GREG BRYK, Actor
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Cartoon Digital
cartoon digital 6-8 December 2016 Munich (Germany) Creating Entertainment for Connected Screens Top speakers • Market trends • Case studies • Networking www.cartoon-media.eu pitching event for animated transmedia projects cRtOn 3 29 31 May 2017 www.cartoon-media.eu PARTNERS CARTOON DIGITAL IS ORGANISED BY WITH THE SUPPORT OF IN COLLABORATION WITH CARTOON IS SPONSORED BY 3 Ilse Aigner Bavarian State Minister of Economic Affairs and Media, Energy and Technology Deputy Minister-President of Bavaria Dear Cartoon Digital Seminar Attendants, n behalf of the Bavarian Government I warmly welcome you to Cartoon Digital in Munich, Bavaria’s cosmopolitan capital. O It has been a long-standing tradition to host a cartoon program event here in Munich. Munich is just the right venue: the local television stations and producers, special service providers for VFX and animation, the renowned University of Television and Film Munich (HFF) as well as other elite universities and, last but not least, an active and innovative games industry make Munich a first class location for animation film and television productions in Germany. The State of Bavaria with its film funding program run by the FilmFernsehFonds Bayern (FFF Bayern) contributes highly towards maintaining this leading position. The FFF Bayern disburses funding totaling 33 million — 4.7 million € of this funding is specifically allocated to the technically highly demanding and staff-intensive VFX and animation services and to international co-productions. In addition, there is a program that is dedicated to the games industry in Bavaria. This program will be further extended in the following years, and other media innovations will also be funded in future. -
De La Producci\363N Al Consumo De La Animaci\363N Como
De la producción al consumo de la animación como fenómeno cultural: Una breve historia crítica Autor: Xavier Fuster Burguera Director: José Igor Prieto Arranz Trabajo de fin de máster Máster en lenguas y literaturas modernas 2010/2011 Universitat de les Illes Balears Índice Capítulo 1. Introducción 2 Capítulo 2. Estados Unidos: centro hegemónico de la animación occidental 11 2.1 Introducción 11 2.2 La semilla de un nuevo género artístico popular: 12 la animación decimonónica 2.3 El Magic Kingdom de Walt Disney 20 2.4 Warner Bros. y su séquito 28 2.5 Y Europa por extensión 35 Capítulo 3. El papel del arte popular japonés en la animación occidental 38 3.1 Introducción 38 3.2 Imágenes cómicas en Japón 40 3.3 La animación de las imágenes cómicas 47 3.4 De occidente a oriente y viceversa 55 3.4.1 La exportación de las imágenes cómicas animadas 59 Capítulo 4. La animación en la época de la televisión 66 4.1 Introducción 66 4.2 De la gran pantalla al televisor 67 4.3 La televisión, el entretenimiento de masas 72 4.4 Japón y su aventura por Europa 84 Capítulo 5. Nuevas perspectivas globales del consumo de la animación 89 5.1 Introducción 89 5.2 El canon de consumo de animación de Disney 90 5.3 Los adultos: consumidores marginales de la animación 97 5.4 Subculturas de consumo de animación 103 Conclusión. 111 Anexo. 116 Cronología 116 Referencias. 129 De la producción al consumo de la animación como fenómeno cultural: Una breve historia crítica Capítulo 1. -
Getting a on Transmedia
