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DIE KÜNSTLER DES Di DANIEL SPOERRI

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DIE KÜNSTLER DES Di DANIEL SPOERRI FONDAZIONE »HIC TERMINUS HAERET« Il Giardino di Daniel Spoerri ONLUS Loc. Il Giardino I - 58038 Seggiano GR L I E fon 0039 0564 950 026 W www.danielspoerri.org T T [email protected] O R T S DIE KÜNSTLER DES N U K M U R O F m i GIARDINO « i r r e o p S l di DANIEL SPOERRI e i n a D GLI ARTISTI DEL GIARDINO DI DANIEL SPOERRI i d o n i d r a i G s e d r e l t s n ̈ u K e i D » g n u l l e t s s u A r e d h c i l s s ä l n a t n i e h c s r e t f e H s e s e i D LOC. IL GIARDINO | I - 58038 SEGGIANO (GR) www.danielspoerri.org Impressum FORUM KUNST ROTTWEIL Dieses Heft erscheint anlässlich de r Ausstellung Friedrichsplatz Die Künsetrl des Giardino di Daniel Spoerri D - 78628 Rottweil im FORUM KUNST ROTTWEIL fon 0049 (0)741 494 320 Herausgeber fax 0049 (0)741 942 22 92 Jürgen Knubben www.forumkunstrottweil.de Forum Kunst Rottweil [email protected] Kuratoren Jürgen Knubben ÖFFNUNGSZEITEN / ORARIO Barbara Räderscheidt Dienstag, Mittwoch, Freitag / martedi, mercoledi, venerdi Daniel Spoerri 14:00 – 17:00 Susanne Neumann Donnerstag / giovedi Texte 17:00 – 20:00 Leda Cempellin Samstag und Sonntag / sabato e domenica Jürgen Knubben 10:00 – 13:00 Anna Mazzanti (A.M.) 14:00 – 17:00 Barbara Räderscheidt (B.R.) Daniel Spoerri IL GIARDINO DI DANIEL SPOERRI Übersetzungen »HIC TERMINUS HAERET« NTL, Florenz Il Giardino di Daniel Spoerri ONLUS Katalog & Fotos Loc. Il Giardino Susanne Neumann I - 58038 Seggiano GR Barbara Räderscheidt Titelseite fon 0039 0564 950 026 Daniel Spoerri www.danielspoerri.org Einhörner - Nabel der Welt [email protected] 9 Elemente, je 250 x 40 x 50 cm; Ø Installation 8 m ÖFFNUNGSZEITEN / ORARIO Bronze, Steinmauer, 1991 Ostern - November / Pasqua - Novembre Unicorni - Ombelico del mondo täglich außer montags / lunedi chiuso 9 elementi, 250 x 40 x 50 cm; geöffnet / aperto 10:30 – 19:30 Bronzo, muretto in pietra, 1991 (Sommerzeit kein Ruhetag) / estate lunedi aperto BAR / TICKETS: geöffnet / aperto 10:30 – 19:30 RISTORANTE: geöffnet / aperto 12:30 – 14:00 VILLA / APPARTAMENTI: Reservierung / prenotazione: Roberto Rossi fon 0039 0564 950 026 [email protected] © FONDAZIONE »HIC TERMINUS HAERET - IL GIARDINO DI DANIEL SPOERRI« Loc. Il Giardino / I - 58038 Seggiano GR © FORUM KUNST ROTTWEIL / Friedrichsplatz / D - 78628 Rottweil DIE KÜNSTLER DES GIARDINO di DANIEL SPOERRI GLI ARTISTI DEL GIARDINO DI DANIEL SPOERRI 07. September – 27. Oktober 2013 www.danielspoerri.org www.forumkunstrottweil.de Eva Aeppli Arman Ay-o Till Augustin Roberto Barni Giampaolo di Cocco Erik Dietman Herbert Distel Ugo Dossi Katharina Duwen Olivier Estoppey Karl Gerstner Luciano Ghersi Johann Wolfgang Goethe Alfonso Hüppi Dani Karavan Jürgen Knubben Zoltan Kruse Jule Kühn Bernhard Luginbühl Ursi Luginbühl Luigi Mainolfi Luciano Massari Susanne Neumann Birgit Neumann Meret Oppenheim Nam June Paik Josef Pleier Graziano Pompili Bernard Pras Barbara Räderscheidt Dieter Roth Rosa Roedelius Susanne Runge Kimitake Sato Uwe Schloen Nora Schöpfer Pavel Schmidt Martin Schwarz Esther Seidel Rafael Soto Carolein Smit Daniel Spoerri Mauro Staccioli Patrick Steiner Paul Talman André Thomkins Jean Tinguely Roland Topor Not Vital Paul Wiedmer