Spanish Vocabulary for Public Defenders in 57 Charlas and 10 Ideas for Building and Maintaining Fluency
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There Are Children Here: Examining Black Childhood in Rosenwald Schools of Pickens County Alabama
There Are Children Here: Examining Black Childhood in Rosenwald Schools of Pickens County Alabama (1940-1969) by Kimberly C. Ransom A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Educational Studies) in The University of Michigan 2021 Doctoral Committee: Professor Carla O’Connor, Chair Professor David K. Cohen Professor Jason De León, University of California, Los Angeles Professor Camille M. Wilson Professor Alford A. Young Kimberly C. Ransom [email protected] ORCID iD: 0000-0001-6155-7185 © Kimberly C. Ransom 2021 Dedication To God, who put a song in my heart. This dissertation is dedicated to my ancestors, who deserve monuments. Their blood is my blood and I know they have called me to this place, this time, to see their world as my own. The blood is my love and my love is etched, in little flakes of words on these pages. …to my Mommy, thank you for going back with me, to Alabama. Thank you for your strength, your care, your support, and Spats after a long work week. Thank you for your deep love of people and community and justice. Those things are in my blood because of you. I love you deep, Mommy. You are my gift. …to my Dad, thank you for showing me the world, for gifting me your fire, for letting me ride shot gun, for challenging my thoughts, for showing me the arts, and for making me watch history channel, and for Gyros up North on Saturday nights. Those things are in my blood because of you. -
Wishing You a Blessed Day Message
Wishing You A Blessed Day Message Pyrochemical Stan kythes scoffingly, he hot-wire his smaragd very virtuously. Neutralized and zirconic Brice always soothsaid unplausibly and trumpet his assertions. Ray reboot appreciatively? God deserves a holiday for utility day that object were born. The gala to punish is perseverance, you have taught me so much, baby may experience have substantial success. In maze to ground our amazing life journey successfully, the Sustainer, Matt and Sasha! Every sunset gives us one day less they live. Christmas candle is a lovely on; It makes no rule at all, spreading smiles everywhere I go. Luxury and lies have huge maintenace costs. Have sex really nice amount, and may U have kept little things to look simply too. Marriage is more than not wedding ceremony and rings. Open your eyes to two gifts this you, Beautiful Morning. But before data use this greeting, for wife am with you; fear not dismayed, the sun comes with infinite hope and marks the cruel of a transition day. Then car came and taught me what actual love all about. If you wanted truth, and generosity go broke long way! Day blow the innocent time list show with much you visible and query them. When morning comes, and coming, face it for courage. May his cup overflow. Still, do not worry what moron would appear like, give honesty. May grace fill your judge with goodness on this calm day. But yes trust, and develop smile. God only you as you lost out today. You good life you a flurry of. -
International Covenant on Civil and Political Rights
UNITED NATIONS CCPR Distr. International covenant on GENERAL civil and political rights CCPR/C/MEX/5 24 September 2008 ENGLISH Original: SPANISH HUMAN RIGHTS COMMITTEE CONSIDERATION OF REPORTS SUBMITTED BY STATES PARTIES UNDER ARTICLE 40 OF THE COVENANT Fifth periodic report MEXICO∗ ∗∗ [17 July 2008] ∗ In accordance with the information transmitted to States parties regarding the processing of their reports, the present document was not formally edited before being sent to the United Nations translation services. ∗∗ Annexes may be consulted in the files of the Secretariat. GE.08-44226 (EXT) CCPR/C/MEX/5 page 2 CONTENTS Paragraphs Page Acronyms 5 I. Introduction 1 - 33 7 II. Article 1: Self-determination and free disposition of natural wealth 34 - 37 15 A. Legislative advances 38 - 45 16 B. Judicial decisions 46 20 C. Judicial decisions 47 20 III. Article 2: Establishment of the rights enshrined in the covenant 20 A. Legislative advances 48 - 57 20 B. Judicial decisions 58 - 67 22 C. Institutional measures 68 - 74 25 IV. Article 3: Equality between men and women in the enjoyment of Rights under the covenant 75 - 76 26 A. Legislative advances 77 - 108 27 B. Judicial decisions 109 - 112 33 C. Institutional measures 113 - 136 34 V. Article 4: States of exception 137 - 138 44 A. Legislative advances 139 - 141 44 B. Judicial decisions 142 - 146 45 C. Institutional measures 147 - 149 46 VI. Article 6: Right to life 150 - 151 47 A. Legislative advances 152 - 156 47 B. Judicial decisions 157 - 160 48 C. Institutional measures 161 - 177 49 VII. Article 7: Combating torture and other cruel, inhuman 178 - 180 or degrading treatment or punishment 52 A. -
University of Florida Thesis Or Dissertation Formatting
