DOCSLIB.ORG

Nov 2019 Name of Assistant / Associate Mrs. Prerna Sharma Class

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nov 2019 Name of Assistant / Associate Mrs. Prerna Sharma Class NBGSM College Lesson Plan July 2019- Nov 2019 Name of assistant / Associate Mrs. Prerna Sharma Class : B.A. Semester: 5TH Subject: HINDI(ELECTIVE) Day Date Topic 1st Week 1 16-Jul-19 INTRODUCTION OF SYLLABUS 2 17-Jul-19 SHRI GYAN RANJAN AS A STORY 3 18-Jul-19 PILA’ KAHANI READING 4 19-Jul-19 READING 5 20-Jul-19 CRITICISM Sunday 21-Jul-19 2nd Week 1 22-Jul-19 CRITICISM 2 23-Jul-19 TEST OF ‘PILA’ KAHANI 3 24-Jul-19 KRISHANNATH SINGH AS A STORY WRITER 4 25-Jul-19 APNA RASTA LOBABA’ READING 5 26-Jul-19 READING 6 27-Jul-19 CRITICISM Sunday 28-Jul-19 3rd week 1 29-Jul-19 CRITICISM 2 30-Jul-19 TEST OF APNA RASTA LO BABA 3 31-Jul-19 Holiday 4 1-Aug-19 MRIDULA GARG AS A STORY WRITER 5 2-Aug-19 EKKISAVI SADI KA PER READING 6 3-Aug-19 READING Sunday 4-Aug-19 4th week 1 5-Aug-19 CRITICISM 2 6-Aug-19 CRITICISM 3 7-Aug-19 TEST OF EKKISAVI SADI KA PER 4 8-Aug-19 PANKAJ VIST AS ASTORY WRITER 5 9-Aug-19 BACCHAN GAVAH NAHI HO SKTEREADING 6 10-Aug-19 READING Sunday 11-Aug-19 5th week 1 12-Aug-19 Holiday 2 13-Aug-19 CRITICISM 3 14-Aug-19 CRITICISM 4 15-Aug-19 Holiday 5 16-Aug-19 TEST OF ABOVE STORY 6 17-Aug-19 PARTISHAN KAHANY READING Sunday 18-Aug-19 6th week 1 19-Aug-19 READING 2 20-Aug-19 CRITICISM 3 21-Aug-19 CRITICISM 4 22-Aug-19 UDAY PRAKASH AS ASTORY WRITER 5 23-Aug-19 READING OF ‘TIRICH 6 24-Aug-19 Holiday Sunday 25-Aug-19 7th week 1 26-Aug-19 READING ‘TIRICH 2 27-Aug-19 CRITICISM 3 28-Aug-19 CRITICISM 4 29-Aug-19 TEST OF PARTISAN AND TIRICH 5 30-Aug-19 SANJEEV KUMARASASTORY WRITER 6 31-Aug-19 ‘AAROHAN’ STORY READING Sunday 1-Sep-19 8th week 1 2-Sep-19 READING 2 3-Sep-19 CRITICISM 3 4-Sep-19 CRITICISM 4 5-Sep-19 TEST OF ABOVE 5 6-Sep-19 AGGEY AS A POEM 6 7-Sep-19 POEM OF AGGEY Sunday 8-Sep-19 9th week 1 9-Sep-19 DO 2 10-Sep-19 CRITICS OF POETRY 3 11-Sep-19 POEM OF DHARMVIR READING CRITICISM 4 12-Sep-19 DO 5 13-Sep-19 DO 6 14-Sep-19 BHAVAMI PRASAD AS A POET Sunday 15-Sep-19 10th week 1 16-Sep-19 BHAVAMI PRASAD AS A POET 2 17-Sep-19 READING OF POEM AND CRITICISM 3 18-Sep-19 DO 4 19-Sep-19 DO 5 20-Sep-19 TEST 6 21-Sep-19 DUSHYANT KUMAR AS A POET Sunday 22-Sep-19 11th week 1 