Erwin Wurm Inhalt 6 - 11 BARBARA RÄDERSCHEIDT »Kunst an Natur« / »Arte nella natura« 12 - 15 LEDA CEMPELLIN »Interview mit Daniel Spoerri« / »Intervista con Daniel Spoerri« 16 - 24 IL GIARDINO DI DANIEL SPOERRI TOD UND WIEDERGEBURT / MORTE E RINASCITA 3 1 EROTIK / EROTISMO 0 2 , n n a m ABSTRAKTION / ASTRAZIONE u e N 25 - 28 e n n DIE KARTE / LA CARTINA a s u S : 29 - 35 o t o MAGIE, MYTHOLOGIE, ASTROLOGIE / F ; « e MAGIA, MITOLOGIA, ASTROLOGIA s o h l e p p o RÄTSEL / ENIGMI D » , 36 - 43 m r u ORGANISATION und ENTWICKLUNG DES GIARDINO W n i DOCUMENTAZIONE DELLA NASCITA DEL GIARDINO w r E : 44 - 49 n o i t AUSSTELLUNGSOBJEKTE a l l a t s OGGETTI IN MOSTRA n I n 50 e u e n KurzBIOGRAPHIE DANIEL SPOERRI r e d BIOGRAFIA di DANIEL SPOERRI r o v i r r e o p S l e i n a D Die Ausstellung / La mostra »Kleines Raritätenkabinett der Künstler des Giardino« / «Gli artisti del Giardino di Daniel Spoerri« wurde bereits gezeigt in / é già stata esposta: 1998 Villa Il Giardino di Daniel Spoerri , Seggiano, Italien / Italia 2004 Kunsthaus Grenchen , Schweiz / Svizzera 2005 Espace Jean Tinguely Niki de St Phalle , Fribourg, Schweiz / Svizzera 2007 Museo Pecci Centro per l’Arte Contemporanea , Prato, Italien / Italia 2010 Ausstellungshaus Spoerri , Hadersdorf am Kamp, Niederösterreich / Austria Inferiore 2012 Highland Institute for Contemporary Art , Loch Ruthven, Schottland / Scozia 5 »Kunst an Natur « »Arte nella natura« Barbara Räderscheidt Anfang der 1990er Jahre kündigte Daniel Spoerri seine Pro - All’inizio degli anni ’90 del secolo scorso, Daniel Spoerri fessur in München. Er war (und ist) überzeugt, Künstler decise di dimettersi dal ruolo di professore d’arte a Mo - und Beamter – das vertrage sich nicht. Auf die Pensions- naco. Era (ed è) convinto che essere un artista e un di - ansprüche verzichtete er. pendente pubblico siano due cose inconciliabili. Decise Daniel Spoerris Ehefrau Katharina Duwen war die Italien - così di rinunciare a ogni diritto alla pensione. begeisterte, die ihn animierte, in die Toskana zu ziehen. Zunächst bewohnten sie eine Wohnung in Arcidosso süd- A spronarlo a trasferirsi in Toscana fu sua moglie Katha - lich von Siena, später wurde ihnen das verlassene Oliven- rina Duwen, appassionata dell’Italia. Inizialmente occupa - gut Località Il Giardino mit 16 Hektar Land zum Kauf an - rono un appartamento ad Arcidosso, a sud di Siena; poi gli geboten, und sie ließen sich auf das Wagnis ein. fu proposto di acquistare un oliveto abbandonato nella Lo - Anfangs nahm die Instandsetzung der Häuser alle Zeit und calità Il Giardino, con sedici ettari di terra. I due si abban - Energie in Anspruch, aber schon bald fasste der Künstler donarono alla tentazione. All’inizio, la ristrutturazione degli Spoerri die herrliche umgebende Landschaft ins Auge und edifici assorbì tutte le loro energie, ma ben presto l’occhio erkannte darin einTerrain, das geeignet war, Skulpturen auf - artistico di Spoerri si concentrò sul magnifico paesaggio e zunehmen. vi riconobbe un’area perfettamente adatta ad accogliere Die erste Arbeit, die installiert wurde, war die »Colonna delle sculture. del Rinascimento« (1), die Daniel Spoerri als Symbol für La prima opera ad essere installata fu la »Colonna del Ri- Neuanfang und Wiederaufbau für die erdbebenzerstörte nascimento« (1), creata da Daniel Spoerri come simbolo di sizilianische Stadt Ghibellina geschaffen hat. Die Säule steht nuovo inizio e rinascita per la città siciliana di Gibellina, nicht etwa inmitten einer Wiese oder auf einer gepflaster - distrutta da un terremoto. La colonna non si trova in mezzo ten Fläche vor dem Haus, sondern in einem kleinen Wäld - a un prato o sul piazzale lastricato antistante la casa, ma chen. Man kann sie leicht übersehen. in un boschetto. È facile che passi inosservata. 