Action Bronson & Statik Selektah

Total Page:16

File Type:pdf, Size:1020Kb

Action Bronson & Statik Selektah ACTION BRONSON & STATIK SELEKTAH Well Done KEY SELLING POINTS • Acclaimed follow-up album to Action Bronson’s debut Dr. Lecter • Widely considered to be Action Bronson’s most cohesive project to date • Features guest appearances from Nina Sky, Lil Fame of M.O.P. & more • Fully produced by legendary Statik Selektah (production credits include Nas, Mac Miller, 2 Chainz, Joey Bada$$, Raekwon, Run the Jewels, Wale) • Album’s music videos received coverage from MTV & BET, press coverage from Details, Rolling Stone, XXL, GQ, Respect, Source. • Collectible red colored vinyl DESCRIPTION ARTIST: Action Bronson & Statik Selektah What do you get when you combine the best hip-hop producer in Boston TITLE: Well Done with one of the best upcoming lyricists in NY? Well Done. This is an CATALOG: L-DCIDELP21 album couldn’t have a better fitting title, as it will surely fill the void hip-hop LABEL: DCide fans around the world have been yearning to fill. In the style of classic GENRE: Hip-Hop/Rap BARCODE: 605337021218 producer & MC albums, Statik & Bronson deliver intricate rhymes and FORMAT: 2XLP Red Vinyl head-nodding beats on this noteworthy release. HOME MARKET: NYC / Boston RELEASE: 10/12/2018 Coming straight out of Flushing, Queens, NYC, Action Bronson LIST PRICE: $24.98 / CT personifies the golden era of East Coast, New York hip-hop. Repping Boston, New York & New Hampshire Statik Selektah is known as the TRACKLISTING (Click Tracks In Blue To Preview Audio) “east coast boom bap ambassador” and holds down weekly radio slots on Eminem’s Shade 45. He has produced & worked with Nas, Joey 1. Respect The Mustache Bada$$, 2 Chainz, Mac Miller, 50 Cent, Jadakiss, John Legend, Wale, 2. Time For Some (feat. Lil Fame of M.O.P.) Bun B & many more. Check out “Well Done” and get reminded of how 3. Cocoa Butter (feat. Nina Sky) good rap used to sound. 4. White Silk 5. Keep Off The Grass 6. The Stick Up 7. Central Bookings (feat. Meyhem Lauren) 8. Cirque Du Soleil 9. The RainMaker 10. Love Letter 11. Not Enough Words 12. Terror Death Camp (feat. Meyhem Lauren, Maffew Ragazino & AG Da Coroner) 13. Miss Fordham Road (86’ 87’ 88’) 14. Cliff Notes 15. Bon Voyage PROUDLY DISTRIBUTED BY FAT BEATS DISTRIBUTION | 8930 ETON AVE. CANOGA PARK, CA 91304 | DISTRIBUTION.FATBEATS.COM.
Recommended publications
  • The Fearless Leader Fearless the Paul 196
    TWO RAINMAKERS PAUL THE FEARLESS LEADER 196 ven back then, I was taking on far too many jobs,” Def Jam Chairman Paul Rosenberg recalls of his early career. As the longtime man- Eager of Eminem, Rosenberg has been a substantial player in the unfolding of the ‘‘ modern era and the dominance of hip-hop in the last two decades. His work in that capacity naturally positioned him to seize the reins at the major label that brought rap to the mainstream. Before he began managing the best- selling rapper of all time, Rosenberg was an attorney, hustling in Detroit and New York but always intimately connected with the Detroit rap scene. Later on, he was a boutique-label owner, film producer and, finally, major-label boss. The success he’s had thus far required savvy and finesse, no question. But it’s been Rosenberg’s fearlessness and commitment to breaking barriers that have secured him this high perch. (And given his imposing height, Rosenberg’s perch is higher than average.) “PAUL HAS Legendary exec and Interscope co-found- er Jimmy Iovine summed up Rosenberg’s INCREDIBLE unique qualifications while simultaneously INSTINCTS assessing the State of the Biz: “Bringing AND A REAL Paul in as an entrepreneur is a good idea, COMMITMENT and they should bring in more—because TO ARTISTRY. in order to get the record business really HE’S SEEN healthy, it’s going to take risks and it’s going to take thinking outside of the box,” he FIRSTHAND told us. “At its height, the business was run THE UNBELIEV- primarily by entrepreneurs who either sold ABLE RESULTS their businesses or stayed—Ahmet Ertegun, THAT COME David Geffen, Jerry Moss and Herb Alpert FROM ALLOW- were all entrepreneurs.” ING ARTISTS He grew up in the Detroit suburb of Farmington Hills, surrounded on all sides TO BE THEM- by music and the arts.
