DOCSLIB.ORG

Cilect Members

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cilect Members List_CILECT Full Membership 2021 1/6 SCHOOL COUNTRY REGION Australian Film, Television and Radio School (AFTRS) AUSTRALIA CAPA Griffith Film School (GFS) AUSTRALIA CAPA Swinburne School of Film and TV (SSFT) AUSTRALIA CAPA Victorian College of the Arts (VCA) AUSTRALIA CAPA Western Australian Screen Academy (WASA) AUSTRALIA CAPA Beijing Film Academy (BFA) CHINA CAPA Central Academy of Drama (CAD) CHINA CAPA Communication University of China (CUC) CHINA CAPA Hong Kong Academy for Performing Arts (HKAPA) CHINA CAPA Hong Kong Baptist University (HKBU) CHINA CAPA Communication University of Zhejiang (CUZ) CHINA CAPA National Taiwan University of Arts (NTUA) CHINA (Taipei) CAPA Annapurna College of Film and Media (ACFM) INDIA CAPA Film and Television Institute of India (FTII) INDIA CAPA Satyajit Ray Film and Television Institute (SRFTI) INDIA CAPA Whistling Woods International (WWI) INDIA CAPA Jakarta Institute of the Arts (IKJ) INDONESIA CAPA Japan Institute of the Moving Image (JIMI) JAPAN CAPA Nihon University JAPAN CAPA Tokyo University of the Arts (TUA) JAPAN CAPA Dankook University (DKU) KOREA CAPA Dong-Ah Institute of Media and Arts (DIMA) KOREA CAPA Korea University of Media Arts (KUMA) KOREA CAPA Korean Academy of Film Arts (KAFA) KOREA CAPA University of Auckland (UoA) NEW ZEALAND CAPA University of the Philippines Film Institute (UPFI) PHILIPPINES CAPA Lasalle College of the Arts (LCA) SINGAPORE CAPA Nanyang Polytechnic (NYP) SINGAPORE CAPA Nanyang Technological University (NTU) SINGAPORE CAPA Ngee Ann Polytechnic SINGAPORE CAPA Hanoi Academy of Theatre and Cinema (SKDA) VIETNAM CAPA List_CILECT Full Membership 2021 2/6 Institute Superieur des Metiers de l’Audiovisuel (ISMA) BENIN CARA Institute Superieur de l’Image et du Son (ISIS) BURKINA FASO CARA Institut de Formation et de Conservation du Patrimoine Audiovisuel (IFCPA) CAMEROON CARA National Film and Television Institute (NAFTI) GHANA CARA Kenyatta University KENYA CARA Ecole Supérieure des Arts Visuels de Marrakech (ESAVM) MOROCCO CARA NTA Television College (NTA) NIGERIA CARA South African School of Motion Picture Medium and Live Performance (AFDA) SOUTH AFRICA CARA Tshwane University of Technology (TUT) SOUTH AFRICA CARA Wits School of Arts (WSOA) SOUTH AFRICA CARA Escuela Nacional de Experimentación y Realización Cinematográfica (ENERC) ARGENTINA CIBA Universidad de Buenos Aires (UBA) ARGENTINA CIBA Universidad del Cine (UCINE) ARGENTINA CIBA Pontificia Universidade Catolica do Rio de Janeiro (PUC) BRASIL CIBA Universidade de São Paulo (USP) BRASIL CIBA Escuela de Cine y Televisión (ECYTV) COLOMBIA CIBA Nueva Escuela de Cine & Televisión (NECTV) COSTA RICA CIBA Escuela Internacional de Cine y TV (EICTV) CUBA CIBA Instituto Superior Tecnológico de Cine y Actuación (INCINE) ECUADOR CIBA Centro de Capacitación Cinematográfica (CCC) MEXICO CIBA Escuela Nacional de Artes Cinematográficas (ENAC) MEXICO CIBA Universidad de Guadalajara (UG/DIS) MEXICO CIBA Universidad Iberoamericana (IBERO) MEXICO CIBA Escuela de Cine del Uruguay (ECU) URUGUAY CIBA List_CILECT Full Membership 2021 3/6 