an episode of Star Trek: The Next Generation (hereafter TNG) in which the Klingon warrior Worf, son of Mogh, seeks to restore his family's honour by exposing and challenging those responsible for falsely accusing his dead father of treason to the Klingon Empire. Worf is only partly successful in his quest, and he remains a perpetually marginal figure whose identity is divided by his Klingon heritage, his childhood as a Klingon orphan raised by humans., and his current status as the only Klingon in Starflect, the military arm of the Federation of Planets, an alliance of Earth and other worlds whose relationship with the Klingon Empire is marked by tension, suspicion and, at times, open hostility. As a result of these divisions and struggles, Worf s family is e'ventually stripped of its wealth and rank on the Klingon home-world, and Worfs brother Kurn seeks a ritual death as the only way to absolve his own and his family's disgrace. Historical and cross-cultural motifs are common in TNG, and resonate throughout the secondary texts that have sprung up around the television series— comics, reference books, novelisations of the TV episodes, fan conventions, and numerous Internet sites where devotees debate the minutiae of an imaginary future.
    [Show full text]
  • Klingon Empire
    Original texts and manuscript concept copyright © 2007 by Richard E. Mandel STAR TREK, its on-screen derivatives, and all associated materials are the property of Paramount Pictures Corporation. Multiple references in this document are given under the terms of fair use with regard to international copyright and trademark law. This is a scholarly reference work intended to explain the background and historical aspects of STAR TREK and its spacecraft technology and is not sponsored, approved, or authorized by Paramount Pictures and its affiliated licensees. All visual materials included herein is protected by either implied or statutory copyright and are reproduced either with the permission of the copyright holder or under the terms of fair use as defined under current international copyright law. All visual materials used in this work without clearance were obtained from public sources through public means and were believed to be in the public domain or available for inclusion via the fair use doctrine at the time of printing. Cover illustration by Harry Doddema This work is dedicated to Geoffery Mandel, who started it for all of us. Memory Alpha and SFHQ/Mastercom cataloging data: UFP/SFD DTA HR:217622-A SUPPLEMENT A: THE KLINGON EMPIRE TABLE OF CONTENTS THE KLINGON EMPIRE: A BRIEF HISTORY KLINGON HULL NOMENCLATURE TIMELINE (2150s TO PRESENT) STARSHIPS B-1 JUL’KAR CLASS BATTLESHIP B-10 KAR’HARMER CLASS BATTLESHIP C-8/C-9 K’HERR CLASS DREADNOUGHT D-4 DAMA CLASS BATTLECRUISER K-5 DUPAT CLASS CRUISER D-5 HAK’HYL CLASS “WAR” CRUISER The ambush of the U.S.S.
    [Show full text]
  • Beyond the Final Frontier: Star Trek, the Borg and the Post-Colonial
    Beyond the Final Frontier: Star Trek, the Borg and the Post-colonial Lynette Russell and Nathan Wolski Over the last three decades, Star Trek has become, to use Bernardi's term, a "mega-text" (1998: 11). Star Trek's mega-text consists of much more than the various studio-produced television series and films - it also includes (among other things) novels, Internet chat groups, conventions and fanzines. That Star Trek's premise of space exploration is a thinly disguised metaphor for colonialism has been extensively analysed (see Bernardi, 1998; Hastie, 1996; Ono 1996; Richards, 1997). Boyd describes the utopian future presented in Star Trek the Next Generation (STNG) as based on "nineteenth-century essentialist definitions of human nature, building ... on faith in perfection, progress, social evolution, and free will" (1996: 96-97). Exploration, colonisation and assimilation are never far from the surface of the STNG text. Less apparent, however, are aspects of the series which challenge the hegemonic view of this narrative and which present a post-colonial critique. In this paper we will explore a range of post-colonial moments and an emerging self reflexivity in the second generation series, focusing on those episodes of Star Trek: the Next Generation (STNG) and Star Trek: Voyager which feature an alien race known as the Borg. Others in space Much has been written about the role of the alien in science fiction as a means of exploring issues of otherness. As Wolmark notes: "Science fiction provides a rich source of metaphors for the depiction of otherness and the 'alien' is one of the most familiar: it enables difference to be constructed in terms of binary oppositions which reinforce relations of domination and subordination" (1994: 2).
    [Show full text]
  • Federation Commander Table of Contents 5 Systems
    FEDERATION COMMANDER TABLE OF CONTENTS CHAPTER 5 SYSTEMS KLINGON BORDER AND ROMULAN BORDER 5A CONTROL SYSTEMS 5A1 DEFINITION 5A2 PENALTIES FOR LOSS 5A2A TURN MODE 5A2B WEAPONS 5A2C OTHER CAPTAIN’S LOG #41 5A3 SUPER-INTELLIGENT BATTLE COMPUTERS 5A3A ADVANTAGES 5A3A1 ENERGY ALLOCATION 5A3A2 MOVEMENT 5A3A3 EVASIVE MANEUVERS 5A3A4 HIGH ENERGY TURNS 5A3A5 DIRECT-FIRE WEAPONS 5A3A6 PROBES 5A3A7 REPAIRS 5A3A8 ROBOTS 5A3B DESTROYING THE COMPUTER 5A3C DEACTIVATING THE COMPUTER 5A3C1 REPROGRAMMING 5A3C2 MARINE COMBAT 5A3D COMPUTER FAILURE 5A3E BEZERKER DESIGNER’S NOTES KLINGON BORDER AND ROMULAN BORDER 5B LABORATORIES 5B1 SHIP CARD 5B2 NO POWER NEEDED 5B3 FUNCTION OF LABS 5C PROBES 5C1 SHIP CARD 5C2 FLEET SCALE 5C3 USING PROBES FOR INFORMATION 5C4 USING PROBES AS WEAPONS 5C5 RELOADING PROBE LAUNCHERS 5D TRACTOR BEAMS 5D1 SHIP CARD 5D2 POWER 5D3 GENERAL FUNCTION 5D3A NO MOONS OR PLANETS 5D3B SHIPS CANNOT MOVE BASES ORION ATTACK 5D3C TRACTORS VS. MONSTERS KLINGON BORDER AND ROMULAN BORDER 5D4 DEFENSIVE FUNCTIONS 5D4A ONLY DESTROYED BY YOU 5D4B TRACTOR DESTRUCTION 5D4C ENERGY ALLOCATION ORION ATTACK 5D4 TRACTORS VS. DRONES KLINGON BORDER AND ROMULAN BORDER 5D5 TRACTORING OBJECTS 5D5A SEEKING WEAPONS 5D5B TRACTOR AUCTIONS 5D6 TRACTORING SHIPS 5D6A TRACTOR AUCTIONS 5D6B LINKED SHIPS 5D6C NO PENALTIES FEDERATION COMMANDER TABLE OF CONTENTS CHAPTER 5 SYSTEMS KLINGON BORDER AND ROMULAN BORDER 5E TRANSPORTERS 5E1 SHIP CARD 5E2 POWER 5E3 RANGE 5E4 RANGE 5E5 LIMITATIONS 5E6 PROCEDURE 5E6A STEP 1 5E6B STEP 2 5E6C STEP 3 5E7 EMERGENCY EVACUATION 5F MARINE BOARDING
    [Show full text]