    [Show full text]
  • Rapparen & Gourmetkocken Action Bronson Tillbaka Med Nytt Album
    2015-03-03 10:31 CET Rapparen & gourmetkocken Action Bronson tillbaka med nytt album Hiphoparen och kocken Arian Asllani, aka Action Bronson, från Queens New York släpper nya albumet Mr. Wonderful den 25 mars. Bronson har med flertalet album, EP’s och mixtapes i ryggen gjort sig ett namn som en utav vår tids bästa rappare. Det sätt han levererar sitt artisteri och kombinerar sina rapfärdigheter med humor, självdistans och genomgående matreferenser gör honom unik i musikvärlden. Innan Bronson påbörjade sin karriär som rappare, som ursprungligen endast var en hobby för honom, var han en respekterad gourmetkock i New York City. Han drev sin egen online matlagnings show med titeln "Action In The Kitchen". Efter att han bröt benet i köket bestämde han sig för att enbart koncentrera sig på musiken. Debutalbumet Dr. Lecter släpptes 2011 såväl som ett par mixtapes, däribland Blue Chips. Sent år 2012 signade rapparen med Warner Music via medieföretaget VICE och för två år sedan släppte han EP’n Saaab Stories samt spelade på en av världens viktigaste musikfestivaler, nämligen Coachella Music Festival. Genom åren har han haft samarbeten med flera stor rappare såsom Wiz Khalifa, Raekwon, Eminem och Kendrick Lamar. Enligt Bronson är det kommande albumet hans bästa verk hittills. “I gave this my most incredible effort,” säger han. “If you listen to everything I’ve put out and then listen to this you’ll hear the steps that I’ve taken to go all out and show progression.” Singeln Baby Blue ft. Chance The Rapper, producerad av Mark Ronson, premiärspelades igår av Zane Lowe på BBC Radio 1.
    [Show full text]
  • Hip-Hop Pedagogy As Production Practice: Reverse-Engineering the Sample-Based Aesthetic
    Journal of Popular Music Education Special issue on Hip-hop Hip-Hop Pedagogy as Production Practice: Reverse-Engineering the Sample-Based Aesthetic Mike Exarchos (a.k.a. Stereo Mike) | London College of Music (University of West London) Introduction Hip-hop1 production practice contains a rich matrix of creative methods within its paradigm, which have the potential to inform and inspire music production pedagogy in higher education. The techno-artistic trajectory of rap production consists of numerous phases that may involve live performance, recording, sampling, synthesis, programming, mixing and mastering. Furthermore, it is not rare for self-contained processes—such as interpolation2 and the creation of content for sampling—to be actualized as developmental phases within the larger production trajectory. The well-documented issues affecting phonographic sampling have given rise to alternative practices, inviting live instrumental musicianship within hip-hop music-making, but also a dependence on synthesized sonics (often as signifiers of geographical and stylistic divergence). As a consequence, contemporary hip-hop production—arguably more than any other commercial music-making form—can provide a dynamic, applied context for the exploration, implementation, interplay and interaction of most phonographic stages conceived of and practiced within popular music production. This is not to say that other musics do not deploy multiple methods within their production processes, or that Hip-Hop exemplifies a sole case of multi-layered—or bricolage—production. After all, many popular musics have borrowed from hip-hop practices, and the rap production paradigm can be traced outside of strict stylistic barriers 1 The terms ‘Hip-Hop’ and ‘Rap’ will be used interchangeably throughout the paper, referring to the musical genre, outputs and practices associated with hip-hop culture and art.