Ryerson University CANADA CNA Sheridan College CANADA CNA Université du Québec à Montréal (UQAM) CANADA CNA York University CANADA CNA AFI Conservatory (AFI) USA CNA American University USA CNA Boston University USA CNA Chapman University USA CNA Columbia College Chicago (CCC) USA CNA Emerson College USA CNA Florida State University (FSU) USA CNA Loyola Marymount University (LMU) USA CNA New York University (NYU) USA CNA Rochester Institute of Technology (RIT) USA CNA School of Visual Arts (SVA) USA CNA Stanford University USA CNA University Film and Video Association (UFVA) USA CNA University of California Los Angeles (UCLA) USA CNA University of Hawai’i at Manoā (UHM) USA CNA University of Nevada Las Vegas (UNLV) USA CNA University of North Carolina School of the Arts (UNCSA) USA CNA University of Southern California (USC) USA CNA Virginia Commonwealth University (VCU) USA CNA List_CILECT Full Membership 2021 4/6 Akademia e Filmit dhe Multimedias "MARUBI" (AFMM) ALBANIA GEECT Universität für Musik und Darstellende Kunst (UMDK) AUSTRIA GEECT Institut des Arts de Diffusion (IAD) BELGIUM GEECT Institut National Supérieur des Arts du Spectacle et Techniques de Diffusion (INSAS) BELGIUM GEECT Koninklijke Academie voor Schone Kunsten (KASK) BELGIUM GEECT LUCA School of Arts (LUCA) BELGIUM GEECT Royal Institute for Theatre, Cinema and Sound (RITCS) BELGIUM GEECT National Academy for Theatre and Film Arts (NATFA) BULGARIA GEECT Akademija Dramske Umjetnosti (ADU) CROATIA GEECT Filmová a Televizní Fakulta (FAMU) CZECH REPUBLIC GEECT Univerzita Tomáše Bati ve Zlíně (UTB) CZECH REPUBLIC GEECT Den Danske Filmskole (DDF) DENMARK GEECT European Film College (EFC) DENMARK GEECT Baltic Film, Media & Arts School (BFMAS) ESTONIA GEECT Aalto University (ELO) FINLAND GEECT ARCADA University of Applied Sciences (ARCADA) FINLAND GEECT Metropolia University of Applied Sciences (MUAS) FINLAND GEECT Tampere University of Applied Sciences (TAMK) FINLAND GEECT Turku University of Applied Sciences (TUAS) FINLAND GEECT Ateliers VARAN FRANCE GEECT Ecole Nationale Supérieure d'Audiovisuel (ENSAV) FRANCE GEECT Ecole Nationale Supérieure des Métiers de l’Image et du Son (FÉMIS) FRANCE GEECT Ecole Nationale Supérieure Louis Lumière (ENSLL) FRANCE GEECT Ecole Supérieure d’Etudes Cinématographiques (ESEC) FRANCE GEECT Ecole Supérieure de Réalisation Audiovisuelle (ESRA) FRANCE GEECT Institut International de l’Image et du Son (3IS) FRANCE GEECT Institut National de l’Audiovisuel (INA) FRANCE GEECT Le Conservatoire Libre du Cinéma Français (CLCF) FRANCE GEECT Theatre and Film Georgia State University (TAFU) GEORGIA GEECT Deutsche Film-und Fernsehakademie Berlin (dffb) GERMANY GEECT Fachhochschule Dortmund (FHD) GERMANY GEECT Filmakademie Baden-Württemberg (FABW) GERMANY GEECT List_CILECT Full Membership 2021 5/6 Filmuniversität Babelsberg Konrad Wolf (FBKW) GERMANY GEECT Hamburg Media School (HMS) GERMANY GEECT Hochschule für Fernsehen und Film München (HFF) GERMANY GEECT Hochschule Macromedia GERMANY GEECT internationale filmschule köln (ifs) GERMANY GEECT Kunsthochschule für Medien (KHM) GERMANY GEECT Hellenic Cinema and Television School Stavrakos (HCTSS) GREECE