CHINNA KATHA - Mohakshaya - the Annihilation of Attachment 10

Total Page:16

File Type:pdf, Size:1020Kb

CHINNA KATHA - Mohakshaya - the Annihilation of Attachment 10 RADIO SAI LISTENERS' JOURNAL cover story shimmering flame of eternal wisdom Volume 4 Issue 8 www.radiosai.org 1st August 2006 Pranams at the Lotus Feet DEVELOPED BY Prashanti Nilayam & S.N. Informatics Bangalore mail us for details : [email protected] | Enquiry : [email protected] Volume 4 Issue 8 Contents 1 August 2006 BETWEEN YOU AND US 3 SSPPIIRRIITTUUAALL BBLLOOSSSSOOMMSS SATHYA SAI SPEAKS - CULTIVATE LOVE IN ITS PUREST FORM 4 CONVERSATIONS WITH SAI - Part 23 5 CHINNA KATHA - Mohakshaya - The Annihilation Of Attachment 10 CCOOVVEERR SSTTOORRYY ZOROASTRIANISM - SHIMMERING FLAME OF ETERNAL WISDOM 11 FFEEAATTUURREE AARRTTIICCLLEESS CONCERNING THE VEDAS - PART 7... 30 LIFE IN VEDIC TIMES – DIVINE VENERATION FOR EVERY OCCASION by Prof. G. Venkataraman THE SAI MOVEMENT IN BRAZIL 37 PRIMORDIAL DEITY - POWERFUL INSPIRATION 45 SSEERRIIAALL AARRTTIICCLLEESS SHIRDI SAI PARTHI SAI - Part 20 48 GITA FOR CHILDREN - Part 22 50 WWIINNDDOOWW TTOO SSAAII SSEEVVAA REPROGRAMMING LIVES… THROUGH HIS LOVE 52 SPREADING THE NET OF HIS LOVE IN LAOS 59 PPRRAASSHHAANNTTII DDIIAARRYY CHRONICLES OF HEAVEN ON EARTH 67 HH22HH SSPPEECCIIAALL UNFORGETTABLE MOMENTS WITH SAI - Part Six 97 Recollections of Mr. Chidambaram Krishnan WITH THE LORD IN THE MOUNTAINS - 02 100 by Prof. G. Venkataraman Heart2Heart - Radio Sai's e-Journal, August 2006 (Vol. 4, Issue 8) www.radiosai.org 001 Volume 4 Issue 84 Contents 1 A1ugust May 2006 SAI WORLD NEWS SPREADING THE LIGHT THROUGH HUMAN VALUES IN OMAN 104 OPEN DAY AT SATHYA SAI SCHOOL, LEICESTER, U.K. 111 SWAMI AND ME SEARCHING THE TRUTH…UNDERSTANDING TRUE LOVE 113 HE IS THE TOTALITY, ALL OF IT 120 THE GREAT TRUTH 123 GET INSPIRED OUR PARENTS 125 THE KING’S GRACE AND GOD’S GRACE 126 LOOK TO THE FEELING 127 FUNNY HOW... 129 TEST YOUR SPIRITUAL QUOTIENT MULTI-FAITH QUIZ 130 PHOTO GALLERY AMAZING CREATION AND AWESOME LOVE! 133 HEALING TOUCH AMITA'S AMAZING JOURNEY– 135 FROM DOUBT AND DESPAIR TO LIGHT AND DELIGHT YOUR SAY FEEDBACK FROM OUR READERS 138 SAI INSPIRES SAI INSPIRES 143 002 Heart2Heart - Radio Sai's e-Journal, August 2006 (Vol. 4, Issue 8) www.radiosai.org www.radiosai.org BETWEENBETWEEN YOUYOU && USUS SWAMI AND ME It is probably the oldest revealed religion in the world. It Zarathushtra [literally, "He of the Golden Light”] ignited was the most important faith for at least a thousand years the flame of righteousness and inspired his followers to - five hundred years before and five hundred years after lead a life of purity, like their symbol, fire, which is always Christ - and the most prevalent religion during the time of pure and bright. He encouraged humankind to take life as Christ. It was once the state religion of the world's most a sacred challenge and with the strength of their inner fire powerful empire, in fact, the first transnational empire in fight Angra Mainyu (the Evil spirit, representing immoral recorded history which spanned from Africa to Europe tendencies) just as Swami says: “Face the Devil, Fight Till and from Central Asia to India. It was the first religion to the End, and Finish the Game.” Zarathustra Himself was clearly teach the doctrines of individual judgment, an indomitable spiritual warrior and God's chosen Heaven and Hell, the concept of Satan, the future messenger. And if Zoroastrianism survives till this day in resurrection of the body, the functioning of Angels and spite of adverse and challenging circumstances, it is Evil spirits, the general Last Judgment and life everlasting because he remains a colossus of strength and inspiration for the reunited soul, which have now become familiar for millions. It is to pay tribute to this Golden Messenger articles of faith to much of mankind through Judaism, of God during this month of his advent and to celebrate Christianity and