Filthy Rich & Homeless MEDIA KIT 15.5.17
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2015 Sydney Theatre Award Nominations
2015 SYDNEY THEATRE AWARD NOMINATIONS MAINSTAGE BEST MAINSTAGE PRODUCTION Endgame (Sydney Theatre Company) Ivanov (Belvoir) The Present (Sydney Theatre Company) Suddenly Last Summer (Sydney Theatre Company) The Wizard of Oz (Belvoir) BEST DIRECTION Eamon Flack (Ivanov) Andrew Upton (Endgame) Kip Williams (Love and Information) Kip Williams (Suddenly Last Summer) BEST ACTRESS IN A LEADING ROLE Paula Arundell (The Bleeding Tree) Cate Blanchett (The Present) Jacqueline McKenzie (Orlando) Eryn Jean Norvill (Suddenly Last Summer) BEST ACTOR IN A LEADING ROLE Colin Friels (Mortido) Ewen Leslie (Ivanov) Josh McConville (Hamlet) Hugo Weaving (Endgame) BEST ACTRESS IN A SUPPORTING ROLE Blazey Best (Ivanov) Jacqueline McKenzie (The Present) Susan Prior (The Present) Helen Thomson (Ivanov) BEST ACTOR IN A SUPPORTING ROLE Matthew Backer (The Tempest) John Bell (Ivanov) John Howard (Ivanov) Barry Otto (Seventeen) BEST STAGE DESIGN Alice Babidge (Suddenly Last Summer) Marg Horwell (La Traviata) Renée Mulder (The Bleeding Tree) Nick Schlieper (Endgame) BEST COSTUME DESIGN Alice Babidge (Mother Courage and her Children) Alice Babidge (Suddenly Last Summer) Alicia Clements (After Dinner) Marg Horwell (La Traviata) BEST LIGHTING DESIGN Paul Jackson (Love and Information) Nick Schlieper (Endgame) Nick Schlieper (King Lear) Emma Valente (The Wizard of Oz) BEST SCORE OR SOUND DESIGN Stefan Gregory (Suddenly Last Summer) Max Lyandvert (Endgame) Max Lyandvert (The Wizard of Oz) The Sweats (Love and Information) INDEPENDENT BEST INDEPENDENT PRODUCTION Cock (Red -
The Plight of ABC Produced Programs and Staff and Can Be Found at Plight-Of-Abc-Produced-Programs-And-Staff
Re: Recent ABC programming decisions From: Ken McKay Tuesday August 30th, 2011 Please find here the contents of a web page I have uploaded to the watvhistory.com web site. It is titled The plight of ABC produced programs and staff and can be found at http://watvhistory.com/2011/08/the- plight-of-abc-produced-programs-and-staff/ Because the site deals with WA television history matters, the emphasis given to the story is that of change, and the impact it has. Most of the content relates directly to the issues the Senate Hearing will be considering... The plight of ABC produced programs and staff POSTED BY KEN ON AUGUST - 29 - 2011 This is an examination of current issues facing the ABC. Fulfilling the ABC charter, program cuts, outsourcing, centralisation, technological change and job losses. As to be expected, there are a number of points of view, which this article will endeavour to report accurately in a fair and balanced manner. They are very contentious issues, which have been evolving over many years as broadcasting facilities, techniques and management styles change, from the previous bureaucratic, slow moving public service structure to one more aware of modern business philosophies, and capable of great innovation. The earlier days were more labour intensive when Perth was an isolated outpost, separated from the rest of the country by not only distance and poor roads, but also primitive communications. The history of change gave witness to a variety of predicaments as our ancestors approached the industrial age. Change manifests itself in different forms over time, and even though the circumstances vary, there is still an impact as people try to cope with a new age. -
Comedy, Tragedy, Life: an Interview with Nadia Tass and David Parker
FINN (KODI SMIT-MCPHEE) AND JACK (TOM RUSSELL) IN MATCHING JACK AN INTERVIEW WITH NADIA TASS AND DAVID PARKER TASS AND PARKER'S LATEST FILM, MATCHING JACK. SKILFULLY MINES three years ago, we were in Film Finance THE HUMAN EXPERIENCE. BRIAN MCFARLANE TALKS TO THE PAIR Corporation being assessed for this film ABOUT THE FILM, AS WELL AS DELVING INTO THE INTRICACIES OF SOME we've just done. Matching Jack. The two OF THE FILMMAKERS' EARLIER WORK. people considering this film at that time did not assess it accurately. One of them said, 'The father needs to be a nicer person.' Now, BRIAN MCFARLANE: You've been making we prefer to be going down the feature film I don't know where that person's judgement films together regularly for twenty-five route, but it's terrific when, say, Disney or was coming from and why he was sitting in years now. How difficult has it been to Warner Bros, come to Nadia saying, 'We'd that chair. His opinion was completely wrong: maintain a career like that in Australia? like you to direct this or that piece.' if we'd followed his suggestion we'd have NADIA TASS: Oh, impossible. It's the tough- NT: It's the material, too. I'd much rather do had no film. The woman assessing it also est thing. That's why we work overseas so a really good high-end television story than wanted the female lead to be a battered wife. much. We've made both features and televi- some crappy feature. -
