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Boston Symphony Orchestra Concert Programs, Season 27,1907-1908, Trip

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Boston Symphony Orchestra Concert Programs, Season 27,1907-1908, Trip LIGHT GUARD ARMORY . DETROIT Twenty-seventh Season, J907-J908 DR. KARL MUCK, Conductor Programme of GRAND CONCERT WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE TUESDAY EVENING, JANUARY 28 AT 8.J5 PRECISELY PUBLISHED BY C. A. ELLIS, MANAGER " THIRTY-FOURTH YEAR FINEST CONSERVATORY IN THE WEST Detroit Conservatory of Music FRANCIS L. YORK, M.A., Director One of the Three Largest Conservatories in America. Unsurpassed ad- vantages for a Complete Musical Education. EVERY BRANCH TAUGHT HEADS OF DEPARTMENTS: YORK, Piano; YUNCK, Violin; NORTON, Voice; RENWICK, Organ, Theory; DENNIS, Public School Music; OCKENDEN, Elocution ; LITTLE, Drawing. Fifty thoroughly reliable instructors. Rates of tuition range from $10 to $60 per term (twenty lessons). Many free advantages. Send for catalogue. 530 WOODWARD AVENUE JAMES H. BELL, Secretary EIGHTH PRINTING of " one of the most important books on music that have ever been published ... a style which can be fairly described as fascinating. — W. J . Henderson. With a chapter by Henry E. Krehbiel, covering Richard Strauss, Cornelius, Goldmark, Kienzl, Humperdinck, Smetana, Dvorak, Charpentier, Sullivan, Elgar, etc., in addition to his earlier chapter on Music in America. Practically a cyclopaedia of its subject, with 1,000 topics in the index LAVIGNAC'S " MUSIC AND MUSICIANS " By the Author of " The Music Dramas of Richard Wagner " Translated by WILLIAM MARCHANT i2mo. $1.75 net (by mail $1.90). **# Circular with sample pages sent on application This remarkable book by the doyen of the Paris Conservatory has been accepted as a standard work in America and reprinted in England.' It is difficult to give an idea of its comprehensiveness, with its. 94 illustrations and 510 examplesin Musical Notation. It is divided as follows: A Study of Musical Sound (66 pp.); Materials of Sound (122 pp.), including the voice, orchestral instruments, with pictures of account of each, many other instruments, and an illuminating orchestration ; Grammar of Music (152 pp.), covering the harmonic system, counterpoint, and the fugue ; Esthetics (41 pp.), including Composition, with a discussion of the forms of the sonata, symphony, concerto, overture, dance forms, national characteristics, improvisation, criticism, and the beautiful in music; History of the Art of Music (106 pp.), covering the ancients, the primitives, and the various national schools, with notes individual - on the HFMPV 1-lfMT P r^f~\ 29 w- 2s st nUllILJ ri\_/Ll G> L-rV-/ NEW'YORK composers and some performers, and concluding remarks on the musical career. Boston Symphony Orchestra PERSONNEL TWENTY-SEVENTH SEASON, 1907-1908 Dr. KARL MUCK, Conductor First Violins. Wendling, Carl, Roth, O. Hoffmann, J. Kraflt, W. Concert-master. Kuntz, D. Fiedler, E. Theodorowicz, J. Czerwonky, R. Mahn, F. Eichheim, H Bak, A. Mullaly, J. Strube, G. Rissland, K. Ribarsch, A. Traupe, W. Second Violins. Barleben, K. Akeroyd, J. Fiedler, B. Berger, H. Fiumara, P. Currier, F. Rennert, B. Eichler, J. Tischer-Zeitz, H