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Airwaves (1985-08 And
/ AIRWAVES \ · A Service of Continuing Education & Extension University of Minnesota-Duluth Volume 6, Number 4 ' August-September 1985 Special •· Ray Charles: His Life and Music. kumd 103.3 fm Station Manager • Paul Schmitz Program Director • John Ziegler Public Aflairs Director • Jean Johnson Report to the Listeners Outreach Coordinator • Bob DeArmond Engineer • Kirk Kersten by Paul Schmitz, Station Manager Secretary • Donna Neveau Volunteer Staff • Remember the slighlly perplexed look patience. Projects of this magnitude jus.t couple of different departments at UMD, Lake Lime. Bil l Agnew, Bob Allen, Craig Anderson, Jon on Kirk Kerslen's face in lasl month's started with us on July 17, and will be Anderson, Kath Anderson, Mark Anderson, Bob issue when he was plugging in our new al the front desk from about 9:30 a.m. Lo Andresen, Leo Babcau, Todd Borstad, John"llrazner, antenna? I don't really know what he You may notice a change in our staff list - 2:30 p.m. four days a week. We are look- Dave Brygger, Jan Cohen, Tim Connelly, was thinking about al the moment that this issue; if you visit the station 'in ing forward Lo having her with us, and Christopher Devaney, Bruce Eckland, Dann Edholm, Pat Eller, Phil Enke, Linda Estel, Doug Fifield, photo was taken, but ever since he's been person, you will certainly notice a LO utilizing her previous experience with Kerry Fillmore, Susanna Frenkel, Scott Frisby, Brian thinking about "field Lun·ing .." That's a change becau e we have lost Helen computers as we are about LO enter the Gitar, Stan Goltz, Doug Greenwood, Jim Gruba, term for a specialized kind of work on Prekker. -
Literary, Subsidiary, and Foreign Rights Agents
Literary, Subsidiary, and Foreign Rights Agents A Mini-Guide by John Kremer Copyright © 2011 by John Kremer All rights reserved. Open Horizons P. O. Box 2887 Taos NM 87571 575-751-3398 Fax: 575-751-3100 Email: [email protected] Web: http://www.bookmarket.com Introduction Below are the names and contact information for more than 1,450+ literary agents who sell rights for books. For additional lists, see the end of this report. The agents highlighted with a bigger indent are known to work with self-publishers or publishers in helping them to sell subsidiary, film, foreign, and reprint rights for books. All 325+ foreign literary agents (highlighted in bold green) listed here are known to work with one or more independent publishers or authors in selling foreign rights. Some of the major literary agencies are highlighted in bold red. To locate the 260 agents that deal with first-time novelists, look for the agents highlighted with bigger type. You can also locate them by searching for: “first novel” by using the search function in your web browser or word processing program. Unknown author Jennifer Weiner was turned down by 23 agents before finding one who thought a novel about a plus-size heroine would sell. Her book, Good in Bed, became a bestseller. The lesson? Don't take 23 agents word for it. Find the 24th that believes in you and your book. When querying agents, be selective. Don't send to everyone. Send to those that really look like they might be interested in what you have to offer. -
National Endowment for the Arts Annual Report 1996
TO THE CONGRESS OF THE UNITED STATES: It is my pleasure to transmit herewith the Annual Report of the National Endowment for the Arts for the fiscal year 1996. One measure of a great nation is the vitality of its culture, the dedication of its people to nurturing a climate where creativity can flourish. By support ing our museums and theaters, our dance companies and symphony orches tras, our writers and our artists, the National Endowment for the Arts provides such a climate. Look through this report and you will find many reasons to be proud of our Nation’s cultural life at the end of the 20th century and what it portends for Americans and the world in the years ahead. Despite cutbacks in its budget, the Endowment was able to fund thou sands of projects all across America -- a museum in Sitka, Alaska, a dance company in Miami, Florida, a production of Eugene O’Neill in New York City, a Whisder exhibition in Chicago, and artists in the schools in all 50 states. Millions of Americans were able to see plays, hear concerts, and participate in the arts in their hometowns, thanks to the work of this small agency. As we set priorities for the coming years, let’s not forget the vita! role of the National Endowment for the Arts must continue to play in our national life. The Endowment shows the world that we take pride in American culture here and abroad. It is a beacon, not only of creativity, but of free dom. And let us keep that lamp brightly burning now and for all time. -
Firstchoice Wusf