DNA Nation Press
PRESS KIT DISTRIBUTOR CONTACT PRODUCTION CONTACT SBS International Blackfella Films Lara von Ahlefeldt Darren Dale Tel: +61 2 9430 3240 Tel: +61 2 9380 4000 Email: [email protected] Email: [email protected] 10 Cecil Street Paddington NSW 2021 Tel: +612 9380 4000 Fax: +612 9252 9577 Email: [email protected] www.blackfellafilms.com.au Production Notes Producer Darren Dale Producer & Writer Jacob Hickey Series Producer Bernice Toni Director Bruce Permezel Production Company Blackfella Films Genre Documentary Series Language English Aspect Ratio 16:9 FHA Duration EP 1 00:51:53:00 EP 2 00:54:54:00 EP 3 00:52:58:00 Sound Stereo Shooting Gauges Arri Amira, F55, DJI Inspire Drone, Blackmagic & Go Pro Logline Who are we? And where do we come from? Short Synopsis Who are we? And where do we come from? Australia’s greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out. © 2016 Blackfella Films Pty Ltd Page 2 of 40 Long Synopsis Who are we? And where do we come from? Australia’s greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out. DNA is the instruction manual that helps build and run our bodies. But scientific breakthroughs have discovered another remarkable use for it. DNA contains a series of genetic route maps. It means we can trace our mother’s mother’s mother and our father’s father’s father, and so on, back through tens of millennia, revealing how our ancestors migrated out of Africa and went on to populate the rest of the world. -
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Difficult Knowledge and Uncomfortable Pedagogies: student perceptions and experiences of teaching and learning in Critical Indigenous Australian Studies Marcelle Townsend-Cross (BA, SCU; MEd, UTS) A thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences University of Technology Sydney 2018 ii Certificate of Original Authorship I, Marcelle Townsend-Cross declare that this thesis is submitted in fulfilment of the requirements for the award of Doctor of Philosophy in the Faculty of Arts and Social Sciences at the University of Technology Sydney. This thesis is wholly my own work unless otherwise referenced or acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. This document has not been submitted for qualifications at any other academic institution. Signature: Production Note: Signature removed prior to publication. Date: 26th February 2018 iii Acknowledgements I owe my gratitude to the teachers and students who generously agreed to participate in my research. Their courageous and candid contributions provided rich and compelling insights that positively shaped my research in immeasurable ways. I am very grateful to Dr. Rick Flowers who expertly guided me through the research process with enthusiasm, mindfulness and patience. I am so very grateful and privileged to have been a recipient of the Jumbunna Postgraduate Research Scholarship. Many people have inspired and encouraged me throughout my candidature – family, friends and colleagues - and I am humbled by your consistent and persistent belief in me, especially during the times when I didn’t particularly believe in myself, thank you. -
Sugar Babies - the Quintessential Burlesque Show
SEPTEMBER,1986 Vol 10 No 8 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust Sugar Babies - The Quintessential Burlesque Show personality and his own jokes. Not all the companies, however, lived up to the audience's expectations; the comedians were not always brilliant and witty, the girls weren't always beautiful. This proved to be Ralph Allen's inspiration for SUGAR BABIES. "During the course of my research, one question kept recurring. Why not create a quintessen tial Burlesque Show out of authentic materials - a show of shows as I have played it so often in the theatre of my mind? After all, in a theatre of the mind, nothing ever disappoints. " After running for seven years in America - both in New York and on tour - the Australian Elizabethan Theatre Trust will mount SUGAR BABIES in Australia, opening in Sydney at Her Majesty's Theatre on October 30. In February it will move to Melbourne and other cities, including Adelaide, Perth and Auckland. The tour is expected to last about 39 weeks. Eddie Bracken, who is coming from the USA to star in the role of 1st comic in SUGAR BABIES, received rave reviews from critics in the USA. "Bracken, with his rolling eyes, rubber face and delightful slow burns, is the consummate performer, " said Jim Arpy in the Quad City Times. Since his debut in 1931 on Broadway, Bracken has appeared in Sugar Babies from the original New York production countless movies and stage shows. Garry McDonald will bring back to life one of Harry Rigby, happened to be at the con Australia's greatest comics by playing his SUGAR BABIES, conceived by role as "Mo" (Roy Rene). -
