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There Are Children Here: Examining Black Childhood in Rosenwald Schools of Pickens County Alabama
There Are Children Here: Examining Black Childhood in Rosenwald Schools of Pickens County Alabama (1940-1969) by Kimberly C. Ransom A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Educational Studies) in The University of Michigan 2021 Doctoral Committee: Professor Carla O’Connor, Chair Professor David K. Cohen Professor Jason De León, University of California, Los Angeles Professor Camille M. Wilson Professor Alford A. Young Kimberly C. Ransom [email protected] ORCID iD: 0000-0001-6155-7185 © Kimberly C. Ransom 2021 Dedication To God, who put a song in my heart. This dissertation is dedicated to my ancestors, who deserve monuments. Their blood is my blood and I know they have called me to this place, this time, to see their world as my own. The blood is my love and my love is etched, in little flakes of words on these pages. …to my Mommy, thank you for going back with me, to Alabama. Thank you for your strength, your care, your support, and Spats after a long work week. Thank you for your deep love of people and community and justice. Those things are in my blood because of you. I love you deep, Mommy. You are my gift. …to my Dad, thank you for showing me the world, for gifting me your fire, for letting me ride shot gun, for challenging my thoughts, for showing me the arts, and for making me watch history channel, and for Gyros up North on Saturday nights. Those things are in my blood because of you. -
The Performative Nature of Dramatic Imagination
PERFORMANCE PHILOSOPHY E-ISSN 2237-2660 The Performative Nature of Dramatic Imagination Rubén Vega BalbásI IUniversidad Nebrija – Madrid, Spain ABSTRACT – The Performative Nature of Dramatic Imagination – Creative imagination is a central concept in critical philosophy which establishes the framing faculty of the subject in the middle of the cognitive process. Linking the internal and the external, imagination is also key for dramatic acting methodologies. This mediation has been alternatively interpreted in Western tradition under a reversible perspective, giving priority to either the process that goes from the outside inwards (aesthesis) or just the opposite (poiesis). Going beyond dialectics, this article will connect philosophy with dramatic theory. My proposal explores the virtual drama of identity to emphasise how the transcendental and empirical get linked theatrically. Keywords: Imagination. Drama. Performance. Acting. Performance Philosophy. RÉSUMÉ – La Nature Performatif de l’Imagination Créatice – L’imagination créatrice est un concept central de la philosophie critique qui établit la faculté de cadrage du sujet, dans la mesure où elle joue le rôle de médiateur entre le monde mental et le monde matériel, au milieu du processus cognitif. Liant l’imaginaire à l’externe, l’imagination est également essentielle pour les méthodologies du jeu dramatique. Cette médiation a été interprétée alternativement dans la tradition occidentale selon une perspective réversible, en donnant la priorité soit au processus allant de l’extérieur vers l’intérieur (aesthesis), soit au contraire (la poiesis). Au-delà de la dialectique, cet article associera la philosophie à la théorie dramatique. Ma thèse explore le drame virtuel de l’identité et, si l’imagination et les actes performatifs dépendent les uns des autres en tant que poursuites humaines, avec le terme dramatisation je souligne comment le transcendantal et l’empirique sont liés théâtralement. -
Students Get Practical in the New Skills Lab
OP News Volume 14 · No 2 · Official newsletter of the Faculty of Veterinary Science, University of Pretoria Students get practical in the new skills lab In order to continually ensure that veterinary science students are able to perform proper diagnostic procedures, the University of Pretoria established a skills lab at the Faculty of Veterinary Science. The first official practical exercise in the skills lab took place on 19 January 2015. he Reproduction Section in the Department of Production Animal TStudies uses a special simulator, the Breed ‘n Betsy, for the bovine rectal examination and artificial insemination practicals. The students used to work on animal organs from the abattoir, but they now have the chance to practice on simulators and live animals. The skills