Kuntz, A. Swornsbourne, W. Kurth, R. Goldstein, H. Goldstein, S. ' Violas. Fenr, E. Heindl, H. Zahn, F. Kolster, A. Krauss, H. Scheurer, K. Hoyer, H. Kluge, M. Sauer, G. Gietzen, A. Violoncellos. Warnke, H. Nagel, R. Barth, C. Loeffler, E. Heberlein, H. Keller, J. Kautzenbach, A. Nast, L. Hadley, A. Smalley, R. Basses. Keller, K. Agnesy, K. Seydel, T. Elkind, S. Gerhardt, G. Kunze, M. Huber, E. Schurig, R. Oboes. Clarinets. i Flutes. Bassoons. Maquarre, A. Longy, G. Grisez, G Sadony, P. Maquarre, D. Lenom, C. Mimart, P. Litke, H. Brooke, A. Sautet, A. Vannini, A. Regestein, E. Fox, P. English Horn Bass Clarinet. Contra-bassoon. Mueller, F. Stumpf, K. Helleberg, J. Horns. Horns. Trumpets. Trombones. Tuba. Hess, M. Schmid, K. Kloepfel, L. Hampe, C. Lorenz. O Lorbeer, II. Gebhardt, W. Mann, J. Mausebach, A. Hain, F. Hackebarth, A. Heim, G. Kenfield, L. Phair, J. Schumann, C. Merrill, C. Harp. Tympani. Percussion. Schuecker, H. Rettberg, A. Dworak, J. Senia, T. KandlprIVcXl 1 1 . U1C1 , F Ludwig, C. Burkhardt, H. Librarian. Sauerquell, J. 3 \ tat tvtn Mimxa Bears a name which has become known to purchasers as representing the highest possible value produced in the piano industry. It has been associated with all that is highest and best in piano making since 1823. Its name is the hall mark of piano worth and is a guarantee to the purchaser that in the instrument bearing it, is incorporated the highest artistic value possible. CHICKERING & SONS PIANOFORTE MAKERS Established 1823 791 TREMONT STREET BOSTON, U.S.A. Represented in Detroit by THE FARRAND COMPANY 4 BOStOll LIGHT GUARD ARMORY, Symphony I Detroit. Twenty-seventh Season, 1907-1908. J \»r* rl ^C'tf" f*£i Dr. KARL MUCK, Conductor. GRAND CONCERT, TUESDAY EVENING, JANUARY 28, AT 8,15 PRECISELY. PROGRAMME. " Beethoven . Symphony in F major, No. 6, Pastoral." Op. 68 I. Awakening of serene impressions on arriving in the country: Allegro, ma non troppo. II. Scene by the brook-side: Andante molto moto. III. Jolly gathering of country folk : Allegro. In tempo d' allegro. Thunder-storm; Tempest: Allegro. IV. Shepherds' song; Gladsome and thankful feelings after the storm: Allegretto. Bizet .... Dramatic Overture, "Patrie," C minor, Op. 19 Richard Strauss . " Till Eulenspiegel's Merry Pranks," Op. 28 Chabrier ..... " Espana," Rhapsody for Orchestra There will be an intermission of ten minutes after the symphony. 5 There are 5,000 different parts in a single piano ; 10 different materials used,—<r»ood, iron, felt, etc; 14 different woods,— ash, spruce, maple, etc. And it has taken 200 years to develop the instrument to its present perfection as represented by the HARDMAN PIANO It is evident that only the most expert knowledge and long experience are capable of combining these multi- tudinous elements so as to produce a truly artistic piano. For sixty-five years Hardman, Peck & Co. have been solving piano construction problems. Long enough to acquire expert knowledge and ripe experience; long enough to perfect the famous Hardman Tone, the exquisitely respon- sive touch, the beautiful cases ; long enough to demonstrate the remarkable durability of these vital qualities. Call at our warerooms or at the warerooms of any of our representatives, and verify these significant truths. All makes of pianos taken in exchange Convenient terms of payment for the balance can be arranged ART CATALOG SENT ON REQUEST HARDMAN, PECK & CO. 138 Fifth Avenue (corner 19th Street), New York Represented in Detroit by DETROIT MUSIC CO., 184 Woodward Avenue Improves Established with use 1842 —- Symphony No. 6, in F major, "Pastoral," Op. 