firstchoice wusf for information, education and entertainment • decemBer 2009 André Rieu Live in Dresden: Wedding at the Opera Recorded at Dresden’s Semper Opera House in 2008, this musical confection from André Rieu is both a concert and a real wedding party in one of the world’s most beautiful opera houses. The charming bride and groom, part of the famous “Vienna Debutantes,” are joined by 40 pairs of dancers from the Elmayer Dance School in Vienna, as well as sopranos Mirusia Louwerse and Carmen Monarcha, the Platinum Tenors, baritone Morschi Franz, and the Johann Strauss Orchestra and Choir. Airs Tuesday, December 1 at 8 p.m. from the wusf gm Season’s As you plan your year-end Greetings charitable giving, please consider a contribution to HE HOLIDAYS CAME EARLY THIS YEAR WUSF. It’s tax-deductible, T at WUSF Public Broadcasting. Thanks to you, WUSF 89.7’s Fall Membership Campaign it’s easy and it will make a was an unqualified success. We welcomed difference in your community. 1,050 new members to our family and raised more than $400,000 from new and renewing Just call Cathy Coccia at members. Bravo to everyone involved! 813-974-8624 or go online Speaking about our loyal supporters, we recently celebrated our Cornerstone Society to wusf.org and click members during the second annual Corner- on the Give Now button. stone Appreciation event. This year’s guest was the witty and insightful Susan Stamberg, Make a gift that gives back – an NPR special correspondent. She touched to you and your neighbors. -
Craig Anderton
$2.50 February 1983 TW O NEW SYNTHESIZES . MODULES: SHEPARD ■ FUNCTION DYNAMIC TOUCH CONTROLLER NEW AGE MUSIC SYNTHESIZED CHOIRS PRO-ONE DYNAMICS MODIFICATION THE VOICE 400 The Fastest, Most Versatile and Musical Synthesizer Voice Available Oscillator A Oscillator B continuous waveshaping, continuous waveshaping variable pulse width, mod from saw to sine, AR enve ulation by S/H or LFO, low lope generator or LFO er octave, linear F.M. modulation, hard sync to VCO A. Keypad and Bank S w itch F ilte r Selects one of thirty-two High pass, Low pass, Band presets. pass all modes are 24db/ oct. Controls include Reso Operating Mode nance, Response (continu S w itch es ously variable) i: ADSR control Live, Memory and modulation, S/H or LFO Edit functions. mod, Noise source, Key board tracking. Output Section mixes your external signal Voltage Controlled into the delay, mixes Dry/ A m p lif ie r Delay, and output volume has its own ADSR and fea control. tures low noise and wide dynamic range. Analog Delay M o d u la tio n wide range low noise delay line operates from flanging to multiple wide range Low Frequency Oscillator with continuous waveshap repeats. Regeneration and LFO depth control will create a wide ing of three waveforms. LFO may be modulated by the Attack range of effects. Release envelope generator. The Voice 400 answers the need for a programmable syn * A voice for a sequencer or computer. thesizer that’s versatile enough to be all these things: * A complete synthesizer for wind or string controllers. -
Cokie Roberts Passed Away. It's a Simple News Fact, Anticipated By
Cokie Roberts passed away. It’s a simple news fact, anticipated by those near her and in the industry, but deeply saddening nonetheless. Cokie was one of the three NPR “founding mothers,” along with Linda Wertheimer and Susan Stamberg. Their courage, spunk, and insistence were legendary. Cokie was a giant among public radio reporters and commercial television announcers, and an inspiration to many women in public radio today. Her voice will continue to be heard in the work of generations of journalists who learned their craft from listening to her on their public radio stations. Here’s an excerpt from NPR’s official statement, written by departing CEO Jarl Mohn: “The public radio family has lost a founding mother, a journalist whose vigorous mind, boundless curiosity, and commitment to NPR have helped make us what we are today. Cokie’s contributions to public radio – and all of journalism – are many. At NPR she was part of the team that built the foundation for our newsroom and led the way for women in journalism at NPR and across the industry. A student of American politics throughout her decades-long career, she brought insight and perspective to countless elections, debates, and policy decisions great and small for NPR audiences. Through Cokie’s voice, the twists and turns in American democracy came to life. A natural storyteller, she could vividly connect the events of today with the people and policies of the past, helping all of us better understand their significance and who we are as Americans.” In closing, I’ll follow Cokie’s advice to listeners and encourage you to support your public radio station. -
The Voices of NPR