23-Sep-19 Holiday 2 24-Sep-19 READING OF POEM AND CRITICISM 3 25-Sep-19 DO 4 26-Sep-19 TEST 5 27-Sep-19 RAGHUBIR SHAYAYE AS A PART 6 28-Sep-19 POEM READING AND CRITICISM Sunday 29-Sep-19 12th week 1 30-Sep-19 DO 2 1-Oct-19 DO 3 2-Oct-19 Holiday 4 3-Oct-19 TEST 5 4-Oct-19 SARVESWAR DAYAL SAKSENA 6 5-Oct-19 POEM READING ANDCRITICISM Sunday 6-Oct-19 13th week 1 7-Oct-19 DO 2 8-Oct-19 Holiday 3 9-Oct-19 DO 4 10-Oct-19 TEST 5 11-Oct-19 SHANSHAR BHADUR AS A POET 6 12-Oct-19 POEM READING AND CRITICISM Sunday 13-Oct-19 14th week 1 14-Oct-19 DO 2 15-Oct-19 DO 3 16-Oct-19 HINDI NOVEL ORIGIN AND DEVELOPMENT 4 17-Oct-19 Holiday 5 18-Oct-19 DO 6 19-Oct-19 HINDI PLAY ORIGIN AND DEVELOPMENT Sunday 20-Oct-19 15th week 1 21-Oct-19 DO 2 22-Oct-19 HINDI NIBAND ORIGIN AND DEVELOPMENT 3 23-Oct-19 DO 4 24-Oct-19 Diwali Brteak 5 25-Oct-19 Diwali Brteak 6 26-Oct-19 Diwali Brteak Sunday 27-Oct-19 Diwali Brteak 16th week 1 28-Oct-19 Diwali Brteak 2 29-Oct-19 Diwali Brteak 3 30-Oct-19 Diwali Brteak 4 31-Oct-19 OTHERS VIDHAS OF HINFI LIT 5 1-Nov-19 Holiday 6 2-Nov-19 TEST OF ABOVE Sunday 3-Nov-19 17th week 1 4-Nov-19 ASSIGMENT 2 5-Nov-19 TEST OF FULL SYLLABUS 3 6-Nov-19 REVISION 4 7-Nov-19 ASSIGMENT 5 8-Nov-19 REVISION 6 9-Nov-19 Sunday 10-Nov-19 18th week 1 11-Nov-19 REVISION 2 12-Nov-19 REVISION 3 13-Nov-19 REVISION 4 14-Nov-19 REVISION 5 15-Nov-19 REVISION 6 16-Nov-19 REVISION Sunday 17-Nov-19 Name of assistant / AssociateMS. PRERNA SHARMA Class : B.A. Semester: 5TH Subject: HINDI(COMPULSORY) Day Date Topic 1st Week 1 16-Jul-19 INTRODUCTION OF SYLLABUS 2 17-Jul-19 AGGEY’ AS A POET 3 18-Jul-19 POEM OF AGGEY READING AND CRITICISM 4 19-Jul-19 DO 5 20-Jul-19 DO Sunday 21-Jul-19 2nd Week 1 22-Jul-19 DO 2 23-Jul-19 DO 3 24-Jul-19 TEST OF AGGEY POETRY 4 25-Jul-19 DHARMVIR BHARTI AS A POET 5 26-Jul-19 POEM OF DHARAMVIR BHARTI READING AND CRITICISM 6 27-Jul-19 DO Sunday 28-Jul-19 3rd week 1 29-Jul-19 DO 2 30-Jul-19 DO 3 31-Jul-19 Holiday 4 1-Aug-19 DO 5 2-Aug-19 TEST OF POEM OF BHARTI 6 3-Aug-19 NARESH MEHTA AS A POET Sunday 4-Aug-19 4th week 1 5-Aug-19 POEMS OF MEHTA READING AND CRITICISM 2 6-Aug-19 DO 3 7-Aug-19 DO 4 8-Aug-19 DO 5 9-Aug-19 DO 6 10-Aug-19 TEST Sunday 11-Aug-19 5th week 1 12-Aug-19 Holiday 2 13-Aug-19 NAGARJUN AS A POET 3 14-Aug-19 POEM OF NAGARJUN 4 15-Aug-19 Holiday 5 