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Hannah Wilke CV

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H A N N A H W I L K E Born 1940 in New York, NY; Died 1993 in Houston, TX EDUCATION 1962 BFA, BS Education, Stella Elkins Tyler School of Art, Temple University, Philadelphia, PA Instructor in Sculpture, School of Visual Art, New York, NY, and Founder of Ceramics Department. SOLO EXHIBITIONS 2021 Hannah Wilke: Art for Life’s Sake, Pulitzer Foundation for the Arts, St. Louis, MO 2019 Force of Nature, Ronald Feldman Gallery, New York, NY Hannah Wilke: Sculpture in the Landscape, Temple Contemporary, Tyler School of Art, Temple University, Philadelphia, PA 2018 Hannah Wilke, Alison Jacques Gallery, London, UK Drawings and Sculpture, Marc Selwyn Fine Art, Beverly Hills, CA 2014 Hannah Wilke: Sculpture 1960s – ‘80s, Alison Jacques Gallery, London, UK Hannah Wilke: Selected Works 1963 – 1990, Tibor De Nagy, New York, NY 2012 Hannah Wilke, Gallery Paule Anglim, San Francisco, CA 2011 Permanent Collection Gallery, Museum of Modern Art, New York, NY Hannah Wilke: Selected work from the ‘60s &’ 70s, Alison Jacques Gallery, London, UK 2010 Early Drawings, Ronald Feldman Fine Arts, New York, NY Hannah Wilke: Elective Affinities, Alison Jacques Gallery, London, UK 2008 Hannah Wilke: Gestures, Neuberger Museum of Art, Purchase, NY 2007 Hannah Wilke, Alison Jacques Gallery, London, UK Intra-Venus Tapes 1990-1993, Ronald Feldman Fine Arts, New York, NY 2006 Exchange Values, Atrium-Centro Museo Vasco de Arte Contemporaneo, Vitoria, Spain Hannah Wilke: Advertisement for Living, Solway Jones, Los Angeles, CA 2005 The Rhetoric of the Pose: Rethinking Hannah Wilke, Mary Porter Sesnon Art Gallery, University of California Santa Cruz, Santa Cruz, CA 2004 Hannah Wilke, Selected Work 1960 – 1992, SolwayJones, Los Angeles, CA 2000 Interrupted Careers: Hannah Wilke 1940-1993, Neue Gesellschaft für bildende Kunst, Berlin, Germany (catalogue) Wood Street Galleries, Pittsburgh, PA 1999 Hannah Wilke: Sculpture & Other Work, Ronald Feldman Fine Arts, New York, NY 1998 Hannah Wilke – A Retrospective, Nikolaj Contemporary Art Center, Copenhagen, Denmark; traveled to BildMuseet, Umea, Sweden; Helsinki City Art Museum, Helsinki, Finland 1997 Hannah Wilke: Intra-Venus, Woodruff Art Gallery, Atlanta College of Art, Atlanta, GA 1996 Hannah Wilke: Performalist Self-Portraits and Video/Film Performances 1976-85, Ronald Feldman Fine Arts, New York, NY Hannah Wilke: Works from 1965-1992, Gallery 400, The University of Illinois at Chicago, Chicago, IL Hannah Wilke: Intra-Venus, Weatherspoon Art Gallery, Greensboro, NC; traveled to Tokyo Metropolitan Museum of Photography, Tokyo, Japan ( 1995 Hannah Wilke: Intra-Venus, Nikolaj Contemporary Art Center, Copenhagen, Denmark; traveled to Yerba Buena Center for the Arts, San Francisco, CA; Santa Monica Museum of Art, Santa Monica, CA 1994 Intra-Venus, Ronald Feldman Fine Arts, New York, NY 1990 Hannah Wilke, Past and Present, Genovese Graphics Gallery, Boston, MA 1989 About Face, Ronald Feldman Fine Arts, New York, NY Hannah Wilke: A Retrospective, Gallery 210, University of Missouri/St. Louis, April; University of Missouri/Kansas City, Kansas City, MO 1984 Support Foundation Comfort, Ronald Feldman Fine Arts, New York, NY Joseph Gross Gallery, University of Arizona at Tucson, Tucson, AZ 1979 Performalist Self-Portraits, 1942-79, Washington Project for the Arts, Washington, DC 1978 Installation of So Help Me Hannah, P.S. 1 Institute for Art and Urban Resources, New York, NY Through the Large Glass, Ronald Feldman Fine Arts, New York, NY 1977 Sculpture & Drawings, Marianne Deson Gallery, Chicago, IL 1976 Margo Leavin Gallery, Los Angeles, CA Hannah Wilke, Starification Photographs and Videotapes, Fine Arts Gallery, University of California at Irvine, Irvine, CA 1975 Ronald Feldman Fine Arts, New York, NY Five American Women in Paris, Galerie Gerald Piltzer, Paris, France 1974 Ronald Feldman Fine Arts, New York, NY Drawings from the Flower Series, Margo Leavin Gallery, Los Angeles, CA 1972 Margo Leavin Gallery, Los Angeles, CA Ronald Feldman Fine Arts, New York, NY SELECTED GROUP EXHIBITIONS 2020 Did I Ever Have a Chance?, Marc Selwyn Fine Art, Beverly Hills, CA On the Razor’s Edge, Museo Jumex, Mexico City, Mexico Monster/Beauty: An Exploration of the Female/Femme Gaze, Lychee One, London, UK Eva Hesse/ Hannah Wilke: Erotic Abstraction, Acquavella Galleries, New York, NY She-BAm Pow POP Wizz 1961-1973: Les Amazones du Pop, Musée d'art moderne et d'art contemporain (MAMAC), Nice, France Feminist Avant-Garde of the 1970s, International Centre of Photography Museum, New York, NY Invisible City: Philadelphia and the Vernacular Avant-garde, Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, PA The Artist and the Self, James Fuentes, New York, NY 2019 A Woman Looking at Men Looking at Women, Museum