® A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. SPRING 2014 Getting a STATE OF SYN MAKES THE LEAP GRIon transmediaP + NEW RIVALRIES AT THE CSAs MUCH TURNS 30 | EXIT INTERVIEW: TOM PERLMUTTER | ACCT’S BIG BIRTHDAY PB.24462.CMPA.Ad.indd 1 2014-02-05 1:17 PM SPRING 2014 table of contents Behind-the-scenes on-set of Global’s new drama series Remedy with Dillon Casey shooting on location in Hamilton, ON (Photo: Jan Thijs) 8 Upfront 26 Unconventional and on the rise 34 Cultivating cult Brilliant biz ideas, Fort McMoney, Blue Changing media trends drive new rivalries How superfans build buzz and drive Ant’s Vanessa Case, and an exit interview at the 2014 CSAs international appeal for TV series with the NFB’s Tom Perlmutter 28 Indie and Indigenous 36 (Still) intimate & interactive 20 Transmedia: Bloody good business? Aboriginal-created content’s big year at A look back at MuchMusic’s three Canadian producers and mediacos are the Canadian Screen Awards decades of innovation building business strategies around multi- platform entertainment 30 Best picture, better box offi ce? 40 The ACCT celebrates its legacy Do the new CSA fi lm guidelines affect A tribute to the Academy of Canadian 24 Synful business marketing impact? Cinema and Television and 65 years of Going inside Smokebomb’s new Canadian screen achievements transmedia property State of Syn 32 The awards effect From books to music to TV and fi lm, 46 The Back Page a look at what cultural awards Got an idea for a transmedia project? mean for the business bottom line Arcana’s Sean Patrick O’Reilly charts a course for success Cover note: This issue’s cover features Smokebomb Entertainment’s State of Syn. -
Drama Report 2013/2014
Drama Report Production of feature films and TV drama in Australia 2013/14 Highlights $837 million total production expenditure Up 11 per cent on last year 35 Australian features $297 million Up 18 per cent on last year 49 Australian TV dramas $343 million Down 8 per cent on last year 26 foreign projects $197 million Up 50 per cent on last year Producer Offset total value $137 million © Screen Australia 2014 ISBN: 978-1-920998-29-5 The text in this report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Drama Report 2013/14. You must not alter, transform or build upon the text in this report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/ licenses/by-nc-nd/3.0/ Screen Australia is grateful to all those who contributed data to the compilation of this report. The data provided has been drawn from a number of sources. While Screen Australia has undertaken all reasonable measures to ensure its accuracy, we cannot accept responsibility for inaccuracies and omissions. Cover image: The Code Contents Key terms 4 OVERVIEW 5 ALL DRAMA PRODUCTION 6 AUSTRALIAN FEATURE SLATE – DOMESTIC AND CO-PRODUCTION TITLES 8 Feature budget ranges 8 Sources of finance for Australian features 9 AUSTRALIAN TV DRAMA SLATE – DOMESTIC AND CO-PRODUCTION TITLES 10 Programs for adults 12 Programs for children 13 Sources of finance for Australian TV drama 14 FOREIGN PRODUCTION 15 Features 15 TV drama 15 DRAMA PRODUCTION BY LOCATION 16 Expenditure by state 16 Location of production company 17 TITLES IN THE 2013/14 SLATE 18 PDV SERVICES – FOR FEATURES AND TV DRAMA PRODUCTION 21 METHODOLOGY 25 ABOUT THE REPORT activity in Australia and the Offset’s Australia. -
English Performance Envelopes & Production Incentive