16-Aug-19 READING AND CRITICISM OF POEM 6 17-Aug-19 DO Sunday 18-Aug-19 6th week 1 19-Aug-19 DO 2 20-Aug-19 TEST OF NAGARARJUN’S POETRY 3 21-Aug-19 RAGHUBIR SHAYE AS A POETRY 4 22-Aug-19 POEMS READING AND CRITICISM 5 23-Aug-19 DO 6 24-Aug-19 Holiday Sunday 25-Aug-19 7th week 1 26-Aug-19 DO 2 27-Aug-19 DO 3 28-Aug-19 DO 4 29-Aug-19 TEST OF SHAYES POEMS 5 30-Aug-19 KUNWAR NARAYAN AS A POEM 6 31-Aug-19 POEMS READING AND CRITICISM Sunday 1-Sep-19 8th week 1 2-Sep-19 DO 2 3-Sep-19 DO 3 4-Sep-19 DO 4 5-Sep-19 DO 5 6-Sep-19 TEST 6 7-Sep-19 LEELADHARJANGHRIAS A POET Sunday 8-Sep-19 9th week 1 9-Sep-19 POEMS READING AND CRITICISM 2 10-Sep-19 DO 3 11-Sep-19 DO 4 12-Sep-19 DO 5 13-Sep-19 DO 6 14-Sep-19 TEST Sunday 15-Sep-19 10th week 1 16-Sep-19 SERIAL DEVELOPMENT OF AADHUNIK HINDI POEM 2 17-Sep-19 DO 3 18-Sep-19 TEST OF ABOVE 4 19-Sep-19 CHARCTERISTICS OF DIVIDIYAGIN KAVITA 5 20-Sep-19 DO 6 21-Sep-19 DO Sunday 22-Sep-19 11th week 1 23-Sep-19 Holiday 2 24-Sep-19 CHARCTERISTICS OF DIVIDIYAGIN KAVITA 3 25-Sep-19 DO 4 26-Sep-19 DO 5 27-Sep-19 CHAYABAD 6 28-Sep-19 DO Sunday 29-Sep-19 12th week 1 30-Sep-19 TEST OF ABOVE 2 1-Oct-19 PRAGTIBAD 3 2-Oct-19 Holiday 4 3-Oct-19 DO 5 4-Oct-19 TEST OF ABOVE 6 5-Oct-19 PRAYAGVAD Sunday 6-Oct-19 13th week 1 7-Oct-19 DO 2 8-Oct-19 Holiday 3 9-Oct-19 TEST OF ABOVE 4 10-Oct-19 NAYE KAVITA 5 11-Oct-19 SAMKALIN KAVITA 6 12-Oct-19 DO Sunday 13-Oct-19 14th week 1 14-Oct-19 TEST OF ABOVE 2 15-Oct-19 LETTER WRITING 3 16-Oct-19 DO 4 17-Oct-19 Holiday 5 18-Oct-19 DO 6 19-Oct-19 DO Sunday 20-Oct-19 15th week 1 21-Oct-19 TEST OF LETTER WRITIG 2 22-Oct-19 DO 3 23-Oct-19 DO 4 24-Oct-19 Diwali Break 5 25-Oct-19 Diwali Break 6 26-Oct-19 Diwali Break Sunday 27-Oct-19 16th week 1 28-Oct-19 Diwali Break 2 29-Oct-19 Diwali Break 3 30-Oct-19 Diwali Break 4 31-Oct-19 Diwali Break 5 1-Nov-19 Holiday 6 2-Nov-19 PRECIS WRITING Sunday 3-Nov-19 17th week 1 4-Nov-19 DO 2 5-Nov-19 PALLAVAN WRITING 3 6-Nov-19 DO 4 7-Nov-19 TEST OF PRECIS AND PALLAVAN 5 8-Nov-19 DO 6 9-Nov-19 TEST OF FULL SYLLABUS Sunday 10-Nov-19 18th week 1 11-Nov-19 REVISION 2 12-Nov-19 REVISION 3 13-Nov-19 REVISION 4 14-Nov-19 REVISION 5 15-Nov-19 REVISION 6 16-Nov-19 REVISION Sunday 17-Nov-19 REVISION Topic Name of assistant ProfessorMrs. : Prerna Sharma/ Dr. Madhu Bala Gupta Class : B.A.