GEECT Moholy Nagy Muveszeti Egyetem (MOME) HUNGARY GEECT Szinház-es Filmmüvészeti Egyetem (SzFE) HUNGARY GEECT Icelandic Film School (IFS) ICELAND GEECT Institute of Art, Design and Technology (IADT) IRELAND GEECT Beit Berl College ISRAEL GEECT Bezalel Academy of Arts and Design (BAAD) ISRAEL GEECT Jerusalem Sam Spiegel Film School (JSFS) ISRAEL GEECT Maale School of Film, Television and the Arts (MAALE) ISRAEL GEECT Sapir Academic College (SAPIR) ISRAEL GEECT Tel Aviv University (TAU) ISRAEL GEECT Centro Sperimentale di Cinematografia (CSC) ITALY GEECT Milano Civica Scuola de Cinema Lucchino Visconti (MCSC) ITALY GEECT ZeLIG School for Documentary, Television and New Media (ZELIG) ITALY GEECT Académie Libanaise des Beaux-Arts (ALBA) LEBANON GEECT Institut d'Etudes Scéniques, Audiovisuelles et Cinématographiques (IESAV) LEBANON GEECT Notre Dame University - Louaize (NDU) LEBANON GEECT Lietuvos Muzikos ir Teatro Akademija (LMTA) LITHUANIA GEECT Nederlandse Film Academie (NFA) NETHERLANDS GEECT Den Norske Filmskolen (DNF) NORWAY GEECT Westerdals Oslo School of Arts, Communication and Technology NORWAY GEECT Państwowa Wyższa Szkola Filmowa, Telewizyjna i Teatralna (PWSFTViT) POLAND GEECT Escola Superior de Teatro e Cinema (ESTC) PORTUGAL GEECT Universidade Lusófona de Humanidades e Tecnologias (ULHT) PORTUGAL GEECT Universitatea Nationala de Arta Teatrala si Cinematografica (UNATC) ROMANIA GEECT GITR Film and Television School (GITR) RUSSIA GEECT List_CILECT Full Membership 2021 6/6 Russian State University of Cinematography n.a. S.Gerasimov (VGIK) RUSSIA GEECT St. Petersburg State University of Film and Television (SPSUFTV) RUSSIA GEECT Fakultet Dramskih Umetnosti (FDU) SERBIA GEECT Vysoká Škola Muzických Umení (VŠMU) SLOVAKIA GEECT Akademija za Gledališče, Radio, Film in Televizijo (AGRFT) SLOVENIA GEECT Escola Superior de Cinema i Audiovisuals de Catalunya (ESCAC) SPAIN GEECT Escuela de Artes Visuales (EAV) SPAIN GEECT Escuela de Cine y Video (ESCIVI) SPAIN GEECT Escuela de Cinematografía y del Audiovisual de la Comunidad de Madrid (ECAM) SPAIN GEECT Göteborg University SWEDEN GEECT Stockholms Dramatiska Högskola (SADA) SWEDEN GEECT Conservatorio Internazionale di Scienze Audiovisive (CISA) SWITZERLAND GEECT Ecole Cantonale d'Art de Lausanne (ECAL) SWITZERLAND GEECT Haute Ecole d’Art et de Design – Genève (HEAD) SWITZERLAND GEECT Zürcher Hochschule der Künste (ZHDK) SWITZERLAND GEECT Bilkent Üniversitesi TURKEY GEECT İstanbul Kültür Üniversitesi (İKÜ) TURKEY GEECT Maltepe Üniversitesi TURKEY GEECT Yaşar Üniversitesi TURKEY GEECT Arts University Bournemouth (AUB) UK GEECT Bournemouth University UK GEECT Falmouth University UK GEECT London College of Communication (LCC) UK GEECT London Film School (LFS) UK GEECT Met Film School (MFS) UK GEECT National Association for Higher Education in the Moving Image (NAHEMI) UK GEECT National Film and Television School (NFTS) UK GEECT Northern Film School / Leeds Beckett University (NFS/LBU) UK GEECT Screen Academy Scotland (SAS) UK GEECT University for the Creative Arts (UCA) UK GEECT University of Hertfordshire UK GEECT University of South Wales (USW) UK GEECT Westminster Film School (WFS) UK GEECT.