Home Français Feedback Corporate website Papo & Yo SalesAn interactive: Denmark, fable Finland, in whichFrance, the Germany, primal relationshipNetherlands, between Norway, parentSlovenia, and Sweden, child is brilliantlyWorldwide allegorized (excluding in the taleUSA) of a monster and his small friend. Average Minute Launch Video Audience: 1,805,000 Appendices English Performance Envelopes & Production Incentive Program Notice SECTIONS ON THIS PAGE Funding Lists Convergent Stream Drama Documentary Variety & Performing Arts English Performance Children & Youth Envelopes & Production Incentive Program French Performance Envelopes and Regional French Incentive Program Francophone Minority DRAMA Program Aboriginal Program English POV Program Convergent 2nd Platform / Diverse Languages Project Title Applicant(s) Region Platform Content Type Program Envelope Funding ($) Program Drama Versioning Program English Development 18 To Life II (13- 18 To Life II Productions inc / MTL TV Digital PE CBC $4,022,698 Envelopes 25) Sound Venture 18 Productions Distribution EPI $1,000,000 French Selective Inc. Development Total $5,022,698 French Regional Development Program Being Erica lll (1- Being Erica III Productions TO TV Rich & PE CBC $6,599,996 Francophone Minority 13) Limited Substantial Program (Development) Digital Media Aboriginal Program (Development) The Bionic Crimson Clay Media Ltd. SK TV Digital PE APTN (English) $144,600 Experimental Stream - Bannock Boys II Distribution Development and Marketing (7-12) Experimental Stream - Production Blackstone I (2-9) Blackstone Cycle I Ltd. AB TV Rich & PE APTN (English) $1,015,000 Substantial Performance Envelope Digital Media Calculations Internet Website PE APTN (English) $146,919 Audience Data Sources Total $1,161,919 The Borgias I Borgias Productions Inc. TO TV Video On PE BRAVO! $1,100,000 Financing Sources : Definitions (101-109) Demand By the Rapids IV Ista Films IV Inc. -
International Reinterpretations
International Reinterpretations 1 Remakes know no borders… 2 … naturally, this applies to anime and manga as well. 3 Shogun Warriors 4 Stock-footage series 5 Non-US stock-footage shows Super Riders with the Devil Hanuman and the 5 Riders 6 OEL manga 7 OEL manga 8 OEL manga 9 Holy cow, more OEL manga! 10 Crossovers 11 Ghost Rider? 12 The Lion King? 13 Godzilla 14 Guyver 15 Crying Freeman 16 Fist of the North Star 17 G-Saviour 18 Blood: the Last Vampire 19 Speed Racer 20 Imagi Studios 21 Ultraman 6 Brothers vs. the Monster Army (Thailand) The Adventure Begins (USA) Towards the Future (Australia) The Ultimate Hero (USA) Tiga manhwa 22 Dragonball 23 Wicked City 24 City Hunter 25 Initial D 26 Riki-Oh 27 Asian TV Dramas Honey and Clover Peach Girl (Taiwan) Prince of Tennis (Taiwan) (China) 28 Boys Over Flowers Marmalade Boy (Taiwan) (South Korea) Oldboy 29 Taekwon V 30 Super Batman and Mazinger V 31 Space Gundam? Astro Plan? 32 Journey to the West (Saiyuki) Alakazam the Great Gensomaden Saiyuki Monkey Typhoon Patalliro Saiyuki Starzinger Dragonball 33 More “Goku”s 34 The Water Margin (Suikoden) Giant Robo Outlaw Star Suikoden Demon Century Akaboshi 35 Romance of the Three Kingdoms (Sangokushi) Mitsuteru Yokoyama’s Sangokushi Kotetsu Sangokushi BB Senshi Sangokuden Koihime Musou Ikkitousen 36 World Masterpiece Theater (23 seasons since 1969) Moomin Heidi A Dog of Flanders 3000 Leagues in Search of Mother Anne of Green Gables Adventures of Tom Sawyer Swiss Family Robinson Little Women Little Lord Fauntleroy Peter -
Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. in Re