Load more

Recommended publications
  • Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
    Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd.
    [Show full text]
  • Sahitya Akademi PUNJABI Publications
    Sahitya Akademi PUNJABI Publications MONOGRAPHS (MAKERS OF INDIAN LITERATURE) Amrita Pritam (Punjabi writer) By Sutinder Singh Noor Pp. 96, Rs. 40 First Edition: 2010 ISBN 978-81-260-2757-6 Amritlal Nagar (Hindi writer) By Shrilal Shukla Translated by Narinder Bhullar Pp. 116, First Edition: 1996 ISBN 81-260-0088-0 Rs. 15 Baba Farid (Punjabi saint-poet) By Balwant Singh Anand Translated by Prem Kotia Pp. 88, Reprint: 1995 Rs. 15 Balwant Gargi (Punjabi Playright) By Rawail Singh Pp. 88, Rs. 50 First Edition: 2013 ISBN: 978-81-260-4170-1 Bankim Chandra Chatterji (Bengali novelist) By S.C. Sengupta Translated by S. Soze Pp. 80, First Edition: 1985 Rs. 15 Banabhatta (Sanskrit poet) By K. Krishnamoorthy Translated by Prem Kotia Pp. 96, First Edition: 1987 Rs. 15 Bhagwaticharan Verma (Hindi writer) By Shrilal Shukla Translated by Baldev Singh ‘Baddan’ Pp. 96, First Edition: 1992 ISBN 81-7201-379-5 Rs. 15 Bhai Kahn Singh Nabha (Punjabi scholar and lexicographer) By Paramjeet Verma Pp. 136, Rs. 50.00 First Edition: 2017 ISBN: 978-93-86771-56-8 Bhai Vir Singh (Punjabi poet) By Harbans Singh Translated by S.S. Narula Pp. 112, Rs. 15 Second Edition: 1995 Bharatendu Harishchandra (Hindi writer) By Madan Gopal Translated by Kuldeep Singh Pp. 56, Rs. 15 First Edition: 1984 Bharati (Tamil writer) By Prema Nand kumar Translated by Pravesh Sharma Pp. 103, Rs.50 First Edition: 2014 ISBN: 978-81-260-4291-3 Bhavabhuti (Sanskrit poet) By G.K. Bhat Translated by Prem Kotia Pp. 80, Rs. 15 First Edition: 1983 Chandidas (Bengali poet) By Sukumar Sen Translated by Nirupama Kaur Pp.