    [Show full text]
  • 1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
    1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29.
    [Show full text]
  • THE BENNINGTON FREE PRESS Dr.Randy on the H1N1 Bvjonah LIPSKY '12 Do, Which Is Contain the Spread of Diabetes
    THEBENNINGTON Financial Freeze Concerns BYCONNIE PANZARIELLO '12 etc.), Vice President for Plan­ which was put into effect in June, be a financially prudent option FEATURESEDITOR ning and Special Programs Joan happened at a time when it still for saving money. While Morgan Goodrich and College President didn't look like our nation was said that he wouldn't characterize ogic at our school is Liz Coleman. Morgan firmly going to be experiencing much the measure as "precautionary," a rare find. We tend denied the rumor going around economic recovery. According to it will help us save some money Lto skip some steps, that Goodrich and Coleman gave Morgan, this has an effect on our in other areas such as the always­ jump around, and themselves pay raises. before the donors, who are more reluctant to needed financial aid. As for elim­ hope things will work out for the freeze happened. Not only is this give us funds at a time of finan­ inating faculty positions Morgan best. Thankfully, the person who incorrect (and trust me, I asked cial crisis. said, "you never know, but I don't handles our financial matters pos­ the man five times, in various Also not helping the situation foresee it and it's not in our cur­ sesses logic in bulk, and that's ways), it is impossible: they sim­ is the fact that "not surprisingly rent plans." . New hires will also all that really matters, right? Bill ply do not have the power. Pay the need for financial aid has in­ be decided by who they are and Morgan was nice enough to clear raises have to go through the bud­ creased." Morgan also reiterated what position they are filling, in up the always-impressive gossip get and be approved by the Board something that we should all be tenns of salary.
    [Show full text]
  • Hip-Hop's Diversity and Misperceptions
    The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner.
    [Show full text]
  • Racial Gatekeeping in Country & Hip-Hop Music
    Portland State University PDXScholar University Honors Theses University Honors College 12-14-2020 Racial Gatekeeping in Country & Hip-Hop Music Cervanté Pope Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Part of the Mass Communication Commons, Race and Ethnicity Commons, Social Psychology and Interaction Commons, and the Sociology of Culture Commons Let us know how access to this document benefits ou.y Recommended Citation Pope, Cervanté, "Racial Gatekeeping in Country & Hip-Hop Music" (2020). University Honors Theses. Paper 957. https://doi.org/10.15760/honors.980 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Racial Gatekeeping in Country & Hip-Hop Music By Cervanté Pope Student ID #: 947767021 Portland State University Pope 2 Introduction In mass communication, gatekeeping refers to how information is edited, shaped and controlled in efforts to construct a “social reality” (Shoemaker, Eichholz, Kim, & Wrigley, 2001). Gatekeeping has expanded into other fields throughout the years, with its concepts growing more and more easily applicable in many other aspects of life. One way it presents itself is in regard to racial inclusion and equality, and despite the headway we’ve seemingly made as a society, we are still lightyears away from where we need to be. Because of this, the concept of cultural property has become even more paramount, as a means for keeping one’s cultural history and identity preserved.
    [Show full text]
  • 8123 Songs, 21 Days, 63.83 GB
    Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.