Electronically Filed Docket: 14-CRB-0010-CD/SD (2010-2013) Filing Date: 12/29/2017 03:37:55 PM EST Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. In re DISTRIBUTION OF CABLE ROYALTY FUNDS CONSOLIDATED DOCKET NO. 14-CRB-0010-CD/SD In re (2010-13) DISTRIBUTION OF SATELLITE ROYALTY FUNDS WRITTEN DIRECT STATEMENT REGARDING DISTRIBUTION METHODOLOGIES OF THE MPAA-REPRESENTED PROGRAM SUPPLIERS 2010-2013 CABLE ROYALTY YEARS VOLUME I OF II WRITTEN TESTIMONY AND EXHIBITS Gregory O. Olaniran D.C. Bar No. 455784 Lucy Holmes Plovnick D.C. Bar No. 488752 Alesha M. Dominique D.C. Bar No. 990311 Mitchell Silberberg & Knupp LLP 1818 N Street NW, 8th Floor Washington, DC 20036 (202) 355-7917 (Telephone) (202) 355-7887 (Facsimile) [email protected] [email protected] [email protected] Attorneys for MPAA-Represented Program Suppliers December 29, 2017 Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. In re DISTRIBUTION OF CABLE ROYALTY FUNDS CONSOLIDATED DOCKET NO. 14-CRB-0010-CD/SD In re (2010-13) DISTRIBUTION OF SATELLITE ROYALTY FUNDS WRITTEN DIRECT STATEMENT REGARDING DISTRIBUTION METHODOLOGIES OF MPAA-REPRESENTED PROGRAM SUPPLIERS FOR 2010-2013 CABLE ROYALTY YEARS The Motion Picture Association of America, Inc. (“MPAA”), its member companies and other producers and/or distributors of syndicated series, movies, specials, and non-team sports broadcast by television stations who have agreed to representation by MPAA (“MPAA-represented Program Suppliers”),1 in accordance with the procedural schedule set forth in Appendix A to the December 22, 2017 Order Consolidating Proceedings And Reinstating Case Schedule issued by the Copyright Royalty Judges (“Judges”), hereby submit their Written Direct Statement Regarding Distribution Methodologies (“WDS-D”) for the 2010-2013 cable royalty years2 in the consolidated 1 Lists of MPAA-represented Program Suppliers for each of the cable royalty years at issue in this consolidated proceeding are included as Appendix A to the Written Direct Testimony of Jane Saunders. -
CMPA (Fomerly CFTPA) Signatory Producers 2012 to 2014 Animation up to March 12, 2018
CMPA (fomerly CFTPA) Signatory Producers 2012 to 2014 Animation up to March 12, 2018 #REF! Production Ltd. 0698389 BC Ltd for ""Genesis"" 0744770 B.C. Ltd. 0897624 B.C. Ltd. 0974818 B.C. Ltd for ""Journey Continues"" 0978603 B.C. Ltd for ""Year of the Rat"" 0991015 BC Ltd 101117088 Saskatchewan Ltd 1013693 BC Ltd. 1024502 B.C. Ltd. For ""Between the Lines"" 1181106 Alberta Inc (o/a) Draw Your Cat 1259534 Alberta Inc. 1380099 Ont. Inc. Heroic Films Co. for ""Ladies Killing Circle"" 1380099 Ont. Inc.as Heroic Film Cpy for ""First Things First"" 1380099 Ontario Inc. o/a Heroic Film Company 1514373 Ontario Inc. 1555135 Alberta Inc 16 Lighthouse Road Productions, Ltd. for "Cedar Cove" - TV Series - Season 1 1664121 Ontario Ltd for ""Ganesh Boy Wonder"" 1743722 Ontario, Inc. 1746020 Ontario, Inc. 1760451 Ontario, Inc. 1900333 Ontario Limited for ""Asset"" 1972 Productions Inc. 1972 Productions Inc. 2005519 Ontario Limited 2006376 Ontario Inc. 2075382 Ontario Limited 2104023 Ontario Inc. 2108602 Ontario Ltd 22 Minutes (Nye) IV Incorporated 22 Minutes XI Incorporated 22 Minutes XIV Limited 2215190 Ontario, Inc. 2215190 Ontario, Inc. for "The Backpackers" 2218373 Ontario Inc for ""Upstaged"" 2223702 Ontario, Inc. 2255478 Ont. Ltd. 229543 Ontario, Inc for "URL" 2296613 Ontario Inc. 2328813 Ontario Inc for ""Mad Dog & Weasel"" 2402859 Ontario Inc. for ""The Little Show"" 2406664 Ontario Inc. 2More Films Media (On)Inc. 3084299 Nova Scotia Limited 3868265 Canada Inc 3D Films (Canada) Inc 40 Below Productions, Inc. 4433581 Manitoba Inc. 49th Parallel Films Two Inc. 506 Productions for ""Rainbow Connection"" (Story Consultants only) 52 Media, Inc for "OMAR K." 643510 B.C. -
V I T O V I S C O