    [Show full text]
  • St Thomas' College (Autonomous) Thrissur
    ST THOMAS' COLLEGE (AUTONOMOUS) THRISSUR CHOICE BASED CREDIT SEMESTER SYSTEM Syllabus of Common Courses in Hindi 2020 ADMISSION ONWARDS BA/BSC/BCOM/BBA & LRP PROGRAMMES COMMON COURSES COURSE STRUCTURE OF COMMON COURSE Course Code Course title Hrs Credits A01 Common English Course I A02 Common English Course II A07(1) Additional Language Course I SEMESTER 2 A 03 Common English Course III A 04 Common English Course IV A 08(1) Additional Language Course II SEMESTER 3 A 05 Common English Course V A 09 Additional Language Course III SEMESTER 4 A06 Common English Course VI A10 Additional Language Course IV Common Courses 38 credits COURSE STRUCTURE FOR B A/B SC COURSES ( COMMON COURSE HINDI ) Course Hrs Course Course Title Hrs Credit Code 1st sem HIN 1 Prose and Drama 4 4 A07(1) 2nd sem HIN2A0 Grammar and 4 4 8(1) translation 3rd sem HIN3A0 Poetry in Hindi 5 4 9 4th sem HIN4A 10 Novel and short 5 4 stories COURSE STRUCTURE FOR L R P PROGRAMMES COMMON COURSE HINDI ) Course Course Course Title Hrs Credits Code 1st sem HIN 1 Prose and one 5 4 A 07 (3) act plays 2nd sem HIN 2 Poetry and 5 4 A08 (3) short stories COURSE STRUCTURE FOR B Com Professional ( COMMON COURSE HINDI ) Course Course Course Title Hrs Credits Code 1st sem HIN 1 PROSE FORMS IN 5 4 A 07(2) HINDI LITERATURE 2nd sem HIN 2 A POETRY,CORRESPO 5 4 08 (2) NDANCE AND TRANSLATION BA/BSC PROGRAMME FIRST SEMESTER Common Additional Language course in Hindi HIN 1 A07(1) PROSE AND DRAMA No.of Credits: 4 No.of contact hours: 72 Aim of course: To sensitize the students to the aesthetic,cultural and social aspects of literary appreciation and analysis.
    [Show full text]
  • Mridula Garg Poetry
    ISSN 2249-4529 www.pintersociety.com VOL: 10, No.: 2, AUTUMN 2020 POETRY UGC APPROVED (Sr. No.41623) BLIND PEER REVIEWED About Us: http://pintersociety.com/about/ Editorial Board: http://pintersociety.com/editorial-board/ Submission Guidelines: http://pintersociety.com/submission-guidelines/ Call for Papers: http://pintersociety.com/call-for-papers/ All Open Access articles published by LLILJ are available online, with free access, under the terms of the Creative Commons Attribution Non Commercial License as listed on http://creativecommons.org/licenses/by-nc/4.0/ Individual users are allowed non-commercial re-use, sharing and reproduction of the content in any medium, with proper citation of the original publication in LLILJ. For commercial re-use or republication permission, please contact [email protected] 2 | MRIDULA GARG POETRY MRIDULA GARG _____________________________________________________________________ In Between He sits in between doors Half open, half shut Half out, half in the room No one can come in or go out Without circumventing him He is not a sentinel Only an irritant, an obtrusion No one can ignore Like an itch or abrasion Not a wound or ache Claiming the mind with pain Only present, in the way, Useless but not ignorable Like a wrinkle in the dress A white hair in a black mane In the way, present, Half in half out In between STRAW I know there is no such thing As a lifeline For one adrift If I believe in life everlasting I do not need a line If I would rather be done I do not want it. There are moments
    [Show full text]
  • The Food Motif in the Writings of Hindi Women Writers
    The food motif in the writings of Hindi women writers Dagmar Marková Prague A serious attitude towards food has always been reflected in Indian literature. In recent decades a number of women have entered onto the Hindi literary scene. The motif of food appears very frequently in their writings too, but from a specific point of view. As women they have down-to-earth experience in the preparation of food and with its role as a means of even very intimate commu- nication. We can often feel a tinge of irony in the female way of dealing with the subject. The preoccupation with food and with the rules of eating has always been part and parcel of the Hindu tradition. Much space is given to food and eating in the Manusmṛti – the Laws of Manu; in Kṛṣṇa poetry, food comes to the fore as a means of communication with their gods, while in the Bhagavadgītā, wise Kṛṣṇa, the adviser, also focuses on food. The threads of Manu’s and Kṛṣṇa’s principles can be followed through the ages to contemporary everyday life. This long tradition of preoccupation with food in Indian culture in the widest sense of the word means that, although it may seem odd to a foreign reader, there is in fact nothing strange about the high frequency of the motif in modern literature. The motif of food, as it appears in the writings of diverse authors from dif- ferent trends and groupings, signifies something more than mere food. In par- ticular, many short stories describe family situations through scenes of serving and consuming a meal.