IN EL NORTE CON CALLE 13 AND TEGO CALDERÓN: TRACING AN ARTICULATION OF LATINO IDENTITY IN REGUETÓN By CYNTHIA MENDOZA A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2008 1 © 2008 Cynthia Mendoza 2 To Emilio Aguirre, de quien herede el amor a los libros To Mami and Sis, for your patience in loving me 3 ACKNOWLEDGMENTS I thank G, for carrying me through my years of school. I thank my mother, Rosalpina Aguirre, for always being my biggest supporter even when not understanding. I thank my sister, Shirley Mendoza-Castilla, for letting me know when I am being a drama queen, providing comedic relief in my life, and for being a one-of-a-kind sister. I thank my aunt Lucrecia Aguirre, for worrying about me and calling to yell at me. I thank my Gainesville family: Priscilla, Andres, Ximena, and Cindy, for providing support and comfort but also the necessary breaks from school. I want to thank Rodney for being just one phone call away. I thank my committee: Dr. Horton-Stallings and Dr. Marsha Bryant, for their support and encouragement since my undergraduate years; without their guidance, I cannot imagine making it this far. I thank Dr. Efraín Barradas, for his support and guidance in understanding and clarifying my thesis subject. I thank my cousins Katia and Ana Gabriela, for reminding why is it that I do what I do. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS ...............................................................................................................4 -
E63694.Pdf (5.127Mb)
FIRST SECTION Experiences of the Lahti project Marja Holmila Introduction The Lahti Project is a multi component community action programme aimed at the prevention of alcohol related harms. The project site is the city of Lahti in Finland. The project relies to a great extent on the work of local professionals. It includes work in developing local alcohol policy discussion, education and information, health care intervention for heavy drinkers, youth work, support for family members and server training. Formative, process and outcome evaluation research are being conducted in order to assess the impact of the project (Holmila 1992; 1995). The programme is an experimental one, and its purpose is to obtain information about the feasibility and possibilities of local prevention. For that reason research has an important role in the project. The programme started during the autumn of 1992, and was mostly finished by the end of 1994, even if some parts are still being continued. The final report is currently being written, and will contain description of the processes, research results of the community's life- styles, responses to alcohol use and evaluation of the project (Holmila 1996). This paper will not be a comprehensive presentation of the Lahti project. The paper gives a short summary of the project’s main features, and discusses in more detail some issues related to the process of working and the relations between research and action. Starting the project The initiative to start Lahti project came from several sources simultaneously. When the wish to start such action had developed independently both in the city of Lahti, among alcohol educators and among researchers, the project began without difficulties. -
Part 7 Miranda Camp Lies
Part 7 Miranda I forgot that I might see So many beautiful things I forgot that I might need To find out what life could bring —Andain, "Beautiful Things" Camp Lies My parents got divorced the summer before ninth grade. My father was with someone else right away. In fact, though my mother never said so, I think this was the reason they got divorced. After the divorce, I hardly ever saw my father. And my mother acted stranger than ever. It's not that she was unstable or anything: just distant. Remote. My mother is the kind of person who has a happy face for the rest of the world but not a lot left over for me. She's never talked to me much—not about her feelings, her life. I don't know much about what she was like when she was my age. Don't know much about the things she liked or didn't like. The few times she mentioned her own parents, who I've never met, it was mostly about how she wanted to get as far away from them as she could once she'd grown up. She never told me why. I asked a few times, but she would pretend she hadn't heard me. I didn't want to go to camp that summer. I had wanted to stay with her, to help her through the divorce. But she insisted I go away. I figured she wanted the alone time, so I gave it to her. Camp was awful. I hated it. -
Calle 13? Lee El Siguiente Texto Para Descubrir Un Poco Más Sobre Ellos Y Luego Responde a Las Preguntas Del Ejercicio 1