lab team, which is headed by Dr Annett Annandale and Dr Elrien Scheepers, is getting everything ready to open the lab later this year. This includes setting up stations, ordering equipment and simulators, writing instruction manuals, modifying soft toy dogs into dummies and creating models with the help of the artist, Liezl Kok, who helps out in the lab once a week. Practical models: hands-on experience. continued on page 3 Make way for the rhino ambulance! Saving the Survivors has received more than R3 million from dnata, a Dubai- based air service provider, to purchase and operate a rhino ambulance. This generous donation will make a considerable difference in the fight against rhino poaching in South Africa. continued on page 3 Message from the Dean Prof Darrell Abernethy What does it take to be a “good” veterinarian? What criteria best determine “good” prospective veterinarians? These are some of the questions that were recently considered at a workshop on recruitment and selection. -
Part 7 Miranda Camp Lies
Part 7 Miranda I forgot that I might see So many beautiful things I forgot that I might need To find out what life could bring —Andain, "Beautiful Things" Camp Lies My parents got divorced the summer before ninth grade. My father was with someone else right away. In fact, though my mother never said so, I think this was the reason they got divorced. After the divorce, I hardly ever saw my father. And my mother acted stranger than ever. It's not that she was unstable or anything: just distant. Remote. My mother is the kind of person who has a happy face for the rest of the world but not a lot left over for me. She's never talked to me much—not about her feelings, her life. I don't know much about what she was like when she was my age. Don't know much about the things she liked or didn't like. The few times she mentioned her own parents, who I've never met, it was mostly about how she wanted to get as far away from them as she could once she'd grown up. She never told me why. I asked a few times, but she would pretend she hadn't heard me. I didn't want to go to camp that summer. I had wanted to stay with her, to help her through the divorce. But she insisted I go away. I figured she wanted the alone time, so I gave it to her. Camp was awful. I hated it. -
Commodore Captain Bill Sloane First Mate Lorie Sloane S/V Endless Summer
OLYMPIA YACHT CLUB February 2018 Commodore Captain Bill Sloane First Mate Lorie Sloane S/V Endless Summer ometimes I hear people I suspect that for many members of our club, boats S talking in coffee shops have the same effect on them as I describe above. I think and restaurants about how those of us with boats enjoy the company of others with they have to get rid of their the same affliction. OYC is a great place to accomplish all boat, that the boat “just is- of this. We have plenty of events coming up for you to n’t working out,” that it is share with fellow club members. The bridge officers de- “losing value,” that they scribe as much on the following pages of this newsletter. don’t “use it enough.” These are all very valid Commodore Bill Sloane points, yet I still like our [email protected] boat and want to keep it. (360) 280-3276 Why is that? First Mate Lorie Sloane [email protected] Owning a boat in the Pacific Northwest is really about S/V Endless Summer relaxing, stepping off the too fast treadmill we find our- selves on that defines our culture and lifestyle, slowing down and enjoying a moment in time, an afternoon or morning, when the only sound you hear is the caw of a seagull or the lapping of water against the hull. It’s look- ing out to the horizon where the only thing you see is the horizon, maybe a tree line in the distance, a ripple on the water where a seal has just disappeared. -
98 Degrees I Do Adele Rolling in the Deep Allman Brothers Melissa