    [Show full text]
  • Hindi Language and Literature First Degree
    HINDI LANGUAGE AND LITERATURE 2017 Admission FIRST DEGREE PROGRAMME IN HINDI Under choice based credit and semester (CBCS) System 2017 Admission onwards 1 Scheme and Syllabi For First Degree Programme in Hindi (Faculty of Oriental Studies) General Scheme Duration : 6 semesters of 18 Weeks/90 working days Total Courses : 36 Total Credits : 120 Total Lecture Hours : 150/Week Evaluation : Continuous Evaluation (CE): 25% Weightage End Semester Evaluation (ESE): 75% (Both the Evaluations by Direct Grading System on a 5 Point scale Summary of Courses in Hindi Course No. of Credits Lecture Type Courses Hours/ Week a. Hindi (For B.A./B.Sc.) Language course : 4 14 18 Additional Language b. Hindi (For B.Com.) Language course : 2 8 8 Additional Language c. First Degree Programme in Hindi Language and Literature Foundation Course 1 3 4 Complementary Course 8 22 24 Core Course 14 52 64 Open Course 2 4 6 Project/Dissertation 1 4 6 A. Outline of Courses B.A./B.Sc. DEGREE PROGRAMMES Course Code Course Type Course Title Credit Lecture Hours/ Week HN 1111.1 Language course (Common Prose And One act 3 4 Course) Addl. Language I ) plays HN 1211.1 Language Course- Common Fiction, Short story, 3 4 (Addl. Language II) Novel HN 1311.1 Language Course- Common Poetry & Grammar 4 5 (Addl. Language III) HN 1411.1 Language Course- Common Drama, Translation 4 5 2 (Addl. Language IV) & Correspondence B.Com. DEGREE PROGRAMME Course Code Course Type Course Title Credit Lecture Hours/ Week HN 1111.2 Language course (Common Prose, Commercial 4 4 Course) Addl.
    [Show full text]
  • Postmodern Traces and Recent Hindi Novels
    Postmodern Traces and Recent Hindi Novels Veronica Ghirardi University of Turin, Italy Series in Literary Studies Copyright © 2021 Vernon Press, an imprint of Vernon Art and Science Inc, on behalf of the author. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, Suite 1200 C/Sancti Espiritu 17, Wilmington, Delaware, 19801 Malaga, 29006 United States Spain Series in Literary Studies Library of Congress Control Number: 2020952110 ISBN: 978-1-62273-880-9 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press using elements designed by pch.vector / Freepik. To Alessandro & Gabriele If you can't explain it simply, you don't understand it well enough Albert Einstein Table of contents Foreword by Richard Delacy ix Language, Literature and the Global Marketplace: The Hindi Novel and Its Reception ix Acknowledgements xxvii Notes on Hindi terms and transliteration xxix Chapter 1 Introduction 1 1.1.
