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National Endowment for the Arts Annual Report 1982
Nat]onal Endowment for the Arts National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1982. Respectfully, F. S. M. Hodsoll Chairman The President The White House Washington, D.C. March 1983 Contents Chairman’s Statement 3 The Agency and Its Functions 6 The National Council on the Arts 7 Programs 8 Dance 10 Design Arts 30 Expansion Arts 46 Folk Arts 70 Inter-Arts 82 International 96 Literature 98 Media Arts: Film/Radio/Television 114 Museum 132 Music 160 Opera-Musical Theater 200 Theater 210 Visual Arts 230 Policy, Planning and Research 252 Challenge Grants 254 Endowment Fellows 259 Research 261 Special Constituencies 262 Office for Partnership 264 Artists in Education 266 State Programs 272 Financial Summary 277 History of Authorizations and Appropriations 278 The descriptions of the 5,090 grants listed in this matching grants, advocacy, and information. In 1982 Annual Report represent a rich variety of terms of public funding, we are complemented at artistic creativity taking place throughout the the state and local levels by state and local arts country. These grants testify to the central impor agencies. tance of the arts in American life and to the TheEndowment’s1982budgetwas$143million. fundamental fact that the arts ate alive and, in State appropriations from 50 states and six special many cases, flourishing, jurisdictions aggregated $120 million--an 8.9 per The diversity of artistic activity in America is cent gain over state appropriations for FY 81. -
2000 Annual Report
2001 ANNUAL REPORT ALFRED P. SLOAN FOUNDATION 1 CONTENTS 2001 Grants and Activities Science and Technology 5 Fellowships 5 Sloan Research Fellowships 5 Direct Support of Research 9 Neuroscience 9 Computational Molecular Biology 9 Limits to Knowledge 10 Marine Science 11 Other Science and Science Policy 15 History of Science and Technology 16 Standard of Living and Economic Performance 17 Industries 17 Industry Centers 17 Human Resources/Jobs/Income 21 Globalization 21 Business Organizations 22 Economics Research and Other Work 24 Nonprofit Sectors 26 Universities 26 Assessment of Government Performance 26 Work, Workforce and Working Families 30 Centers on Working Families 30 Workplace Structure and Opportunity 31 Working Families and Everyday Life 34 Education and Careers in Science and Technology 36 Scientific and Technical Careers 36 Anytime, Anyplace Learning 36 Professional Master’s Degrees 42 Information about Careers 47 Entry and Retention 48 Science and Engineering Education 48 Education for Minorities and Women 49 Minorities 49 Women 53 Public Understanding of Science and Technology 55 Books 55 Sloan Technology Book Series 57 Radio 58 2 Public Television 59 Commercial Television and Films 60 Theater 61 General 63 Selected National Issues and The Civic Program 64 Selected National Issues 64 September 11 64 Bioterrorism 66 Energy 68 Federal Statistics 69 Public Policy Research 69 The Civic Program 71 Additional Grants 73 2001 Financial Report Financial Review 75 Auditors’ Report 76 Balance Sheets 77 Statements of Activities 78 Statements of Cash Flows 79 Notes to Financial Statements 80 Schedules of Management and Investment Expenses 83 3 2001 GRANTS AND ACTIVITIES 4 SCIENCE AND TECHNOLOGY FELLOWSHIPS Sloan Research Fellowships $4,160,000 The Sloan Research Fellowship Program aims to stimulate fundamental research by young scholars with outstanding promise to contribute significantly to the advancement of knowledge. -
ADVOCATE.Fall 2015.FINAL MASTER