68. LUDWIG VAN BKETHOVKN (Born at Bonn, December 16, 1770; died at Vienna, March 26, 1827.) This symphony—"Sinfonia pastorale" —was composed in the country round about Heiligenstadt in the summer of 1808. It was first per- formed at the Theater an der Wien, Vienna, December 22, 1808. The symphony was described on the programme as "A symphony entitled 'Recollections of Life in the Country,' in F major, No. 5" (sic). All the pieces performed were by Beethoven: an Aria, "Ah, perfido," sung by Josephine Kilitzky; Hymn with Latin text written in church style, with chorus and solos; Pianoforte Concerto in G major, played by Beethoven ; Grand Symphony in C minor, No. 6 (sic) ; Sanctus, with Latin text written in church style, with chorus and solos; Fantasie for pianoforte solo ; Fantasie for pianoforte, "into which the full orchestra enters little by little, and at the end the chorus joins in the Finale." The concert .began at half-past six. We know nothing about the pecuniary result. * The Pastoral was described on the programme of 1808 as follows: Pastoral Symphony [No. 5 (sic)], more expression of feeling than painting. First Piece. Pleasant feelings which awake in man on arriving in the country. Second Piece. Scene by the brook. Third Piece. Jovial assemblage of the country folk, in which appear suddenly Fourth Piece. Thunder and storm, in which enter Fifth Piece. Beneficial feelings, connected with thanks to the Godhead after the storm. The headings finally chosen are on the title-page of this programme book. The descriptive headings were probably an afterthought. In the sketch-book, which contains sketches for the first movement, is a note: "Characteristic Symphony. The recollections of life in the NEW SONG CYCLES GEORGE H. CLUTSAM. Love Letters. Five Songs. 2 keys . Price, $1.00 net AMY WOODFORDE-FINDEN. Five Japanese Songs. 2 keys . Price, $1 00 net LIZA LEHMANN. Golden Threshold. Quartette Cycle . Price, $1.50 net HERBERT G. LOVEDAY. Minstrel Songs from Scott's Rokeby. 2 keys Price, $1.00 net LANDON RONALD. Love Tokens. Six Songs. 2 keys . Price, $1.00 net HUBERT S. RYAN. Six Elizabethan Aires. 2 keys . Price, $1 00 net GERRIT SMITH. Thistledown • Price, $1.50 net REGINALD SOMERVILLE. Love Themes. Cycle of Three Songs. Price, $1.00 net ARTHUR SOMERVELL. James Lee's Wife. Song Cycle for Contralto Price, $1.50 net 1 BOOSEY & COMPANY, 9 East Seventeenth St., New YorK City GADSKIMme. Johanna ASSISTED BY FRANK LA FORGE Pianist Will give the following SPECIAL PROGRAM PART I. Classical Songs Vergebliches Standchen . Brahms Der Nussbaum . Schumann A Thought like Music . Brahms Auf dem Wasser zu singen . Schubert Waldesgesprach .. Schumann Standchen Schubert - Piano Solo, Rhapsodie IX. (Carnaval de Pesth) . Liszt Frank La Forge PART II. American Composers The Rain is Falling . H. Hadley Der Schmetterling . F. La Forge Dear Irish Maid .... O'Sullivan Reawakening . F. La Forge Cradle Song . Normand-Smith Wie lieb ich dich hab' . F. La Forge Piano Solo, Theme Varie F. La Forge Frank La Forge PART III. iliscellaneous Hodern Songs 11 11 1 Strauss R - ^ • Ein Traum Grieg S^ ? ? i, a • Niemand hat's gesehen . Ein Sellwan Grieg . Loewe Songs Dvorak my Mother taught me . Dich, theure Halle (Tannhauser) R.Wagner At Light Guard Hall on WEDNESDAY NIGHT, February 19 Advance mail orders received by Burton Collver at Grinnell's Music House Mme.
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