Episode 11 – Michael Goldfarb – All Along the Watchtower The Voices of NPR And now a personal word, Michael Goldfarb has the voice of a journalist who has witnessed important events. He speaks with weariness and authority. His voice evokes a chorus of NPR announcers who report from near and distant places. Writer Dierdre Mask noted in an article in the Atlantic magazine, “We can’t see NPR reporters, so we have to picture them. And because they are with us in our most private moments—alone in the car, half-asleep in bed—we start to think we know them.” And we do think we know them. Their voices are iconic: distinct, informative, comforting, familiar. Their voices are the sounds of our better selves when we are bright and learned and engaged in the affairs of the world. No matter the day’s events, they give us hope that in a crazy world, sense and sensibility will prevail. Here are a few names I grew up with: Susan Stamberg, Bob Edwards, Carl Kasell, Noah Adams, Linda Wertheimer, Robert Siegel, Scott Simon, Cokie Roberts, and Bob Mondello. Each name evokes a voice, a style, a beat, that is the news soundtrack of our lives and shared imagination. We hear their stories as they report from bureaus from foreign capitals: Eleanor Beardsley, Paris; Rob Gifford, London; Ofiebea Quist-Arcton, Dakar; and, of course, Sylvia Poggioli, Rome. We hear war correspondents in the thick of battle: Michael Golfarb in Northern Ireland and Bosnia; Kelly McEvers in the midst of death and kidnapping in the Arab Spring, Tom Bowman among the fire and mortars of Helmand Province, and David Gilkey ambushed and killed by the Taliban. -
LA MUSICA D'avanguardia (Provenienza Sconosciuta
LA MUSICA D’AVANGUARDIA (provenienza sconosciuta!!) Presentazione Questo volume si propone di fornire una panoramica, la piu' aggiornata possibile, sui fenomeni musicali che esulano dalle correnti tradizionali del rock, del jazz e della classica, e che rappresentano in senso lato l'attuale "avanguardia". In tal senso l'avanguardia, piu' che un movimento monolitico e omogeneo, appare come una federazione piu' o meno aperta di tante scuole diverse e separate. Alcune costituiscono la cosiddetta "contemporanea" (capitoli 1-7), figlia dell'avanguardia classica; altre sono scaturite della sperimentazione dei complessi rock (capitoli 8-10); altre ancora appartengono al nuovo jazz, e non fanno altro che legittimare una volta per tutte il jazz nel novero della musica "intellettuale" (capitoli 11-13); la new age, infine, sfrutta le suggestioni delle scuole precedenti (capitoli 14-17). Piuttosto che un'introduzione generale ci sembra allora piu' opportuno fornire una presentazione capitolo per capitolo: 1. L'avanguardia popolare. Per avanguardia si intendeva un tempo soltanto l'avanguardia classica. A dimostrazione di come i tempi siano cambiati, questo libro e' in gran parte dedicato a musicisti che hanno le loro origini nel rock, nel jazz o nella new age. In questo primo capitolo ci proponiamo di fornire una panoramica storica sulla nascita dei movimenti musicali che hanno introdotto le novita' armoniche, acustiche, ideologiche su cui speculano tuttora gli sperimentatori moderni. Ci premeva anche trasmettere la sensazione che esista una qualche continuita' fra i lavori di Varese e Stockhausen (per citarne due particolarmente famosi) e i protagonisti di questo libro. 2. Minimalismo. La scuola minimalista degli anni Settanta era chiaramente delimitata. -
THE FIRST FORTY YEARS INTRODUCTION by Susan Stamberg
THE FIRST FORTY YEARS INTRODUCTION by Susan Stamberg Shiny little platters. Not even five inches across. How could they possibly contain the soundtrack of four decades? How could the phone calls, the encounters, the danger, the desperation, the exhilaration and big, big laughs from two score years be compressed onto a handful of CDs? If you’ve lived with NPR, as so many of us have for so many years, you’ll be astonished at how many of these reports and conversations and reveries you remember—or how many come back to you (like familiar songs) after hearing just a few seconds of sound. And you’ll be amazed by how much you’ve missed—loyal as you are, you were too busy that day, or too distracted, or out of town, or giving birth (guess that falls under the “too distracted” category). Many of you have integrated NPR into your daily lives; you feel personally connected with it. NPR has gotten you through some fairly dramatic moments. Not just important historical events, but personal moments as well. I’ve been told that a woman’s terror during a CAT scan was tamed by the voice of Ira Flatow on Science Friday being piped into the dreaded scanner tube. So much of life is here. War, from the horrors of Vietnam to the brutalities that evanescent medium—they came to life, then disappeared. Now, of Iraq. Politics, from the intrigue of Watergate to the drama of the Anita on these CDs, all the extraordinary people and places and sounds Hill-Clarence Thomas controversy. -
Leadership That Lifts Us All Recognizing Outstanding Philanthropy 2017 - 2018