VITO VISCOMI – LOS ANGELES 323-314-5448 [email protected] KATHY A ROCCHIO – VANCOUVER 604-506-3460 [email protected] COLLECTIVE PERSONAL CREDITS FOR PARTNERS Vito Viscomi WGA/WGC WRITER SKETCH/REALITY MTV MOVIE AWARDS ’06 Writer Tenth Planet/MTV LAST LAUGH ’05 and ‘06 Writer Tenth Planet/COMEDY CENTRAL BLUE COLLAR TV Writer/Co-Prod WB VIVA LA BAM Writer MTV NICK & JESSICA VARIETY HOUR Writer ABC Variety Special JACKASS Writer MTV JACKASS: THE MOVIE Writer MTV Films I’M WITH BUSEY Writer Jimco/Comedy Central SMOKING GUN Writer Court-TV special BOMBITTY OF ERRORS Co-EP MTV pilot ANIMAL PRANKSTERS Writer Stone-Stanley/Animal Planet special THE ANDY DICK SHOW Senior Writer MTV series THE TOM GREEN SHOW Writer MTV series THE VACANT LOT Writer/Creator Lorne Michaels/COMEDY CENTRAL TALK THE HOWARD STERN SHOW Senior Producer CBS-TV THE LATE EDITION Supervising Producer CNBC SITCOM THE ROAMING GNOME Co-EP, Creator USA Studios/Pilot APARTMENT 2F Story Editor/Writer MTV ANIMATION KID VS. KAT Writer Studio B / YTV / Jetix RICKY SPROCKET Writer Studio B / Teletoon / Nicktoons MR. MEN Writer Cartoon Network ROLLBOTS Story Editor/Writer Amberwood/YTV BEING IAN Story Editor/Writer Studio B/YTV WEIRD YEARS Writer Lenz Entertainment/YTV AMAZING ADRENALINI BROS. Writer Studio B/YTV MONSTER BUSTER CLUB Writer Marathon/YTV BARNYARD Add’l Writing Steve Oedekerk Feature YAKKITY YAK Story Editor/Writer Studio B/Nicktoons/Teletoon THE GODTHUMB Writer Steve Oedekerk, DVD release DIRK DERBY Writer Steve Oedekerk/Nicktoons JOHN CALLAHAN’S QUADS Writer Nelvana YVON OF THE YUKON Writer Studio B/YTV Canada Vito Viscomi continued… RUGRATS GO WILD Add’l Writing Klasky Csupo Feature AWARDS/HONORS ELAN AWARDS (Canada) ‘Being Ian’ – Best Writing – WINNER GOLDEN ROSE AWARD (International) 'The Vacant Lot' - Outstanding Comedy Series - Finalist. -
THE LEADING SOURCE for PROGRAM INFORMATION *LIST 0114 ALT LIS 1006 LISTINGS 1/16/14 12:50 PM Page 2
*LIST_0114_ALT_LIS_1006_LISTINGS 1/16/14 12:50 PM Page 1 WWW.WORLDSCREENINGS.COM JANUARY 2014 NATPE EDITION TVLISTINGS THE LEADING SOURCE FOR PROGRAM INFORMATION *LIST_0114_ALT_LIS_1006_LISTINGS 1/16/14 12:50 PM Page 2 MARKET FLOOR 10 Francs 425 Cineflix Rights 304 France Televisions Distribution 425 Motion Picture Corp. of America 132 SBS International 518 100% Distribution 425 CITVC 400 Fred Media 106 Multimedios Televisión 115 Scorpion TV 331 AB Media 415 CJ E&M 417 Fuji Television Network 113 Muse Distribution International 213 Shanghai TV Festival 608 AccuWeather 117 Construir TV 421 Gaumont Animation 425 Newen Distribution 120 Shoreline Entertainment 204 ADD Agency 130 CT Media 231 Global Agency 301 NHK Enterprises 521 Superights 425 AFP 505 David Harris Katz Entertainment 116 GMA Worldwide 104 Nippon Animation 531 Switch International 134 American Cinema International 508 DCD Rights 300 GoldBee 533 Nippon Television Network 228 Taipei Multimedia Production 515 Aniplex 311 DHX Media 316 GRB Entertainment 510 Nollywood Worldwide Entertainment 332 TF1 International 425 APA International Film Distributors 404 DIRECTV Latin America 628 Greenlight International 232 NuRay Pictures 124 Toei Animation 215 Argonon 31a DLT Entertainment 401 Hasbro Studios 102 Octapixx Worldwide 308 Triangle Entertainment 626 Arte France 425 DRG 201 Hoho Entertainment 331 Olympusat 624 TV Asahi 233 ATM Broadcast 325 Echo Bridge Entertainment 221 ITV-Inter Medya 421 Ooyala 604 TV France International 425 Audiovisual from Spain 225 Egeda US 616 Kanal D 410 Optomen Television 331 TV Latina 604k Begin 108 Electric Sky 331c KBS Media 419 Osiris Entertainment 212 TVS 218 Bender Media Services 411 Electus International 127 Keshet International 634 Pact/UK Indies 331 Twofour 331 Beverly Boy Productions 126 Elk Entertainment 138 KOCCA 415 Passion Distribution 331b Upside Distribution 425 Bonneville Distribution 501 Espresso TV 331 Lagardère Entertainment Rights 118 Peace Point Rights 312 VIPO Land 226 Boomerang TV 225 Epic Films 114 Latin Media Corp. -