Islam. It first gave to mankind a well- this enigmatic religion that we have chosen defined code of conduct - practical do's and don'ts - Zoroastrianism for our cover story in this issue. bereft of rituals and austerities, towards attainment of his glorious mission on earth and eternal illuminated life If one studies the whole of Zend-Avesta (the Zoroastrian thereafter. Yet it is also a religion that was driven from its Bible), two concepts which pop up again and again with native land, lost all political influence, survived through vigor and emphasis are Purity and Perseverance. “Purity is debilitating circumstances in different regions under all the strength that man needs,” Swami says. When you diverse rulers, and is professed now by only a handful of read in this issue how Sai devotees from Singapore risked earnest and fervent followers (who may be numerically their lives and safety to venture into inaccessible regions small but possess considerable economic and cultural of Laos to provide for the wellbeing of poor and influence) and may be on the verge of extinction. All this neglected villagers, or how the zeal and dedication of the and more is what makes Zoroastrianism so fascinating. Sai Youth of Hyderabad has transformed the lives of innumerable high school dropouts through their This unique religion, established by the great Prophet, innovative approach to service, and how Sai Human poet and philosopher Zarathushtra, even after three Values have enlightened young minds throughout the millennia, is still illuminating hearts and mesmerizing Islamic nation of Oman, you will see how purity and minds because of, firstly, its profound philosophy solidly perseverance can uplift our world. based on the eternal truths of Righteousness, Morality and Love; secondly, the missionary zeal with which its This purity of feeling can also be seen in the hundreds of dynamic founder propagated the timeless treasure of Japanese Youth, the large contingent of young precious wisdom revealed to him directly by Ahura Indonesian Sai soldiers, the engaging children from the Mazda, the Supreme Creator; and thirdly, the Sathya Sai School of Canada and the solemn assembly of unhesitating fervor with which the small but significant Buddhist monks, all of whom presented lovely community of its practitioners (who have the highest programmes during the recently concluded Guru literacy rate in India and are present worldwide) profess Poornima celebrations. You will find extensive reports of and practice their faith. When you read the cover story of all this with lots of pictures in our Prashanti Diary. this issue, we are sure you will gain a new insight into this While the month of July was exciting in Prashanti dynamic religion. Nilayam, the coming month will be nothing less than You will learn of the striking commonality between this awesome. A very powerful and potent Yagnam (sacrifice) ancient Aryan religion and the Sanatana Dharma (of called the “Ati Rudra Maha Yagam” will be presided over Vedic times) that Swami often talks about. Be it belief in by Swami Himself for 11 days, from August 9th to the one Supreme Creator, revering elements of nature, the 20th. What is so significant about it and why is Swami law of Karma, the importance of Namasmarana (chanting conducting it? How is it going to affect the world? For the Lord's Name), the emphasis on righteousness or the answers to these profound questions, stay tuned for the remarkable similarity of the Avestan language (in which next issue's cover story. most original Zoroastrian scriptures exist) to Sanskrit, and Where there is purity, happiness follows like a shadow. To social customs and practices which synchronize with live in that undisturbed state of contentment and bliss, ancient Indian traditions - there are innumerable such let's sacrifice all our impurities in the inner fire of our fascinating facets which make Zoroastrianism so special hearts