Illustrious Firsts I Monumental Legacies I Scholarships Pay It Forward I Then and Now: Starting Law School TheADVOCATE LEWIS & CLARK LAW SCHOOL I PORTLAND, OREGON I FALL 2015 CENTENNIAL CELEBRATION! Alumni Board of Directors Board of Visitors 2015-16 Table of Contents 2015-16 John E. Bates Features Matthew P. Bergman ’89 Tonya Alexander ’01 Illustrious Firsts: A Timeline . 10 Sidney K. Billingslea ’84 Katheryn Bradley ’86 Monumental Legacies . 16 Bowen Blair ’80 Coby Dolan ’99 Paying It Forward With Scholarships . 20 Monte Bricker Dan Eller ’04, President Then and Now: Starting Law School . 21 Jerry F. Carleton ’07 Courtney Flora ’98 Windows Into the Past . 24 Adina Flynn ’96, Past President Ying Chen ’95 The Right Dean for the Times . 28 David Hittle ’74 Jonathan B. Cole ’76 Three Eminent Ties to Apron Strings . 32 Thomas C. Jensen ’83 Bruce I. Crocker ’76 Centennial Celebration Weekend . 36 Jeannie Lee ’08 Victoria E. Cumings ’04 Honor Roll of Donors . 58 Molly Marcum ’82 Jeffrey B. Curtis ’86 Hon. Keith Meisenheimer ’76 Stephen A. Doherty ’84 Departments Sarah Melton ’08 Barnes H. Ellis Events in the News . 2 Ajit Phadke ’98, Vice President David A. Ernst ’85 Commencement. 6 Justin Sawyer ’01 M. Carr Ferguson Faculty and Staff News . 38 Kenneth “KC” Schefski ’99 Paul T. Fortino Class Notes . 46 Heather Self ’01 Hon. Julie E. Frantz ’75 In Memoriam . 56 Jason Wilson-Aguilar ’96 Hon. Susan P. Graber D. Lawrence Wobbrock ’77 Gary I. Grenley ’75 Volume 38, Number 1, Fall 2015 Edwin A. Harnden The Advocate Recent Graduate Christine Helmer ’74 Lewis &Clark Law School Council Steven J. -
Curriculum Vitae
Robert von Dassanowsky Dept. of Languages and Cultures Tel: +1.719.255.3562 Dept. of Visual and Performing Arts [email protected] University of Colorado [email protected] Colorado Springs, CO 80918 USA Dual Citizenship: Austria + USA UNIVERSITY FACULTY POSITIONS AND VISITING/ADJUNCT APPOINTMENTS: University of Colorado, Colorado Springs (UCCS) CU Distinguished Professor of Film and Austrian Studies, 2020. Professor of Visual and Performing Arts-Film and German/Austrian Studies, 2006-present. Founding Director, Film Studies Program, 1997-present. Founding Co-Director, European Studies, 2012. Chair, Dept. of Languages and Cultures, 2001-06; Acting chair, 2009; Co-Chair, 2020. Interim Chair, Dept. of Visual and Performing Arts, 2000-01; 2010. Head of German Program, 1993-present. Graduate/Undergraduate Humanities Program, 1993-present. Associate Professor of German and Visual and Performing Arts, 1999-2006. Assistant Professor of German, 1993-99. The Global Center for Advanced Studies (GCAS), New York and Dublin Affiliate Faculty 2017-present; Board Member of the GCAS Research Institute Dublin; Development Director for GCAS Vienna Center, 2019-present. Webster University, Vienna Adjunct Faculty of Media Communication and Film, 2013-15. University of California, Los Angeles Visiting Professor of German (cinema and contemp. literature), 2007-08. Visiting Assistant Professor of German, 1992-93. Teaching Fellow, Department of Germanic Languages, 1989-92. EDUCATION: Ph.D., Germanic Languages, University of California, Los Angeles, 1992. Dissertation Directors: Wolfgang Nehring, Hans Wagener, Kathleen Komar, 2 G. B. Tennyson. MA, German Studies (film spec.), University of California, Los Angeles, 1988. BA, Cum Laude/Highest Departmental Honors, Political Science and German, University of California, Los Angeles, 1985. -
Policies and Procedures Handbook 2021-2023
FELLOW POLICIES AND PROCEDURES HANDBOOK 2021-2023 Updated August 2021 WELCOME The AFI Conservatory is dedicated to training and nurturing tomorrow’s storytellers in the global film and television professions. Talented people from all over the world come together to train with master filmmakers who are dedicated to passing along their expertise and the highest professional standards of excellence. The program is all-consuming, at times exhausting and often exhilarating. Lives are changed at the AFI Conservatory. Skills and talents are tested, weaknesses and strengths identified, and young artists are pushed to heights they never Your best work imagined. starts here. Vision and responsibility are key components of the experience. The AFI Conservatory expects excellence in all endeavors; it depends on the artists engaged in its programs to recognize their responsibility both to collaborators and the audience. The moving image arts are powerful means of human expression. AFI Fellows learn to wield their skills and talents with humanity and global consciousness. All of us here at AFI look to the Fellows as the best and brightest hope for the future of the art and profession to which we have all dedicated our lives. Welcome to the AFI Conservatory. FELLOW POLICIES AND PROCEDURES HANDBOOK | 1 PROVISIONAL ADMISSION .........................................................................................................................20 TABLE OF CONTENTS WAIT LIST ........................................................................................................................................................ -