INDIGENOUS Tertiary Education Conference
INDIGENOUS Tertiary Education Conference TRINITY COLLEGE 18 - 19 NOVEMBER 2016 PROUDLY PRESENTED BY FRONT COVER Image courtesy of the Hardy family WELCOME FROM TRINITY COLLEGE On behalf of Trinity College, the University of Melbourne it is my honour to welcome you to the 2016 inaugural Indigenous Tertiary Education Conference. We acknowledge that we live and learn on the land of the Wurundjeri People of the Kulin Nations. The conference takes place in Trinity College’s new Gateway building, which is a tangible expression of Trinity’s commitment to higher education and to providing transformative experiences for young people of any nationality, ethnicity, race or creed. Trinity’s Indigenous programs have been developing since 2001 and are set in the context of the College’s commitment to reconciliation with Indigenous communities. The imperative of these programs is to implement practical steps that make a real difference to the lives of students and the communities to which they belong. The first major step taken by Trinity was to establish the Bachelor of Arts Extended pathway program, in partnership with the Faculty of Arts, Murrup Barak, and other residential colleges. Last year, the Faculty of Science formed a similar Bachelor of Science Extended pathway program. These programs are a unique and successful pathway model for Indigenous students in Australia. Trinity College, in collaboration with the University of Melbourne, has established this conference as a forum for educators, researchers, policymakers, students and the community. The conference theme will explore transitions into and within tertiary education and after graduation. I welcome our Australian and international Indigenous and non-Indigenous colleagues. -
Sydney Theatre Company Annual Report 2011 Annual Report | Chairman’S Report 2011 Annual Report | Chairman’S Report
2011 SYDNEY THEATRE COMPANY ANNUAL REPORT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2 3 2011 ANNUAL REPORT 2011 ANNUAL REPORT “I consider the three hours I spent on Saturday night … among the happiest of my theatregoing life.” Ben Brantley, The New York Times, on STC’s Uncle Vanya “I had never seen live theatre until I saw a production at STC. At first I was engrossed in the medium. but the more plays I saw, the more I understood their power. They started to shape the way I saw the world, the way I analysed social situations, the way I understood myself.” 2011 Youth Advisory Panel member “Every time I set foot on The Wharf at STC, I feel I’m HOME, and I’ve loved this company and this venue ever since Richard Wherrett showed me round the place when it was just a deserted, crumbling, rat-infested industrial pier sometime late 1970’s and a wonderful dream waiting to happen.” Jacki Weaver 4 5 2011 ANNUAL REPORT | THROUGH NUMBERS 2011 ANNUAL REPORT | THROUGH NUMBERS THROUGH NUMBERS 10 8 1 writers under commission new Australian works and adaptations sold out season of Uncle Vanya at the presented across the Company in 2011 Kennedy Center in Washington DC A snapshot of the activity undertaken by STC in 2011 1,310 193 100,000 5 374 hours of theatre actors employed across the year litre rainwater tank installed under national and regional tours presented hours mentoring teachers in our School The Wharf Drama program 1,516 450,000 6 4 200 weeks of employment to actors in 2011 The number of people STC and ST resident actors home theatres people on the payroll each week attracted into the Walsh Bay precinct, driving tourism to NSW and Australia 6 7 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT Andrew Upton & Cate Blanchett time in German art and regular with STC – had a window of availability Resident Artists’ program again to embrace our culture. -
Media Release – Strictly Embargoed Until 4Pm Monday 28 January 2013