and emerge as great, grand and godly. Then our and of interest to all seekers of truth. life will truly become the blissful journey of pure love The philosophy of a good life in this religion is based on exactly the way Swami wishes it to be for all of us. three essential pillars, “Homaato, Hokhto, Hovarasht,” or, In Sai Service, “Good thoughts, good words and good deeds,” just as Swami has been tirelessly teaching us for decades. – Heart2Heart Team HearHeart2Heart2Heart -t Radio - Radio Sai's Sai's e-J e-Jourournal,nal, A ugustAuguest 2006 2006 (Vol. (V 4,ol. Issue 4, Issue 8) 8) www.radiosai.org 001003 SPIRITUAL BLOSSOMS possible to develop such a spirit of complete surrender. It SATHYA SAI SPEAKS - may not be possible for all to be free completely from selfishness, self-interest and self-conceit. But there CULTIVATE LOVE IN ITS should be a limit to all of them. Nothing great can be PUREST FORM achieved without restraint "Na Shreyo Niyamam vina." When the normal temperature of the body is exceeded, the fever is a sign of illness. Likewise, there is a limit to Krishnastami, the holy festival celebrating the birth of selfishness. When this limit is exceeded it becomes a Lord Krishna, falls on the 15th of August. Love was disease. Ahamkara (egoism) is a disease. Ostentation is a Lord Krishna's message, the same it is with Sai. Let's disease. Excessive Swaprayojanam (self-interest) is a recapitulate Swami's message on this day more than a disease. All these diseases have been described as decade and half ago in 1992. Bhavaroga (the disease of worldliness). These are the diseases which are prevalent in the world today. To Experience Pure Love, Lead a Spiritual Life Prema (Love) is like a When the Divine is present in everyone it is not fitting that most precious one should fail to recognise this. One may have the faith diamond. It will not that God resides within him, but this is not sufficient. It is remain even for a not a great thing to feel that God resides within you.
Recommended publications
  • What an Auspicious Day Today Is! It Is Pak Iranshah Atash Behram Padshah Saheb's Salgreh – Adar Mahino and Adar Roj! Adar Ma
    Weekly Zoroastrian Scripture Extract # 102 – Pak Iranshah Atash Behram Padshah Salgreh - Adar Mahino and Adar Roj Parab - We approach Thee Ahura Mazda through Thy Holy Fire - Yasna Haptanghaaiti - Moti Haptan Yasht - Yasna 36 Verses 1 - 3 Hello all Tele Class friends: What an auspicious day today is! It is Pak Iranshah Atash Behram Padshah Saheb’s Salgreh – Adar Mahino and Adar Roj! Adar Mahina nu Parab! Today in our Udvada Gaam, hundreds of Humdins from all over India will congregate to pay their homage to Padshah Saheb and then all of them will be treated by a sumptuous Gahambar Lunch thanks to the Petit Family, an annual event! Over 1500 Humdins will partake this Gahambar lunch! I have attached 3 photos of the Salgreh in 2004 showing the long queue, Gahambar lunch Pangat and the Master Chefs! In our religion, Fire is regarded as one of the most amazing creations of Dadar Ahura Mazda! In fact, in Atash Nyayesh, Fire is referred to as the Son of Ahura Mazda! In our Agiyaris, Adarans and Atash Behrams, the focal point of our worship is the consecrated Fire and hence many people call us Fire Worshippers in their ignorance. That brings to mind the famous quote of the great Persian poet, Ferdowsi, the Shahnameh Author: “Ma gui keh Atash parastand budan, Parastandeh Pak Yazdaan budan!” “Do not say that they are Fire Worshippers! They are worshippers of Pak Yazdaan (Dadar Ahura Mazda) (through Holy Fire!)” In our previous weeklies, we have presented verses from Atash Nyayesh in praise of our consecrated Fires! The above point by Ferdowsi is well supported by the second Karda (chapter) of Yasna Haptanghaaiti, Yasna 36, the seven Has (chapters) attributed by some to Zarathushtra himself after his Gathas and many attribute them to the immediate disciples of Zarathushtra.