Load more

Recommended publications
  • Appel Candidatures
    APPEL À CANDIDATURE ATELIER DE RÉALISATION DE FILMS DOCUMENTAIRES du MARDI 31 OCTOBRE au LUNDI 18 DÉCEMBRE 2017 ALLIANCE FRANÇAISE de BANGUI Cet atelier de formation s'adresse à tous les Centrafricains, femmes et hommes, désireux de se tourner vers la réalisation de films documentaires et soucieux de rendre compte de la réalité de leur pays. Il ne concerne pas seulement des personnes qui auraient déjà une expérience de la réalisation, mais s'adresse aussi bien à des personnes venant d'horizons différents (journalistes, fixeurs, responsables associatifs, etc.) attirés par ce moyen d’expression artistique. Aucune connaissance technique n'est requise. Les participants à l'atelier seront choisis à la fois pour leur motivation, pour leur aptitude à observer la réalité qui les entoure et leur capacité à travailler en groupe. LES ATELIERS VARAN Créés par Jean Rouch en 1981, les Ateliers Varan sont une école de cinéma unique en son genre, née du désir de former des réalisateurs de pays émergents à s’emparer des outils du cinéma documentaire pour refléter leurs réalités propres. Varan n’est pas une école au sens classique et académique du terme : les méthodes de travail y poussent à l’extrême le principe d’enseignement par la pratique : tout s’articule, pour chaque stagiaire, autour de la fabrication de films « en grandeur réelle ». Cet apprentissage du “regard documentaire” s’appuie sur une pédagogie qui s’est rôdée au fil de stages et d’ateliers menés sur les cinq continents. Le but est de décomplexer les participants face au langage cinématographique et de définir le rôle et la place du cinéaste, ses enjeux éthiques par rapport aux personnes filmées et au monde qui l’entoure.
    [Show full text]
  • Film Funding Grants Programme 2013
    Film Funding Grants Programme 2013 Film Funding Grants Programme 2013 Doha Film Institute established its Grants We contribute to films that have strong directorial Programme with the vision of fostering creative vision and that are challenging, creative and talent in the Middle East and North Africa (MENA) thought-provoking. Support for grantees is holistic, region. We are proud that over its first three- with financial assistance bolstered by professional and-a-half years the programme supported the development, mentorship and creative development development of more than 137 projects from opportunities that are made available throughout 14 countries. a project’s life cycle. In 2013, the Institute embarked on a new phase of the Grants Programme designed to further the It is our hope that through the Grants Programme goal of nurturing emerging talent. Projects from and the growing number of its alumni, we will all over the world became eligible for funding, continue to widen our flourishing community with a special focus on first- and second-time of filmmakers. As we extend our reach, we also filmmakers. enable professional, cultural and creative exchanges between our local talent and the wider international Alongside this expansion, the Institute’s industry. commitment to talent from the MENA region remains strong, with specific categories and I am honoured to welcome our newest grant criteria in place. Our focus on first- and second- recipients to the Doha Film Institute family. time filmmakers will greatly enhance our ability to discover and nurture new voices, both at home in Abdulaziz Al-Khater Qatar and around the globe.