Hfpa Philanthropy 2018-19.Pdf
Cover Photo: Loyola Marymount University School of Film and Television students shooting a thesis film on campus Table of Contents HFPA Philanthrophy .................................................3 Lollipop Theater Network ........................................48 American Cinematheque ............................................4 Los Angeles City College ..........................................50 American Documentary Association (POV) ...............5 Los Angeles Conservancy, Last Remaining Seats .......52 American Film Institute .............................................6 Loyola Marymount ..................................................54 Australians in Film .....................................................7 Motion Picture & Television Fund ..........................56 CalArts .......................................................................8 Mt. San Antonio College Foundation.......................57 Cal State Dominguez Hills .........................................9 Museum of the Moving Image .................................58 Cal State Fullerton ...................................................10 New Filmmakers Los Angeles ...................................59 Cal State Long Beach ...............................................11 New York University ................................................60 Cal State Los Angeles ...............................................12 Outfest (UCLA LGBT project) ................................62 California State Summer School Arts Foundation ........13 Pablove Foundation -
American Film Institute Presents Dryland Starring Charlie Kanter with Jacqueline Wright Sound Design by Studio Unknown Music By
DRYLAND AMERICAN FILM INSTITUTE PRESENTS DRYLAND STARRING CHARLIE KANTER WITH JACQUELINE WRIGHT SOUND DESIGN BY STUDIO UNKNOWN MUSIC BY KATY JARZEBOWSKI EDITED BY EMILY MENDEZ PRODUCTION DESIGN BY NOELLE MALINE CINEMATOGRAPHY BY NICHOLAS TRIKONIS PRODUCED BY BRIAN MANCINI WRITTEN BY ANNE METCALF & LIV PRIOR COLLIANDER DIRECTED BY LIV PRIOR COLLIANDER WWW.DRYLANDFILM.COM LOGLINE Reeling in the aftermath of her mother’s suicide attempt, a young swimmer works through her trauma in the water while desperately trying to break the wall of silence at home. SYNOPSIS (SHORT) When sixteen-year-old Mia returns home from swim practice, she discovers her mother attempting suicide and rushes her to the hospital just in time. But once they return home, there is a suffocating silence between them. Mia keeps the event a secret and continues to train for an upcoming swim meet, suppressing her pain and shame – until the bubble bursts at the pivotal moment, forcing mother and daughter to confront their unspoken trauma. SYNOPSIS (LONG) For sixteen-year-old Mia, swimming is her only hope for a way out of the isolated desert town she lives in with her struggling single mother, Joyce. When Mia returns from swim practice one afternoon, she finds Joyce at- tempting suicide and rushes her to the hospital just in time – saving her life. But once they return home, their relationship is changed forever. A suffocating silence fills the home and Mia keeps the event a secret from the outside world. Mia continues to train with iron focus for an upcoming competition, hoping that her performance at the swim meet will give her mother something to live for. -
Media School and Got a Degree in Radio and TV Production