    [Show full text]
  • Teaching Social Issues with Film
    Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film
    [Show full text]
  • Understanding Screenwriting'
    Course Materials for 'Understanding Screenwriting' FA/FILM 4501 12.0 Fall and Winter Terms 2002-2003 Evan Wm. Cameron Professor Emeritus Senior Scholar in Screenwriting Graduate Programmes, Film & Video and Philosophy York University [Overview, Outline, Readings and Guidelines (for students) with the Schedule of Lectures and Screenings (for private use of EWC) for an extraordinary double-weighted full- year course for advanced students of screenwriting, meeting for six hours weekly with each term of work constituting a full six-credit course, that the author was permitted to teach with the Graduate Programme of the Department of Film and Video, York University during the academic years 2001-2002 and 2002-2003 – the most enlightening experience with respect to designing movies that he was ever permitted to share with students.] Overview for Graduate Students [Preliminary Announcement of Course] Understanding Screenwriting FA/FILM 4501 12.0 Fall and Winter Terms 2002-2003 FA/FILM 4501 A 6.0 & FA/FILM 4501 B 6.0 Understanding Screenwriting: the Studio and Post-Studio Eras Fall/Winter, 2002-2003 Tuesdays & Thursdays, Room 108 9:30 a.m. – 1:30 p.m. Evan William Cameron We shall retrace within these courses the historical 'devolution' of screenwriting, as Robert Towne described it, providing advanced students of writing with the uncommon opportunity to deepen their understanding of the prior achievement of other writers, and to ponder without illusion the nature of the extraordinary task that lies before them should they decide to devote a part of their life to pursuing it. During the fall term we shall examine how a dozen or so writers wrote within the studio system before it collapsed in the late 1950s, including a sustained look at the work of Preston Sturges.
    [Show full text]
  • Boxoffice Barometer (March 6, 1961)
    MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph.
    [Show full text]
  • Ruth Prawer Jhabvala's Adapted Screenplays
    Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone.
    [Show full text]
  • "The Writer Speaks" Oral History Collection
    http://oac.cdlib.org/findaid/ark:/13030/c8gt5vgn Online items available "The Writer Speaks" Oral History Collection Finding aid created by Writers Guild Foundation Archive staff using RecordEXPRESS Writers Guild Foundation Archive 7000 West Third Street Los Angeles, California 90048 (323) 782-4680 [email protected] https://www.wgfoundation.org/archive/ 2021 "The Writer Speaks" Oral History WGF—IA—001 1 Collection Descriptive Summary Title: "The Writer Speaks" Oral History Collection Dates: 1994-2013 Collection Number: WGF—IA—001 Creator/Collector: Extent: 63 interviews; approximately 90 hours of video footage Online items available https://www.youtube.com/playlist?list=PL1cpvBEDotV7pSBwLB55MhqSmZ5O831Bc Repository: Writers Guild Foundation Archive Los Angeles, California 90048 Abstract: “The Writer Speaks” interview series, conducted by the nonprofit Writers Guild Foundation from 1994 to 2013, consists of 63 videotaped oral history interviews with prominent film and television writers. Interviewees include Billy Wilder, Robert Towne, Julius Epstein, Garry Marshall, James L. Brooks, Norman Lear, Carl Reiner, William Goldman and Sidney Sheldon. Among the major topics discussed are early childhood, inspiration and influence, big breaks, career milestones, process and craft, the Hollywood blacklist, and advice to aspiring writers. The collection is available on DVD as well as on the Writers Guild Foundation’s YouTube channel. Language of Material: English Access Access to this collection is unrestricted. Publication Rights The rights belong to the Writers Guild Foundation. Please contact the Archive for requests to reproduce or publish materials. Preferred Citation "The Writer Speaks" Oral History Collection. Writers Guild Foundation Archive Acquisition Information The series was produced by the Writers Guild Foundation between the years 1994 and 2013 and is part of the institutional archive.