    [Show full text]
  • A Comparative Study of the Selected Novels of Shashi Deshpande and Mridula Garg
    Exploring Female Identity: A Comparative Study of the Selected Novels of Shashi Deshpande and Mridula Garg Thesis submitted to the Central University of Punjab For the Award of Doctor of Philosophy In Comparative Literature By Nancy Supervisor Dr. Rajinder Kumar Sen Department of Languages and Comparative Literature School of Languages, Literature and Culture Central University of Punjab, Bathinda July, 2019 Declaration I declare that the thesis entitled " Exploring Female Identity: A Comparative Study of the selected novels of Shashi Deshpande and Mridula Garg,” has been prepared by me under the guidance of Dr. Rajinder Kumar Sen, Assistant Professor, Department of Languages and Comparative Literature, School of Languages, Literature and Culture, Central University of Punjab. No part of this thesis has formed the basis for the award of any degree or fellowship previously. Nancy Department of Languages and Comparative Literature School of Languages, Literature and Culture, Central University of Punjab, Bathinda ‐ 151001 Date: i Certificate I certify that Nancy has prepared her thesis entitled “Exploring Female Identity: A Comparative Study of the selected novels of Shashi Deshpande and Mridula Garg,” for the award of Ph.D. degree of the Central University of Punjab, under my guidance. She has carried out this work at the Centre for Comparative Literature, School of Languages, Literature and Culture, Central University of Punjab. Dr. Rajinder Kumar Sen Assistant Professor Department of Languages and Comparative Literature School of Languages,
    [Show full text]
  • Gender Trouble” in the New Hindi Novel: the Ambiguous Writings on Womanhood in K
    ”Gender Trouble” in the New Hindi Novel: The Ambiguous Writings on Womanhood in K. B. Vaid’s Līlā and Mridula Garg’s Kaṭhgulāb Anne Castaing To cite this version: Anne Castaing. ”Gender Trouble” in the New Hindi Novel: The Ambiguous Writings on Womanhood in K. B. Vaid’s Līlā and Mridula Garg’s Kaṭhgulāb. Oriental Archive - Archiv Orientalni, Oriental Institute (Prague), 2013. hal-01988128 HAL Id: hal-01988128 https://hal.archives-ouvertes.fr/hal-01988128 Submitted on 21 Jan 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. ORIENTAL ARCHIVE 81, 2013 • 67 “Gender Trouble” in the New Hindi Novel: The Ambiguous Writings on Womanhood in K. B. Vaid’s Līlā and Mridula Garg’s Kaṭhgulāb Anne Castaing Some recent studies1 bear witness to the paradoxes and the ambiguities which lie in the reception and the interpretation of Women and Gender studies in South Asia, where the issues of “Indianness” and intellectual “colonialism” are still intensively discussed. Evidence of this is found in the extremely contradictory reactions generated by Gayatri Spivak’s famous essay, “Can the Subaltern Speak?” (1988), where the issue of female agency is questioned as reproducing the coloniser’s discursive model, thus annihilating the empowerment of women.
    [Show full text]
  • Dr.Madhu Bala Gupta Class and Section
    Name of the Assistant/ Associate: Dr.Madhu Bala Gupta Class and Section: B.A-5 SEM Period: JULY2018 to NOV 2018 Subject:Hindi Elective 1st week Day 1 INTRODUCTION OF SYLLABUS Day 2 SHRI GYAN RANJAN AS A STORY Day 3 ‘PILA’ KAHANI READING Day 4 READING Day 5 CRITICISM Day 6 CRITICISM IInd week Day 1 TEST OF ‘PILA’ KAHANI Day 2 KRISHANNATH SINGH AS A STORY WRITER Day 3 ‘APNA RASTA LOBABA’ READING Day 4 READING Day 5 CRITICISM Day 6 CRITICISM IIIrd week Day 1 TEST OF APNA RASTA LO BABA Day 2 MRIDULA GARG AS A STORY WRITER Day 3 EKKISAVI SADI KA PER READING Day 4 READING Day 5 CRITICISM Day 6 CRITICISM IVth week Day 1 TEST OF EKKISAVI SADI KA PER Day 2 PANKAJ VIST AS ASTORY WRITER Day 3 BACCHAN GAVAH NAHI HO SKTEREADING Day 4 READING Day 5 CRITICISM Day 6 CRITICISM Name of the Assistant/ Associate: Dr.Madhu Bala Gupta Class and Section: B.A-5 SEM Period: JULY2018 to NOV 2018 Subject:Hindi Elective Ist week Day 1 TEST OF ABOVE STORY Day 2 PARTISHAN KAHANY READING Day 3 READING Day 4 CRITICISM Day 5 CRITICISM Day 6 UDAY PRAKASH AS ASTORY WRITER IInd week Day 1 READING OF ‘TIRICH’ Day 2 READING ‘TIRICH’ Day 3 CRITICISM Day 4 CRITICISM Day 5 TEST OF PARTISAN AND TIRICH Day 6 SANJEEV KUMARASASTORY WRITER IIIrd week Day 1 ‘AAROHAN’ STORY READING Day 2 READING Day 3 CRITICISM Day 4 CRITICISM Day 5 TEST OF ABOVE Day 6 AGGEY AS A POEM IVth week Day 1 POEM OF AGGEY Day 2 DO Day 3 CRITICS OF POETRY Day 4 POEM OF DHARMVIR READING CRITICISM Day 5 DO Day 6 DO Name of the Assistant/ Associate: Dr.Madhu Bala Gupta Class and Section: B.A-5 SEM Period: JULY2018