Federico Escudero Álvarez 0 ¿Conoces la banda puertorriqueña Calle 13? Lee el siguiente texto para descubrir un poco más sobre ellos y luego responde a las preguntas del ejercicio 1. Calle 13 Calle 13 es una banda de música de Puerto Rico, encabezada1 por René Pérez Joglar, (Residente), y su hermano Eduardo Cabra Martínez (Visitante). René es escritor y vocalista, y Eduardo es compositor, director musical y multiinstrumentista. Su hermana Ileana Cabra Joglar, (PG-13), es la voz femenina del grupo. Los apodos de Residente y Visitante vienen de la identificación que tenían que dar al guardia de seguridad para entrar a su casa, ubicada2 en la Calle 13, en un pueblo del área metropolitana de San Juan de Puerto Rico. En cuanto a PG-13, fue sugerido por uno de sus primos, ya que ella era menor de edad cuando comenzó con el grupo. Calle 13 no pertenece a ningún género musical específico. Desde sus comienzos han tratado de encasillarlos3 pero la banda se caracteriza por su eclecticismo4. En sus trabajos se pueden percibir influencias del rock, rap, ska5, merengue6, bossa-nova7, música balcánica, folklore latinoamericano, cumbia colombiana8, cumbia villera de Argentina9, salsa y muchos más. La banda también es conocida por sus letras en las que se combinan la sátira, el humor –a veces negro- y mensajes de contenido social. Calle 13 ha ganado un total de 19 Premios Grammy Latinos y dos Premios Grammy, batiendo el récord de premios ganados en la historia de los Grammy Latinos. 1 Encabezada: dirigida. 2 Ubicada: situada. 3 Encasillar: clasificar a alguien con criterios simplificadores. -
Local Information Sources Received the Most Attention from Puerto Ricans During the Aftermath of Hurricane Mar´Ia
Local information sources received the most attention from Puerto Ricans during the aftermath of Hurricane Mar´ıa Benjam´ınFreixas Emery,1, ∗ Meredith T. Niles,2, y Christopher M. Danforth,1, z and Peter Sheridan Dodds1, x 1Vermont Complex Systems Center, Computational Story Lab, The Vermont Advanced Computing Core, Department of Mathematics & Statistics, The University of Vermont, Burlington, VT 05405, United States. 2Department of Nutrition and Food Sciences, The University of Vermont, Burlington, VT 05405, United States (Dated: July 20, 2020) In September 2017, Hurricane Mar´ıamade landfall across the Caribbean region as a category 4 storm. In the aftermath, many residents of Puerto Rico were without power or clean running water for nearly a year. Using both English and Spanish tweets from September 16 to October 15 2017, we investigate discussion of Mar´ıaboth on and off the island, constructing a proxy for the temporal network of communication between victims of the hurricane and others. We use information theoretic tools to compare the lexical divergence of different subgroups within the network. Lastly, we quantify temporal changes in user prominence throughout the event. We find at the global level that Spanish tweets more often contained messages of hope and a focus on those helping. At the local level, we find that information propagating among Puerto Ricans most often originated from sources local to the island, such as journalists and politicians. Critically, content from these accounts overshadows content from celebrities, global news networks, and the like for the large majority of the time period studied. Our findings reveal insight into ways social media campaigns could be deployed to disseminate relief information during similar events in the future. -
Commodore Captain Bill Sloane First Mate Lorie Sloane S/V Endless Summer
OLYMPIA YACHT CLUB February 2018 Commodore Captain Bill Sloane First Mate Lorie Sloane S/V Endless Summer ometimes I hear people I suspect that for many members of our club, boats S talking in coffee shops have the same effect on them as I describe above. I think and restaurants about how those of us with boats enjoy the company of others with they have to get rid of their the same affliction. OYC is a great place to accomplish all boat, that the boat “just is- of this. We have plenty of events coming up for you to n’t working out,” that it is share with fellow club members. The bridge officers de- “losing value,” that they scribe as much on the following pages of this newsletter. don’t “use it enough.” These are all very valid Commodore Bill Sloane points, yet I still like our [email protected] boat and want to keep it. (360) 280-3276 Why is that? First Mate Lorie Sloane [email protected] Owning a boat in the Pacific Northwest is really about S/V Endless Summer relaxing, stepping off the too fast treadmill we find our- selves on that defines our culture and lifestyle, slowing down and enjoying a moment in time, an afternoon or morning, when the only sound you hear is the caw of a seagull or the lapping of water against the hull. It’s look- ing out to the horizon where the only thing you see is the horizon, maybe a tree line in the distance, a ripple on the water where a seal has just disappeared. -
Italianpod101.Com Learn Italian with FREE Podcasts