    [Show full text]
  • Film Locations in San Francisco
    Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros.
    [Show full text]
  • Jews and Hollywood
    From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life Volume 14 Steven J. Ross, Editor Michael Renov and Vincent Brook, Guest Editors Lisa Ansell, Associate Editor Published by the Purdue University Press for the USC Casden Institute for the Study of the Jewish Role in American Life © 2017 University of Southern California Casden Institute for the Study of the Jewish Role in American Life. All rights reserved. Production Editor, Marilyn Lundberg Cover photo supplied by Thomas Wolf, www.foto.tw.de, as found on Wikimedia Commons. Front cover vector art supplied by aarows/iStock/Thinkstock. Cloth ISBN: 978-1-55753-763-8 ePDF ISBN: 978-1-61249-478-4 ePUB ISBN: 978-1-61249-479-1 KU ISBN: 978-1-55753-788-1 Published by Purdue University Press West Lafayette, Indiana www.thepress.purdue.edu [email protected] Printed in the United States of America. For subscription information, call 1-800-247-6553 Contents FOREWORD vii EDITORIAL INTRODUCTION ix Michael Renov and Vincent Brook, Guest Editors PART 1: HISTORIES CHAPTER 1 3 Vincent Brook Still an Empire of Their Own: How Jews Remain Atop a Reinvented Hollywood CHAPTER 2 23 Lawrence Baron and Joel Rosenberg, with a Coda by Vincent Brook The Ben Urwand Controversy: Exploring the Hollywood-Hitler Relationship PART 2: CASE STUDIES CHAPTER 3 49 Shaina Hammerman Dirty Jews: Amy Schumer and Other Vulgar Jewesses CHAPTER 4 73 Joshua Louis Moss “The Woman Thing and the Jew Thing”: Transsexuality, Transcomedy, and the Legacy of Subversive Jewishness in Transparent CHAPTER 5 99 Howard A.
    [Show full text]
  • This Special Issue Regarding Dadyseth Atash Behram Episode
    THIS SPECIAL ISSUE REGARDING DADYSETH ATASH BEHRAM EPISODE. My dear reader, This is a special Issue of Parsi Pukar, devoted to the recently (but temporarily) closed chapter of Pak Dadyseth Atash Baheram at Fanaswadi. Its trustees were endeavouring to build a residential 7 storey building in place of an existing one situated in the compound of the holy Paak Makaan of the Padshah Saheb. This would have resulted in the disappearance of the Bareshnoom gah and the structure for Varasiaaji situated in the compound; would have brought a car parking lot almost at the doorstep of the Paak Makaan; and also all the elements of pollution which are naturally generated in and around a residential building. The trustees had two main contentions in support of their proposed action: (i) They wanted to generate income for the maintenance of the Atash Beheram complex: and (ii) They had a "Laudable" object of providing housing for the poor Parsis. As to (i), were the trustees not aware of the proverbially charitable and generous heart of the Parsi Community? The proposed builder of the project himself would have alone provided, without any eye-wink, at least a crore of rupees in the Trust Fund. And the ordinary poor and middle class Parsis have often shown a much larger heart than the big Shethia’s. This is, therefore, a hog-wash no.1. At to (ii), to provide housing for the poor Parsis has now become an exploded myth. Look at Mumbai Parsi Punchayet, which has, instead of being a poor Parsi’s refuge, become a builder's den.