6 »Natur war für mich der Zwang, Schon bald folgte eine In - Presto seguì un’installazione che oggi costituisce uno dei in meiner Freizeit mit einer Schere stallation, die heute eines nuclei principali del Giardino: »Il cerchio degli unicorni – die Grasränder der Gartenwege zu der Herzstücke des Giar - L’ombelico del mondo« (3). La sommità della collina sulla schneiden, in der Hitze schwitzend, dino darstellt: Der Kreis quale i nove teschi di cavallo allungano verso il cielo una von Mücken belästigt, mit Blasen an der Einhörner – der Nabel lunga zanna di narvalo è spettacolare. È il posto migliore den Fingern, meine Tante verflu - der Welt (3). Die Hügel - per ammirare il tramonto, e proprio di fronte alla collina si chend, die mich dazu verdonnert kuppe, auf der die neun erge il pittoresco paese di Seggiano. Alcune di queste in - hatte. Ich hasste diese Grasränder- Pferdeschädel ihre Narwal - gombranti installazioni potevano un tempo apparire come Natur. Und ich kann auch heute zähne gen Himmel recken un ingrediente superfluo, come un’intromissione nella bel - noch nicht sagen, dass ich sie liebe. ist spektakulär. Von hier lezza della natura; ma oggi, a distanza di circa vent’anni, Ja, ich vermute sehr, dass Menschen sieht man den Sonnenun - le tracce dell’erezione dei muretti tondi sono ormai coperte überhaupt die Natur weniger lieben tergang am besten. Und auf d’erba e tutto è perfettamente e armoniosamente inserito als fürchten, und daher alles tun dem Hügel direkt gegen - nella natura, come se vi fosse sempre stato. um sie zu zähmen, zu beschneiden, über liegt das malerische auszurotten.« Dorf Seggiano. Als unnötige Era questa l’intenzione di Daniel Spoerri: le opere dove - Daniel Spoerri, 1999 Zutat, als Eingriff in die vano inserirsi nella natura risultando cariche di forza, ma schöne Natur sahen man - non dominanti. Anno dopo anno si sono aggiunte altre Abbildung links: 35 che diese raumgreifende opere, e non solo di Spoerri: egli ha invitato i suoi amici ar - Daniel Spoerri : Grassofa Installation an, aber heute – tisti a offrire un contributo per il Giardino. Eva Aeppli ha Eisengestell, Gras; etwa zwanzig Jahre später – donato una prima serie di bronzi dal titolo »Alcune debo - ca. 120 x 220 x 100 cm ; 1985/1993 sind die Bauspuren von lezze umane« (14). Poi sono giunte opere di J.R. Soto, Pavel Divano d'erba der Errichtung des kreis - Schmidt, Katharina Duwen, Alfonso Hüppi: oggi, accanto a struttura in ferro, erba; förmigen Mäuerchens längst quarantacinque opere di Daniel Spoerri il Giardino ospita ca. 120 x 220 x 100 cm; 1985 /1993 von Gras überdeckt und cinquanta altri lavori di artisti e artiste, per un totale di das ganze fügt sich so har - centocinque installazioni! monisch in die Landschaft ein, als hätte es schon immer dort gestanden.
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