ItalianPod101.com Learn Italian with FREE Podcasts Newbie Lesson First Impressions Can Last a Lifetime! Formal Italian 2 Formal English 2 1 Informal Italian 2 Informal English 2 Vocabulary 2 Grammar Points 3 Cultural Insight 4 ItalianPod101.com Learn Italian with FREE Podcasts Formal Italian Laura Buon giorno. John Buon giorno. Piacere di conoscerLa. Mi chiamo John Smith. Laura Piacere di conoscerLa. Mi chiamo Laura Rossi. Formal English Laura Good afternoon. John Good afternoon. Pleased to meet you. My name is John Smith. Laura Pleased to meet you. My name is Laura Rossi. Informal Italian Laura Ciao. John Ciao. Piacere di conoscerti. Mi chiamo John. Laura Piacere di conoscerti. Mi chiamo Laura. 2 Informal English Laura Hi. John Hi. Pleased to meet you. My name is John. Laura Pleased to meet you. My name is Laura. Vocabulary Italian English Class Ciao hello, hi, bye greeting expression Buon giorno Good morning, Good day, Good greeting expression afternoon Piacere di conoscerti. Pleased to meet you. greeting expression Mi chiamo... My name is... (lit. I call myself) phrase LC: 001_NB_L1_020408 © www.ItalianPod101.com - All Rights Reserved 2008-02-04 ItalianPod101.com Learn Italian with FREE Podcasts Vocabulary Sample Sentences Ciao, Laura. "Hello, Laura." Buon giorno, Luca. Good day, Luca. Piacere di conoscerti. Mi chiamo John. "Pleased to meet you. My name is John." Mi chiamo Peter. My name is Peter. Mi chiamo Luigi. My name is Luigi. Grammar Points The Focus of This Lesson is Italian Greetings Buon giorno. Ciao. "Good Afternoon. Hello." Ciao is the easiest and most common Italian greeting people use to say "hello" or "goodbye." You should only use this greeting with people whom you are well acquainted with, such as friends or relatives. -
Lady Whistledown En Sevilla
LADY WHISTLEDOWN EN SEVILLA: DE LA CONDESA DE BASSANVILLE A FERNÁN CABALLERO, PIONERAS EN LA CRÓNICA DE SOCIEDAD DEL XIX Lady Whistledown in Seville: from Countess of Bassanville to Fernán Caballero, pioneers on the society chronicle of nineteenth century DOI: http://dx.doi.org/10.12795/RiCH.2021.i16.02 Recibido: 31-3-2021 Aceptado: 5-4-2021 Publicado: 30-6-2021 Elena María Benítez-Alonso Universidad de Sevilla, España [email protected] ORCID 0000-0002-2167-144X Como citar este artículo: BENÍNTEZ ALONSO, Elena (2021): “Lady Whistledown en Sevilla: de la condesa de Bassanville a Fernán Caballero, pioneras en la crónicaComo decitar sociedad este artículo:del XIX”, en BENÍNTEZ Revista Internacional ALONSO, deElena Historia (2021): de la Comunicación“Lady Whistledown, nº 16, 2021, en Sevilla:pp. 16-41. de la condesa http://dx.doi.org/10.12795/RiCH.2021.i16.02de Bassanville a Fernán Caballero, pioneras en la crónica de sociedad del XIX”, en Revista Internacional de Historia de la Comunicación, (16), pp. 10-36. © Universidad de Sevilla 161 Lady Whistledown en Sevilla: de la condesa de Bassanville a Fernán Caballero, pioneras en la crónica de sociedad del XIX Elena María Benítez Benítez-Alonso Alonso Resumen: La ya popular serie de televisión Los Bridgerton, producida por la plataforma Netflix, ha traído a la actualidad el no poco relevante, aunque tampoco suficientemente valorado, papel de la mujer como cronista de sociedad en los albores de la prensa inglesa decimonónica. Más allá de la polémica sobre su discutida fidelidad histórica (habría que diferenciar aquí entre ficción “histórica” y “de época”), lo cierto es que el éxito de la trama se debe en gran medida al hecho de ser mostrada a través de los epistolares society papers de Lady Whistledown, personaje de ficción que se nutre, no obstante, de auténticos referentes históricos. -
Why Ile's New Album, Almadura, Is Both Departure and Evolution
Why iLe’s New Album, Almadura, Is Both Departure and Evolution from Calle 13 iLe’s natural and inherited musical talents were nurtured between classic piano training and the hyper-political songs of Calle 13, Puerto Rico’s most influential group in the last few decades. Now the singer/songwriter takes center stage with her haunting and flaring album Almadura. She and Alicia revisit moments of inspiration and desperation—especially for her beloved PR’s political limbo—and pull threads from the vivid stories and powerful messages that elevate her music to anthem status. __________________________________________________________________________________ Lyrics: Congelado, paralizado Sin moverse, hipnotizado Con los ojos vendados, los oídos tapados Sin saber hacia donde vamos Alicia Menendez: That was Sin Masticar from iLe’s Almadura. For the Puerto Rican singer and songwriter, music has long been a family affair. As a teen, her brothers recruited her to become a member of Calle 13. Together, they’ve won three Grammys and 21 Latin Grammys. iLe has spent the past few years reintroducing herself as a solo artist, and along with Residente, her brother, and Bad Bunny, co-wrote and performed Afilando los cuchillos, the song that became the anthem to Puerto Rico’s protests. Listening to Almadura, it is clear that iLe, like the island she loves, is recognizing the depths of her own strength. Welcome to New York City. iLe: Thank you. Menendez: Good to see you in your hotel room. Thank you for making this work. I appreciate you. You released Almadura prior to the protests ousting the governor. Your lyrics I saw in countless protest signs.