    [Show full text]
  • Fire Temples and Synagogues
    Quiz Built Heritage Fire Temples and Synagogues 1. Which of the following is a synonym of a Fire Temple? A. Agiyari B. Masjid C. Jewish D. Gurudwara 2. Who is considered the supreme deity of the Parsis? A. Allah B. Ahura Mazda C. Brahma D. YHWH 3. In which city of India would you find the maximum number of Fire Temples? A. Kolkata B. Ahmedabad C. Cuttack D. Mumbai 4. Which is the oldest fire temple in India? A. Wadia Atash Behram in Mumbai B. Banaji Atash Behram in Mumbai C. Iransha Atash Behram in Udvada D. Desai Atash Behram in Navsari 5. Which is the highest grade of fire in a fire tempel? A. Atash Dadgah B. Atash Adaran C. Atash Behram D. Atash Mazda 6. How many Atash Behrams are there in the world? A. Seven B. Eleven C. Ninety- Nine D. Nine 7. What is the name of the place where Parsis are excarnated? A. Crematorium B. Graveyard C. Burial Ground 1 D. Dakhma or Tower of Silence 8. Which is the only Parsi cave temple in India? It is also an ASI protected monument. A. Barabar Caves B. Bahrot Caves C. Panduleni Caves D. Badami Caves 9. Which is the oldest Synagogue in India? A. Magen David Synagogue, Mumbai B. Paradesi Synagogue, Kochi C. Magen David Synagogue,Kolkata D. Beth El Synagogue, Kolkata 10.Which state in India has the largest concentration of Synagogue? A. Gujarat B. Tamil Nadu C. Maharashtra D. Karnataka 2 Answers- 1. A. Agiyari Agiyari or Fire Temple is the palace of worship for Zorastrians, also called Parsis.
    [Show full text]
  • Ervads 74 Obituary 75 Books and Arts
    With Best Compliments From The Incorportated Trustees Of the Zoroastrian Charity Funds of Hong Kong, Canton & Macao FEZANAJOURNAL www.fezana.org Vol 33 No 1 Spring / Bahar 1388 AY 3757 Z PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA - CONTENT- Editor in Chief Dolly Dastoor, editor(@)fezana.org 02 Editorial Dolly Graphic & Layout Shahrokh Khanizadeh, www.khanizadeh.info Dastoor Technical Assistant Coomie Gazdar 03 Message from the Consultant Editor Lylah M. Alphonse, lmalphonse(@)gmail.com President Language Editor Douglas Lange ; Deenaz Coachbuilder 04 FEZANA update Cover Design Feroza Fitch, ffitch(@)lexicongraphics.com 15 FEZANA Publications Chair Behram Pastakia, bpastakia(@)aol.com Mobed Marketing Manager Nawaz Merchant, [email protected] Columnists Shazneen Rabadi Gandhi, rabadis(@)gmail.com Teenaz Javat, teenazjavat(@)hotmail.com MahrukhMotafram, mahrukhm83(@)gmail.com Copy Editors Vahishta Canteenwalla Yasmin Pavri Nazneen Khumbatta 40 FEZANA Scholarship Subscription Managers Arnavaz Sethna, ahsethna(@)yahoo.com Kershaw Khumbatta, Arnavaz Sethna(@)yahoo.com 54 In the News Fravadin – Ardibehesht – Khordad 1388 AY (Fasli) Avan - Adar – Dae 1388 AY (Shenshai) Adar- Dae- Behman 1388 AY (Kadimi) 70 Personal Profile Cover design: Feroza Fitch of Lexicongraphics 72 Milestones See page 61 for names of the three young Ervads 74 Obituary 75 Books and Arts 77 List of Associations Opinions expressed in the FEZANA Journal do not necessarily reflect the views of FEZANA or members of the editorial board. All submissions to the FEZANA JOURNAL become the property of the publication and may be reproduced in any form. Published at Regal Press, Mississauga, Ontario, Canada SPECIAL ISSUE THE BHANDARA ATASH FEZANA Journal Vol 33, No 1 ISSN 1068-2376 KADEH (USPS 021-495) published quarterly by FEZANA 8615 Meadowbrook Dr., Burr JOINT PUBLICATION Ridge, IL 60527.
    [Show full text]
  • The Dark Side of Hollywood
    TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment.
    [Show full text]