    [Show full text]
  • Journal of the Comparative Literature Association of India Number 2 and 3 (February, 2013)
    Journal of the Comparative Literature Association of India Number 2 and 3 (February, 2013) Review Essay By Dheeman Bhattacharyya The Writer as Critic: Essays in Literature, History, and Culture. Jasbir Jain. Jaipur: Rawat Publications, 2011. Print. Looking from the perspective of literary studies, to be more specific Comparative literary studies in India, this volume demands applause not only for its enterprising academic venture and for immense scope it promises in the pages of content but also how a seasoned academician has executed the self-imposed task of mapping more than a century of literary studies in India. This volume traces the development of major theoretical and intellectual engagement of writers with their times which ranges from their take on language to major events both social and literary to show how they have often influenced each other. The essays in this volume (both original and translated) have been collected to capture the intensity of representational experiences in various fields of cultural productions in India. ‘Culture’ being a much-contested category with its diverse ramifications and the various challenges it posits in the Indian context, has been dealt with astutely. The present collection surpasses generic boundaries and has been enriched with manifestoes, prefaces to volume, extracts from autobiographies, history, and fiction. In trying to capture the complicated process of production of literary texts in India, Jain has tried to map the conflict of the individual author with her/ his immediate socio-political pressures. These pressures influence the process of selection of form and content. A particular historical event and literary event is insufficient to understand the ethos of textual negotiation, widely speaking the critical aspect of reception in the Indian context.
    [Show full text]
  • A World of Nourishment Reflections on Food in Indian Culture
    A WORLD OF NOURISHMENT. REFLECTIONS ON FOOD IN INDIAN CULTURE A WORLD OF NOURISHMENT. Consonanze 3 Today as in the past, perhaps no other great culture of human- kind is so markedly characterised by traditions in the field of nutrition as that of South Asia. In India food has served to express religious values, philosophical positions or material power, and between norms and narration Indian literature has dedicated ample space to the subject, presenting a broad range of diverse or variously aligned positions, and evidence A WORLD OF NOURISHMENT of their evolution over time. This book provides a collection of essays on the subject, taking a broad and varied approach rang- REFLECTIONS ON FOOD IN INDIAN CULTURE ing chronologically from Vedic antiquity to the evidence of our own day, thus exposing, as in a sort of comprehensive outline, many of the tendencies, tensions and developments that have occurred within the framework of constant self-analysis and Edited by Cinzia Pieruccini and Paola M. Rossi reflection. Cinzia Pieruccini is Associate Professor of Indology, and Paola M. Rossi is Lecturer in Sanskrit Language and Literature in the University of Milan. www.ledizioni.it ISBN 978-88-6705-543-2 € 34,00 A World of Nourishment Reflections on Food in Indian Culture Edited by Cinzia Pieruccini and Paola M. Rossi LEDIZIONI CONSONANZE Collana del Dipartimento di Studi Letterari, Filologici e Linguistici dell’Università degli Studi di Milano diretta da Giuseppe Lozza 3 Comitato scientifico Benjamin Acosta-Hughes (The Ohio State University),
    [Show full text]