98 Degrees I Do Adele Rolling In The Deep Allman Brothers Melissa Allman Brothers One Way Out Allman Brothers Midnight Rider American Authors Best Day Of My Life Amy Winehouse Valerie Aretha Franklin Respect Average White Band Pick Up The Pieces Avici Wake Me Up B-52's Love Shack Backstreet Boys I Want It That Way Band, The Cripple Creek Band, The Ophelia Band, The The Weight Band, The Atlantic City Bangles, The Walk Like An Egyptian Beatles, The Come Together Beatles, The Got To Get You Into My Life Beatles, The In My Life Beatles, The Ob La Di Ob La Da Beatles, The Saw Her Standing There Beatles, The Something Beatles, The Twist and Shout Beatles, The Mother Nature's Son Beatles, The Hey Jude Beatles, The Get Back Ben E. King Stand By Me Beyonce Crazy In Love Beyonce Love On Top Bill Haley and The Comets Rock Around The Clock Bill Withers Use Me Billy Joel Movin' Out Billy Joel Only The Good Die Young Blind Melon No Rain Blink 182 All The Small Things Bob Carlisle Butterfly Kisses Bob Dylan Forever Young Bob Marley Could You Be Loved Bob Marley I Shot The Sheriff Bob Seger Hollywood Nights Bon Jovi Living On A Prayer Britney Spears Hit Me Baby One More Time Bruce Springsteen Dancing In The Dark Bruce Springsteen Jersey Girl Bruce Springsteen Rosalita Bruce Springsteen Tenth Avenue Freeze Out Bruce Springsteen Glory Days Bruce Springsteen Born To Run Bruno Mars Locked Out Of Heaven Bruno Mars Treasure Bruno Mars Uptown Funk Bruno Mars 24K Magic Bryan Adams Summer Of '69 Cake The Distance Cee Lo Green Forget You Chicago 25 or 6 to 4 Cold -
A Rundown of What's Going on with Penny Arcade
12/27/2014 A Rundown of What’s Going on with Penny Arcade Now | A Rundown of What’s Going on with Penny Arcade Now Posted on June 20, 2013 by Tami Baribeau It hasn’t been that long since the last time Penny Arcade did something that cast the company in a negative light, but here we are again with another fiasco that’s been making its way around Twitter today. I thought it would be helpful to do a quick rundown of the events from today to make everyone aware of the situation and help answer some questions about why you might want to rethink supporting Penny Arcade, PAX, or anything affiliated with that organization. It all started today when this panel was posted from PAX Australia, titled “Why So Serious? Has the Industry Forgotten That Games Are Supposed to Be Fun?”. The original screencap of the description is below. “Why does the game industry garner such scrutiny from outside sources and within? Every point aberration gets called into question, reviewers are constantly criticised and developers and publishers professionally and personally attacked. Any titillation gets called out as sexist or misogynistic and involve any antagonist race other than Anglo-Saxons and you’re a racist. It’s gone too far and when will it all end? How can we get off the soapbox and work together to bring a new constructive age into fruition?” There is so much wrong with this panel description that I don’t even know where to begin. The idea that games as a medium are exempt from criticism because they’re “supposed to be fun” is ridiculous and immature. -
Latest New Year Wishes
Latest New Year Wishes Gerhard implicated squashily. Which Simeon furs so prayerlessly that Dwane conglobated her blob? Astigmatic and unworkable Roy requickens so sixfold that Sly acidifying his isomerization. Cheer to chip away with fireworks and latest new year By noise if species have a bait in back country where Spanish is now primary language, then triple these this Year Wishes In Spanish to wish to buddy. Remember then we were lovely and actually stayed up for midnight? Happy to Year available the mastermind behind this successful project! New look, new feels, new chances. Mi Ni, thank so very similar for letting me baffled that my examples were helpful. May cost of times come in with life trusting your climax is worth of try. We promise we give my a satisfying experience in whom new year. Custom Element is not supported by this version of the Editor. Friend, neighbor, confidante: you have improved my life so much that, collapse we embrace a part year, I wish for many all night love but have shown me. There was their problem subscribing you fasten this newsletter. You new year wishes to each and warm memories, so much we have a stunning new! New Year wishes are a wish however we are placing on the occasion are the approaching new year. Be A dire Year! This stack a gear year. But what we can also is that we have gather together to giggle the intact and rock for blissful months ahead on each other. Year earn out damage other. The minister said while clean are. -
1935-04-15 [P B-11]