Media Release – Strictly embargoed until 4pm Monday 28 January 2013 AUSTRALIAN ACADEMY ANNOUNCES FIRST GROUP OF WINNERS - 2ND AACTA AWARDS The 2nd AACTA Awards Luncheon, presented by Deluxe was held today at Sydney’s The Star Event Centre, where the Australian Academy of Cinema and Television Arts (AACTA) announced the first group of winners for the 2nd AACTA Awards. 2nd AACTA Awards Presenters Presenters at the event included television favourites Diana Glenn, Jane Harber and Jimi Bani as well as acclaimed actors Damon Herriman, Daniel Henshall and Felicity Price. Also taking to the stage were The Sapphires stars Miranda Tapsell and Shari Sebbens. The event was hosted by the always-entertaining and irreverent Oscar® and AFI Awarded Adam Elliot. Special Presentation of the AACTA Raymond Longford Award – Al Clark A special highlight of the 2nd AACTA Awards Luncheon presented by Deluxe was the presentation of the prestigious AACTA Raymond Longford Award, the nation’s highest screen accolade, to one of Australia’s most revered producers, Al Clark. The presentation was accompanied by moving and insightful tributes from Ana Kokkinos, David Stratton and Alan Finney. With a filmmaking career spanning three decades, Al Clark has produced or executive produced 19 feature films including some of Australia’s most iconic, celebrated and internationally significant cinema, with credits including The Adventures of Priscilla, Queen of the Desert, Chopper, Razzle Dazzle, Blessed, Red Hill and the upcoming musical Goddess. In addition to his achievements as an extraordinary and tenacious producer, Clark is also noted by a cross section of the industry as a mentor and educator whom many credit with helping to launch their careers. -
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OTHER PEOPLE’S PROBLEMS| PRESS KIT Creators and writers - Penelope Chai & Jane Dickenson Director - Erin White Producer - Charlotte Seymour Executive Producer - Sue Maslin Facebook.com/opptheseries/ BILLING BLOCK A Seymour Films production in association with ABC TV, Screen Australia and Film Victoria. Additional financial support from Australia Post and distribution by Film Art Media. Creators and writers Penelope Chai & Jane Dickenson. Director Erin White. Producer Charlotte Seymour Executive Producer Sue Maslin. ABC Executive Producers Rick Kalowski and Andrew Gregory. CONTACT TECHNICAL INFORMATION Charlotte Seymour Country of Production AUSTRALIA SEYMOUR FILMS Year of Production 2017 28 Hall St Fairfield Vic 3078 Running Time 5 x 7 min eps Tel + 61 419 392 259 Ratio 16 x 9 Fax: +61 3 9417 7336 Language ENGLISH [email protected] Genre Drama/Comedy filmartmedia.com OTHER PEOPLE’S PROBLEMS| THE STORY TAGLINE Based on real people’s real problems and the letters that solved them. LOGLINE Reluctant copywriter and aspiring eco-warrior Florence embarks on a venture to ghost-write other people’s letters in exchange for second-hand clothing. SHORT SYNOPSIS Florence ghost-writes letters for people in exchange for clothes. Her bestie and housemate Ann is a life- saving paramedic. Florence is convinced that a well penned letter can also rescue situations, but solving other people’s problems is hard when her own keep getting in the way. SYNOPSIS Florence, a reluctant copywriter and aspiring eco-warrior, embarks on a venture to ghost-write other people's letters in exchange for second-hand clothing. Her bestie and housemate Ann is a life-saving paramedic, and Florence is determined to prove she’s equally adept at helping people. -
Adventures in Film Music Redux Composer Profiles
Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017). -
Senate Order for Entity Contracts Listing Relating to the Period 1 July 2020 to 30 June 2021
Senate Order for Entity Contracts listing relating to the period 1 July 2020 to 30 June 2021. Pursuant to the Senate Order for entity contracts, the following table sets out contracts entered into by Screen Australia, which provide for a consideration to the value of $100,000 or more (GST Inclusive) and which: a. Have not been fully performed as at 30 June 2021, or b. Which have been entered into during the 12 months prior to 30 June 2021. Most of the contracts listed contain confidentiality provisions of a general nature that are designed to protect the confidential information of the parties that may be obtained or generated in carrying out the contract. The reasons for including such clauses include: a. Ordinary commercial prudence that requires protection of trade secrets, proprietary information, sensitive business information and the like and/or b. Protection of other Commonwealth material and personal information. The accountable authority of Screen Australia has assured that the listed contracts do not contain any inappropriate confidentiality provisions. The estimated cost of complying with this order was approximately $1,500. Basis of method used to estimate the cost: Applying salary costs to the number of hours spent by staff across various Departments to collect and analyse the information. Senate Order for Entity Contracts listing relating to the period 1 July 2020 to 30 June 2021 Total Other Confidentiality Reason For Reason For Name of Contractor Subject Matter Funding for Start Date End Date Confidentiality Provisions