    [Show full text]
  • Minutes Ga 2014
    General Assembly 2018 MINUTES Whistling Woods International, Mumbai, India 12 & 14 November 2018 PAGE 1 OF 67 GENERAL ASSEMBLY MINUTES – WHISTLING WOODS INTERNATIONAL, MUMBAI, INDIA (12 & 14 NOVEMBER 2018) TABLE OF CONTENTS 1. PARTICIPANTS 5 1.1 ATTENDEES (FINAL LIST AS OF 17 NOV 2018) 5 1.2 PROXIES (IN ALPHABETICAL ORDER OF SCHOOLS) 10 1.3 QUORUM 12 2. ELECTIONS 13 2.1 FULL MEMBERS 13 2.2 PRESIDENT 13 2.3 REGIONAL COUNCILS 13 2.4 CILECT EXECUTIVE COUNCIL – COMPOSITION 15 2.5 REGIONAL COUNCILS – COMPOSITION 15 2.6 APPROVAL OF DOCUMENTS 16 3. REPORT OF THE CILECT PRESIDENT 16 4. REPORT OF THE CAPA CHAIR 20 5. REPORT OF THE CARA CHAIR 25 6. REPORT OF THE CIBA CHAIR 26 7. REPORT OF THE CNA CHAIR 27 8. REPORT OF THE GEECT CHAIR 29 9. REPORT OF THE CILECT EXECUTIVE DIRECTOR 45 9.1 EXECUTIVE COUNCIL MEETINGS 45 9.2 MEMBERSHIP 45 9.2.1 REQUESTED INFORMATION FOR MEMBERSHIP 45 9.2.2 CANDIDATE MEMBERS 46 9.2.3 REMOVALS FROM MEMBERSHIP 46 9.2.4 RESIGNATIONS FROM MEMBERSHIP 46 9.2.5 HONORARY MEMBERSHIP 46 9.2.6 CILECT MEMBERSHIP BENEFITS 46 9.3 THE CILECT CONGRESS 2016 47 9.4 THE CILECT CONGRESS 2017 48 PAGE 2 OF 67 GENERAL ASSEMBLY MINUTES – WHISTLING WOODS INTERNATIONAL, MUMBAI, INDIA (12 & 14 NOVEMBER 2018) 9.5 THE CILECT CONGRESS 2018 49 9.6 THE CILECT CONGRESS 2019 49 9.7 THE CILECT PRIZE 50 9.7.1 CHANGES OF RULES & PROCESS 50 9.7.2 COMPARATIVE TABLE OF PARTICIPATION 2006-2018 50 9.7.3 THE CILECT PRIZE 2017 WINNERS/NOMINEES 50 9.7.4 THE CAPA BEST FILM AWARD 2017 51 9.7.5 THE CIBA BEST FILM AWARD 2017 51 9.7.6 THE CILECT PRIZE 2018 WINNERS/NOMINEES
    [Show full text]
  • Ford Foundation Annual Report 2005
    Ford Foundation Annual Report 2005 our mission Strengthen democratic values, reduce poverty and injustice, promote international cooperation and advance human achievement. mission statement The Ford Foundation is a resource for innovative people and institutions worldwide. Our goals are to: strengthen democratic values, reduce poverty and injustice, promote international cooperation and advance human achievement. This has been our purpose for more than half a century. A fundamental challenge facing every society is to create political, economic and social systems that promote peace, human welfare and the sustainability of the environment on which life depends. We believe that the best way to meet this challenge is to encourage initiatives by those living and working closest to where problems are locat- ed; to promote collaboration among the nonprofit, government and business sectors; and to ensure participation by men and women from diverse communities and at all levels of society. In our experience, such activities help build common understand- ing, enhance excellence, enable people to improve their lives and reinforce their commitment to society. The Ford Foundation is one source of support for these activities. We work mainly by making grants or loans that build knowledge and strengthen organizations and networks. Since our financial resources are modest in comparison to societal needs, we focus on a limited number of problem areas and program strategies within our broad goals. Founded in 1936, the foundation operated as a local philanthropy in the state of Michigan until 1950, when it expanded to become a national and international foundation. Since its inception it has been an independent, nonprofit, nongovernmental organization.
    [Show full text]
  • N°137 July 2015
    N°137 July 2015 348 of you – directors, producers, documentary-makers, journalists – have sent us your films. For one week the selection jury worked together in Casablanca, guests of our partner, 2M. On the pages of your favourite newsletter you can read about the films which have moved forward to the final phase of the 19th PriMed. The choice for the Mediterranean Short Film category will be announced in next month's Letter. Also in this issue, the latest Mediterranean broadcasting news gleaned especially for you. Happy reading. Méditerranée Audiovisuelle-La Lettre. Dépôt Légal 12 février 2015. ISSN : 1634-4081. Tous droits réservés Directrice de publication : Valérie Gerbault Rédaction : Valérie Gerbault, Séverine Miot et Leïla Porcher CMCA - 96 La Canebière 13001 Marseille Tel : + 33 491 42 03 02 Fax : +33 491 42 01 83 http://www.cmca-med.org - [email protected] Le CMCA est soutenu par les cotisations de ses membres, la Ville de Marseille, le Département des Bouches du Rhône et la Région Provence Alpes Côte d'Azur. 1 CONTENTS HEADLINES 3 PriMed 2015 – the official selection The official selection 6 “Mediterranean Issues” 7 “Mediterranean Memories” 10 “Mediterranean Art, Heritage and Culture” 13 “First Film” 16 “Mediterranean Multimedia Award” 18 LIFE IN THE CHANNELS 21 PROGRAMMES 23 ECONOMY 24 CINEMA 25 FESTIVAL 28 Festival of the month THE EURO-MEDITERRANEAN PERSPECTIVE 29 STOP PRESS 30 2 HEADLINES The PriMed 2015 selection For a week in June, the Moroccan channel 2M, a CMCA member, welcomed the PriMed selection jury to Casablanca. The screenings took place in the channel's main auditorium.