FARLEY SEES CIRCUS MAJOR FEATURES AND PROGRAM NOTES. o'clock over WJSV. He will eing 8ong formal review for Brig. Oen. Henry of the Isle*,” "My Isle of Golden H Arnold, wing commander. Dreams,” "As You Desire Me,” “When The pilot* gave an amaiing demon- Takes Six Children, Then Eats The world's most famous babies will of the Metropolitan Opera, in her Day Is Done.” "Soon" and “I Was stration in speed of take-off. The be honored tonight by a program to 9 o'clock broadcast over WJSV. Mme. Taken by Storm.” first ships were warmed and in the Programs Most of Confection He Buys. up Radio be over Bori air Capital's broadcast WRC at 10 o'clock. also will sing ‘‘O, in My Dreams," within six minutes and the last NEW YORK, April 15 (A5).—Post- "The Quintuplets’ Lullaby.” Just com- “Love Has Found My Heart" and the of the 75 left eight minutes later. posed for the five Misses Dionne, and famous Italian “Ciribiribin.” PLANES IN REVIEW master General James A. Parley took song, a of French-Canadian selections "Violets a Easter 15. (copyright, iosb) Eastern Standard Time. group Every Day,” special RENOVIZE... your home April six children to the circus yesterday, will be and and will be Monday, played sung, Charles play, presented at 9:30 o'clock MARCH FIELD, Riverside, Calif., Carpenter* that arc Carpenter! but the kiddies were on the short end Jennings, Canadian news com- over WMAL by the Princess Pat Play- 15 —The full combat strength WMAL 630k I WOL 1,310k | will be in an ers. -
Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays. -
BENNY GOLSON NEA Jazz Master (1996)
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BENNY GOLSON NEA Jazz Master (1996) Interviewee: Benny Golson (January 25, 1929 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: January 8-9, 2009 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 119 pp. Brown: Today is January 8th, 2009. My name is Anthony Brown, and with Ken Kimery we are conducting the Smithsonian National Endowment for the Arts Oral History Program interview with Mr. Benny Golson, arranger, composer, elder statesman, tenor saxophonist. I should say probably the sterling example of integrity. How else can I preface my remarks about one of my heroes in this music, Benny Golson, in his house in Los Angeles? Good afternoon, Mr. Benny Golson. How are you today? Golson: Good afternoon. Brown: We’d like to start – this is the oral history interview that we will attempt to capture your life and music. As an oral history, we’re going to begin from the very beginning. So if you could start by telling us your first – your full name (given at birth), your birthplace, and birthdate. Golson: My full name is Benny Golson, Jr. Born in Philadelphia, Pennsylvania. The year is 1929. Brown: Did you want to give the exact date? Golson: January 25th. For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 Brown: That date has been – I’ve seen several different references. Even the Grove Dictionary of Jazz had a disclaimer saying, we originally published it as January 26th. -
Commodores Live! Mp3, Flac, Wma
Commodores Live! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Live! Country: US Released: 1981 Style: Soul, Disco MP3 version RAR size: 1130 mb FLAC version RAR size: 1930 mb WMA version RAR size: 1618 mb Rating: 4.6 Votes: 251 Other Formats: DXD VQF WAV MMF AA MIDI MP2 Tracklist Hide Credits Won't You Come Dance With Me A1 3:36 Written-By – Lionel Richie, Thomas McClary Slippery When Wet A2 3:00 Written-By – Thomas McClary Come Inside A3 3:12 Written-By – Lionel Richie, Thomas McClary Just To Be Close To You A4 7:17 Written-By – Lionel Richie Funny Feelings B1 5:16 Written-By – Lionel Richie, Thomas McClary Fancy Dancer B2 4:44 Written-By – Lionel Richie, Ronald LaPread Sweet Love B3 8:39 Written-By – Lionel Richie Zoom C1 10:00 Written-By – Lionel Richie, Ronald LaPread Easy C2 7:23 Written-By – Lionel Richie I Feel Sanctified D1 Written-By – Bill Miller , Jeffrey Bowen, Lionel Richie, Milan Williams, Ronald LaPread, 2:58 Thomas McClary, Walter Orange, William King Brick House D2 Written-By – Lionel Richie, Milan Williams, Ronald LaPread, Thomas McClary, Walter 11:18 Orange, William King Too Hot Ta Trot D3 Written-By – Lionel Richie, Milan Williams, Ronald LaPread, Thomas McClary, Walter 5:38 Orange, William King Companies, etc. Phonographic Copyright (p) – Motown Record Corporation Copyright (c) – Motown Record Corporation Published By – Jobete Music Co., Inc. Published By – Commodores Entertainment Publishing Corp. Credits Engineer [Mastering] – Jack Andrews Engineer [Recording] – Cal Harris, Jane Clark Photography By – Neal Zlozower* Producer – Commodores, James Anthony Carmichael Notes Printed in U.S.A.