Melbourne Programme Guide
MELBOURNE PROGRAMME GUIDE Sunday 04th October 2009 06:00 am Mass For You At Home WS G Enjoy Mass in the comfort of your own home. 06:30 am Hillsong With Brian Houston WS G Religious Program 07:00 am Totally Wild (Rpt) CC C WS Explore the natural beauty of Australia's native flora and fauna with the Totally Wild team. 07:30 am Pearlie CC Dial A Dilemma / Throwing Down It's magic in the city with Pearlie, a colourful comedy about a fashionable, urban fairy. 08:00 am Meet The Press CC WS Network Ten's premier political program. Join Paul Bongiorno as he interviews the main players on the Australian public affairs stage, and covers the issues making news in Federal politics. 08:30 am Video Hits G Video Hits is Australia's #1 music show. Hosted by Faustina 'Fuzzy' Agolley & Hayden Guppy, it features the best new music and classic tunes. Plus interviews, live event shows and huge competitions. 10:00 am Video Hits PG Sexual References, Mild Coarse Language Video Hits is Australia's #1 music show. Hosted by Faustina 'Fuzzy' Agolley & Hayden Guppy, it features the best new music and classic tunes. Plus interviews, live event shows and huge competitions. 11:00 am Video Hits Presents Video Hits Presents: The Big Day Out Australia's number one music show brings you specials with interviews and music from the world's hottest acts. 12:00 pm IFish WS G Providing tips and information for the beginner fisherman, right through to the hard-core fishing enthusiasts. -
PRODUCTION SERVICES 40050265 PRINTED40050265 in USPS CANADA Approved Polywrap AFSM 100 NUMBER AGREEMENT POST NUMBER CANADA Contents DECEMBER 2010
DECEMBER 2010 ’S FOCUS ON PRODUCTION SERVICES 40050265 PRINTED40050265 IN USPS CANADA Approved Polywrap AFSM 100 NUMBER NUMBER CANADA POST AGREEMENT POST CANADA Contents DECEMBER 2010 7Animation 14Talent 19Audio Innovative service providers are Tips on tracking down magic- When it comes to setting a series’ keeping costs down and moving making writing and acting talent to tone, music choice and sound tech forward in this global market elevate a concept from good to great design speak volumes 29Post 33 Interactive 37Distribution Budgets may be tighter, but A digital extension is no longer an The migration to digital delivery producers can’t afford to overlook add-on, but a necessity—and so is is pushing distributors into self- the fi nishing touches fi nding the right interactive partner service territory 2 DECEMBER 2010 ’S FOCUS ON PRODUCTION SERVICES KS.18339.Toonbox.indd 1 11/11/10 3:56 PM Editor’s note December 2010 • Volume 15, Issue 8 all know the whole is only as good as the We VP & PUBLISHER sum of its parts, and that adage certainly holds true Jocelyn Christie ([email protected]) when it comes to children’s entertainment. While EDITORIAL getting a series greenlit continues to be challenging, Lana Castleman Editor ([email protected]) arguably the real panic sets in when a producer sits Kate Calder Senior Writer ([email protected]) Gary Rusak Senior Writer ([email protected]) back with presales and a delivery schedule in-hand Wendy Goldman Getzler Senior Online Writer ([email protected]) and thinks, “Eek! Now What?