    [Show full text]
  • National Endowment for the Arts Annual Report 1982
    Nat]onal Endowment for the Arts National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1982. Respectfully, F. S. M. Hodsoll Chairman The President The White House Washington, D.C. March 1983 Contents Chairman’s Statement 3 The Agency and Its Functions 6 The National Council on the Arts 7 Programs 8 Dance 10 Design Arts 30 Expansion Arts 46 Folk Arts 70 Inter-Arts 82 International 96 Literature 98 Media Arts: Film/Radio/Television 114 Museum 132 Music 160 Opera-Musical Theater 200 Theater 210 Visual Arts 230 Policy, Planning and Research 252 Challenge Grants 254 Endowment Fellows 259 Research 261 Special Constituencies 262 Office for Partnership 264 Artists in Education 266 State Programs 272 Financial Summary 277 History of Authorizations and Appropriations 278 The descriptions of the 5,090 grants listed in this matching grants, advocacy, and information. In 1982 Annual Report represent a rich variety of terms of public funding, we are complemented at artistic creativity taking place throughout the the state and local levels by state and local arts country. These grants testify to the central impor­ agencies. tance of the arts in American life and to the TheEndowment’s1982budgetwas$143million. fundamental fact that the arts ate alive and, in State appropriations from 50 states and six special many cases, flourishing, jurisdictions aggregated $120 million--an 8.9 per­ The diversity of artistic activity in America is cent gain over state appropriations for FY 81.
    [Show full text]
  • Couverture Revue 2004
    illar V atalina C Aprender a mirar APPRENDRE À REGARDER o conocí los Talleres Varan hace ya más ai connu les Ateliers Varan il y a déjà plus de quinze Y de 15 años y debo admitir que fue por pura J’ ans, et je dois avouer que ce fut purement par casualidad. hasard. Viniendo de Colombia y aunque siempre me gustó Je venais de Colombie et, bien que j’aie toujours aimé el cine, lograr imaginarme haciendo una película me le cinéma, m’imaginer en train de faire un film me parecía tan ilusorio que ni siquiera me creía con el dere- paraissait si illusoire que je ne croyais pas même avoir cho de soñarlo. le droit d’en rêver. Años más tarde, en Paris, tuve la osadía de decirlo en Des années plus tard, à Paris, j’eus l’audace de dire à voz alta: quiero contar historias de la vida real. Que los voix haute : Je veux raconter des histoires de la vie réelle. personajes sean la gente que las vive. Quiero tener mi Que les personnages soient les personnes qui les vivent. propio acceso al mundo; quiero poder dar mi versión Je veux avoir mon propre accès au monde ; je veux pou- sobre algunas de las cosas que veo y que oigo. Quiero voir donner ma version de certaines des choses que je tener una buena excusa para acercarme a otra gente. vois et que j’entends. Je veux avoir une bonne excuse Hacer con ella un trabajo de creación. Más que imagi- pour m’approcher des autres.