THE STORY LOGLINE An Asian-American teenager at a traditional prep school longing to fit in with the school’s elite is forced to choose between her morality and belonging in their exclusive group. SYNOPSIS (short) Jamie, an Asian-American teenager, struggles to carve a new home and identity for herself at her elite boarding school. After helping her crush avoid trouble, Jamie is finally invited to an exclusive after-hours party hosted by the popular boys in her class. Faced with an unforeseen event, Jamie is forced to confront the reality that belonging in their exclusive group has a price - her silence. SYNOPSIS (long) Even in her senior year, the Asian-American Jamie struggles to carve a new home and identity for herself at her elite boarding school, Elmwood. After helping her popular crush avoid trouble, Jamie is invited to an after-hours party hosted by the school’s elite and decides to break the rules in order to attend. But when a girl in Jamie’s dorm falls unconscious and is harassed by the boys hosting the party, Jamie is forced to confront the reality that belonging in their exclusive group has a price - her silence. ABOUT FLECK FLECK is a thesis film created by a group of filmmakers as part of their Master of Fine Arts degree from the American Film Institute Conservatory. An intimate and dramatic character study, FLECK questions the lengths we go to in order to belong. The boarding school that the Asian-American Jamie lives at is a traditonally masculine environment. Though Jamie doesn’t quite fit in, she longs to be a part of it and on a deeper level, she longs to finally feel at home. -
Living on His Own in Burbank – Nick Klein Part II
CELEBRATING OUR VOL. 13, NO. 2 SUMMER 2006 ANNIVERSARY A PUBLICATION OF FRANK D. LANTERMAN REGIONAL CENTER Functional Literacy S AVE THE D ATE! Skills Improve by Lanterman’s Clients to Compete in the Almost 40 Percent for Get Fit! Games at the Home Depot Center Pilot Class Participants See story on page 8 ucked away in the foothills of the San Gabriel Mountains, the La Pintoresca TBranch of the Pasadena Public Library hosted a pilot, 20-week, functional literacy class conducted by the Association for Developmentally Disabled Armenians for three hours on Saturday mornings. The class was designed to improve the literacy skills of adult clients served by Lanterman Regional Center. This new approach focused on improving functional literacy skills rather than using a traditional literacy instruction model based on phonics. The curriculum for the pilot class was developed by Barbara Del Monico, a literacy specialist with a background in reading instruction and special education, and was specifically tailored for adults with developmental disabilities. “A number of years ago, when we first started the adult computer classes at Lanterman, Marty Living On His Own in Burbank – Sweeney, who was then director of the Assistive Technology Project, shared with me that many Nick Klein Part II people with developmental disabilities are capable of learning to use the computer, but that hoever said that a sequel couldn’t be to promote personal achievement, enhance self- learning the computer is literacy-based. He better than the original, has yet to read esteem, and lower barriers between people. believed that many of our clients were capable of part two of Nick Klein’s story that W “Nick’s part was cut from ‘Failure to Launch,’ but learning to read, but they did not learn how to in appeared in February in the spring 2006 edition school or their reading comprehension was low. -
Cilect Members
List_CILECT Full Membership 2021 1/6 SCHOOL COUNTRY REGION Australian Film, Television and Radio School (AFTRS) AUSTRALIA CAPA Griffith Film School (GFS) AUSTRALIA CAPA Swinburne School of Film and TV (SSFT) AUSTRALIA CAPA Victorian College of the Arts (VCA) AUSTRALIA CAPA Western Australian Screen Academy (WASA) AUSTRALIA CAPA Beijing Film Academy (BFA) CHINA CAPA Central Academy of Drama (CAD) CHINA CAPA Communication University of China (CUC) CHINA CAPA Hong Kong Academy for Performing Arts (HKAPA) CHINA CAPA Hong Kong Baptist University (HKBU) CHINA CAPA Communication University of Zhejiang (CUZ) CHINA CAPA National Taiwan University of Arts (NTUA) CHINA (Taipei) CAPA Annapurna College of Film and Media (ACFM) INDIA CAPA Film and Television Institute of India (FTII) INDIA CAPA Satyajit Ray Film and Television Institute (SRFTI) INDIA CAPA Whistling Woods International (WWI) INDIA CAPA Jakarta Institute of the Arts (IKJ) INDONESIA CAPA Japan Institute of the Moving Image (JIMI) JAPAN CAPA Nihon University JAPAN CAPA Tokyo University of the Arts (TUA) JAPAN CAPA Dankook University (DKU) KOREA CAPA Dong-Ah Institute of Media and Arts (DIMA) KOREA CAPA Korea University of Media Arts (KUMA) KOREA CAPA Korean Academy of Film Arts (KAFA) KOREA CAPA University of Auckland (UoA) NEW ZEALAND CAPA University of the Philippines Film Institute (UPFI) PHILIPPINES CAPA Lasalle College of the Arts (LCA) SINGAPORE CAPA Nanyang Polytechnic (NYP) SINGAPORE CAPA Nanyang Technological University (NTU) SINGAPORE CAPA Ngee Ann Polytechnic SINGAPORE CAPA Hanoi -
Archived News
Archived News 2009-2010 News articles from 2009-2010 Table of Contents Jane Alexander ’61 ........................................... 10 David Lindsay-Abaire ’92................................ 30 New book by economics faculty member Jamee Tessa Corthell ’07............................................. 30 Moudud calls into question neoliberal theory and Undercovers, the latest series from writer- policies ............................................................. 11 producer-director J.J. Abrams '88, picked up by Alumni achievement and service award winners NBC for fall season .......................................... 30 represent outstanding accomplishment in Pam Tanowitz MFA '98 and Anne Lentz '98 ... 30 education, broadcasting, law, and the arts ........ 12 Sarah Lawrence College................................... 31 History faculty member Fawaz Gerges named inaugural director of The London School of Photographer Alec Soth '92 chronicles his travels Economics and Political Science's Middle East around America in video series for The New York Centre................................................................ 14 Times..................................................................31 Zoe Alexander '13 designs and produces first- Variety profiles director Sanaa Hamri '96 in ever plantable high-fashion coat in Biomimicry advance of her latest motion picture release..... 31 Project ............................................................... 14 Celebrating Oxford: Reflections on the Sarah Alumna Julianna Margulies tells Class -
ORGANIZATION ID NAME ADDRESS LINE 1 ADDRESS LINE 2 ADDRESS LINE 3 ADDRESS LINE 4 COUNTRY ID 159828 Ministry of Foreign Affairs O
ORGANIZATION_ID NAME ADDRESS_LINE_1 ADDRESS_LINE_2 ADDRESS_LINE_3 ADDRESS_LINE_4 COUNTRY_ID 159828 Ministry of Foreign Affairs of Afghanistan Malik Asghar Square Shah Mahmood Ghazi Street Kabul 1000 AFG 150484 Aleksander Moisiu University of Durres Currila street Quarter no 1 Durres ALB 109400 IAE Business School Mariano Acosta s/n y Ruta 8 - Pilar - Buenos Aires ARG 138701 American University of Armenia - Office of Admissions 40 Baghramyan Ave Yerevan 19 ARM 13 IELTS Australia 1 Geils Court Deakin ACT 2600 AUS 52 University of New England Armidale NSW 2350 AUS 65 Sydney Institute of Business and Technology Level 4 255 Elizabeth Street Sydney NSW 2000 AUS 70 RMIT International 330 Swanston Street Melbourne Victoria 3000 AUS 72 UNSW - Admissions & Student Recruitment University of New South Wales Sydney 2052 AUS 73 La Trobe University Bundoora Melbourne Victoria 3086 AUS 75 Southern Cross University International Office PO Box 157 Lismore NSW 2480 AUS 85 University of Tasmania - International Admissions University of Tasmania Private Bag 11 Hobart TAS 7001 Tasmania 7000 AUS 86 University of Melbourne - Admissions Swanston Street Parkville Victoria 3010 AUS 99 Monash University - International International Recruitment 871 Dandenong road Caulfield East Victoria 3145 AUS 103 Australian National University - ANU Admissions Office Admissions & Student Services Building X-005 The Australian National Unv Canberra ACT 0200 AUS 112 SAIBT South Australian Institute of Business and Technology GPO Box 2471 Adelaide South Australia 5001 AUS 130 Charles