Leadership That Lifts Us All Recognizing Outstanding Philanthropy 2017 - 2018 uwswpa.org Thank you to our 2017 sponsors: Premier Gold Dear Friends, As philanthropic leaders who, through their generous gifts of time and treasure, demonstrate their commitment to tackling our community’s most pressing problems, we should be proud of the impact we make on the lives of people who need our help. Through our gifts – Tocqueville Society members contributed nearly $10 million to the United Way 2017 Campaign – the most vulnerable members of our community are getting much-needed support: Dan Onorato • local children like Alijah (page 18) are matched with caring mentors who are helping them plan to continue their education after high school; • seniors like Jean (page 4) are receiving support that helps them remain in the homes they love; • people with disabilities like Kenny (page 9) are getting the opportunity to find 1 meaningful work; and • women like Sarah (page 43) are able to overcome challenges in order to gain greater financial stability. On behalf of our community, thank you for your support. Your gift helps United Way put solutions into action, making a difference and encouraging hope for a better David Schlosser tomorrow for everyone. With warmest regards Dan Onorato David Schlosser 2017 Tocqueville Society Co-Chair 2017 Tocqueville Society Co-Chair 2017 Top Tocqueville Corporations The Tocqueville Society Tocqueville Society Membership Growth United Way recognizes these United Way’s Tocqueville Society is corporations that had the largest comprised of philanthropic leaders 2011 430 number of Tocqueville Society and volunteer champions who donors for the 2017 campaign, give $10,000 or more annually to regardless of company size or United Way, creating a profound 2012 458 overall campaign total. -
Annual Report Marinemarine Science Science Institute Institute |• UC UC Santa Santa Barbara Barbara 2013 2014
ANNUAL REPORT MarineMarine Science Science Institute Institute |• UC UC Santa Santa Barbara Barbara 2013 2014 ANNUAL REPORT | 2013-2014 1 ANNUAL REPORT | 2013-2014 Table of Contents Director’s Statement 3 Organizational Charts 5 Administrative Staff 6 Centers and Units 7 Other Projects and Activities 8 Seminars, Workshops, Conferences, and Meetings 9 Coastal Research Center 17 EcoInformatics Center 19 Marine Biotechnology Center 21 National Center for Ecological Analysis and Synthesis 23 Ocean and Coastal Policy Center 25 UC Natural Reserve System 26 Analytical Laboratory 28 REEF/Outreach 29 Awards Administered 30 Awards 31 Research Summaries 39 Space 142 Statistical Summary 148 Research Support Summary 149 Statistical Summary 2013-2014 151 Five-Year Research Support Summary 153 Funding Agencies 156 MSI Advisory Committee, 158 Administrative and Technical Staff Principal Investigators 161 2 ANNUAL REPORT | 2013-2014 Director’s Statement 3 ANNUAL REPORT | 2013-2014 Director’s Statement This year marks the 10th anniversary of the opening of the Marine Science Institute’s Marine Science Research Building, a state-of-the-art facility located on the bluff overlooking the Pacific Ocean on the eastern edge of the University of California, Santa Barbara’s campus. It is an inspiring facility and location, and it has taken the hard work of many individuals to make it a reality. At UCSB in the 1980’s and 1990’s, Marine Science facilities could be described as dispersed, inadequate, and not up to the standards of a world class research institution. Long-standing efforts to get a facility approved and built had met with no success. However, things began to change with the identification of a State of California program that provided a financing mechanism for research facilities dedicated to long-term scientific activities. -
ARSC Journal, Vol
NATIONAL PUBLIC RADIO ARTS AND PERFORMANCE PROGRAMS By Frederica Kushner Definition and Scope For those who may be more familiar with commercial than with non-commercial radio and television, it may help to know that National Public Radio (NPR) is a non commercial radio network funded in major part through the Corporation for Public Broadcasting and through its member stations. NPR is not the direct recipient of government funds. Its staff are not government employees. NPR produces programming of its own and also uses programming supplied by member stations; by other non commercial networks outside the U.S., such as the British Broadcasting Corporation (BBC) and the Canadian Broadcasting Corporation (CBC); by independent producers, and occasionally by commercial networks. The NPR offices and studios are located on M Street in Washington, D.C. Programming is distributed via satellite. The radio programs included in the following listing are "arts and performance." These programs were produced or distributed by the Arts Programming Department of NPR. The majority of the other programming produced by NPR comes from the News and Information Department. The names of the departments may change from time to time, but there always has been a dichotomy between news and arts programs. This introduction is not the proper place for a detailed history of National Public Radio, thus further explanation of the structure of the network can be dispensed with here. What does interest us are the varied types of programming under the arts and performance umbrella. They include jazz festivals recorded live, orchestra concerts from Europe as well as the U.S., drama of all sorts, folk music concerts, bluegrass, chamber music, radio game shows, interviews with authors and composers, choral music, programs illustrating the history of jazz, of popular music, of gospel music, and much, much more.