    [Show full text]
  • Shogun's Local Legacy Kathleen Hanna True Widow
    Vol. 24 • Issue 297 • September 2013 • slugmag.com • Always Free Shogun’s Local Legacy Kathleen Hanna True Widow slugmag.com 1 2 SaltLakeUnderGround slugmag.com 3 SaltLakeUnderGround • Vol. 24 • Issue #297 • September 2013 • slugmag.com facebook.com/SLUG.Mag @SLUGMag @SLUGMag youtube.com/user/SLUGMagazine Publisher: Eighteen Percent Gray Marketing Manager: Editor: Angela H. Brown Karamea Puriri Managing Editor: Esther Meroño Marketing Team: Ischa B., Sabrina Costello, Editorial Assistant: Alexander Ortega Kristina Sandi, Brooklyn Ottens, Angella Luci- Office Coordinator:Gavin Sheehan sano, Nicole Roccanova, Raffi Shahinian, Vic- Digital Content Coordinator: Cody Kirkland toria Loveless, Zac Freeman, Cassie Anderson, Copy Editing Team: Esther Meroño, Alexan- Cassie Loveless, Shley Kinser, Matt Brunk, Robin der Ortega, Mary E. Duncan, Cody Kirkland, Sessions, Carl Acheson, Chandler Hunt Johnathan Ford, Alex Cragun, Rachel Miller, Ka- Social Media Coordinator: Catie Weimer tie Bald, Liz Phillips, Allison Shephard, Laikwan Waigwa-Stone, Shawn Soward Distribution Manager: Eric Granato Distro: Eric Granato, Tommy Dolph, Tony Cover Designer: Joshua Joye Bassett, Nancy Burkhart, Adam Okeefe, Ryan Lead Designer: Joshua Joye Worwood, John Ford, Matt Pothier, Phil Cannon, Design Team: Eleanor Scholz, BJ Viehl, Lenny Tim Kronenberg, Justin Nelson-Carruth, Xkot Riccardi, Chad Pinckney, Mason Rodrickc Toxsik, Nancy Perkins Ad Designers: Kent Farrington, Sumerset Bivens, Christian Broadbent, Kelli Tompkins, Eric Senior Staff Writers: Mike Brown, Mariah Sapp, Brad Barker, Paden Bischoff, Maggie Mann-Mellus, James Orme, Lance Saunders, Zukowski, Thy Doan, KJ Jackett, Nicholas Dowd, Bryer Wharton, Peter Fryer, James Bennett, Ricky Nick Ketterer Vigil, Gavin Hoffman, Esther Meroño, Rebecca Website Design: Kate Colgan Vernon, Jimmy Martin, Ben Trentelman, Princess Office Interns: Carl Acheson, Robin Sessions, Kennedy, Sean Zimmerman-Wall, Cody Hudson, Alex Cragun, Chandler Hunt Shawn Mayer, Dean O.
    [Show full text]
  • Meyhem Lauren & Dj Muggs
    MEYHEM LAUREN & DJ MUGGS Gems From The Equinox LP COMING SOON KEY SELLING POINTS • Meyhem Lauren is the co-star of “F*** That’s Delicious” on Vice, and one of the hottest MCs in the New York underground • Album is entirely Produced by the legendary DJ Muggs of Cypress Hill • Guest Features Action Bronson, B-Real, Roc Marciano, Sean Price, Conway, and Mr. Muthafuckin’ eXquire DESCRIPTION ARTIST: Meyhem Lauren & DJ Muggs Meyhem Lauren’s Gems From The Equinox is the crown jewel of modern TITLE: Gems From The Equinox NY rap. A future classic soundtracked by legendary producer DJ Muggs CATALOG: cd-SAR001 who has redefined dusty hip-hop production into a polished and dark, LABEL: Soul Assassin Records psychedelic world. The equinox is the one day of the year where day GENRE: Hip-Hop/Rap BARCODE: 659123095020 and night are the exact same length and this is the perspective of FORMAT: CD this album; the equal balance of darkness and the light. The project HOME MARKET: Los Angeles / New York City chronicles the urban decay and wild experiences only to be found in RELEASE: 11/3/2017 the New York underworld from the perspective of an intelligent hoodlum, LIST PRICE: $11.98 / AK Londell Manuver, AKA Meyhem Lauren. Sonic influences from elements of Cypress Hill’s Black Sunday, Mobb Deep’s Hell On The Earth and TRACKLISTING Capone and Noreaga’s The War Report. The album features include the 1. Camel Crush likes of Action Bronson, B-Real, Roc Marciano, Sean Price, Conway, Mr. 2. Street Religion (feat. Roc Marciano) Muthafuckin’ eXquire and more.