    [Show full text]
  • FASA Screened to Much Acclaim at a Number of International Film Festivals
    FASA Screened to much acclaim at a number of international film festivals, Laza Razanajatovo’s latest offering is having its Ottawa premiere Friday, October 16 at The Inaugural Africa Film Festival of Ottawa. Fasa is the newest short film from Madagascan director Laza Razanajatovo. The film, which runs for sixteen minutes, follows Fasa as she attempts to reconnect with her ancestors through poetic meditation. Razanajatovo uses the image of the Zebu cattle as a symbol for the spiritual connection between both life and death. Fasa explores the matter of Zebu cattle poaching and the accompanying consequences of this unsavory act through the eyes of a young girl. Fasa is struggling with the loss of her father who dies protecting his herd from thieves. The narrative of Razanajatovo’s film draws attention to the hundreds of deaths that have occurred throughout Madagascan history as a result of cattle theft. Fasa is the cinematic depiction of the ways in which the conflict over zebu cattle in Madagascar has affected various aspects of society. The film evokes themes of loss and innocence through the point of view of this young woman who can only communicate with her father through her authoring of poems. Fasa has had a lengthy festival circuit throughout the past year and has premiered at The Africa Conference in Berlin and screened atThe Off-Short Film Festival in France, and at the 13th Annual Film Meetings Bejaia in Algeria. Laza Razanajatovo is a filmmaker working from his native country of Madagascar. He has often used the cinematic medium as a platform to address and emphasize social issues and change within his country.
    [Show full text]
  • View the 2021 Project Dossier
    www.durbanfilmmart.com Project Dossier Contents Message from the Chair 3 Combat de Nègre et de Chiens (Black Battle with Dogs) 50 introduction and Come Sunrise, We Shall Rule 52 welcome 4 Conversations with my Mother 54 Drummies 56 Partners and Sponsors 6 Forget Me Not 58 MENTORS 8 Frontier Mistress 60 Hamlet from the Slums 62 DFM Mentors 8 Professional Mourners 64 Talents Durban Mentors 10 Requiem of Ravel’s Boléro 66 Jumpstart Mentors 13 Sakan Lelmoghtrebat (A House For Expats) 68 OFFICAL DFM PROJECTS The Day and Night of Brahma 70 Documentaries 14 The Killing of A Beast 72 Defying Ashes 15 The Mailman, The Mantis, and The Moon 74 Doxandem, les chasseurs de rêves Pretty Hustle 76 (Dream Chasers) 17 Dusty & Stones 19 DFM Access 78 Eat Bitter 21 DFM Access Mentors 79 Ethel 23 PARTNER PROJECTS IN My Plastic Hair 25 FINANCE FORUM 80 Nzonzing 27 Hot Docs-Blue Ice Docs Part of the Pack 29 Fund Fellows 81 The Possessed Painter: In the Footsteps The Mother of All Lies 82 of Abbès Saladi 31 The Wall of Death 84 The Woman Who Poked The Leopard 33 What’s Eating My Mind 86 Time of Pandemics 35 Unfinished Journey 37 Talents Durban 88 Untitled: Miss Africa South 39 Feature Fiction: Bosryer (Bushrider) 89 Wataalat Loughatou él Kalami (Such a Silent Cry) 41 Rosa Baila! (Dance Rosa) 90 Windward 43 Kinafo 91 L’Aurore Boréale (The Northern Lights) 92 Fiction 45 The Path of Ruganzu Part 2 93 2065 46 Yvette 94 Akashinga 48 DURBAN FILMMART 1 PROJECT DOSSIER 2021 CONTENTS Short Fiction: Bedrock 129 Crisis 95 God’s Work 131 Mob Passion 96 Soweto on Fire 133
    [Show full text]
  • 2000 Annual Report
    2001 ANNUAL REPORT ALFRED P. SLOAN FOUNDATION 1 CONTENTS 2001 Grants and Activities Science and Technology 5 Fellowships 5 Sloan Research Fellowships 5 Direct Support of Research 9 Neuroscience 9 Computational Molecular Biology 9 Limits to Knowledge 10 Marine Science 11 Other Science and Science Policy 15 History of Science and Technology 16 Standard of Living and Economic Performance 17 Industries 17 Industry Centers 17 Human Resources/Jobs/Income 21 Globalization 21 Business Organizations 22 Economics Research and Other Work 24 Nonprofit Sectors 26 Universities 26 Assessment of Government Performance 26 Work, Workforce and Working Families 30 Centers on Working Families 30 Workplace Structure and Opportunity 31 Working Families and Everyday Life 34 Education and Careers in Science and Technology 36 Scientific and Technical Careers 36 Anytime, Anyplace Learning 36 Professional Master’s Degrees 42 Information about Careers 47 Entry and Retention 48 Science and Engineering Education 48 Education for Minorities and Women 49 Minorities 49 Women 53 Public Understanding of Science and Technology 55 Books 55 Sloan Technology Book Series 57 Radio 58 2 Public Television 59 Commercial Television and Films 60 Theater 61 General 63 Selected National Issues and The Civic Program 64 Selected National Issues 64 September 11 64 Bioterrorism 66 Energy 68 Federal Statistics 69 Public Policy Research 69 The Civic Program 71 Additional Grants 73 2001 Financial Report Financial Review 75 Auditors’ Report 76 Balance Sheets 77 Statements of Activities 78 Statements of Cash Flows 79 Notes to Financial Statements 80 Schedules of Management and Investment Expenses 83 3 2001 GRANTS AND ACTIVITIES 4 SCIENCE AND TECHNOLOGY FELLOWSHIPS Sloan Research Fellowships $4,160,000 The Sloan Research Fellowship Program aims to stimulate fundamental research by young scholars with outstanding promise to contribute significantly to the advancement of knowledge.