Susch, Zernez, Switzerland SELBSTBILDNIS, Société, Berlin, Germany Cut and Paste: 400 Years of Collage, Scottish National Gallery of Modern Art, Edinburgh, Scotland, UK TIES, TALES AND TRANCES, Dedicated to Frank Wagner, Independent Curator (1958 – 2016), KW Institute for Contemporary Art, Berlin, Germany The World Exists to be Put on a Postcard: Artists’ Postcards from 1960 to Now, The British Museum, London, UK Could Be (An Arrow), A reading of la Colección Jumex, Museo Jumex, Mexico City, Mexico FEMINISMS!, Centre de Cultura Contemporània de Barcelona, Barcelona, Spain 2018 Ecstasy, Kunstmeuseum Stuttgart, Stuttgart, Germany WHO WAS 1968?, Lentos Kunstmuseum Linz, Austria Infinate, Intimate: Image a Journey, Lévy Gorvy Gallery, New York, NY Scenes from the Collection, Jewish Museum, New York, NY Objects Like Us, The Aldrich Contemporary Art Museum, Ridgefield, CT Feminist Avant-Garde of the 1970s, Stavanger Art Museum, Norway; The Brno House of Arts, Brno, Czech Republic Virginia Woolf: an exhibition inspired by her writings, Tate St Ives, UK Zero de conduit, Works from the Serralves Collection, The Serralves Museum, Porto Portugal Feminist Avant-Garde of the 1970s, Stavanger Art Museum, Norway; The Brno House of Arts, Brno, Czech Republic Objects Like Us, The Aldrich Contemporary Art Museum, Ridgefield, CT 2017 Delirious: Art at the Limits of Reason, 1950 – 1980, Met Breuer, New York, NY Body Talk, Rose Art Museum, Waltham, MA Feminist Avant-Garde of the 1970s, ZKM | Karlsruhe, Karlsruhe, Germany Woman: Feminist Avant-Garde of the 1970s from the Sammlung Verbund Collection, Museum moderner Kunst, Vienna, Austria Woman: Feminist Avant-Garde of the 1970s from the Sammlung Verbund Collection, Museum moderner Kunst, Vienna, Austria Generation Loss: 10 Years of the Julia Stoschek Collection, Dusseldorf, Germany Impermanence, Cirrus Gallery, Los Angeles, CA I Remember Not Remembering, Scottsdale Museum of Contemporary Art, AZ The Beguiling Siren is Thy Crest, Museum of Modern Art in Warsaw, Warsaw, Poland Dreamers Awake, White Cube Bermondsey, London 2016 The Imaginary Museum, a collaboration between Tate Liverpool; traveled to MMK Museum für Moderne Kunst Frankfurt am Main, Frankfurt, Germany; Centre Pompidou-Metz, Paris, France Feminist Avant–Garde of the 1970s, The Photographers Gallery, London, UK Performing for the Camera, Tate Modern, London, UK Revolution in the Making: Abstract Sculpture by Women, 1947-2016, Hauser & Wirth & Schimmel, Los Angeles, CA Campaign for Art, grand opening of museum, San Francisco Museum of Art, San Francisco, CA A Change of Heart, Hannah Hoffman Gallery, Los Angeles, CA Objects and Bodies at Rest and in Motion, Moderna Musseet, Stockholm Sweden Edited at EAI in the 1970s, Electronic Arts Intermix, New York, NY Ceramix, La Maison Rouge, Paris, France Ceramix, Bonnefantenmuseum, Maastricht, The Netherlands 2015 The Great Mother, Fondazione Nicola Trussardi, Milan, Italy, America is Hard to See, Whitney Museum of American Art, New York, NY Organic Sculpture, Alison Jacques Gallery, London, In the Studio: Photography, Gagosian Gallery, New York, NY SELF: Portraits of Artists in Their Absence, National Academy, New York, NY Viewer Discretion, 57 Stux + Haller Gallery, New York, NY Geometries On and Off the Grid: Art from 1950 to the Present, The Warehouse, Dallas, TX 2014 Corpus, Zacheta National Gallery of Art, Warsaw, Poland Roll Up, Roll Up: The Dresden Wax Cabinet Meets Art, Deutches Hygiene Museum, Dresden, Germany Mitchell, Benglis, Wilke, Williams College Museum of Art,Williamstown, MA Labor Intensive, Ronald Feldman Fine Arts, New York, NY WOMAN. The Feminist Avant-Garde of 1970, BOZAR Palais des Beaux-Arts, Brussels, Belgium; traveled to the Mjellby Art Museum, Halmstad, Sweden; Hamburger Kunsthalle, Hamburg, Germany; Photographer’s Gallery, London, UK; Museum of Modern Art, Vienna, Austria; Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany; The Brno House of Arts, Brno, Czech Republic; Stavanger Art Museum, Stavanger, Norway Dirge, Museum of Contemporary Art, Cleveland, OH On Your Own, Galerie Hubert Winter, Vienna, Austria That Obscure Object of Desire, Luxembourg & Dayan, New York, NY American Art: 1950-1975, Williams College Museum of Art, Williamstown, MA Looking Back: The 8th White Columns Annual, New York, NY 2013 Americana: Formalizing Craft, Perez Art Museum Miami, Miami, FL Nancy Graves Project, Ludwig Forum für Internationale Kunst, Aachen, Germany Jew York, Zach Feuer Gallery, New York, NY Faces and Facets, Princeton University Art Museum, Princeton, NJ Body I Am, Birgit Jürgenssen, Ana Mendieta, & Hannah Wilke, Alison Jacques Gallery, London, UK She. Herself. Naked., Paula Modersohn-Becker Museum, Bremen, Germany Counter Forms: Tetsumi Kudo, Alina Szapocznikow,
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  • The Museum of Drawers 1970-1977 Datasheet