    [Show full text]
  • SXSW2016 Music Full Band List
    P.O. Box 685289 | Austin, Texas | 78768 T: 512.467.7979 | F: 512.451.0754 sxsw.com PRESS RELEASE - FOR IMMEDIATE RELEASE SXSW Music - Where the Global Community Connects SXSW Music Announces Full Artist List and Artist Conversations March 10, 2016 - Austin, Texas - Every March the global music community descends on the South by Southwest® Music Conference and Festival (SXSW®) in Austin, Texas for six days and nights of music discovery, networking and the opportunity to share ideas. To help with this endeavor, SXSW is pleased to release the full list of over 2,100 artists scheduled to perform at the 30th edition of the SXSW Music Festival taking place Tuesday, March 15 - Sunday, March 20, 2016. In addition, many notable artists will be participating in the SXSW Music Conference. The Music Conference lineup is stacked with huge names and stellar latebreak announcements. Catch conversations with Talib Kweli, NOFX, T-Pain and Sway, Kelly Rowland, Mark Mothersbaugh, Richie Hawtin, John Doe & Mike Watt, Pat Benatar & Neil Giraldo, and more. All-star panels include Hired Guns: World's Greatest Backing Musicians (with Phil X, Ray Parker, Jr., Kenny Aranoff, and more), Smart Studios (with Butch Vig & Steve Marker), I Wrote That Song (stories & songs from Mac McCaughan, Matthew Caws, Dan Wilson, and more) and Organized Noize: Tales From the ATL. For more information on conference programming, please go here. Because this is such an enormous list of artists, we have asked over thirty influential music bloggers to flip through our confirmed artist list and contribute their thoughts on their favorites. The 2016 Music Preview: the Independent Bloggers Guide to SXSW highlights 100 bands that should be seen live and in person at the SXSW Music Festival.
    [Show full text]
  • Live Hard...Party Harder
    ISSUE #12 OUR SPECIAL ONE YEAR ANNIVERSARY ISSUE. HAPPY BIRTHDAY US! LIVE HARD.... ....PARTY HARDER WARNING Before playing this game, read the Xbox 360® console, Xbox 360 Kinect® Sensor, and accessory manuals for important safety and health information. www.xbox.com/support. Important Health Warning: Photosensitive Seizures A very small percentage of people may experience a seizure when exposed to certain visual images, including flashing lights or patterns that may appear in video games. Even people with no history of seizures or epilepsy may have an undiagnosed condition that can cause “photosensitive epileptic seizures” while watching video games. Symptoms can include light-headedness, altered vision, eye or face twitching, jerking or shaking of arms or legs, disorientation, confusion, momentary loss of awareness, and loss of consciousness or convulsions that can lead to injury from falling down or striking nearby objects. Immediately stop playing and consult a doctor if you experience any of these symptoms. Parents, watch for or ask children about these symptoms—children and teenagers are more likely to experience these seizures. The risk may be reduced by being farther from the screen; using a smaller screen; playing in a well-lit room, and not playing when drowsy or fatigued. If you or any relatives have a history of seizures or epilepsy, consult a doctor before playing. Table of Contents 02 Getting Started 04 The Lost and Damned 06 The Ballad of Gay Tony 08 Credits 16 Warranty/Technical Support 1 Getting Started Game Controls Xbox LIVE Xbox 360 Controller Play anyone and everyone, anytime, anywhere on Xbox LIVE®.
    [Show full text]