    [Show full text]
  • Actor/Khaled Saleh Egypt
    Dedication of this edition to the name of Actor/Khaled Saleh Egypt January 20, 1964 - September 25, 2014 1 It is no secret to anybody with foresights that Egypt and other countries in the region are in a state of war against the forces of terror and obscurantism. If the traditional war weapons are the gun, the rifle, the plane and the rest of the well-known instruments, the weapon of arts, culture, and the rest of the elements of soft power are no less effective than weapons with gunpowder… And the ongoing war on terrorism has a first battleground which is the reason and the conscience.. So art comes here at the forefront of priorities ..Enlightening the dark minds and resurrecting the humanitarian feelings in the cold hearts are missions for the arts by excellence ..Hence, comes the importance of art events including film festivals at this particular time… Therefore, this edition of Luxor African Film Festival, that is continuing its success year after year, has a great importance since it is coming amid this atmosphere that besets many world countries including our continent in particular. This magnificent gathering of artists and film lovers from all across our African continent represents a message of love against hate, extremism and envy A message that conveys the values ​​of goodness, justice and beauty against forces of evil, ugliness and shedding of innocent blood ..In brief, One can say that Luxor African Film Festival is an assembly of goodwill creators, the sons and daughters of this great continent, who raises the flags of enlightenment and who upholds the noble human values that defined the human journey through thousands of years as tutored by all religions.
    [Show full text]
  • TFL Extended 2019
    TFL Extended 2019 Join TFL Extended in 2020! Develop your projects, deepen your competences & network with film professionals from all over the world in these intensive 4-day workshops. TFL Extended – TV Series Gain the tools necessary to develop original and ambitious TV series projects. TURIN, FEBRUARY 12TH – 16TH TFL Extended – Feature Film Dive deep into the writing process in these intensive development workshops. TURIN, APRIL 17TH – 21ST TURIN, JUNE 13TH – 16TH TURIN, JUNE 18TH – 22ND TURIN, SEPTEMBER 11TH – 15TH TFL Extended 2019 TFL Extended was a challenge and, like all TFL EXTENDED challenges, needed to have ambitious goals. With TFL Extended we aim at enlarging Angelica Cantisani our community, by granting access to professionals coming from all over the Head of TFL Extended world. We want to offer our pedagogic expertise also to the countries that cannot take part in our regular programmes and that do not benefit from any professional training possibilities in their areas. TFL Extended is now a dynamic reality able to offer immediate and tailor-made consultations in different areas: script development for fiction feature films, documentaries and TV series; professional training for story editors and audience designers and an international hub for creative producers who want to boost their projects and improve their networking skills. In the past two years we have had the pleasure to work with more than 200 professionals coming from all over the world, helping them to deliver new singular and intimate stories, born through productive collaborations. Stories that can engage audiences personally. These professionals worked together in a process of creation that perfectly honoured the main goal of storytelling: generating a unique voice, loud enough to catch the attention of the rest of the world, inspiring others.
    [Show full text]