    The Museum of Drawers 1970-1977 Datasheet

    TITLE INFORMATION Tel: +44 (0) 1394 389950 Email: [email protected] Web: https://www.accartbooks.com/uk The Museum of Drawers 1970- 1977 Five Hundred Works of Modern Art Herbert Distel Edited by Thomas Kramer ISBN 9783858813336 Publisher Scheidegger & Spiess Binding Hardback Territory World excluding Austria, Germany, Switzerland, Puerto Rico, United States, Canada, and Japan Size 300 mm x 200 mm Pages 184 Pages Illustrations 533 color, 17 b&w Price £45.00 Includes original art works by 508 artists, including Beuys, Duchamp, Picasso and Warhol Only book on this icon of 20th-century art in the market The book presents all 500 works in true size The Museum of Drawers is on tour around Europe 2011-13, beginning at Arnolfini Art Center in Bristol (2011) and ending at Whitechapel Gallery in London (2013) The Museum of Drawers is the world's smallest museum of twentieth-century art. This unique piece has been conceived and put together by the Swiss-born artist Herbert Distel in 1970-77. It consists of an old cabinet made to hold reels of sewing silk whose twenty drawers each contain twenty-five compartments. Each of the 500 compartments houses an original miniature work of art, many of which were made especially for the Museum of Drawers. The list of artists represented includes such influential pioneers as Joseph Beuys, Marcel Duchamp, Hannah Höch, Meret Oppenheim, Pablo Picasso, and Andy Warhol. Following a first presentation as a work-in-progress at the documenta 5 in Kassel (Germany) in 1972, the Museum of Drawers caused sensation internationally. It has been shown several times in New York, including a presentation at the Museum of Modern Art (MoMA) in 1999, and at many museums around the world.
  • The Salt Mine's Art Treasures

    The Salt Mine's Art Treasures

    !1 of !3 The Salt Mine´s Art Treasures English translation of article by Ulla Arnell at: http://ueforum.se/17/175/175varld1.html When World War II ended, the outside world was amazed by the art found in the salt mines of Altaussee, Austria. The bombs placed at the entrance to the mine never came to detonate and the art could be rescued. Ulla Arnell has visited Altaussee and met a strong exhibition in its right environment. On the way from Linz, the city that Hitler called his hometown and wanted to make Europe´s and the whole world´s cultural centre, I pass Attersee, one of Austria´s turquoise clear alp lakes where Klint spent his summers painting the sparkling landscape, and Mahler took inspiration for his second and third symphony. The journey continues towards Salzkammergut and turns by the popular spa and resort of Bad Ischl, where the Habsburgers had their summer residence during the18th century, then a meeting place for the superpowers´ diplomatic deliberations. It was here, after the assassination of Archduke Franz Ferdinand in 1914, that Emperor Franz Josef signed the declaration of war with Serbia, which triggered World War I. The road becomes increasingly curvy and winds up and down the outskirts of the Austrian Alps. The landscape is beautiful and idyllic as in the Sound of Music, green sloping meadows and houses with flower arrangements on their balconies and porches. Everyone who knows the Nazis’ art thefts knows that Altaussee is a symbolically loaded place with a very special relation to art, to the Third Reich, to war, to ethics and to morals.