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Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd. -
Movie 9 As a Science Fiction and Gothic Horror
International Journal of Innovative Technology and Exploring Engineering (IJITEE) ISSN: 2278-3075, Volume-8 Issue-7C May 2019 Movie 9 as a Science Fiction and Gothic Horror Sreelakshmi J, Sreenath Muraleedharan Abstract: This paper analyses how Pritviraj portrays the experienced a psychotic break that has dissociative sol entity theme of the movie 9 -How a psychoanalytic person creates disorder by being Ava. Soon he realise Adam is missing and various problem in his life. The Abstract and concrete themes of approaches the monastery for help. There he learns to trace the novel can be categorised under the gothic and scientific back his lost memories and come face to face with Ava elements ;are meticulously analysed to show the novelists again. This time he confuses his true love for his son and acumen in establishing the strong bond between the man and universe. This bond and the subsequent interdependence help to Ava transforms into Annie to show him the way to Adam. In initiate the quiet and deep rooted desires of the individual. the end, Albert finds Adam in the cave unharmed. The film Keywords: Comet, space,omen,astrophysics,scientists, ghost. ends with the reconciliation between the father and the son. The question of whether Ava is real or not is left to the I. INTRODUCTION imagination of the audience. In the scene after the credits, the camera focuses on the painting in the cave where there is The sci-fi Malayalam movie 9, by Jenuse Mohammed a picture that looks the same as Ava. Thus the truth about highlights the genre of horror and thriller parallel to each Ava’s origin remains a mystery. -
S. No TITLE AUTHOR 1 the GREAT INDIAN MIDDLE CLASS PAVAN K
JAWAHARLAL NEHRU INDIAN CULTURAL CENTRE EMBASSY OF INDIA JAKARTA JNICC JAKARTA LIBRARY BOOK LIST (PDF version) LARGEST COLLECTION OF INDIAN WRITINGS IN INDONESIA Simple way to find your favourite book ~ write the name of the Book / Author of your choice in “FIND” ~ Note it down & get it collected from the Library in charge of JNICC against your Library membership card. S. No TITLE AUTHOR 1 1 THE GREAT INDIAN MIDDLE CLASS PAVAN K. VERMA 2 THE GREAT INDIAN MIDDLE CLASS PAVAN K. VERMA 3 SOCIAL FORESTRY PLANTATIONS K.M. TIWARI & R.V. SINGH 4 INDIA'S CULTURE. THE STATE, THE ARTS AND BEYOND. B.P. SINGH 5 INDIA'S CULTURE. THE STATE, THE ARTS AND BEYOND. B.P. SINGH 6 INDIA'S CULTURE. THE STATE, THE ARTS AND BEYOND. B.P. SINGH UMA SHANKAR JHA & PREMLATA 7 INDIAN WOMEN TODAY VOL. 1 PUJARI 8 INDIA AND WORLD CULTURE V. K. GOKAK VIDYA NIVAS MISHRA AND RFAEL 9 FROM THE GANGES TO THE MEDITERRANEAN ARGULLOL 10 DISTRICT DIARY JASWANT SINGH 11 TIRANGA OUR NATIONAL - FLAG LT. Cdr.K. V. SINGH (Retd) 12 PAK PROXY WAR. A STORY OF ISI, BIN LADEN AND KARGIL RAJEEV SHARMA 13 THE RINGING RADIANCE SIR COLIN GARBETT S. BHATT & AKHTAR MAJEED 14 ENVIRONMENTAL MANAGEMENT AND FEDERALISM (EDITOR) 15 KAUTILYA TODAY JAIRAM RAMESH VASUDHA DALMIA, ANGELIKA 16 CHARISMA & CANON MALINAR, MARTIN CHRISTOF (EDITOR) 17 A GOAN POTPOURRI ANIBAL DA COSTA 18 SOURCES OF INDIAN TRADITION VOL. 2 STEPHEN HAY (EDITOR) 19 SECURING INDIA'S FUTURE IN THE NEW MILLENNIUM BRAHMA CHELLANEY(EDITOR) 20 INDIA FROM MIDNIGHT TO THE MILLENNIUM SHASHI THAROOR 21 DOA (BHS INDONESIA) M. -
List of Documentaries Produced by Sahitya Akademi
LIST OF DOCUMENTARIES PRODUCED BY SAHITYA AKADEMI S.No.AuthorDirected byDuration 1. Amrita Pritam (Punjabi) Basu Bhattacharya 60 minutes 2. Akhtar-ul-Iman (Urdu) Saeed Mirza 60 minutes 3. V.K. Gokak (Kannada) Prasanna 60 minutes 4. ThakazhiSivasankara Pillai (Malayalam) M.T. Vasudevan Nair 60 minutes 5. Gopala krishnaAdiga (Kannada) Girish Karnad 60 minutes 6. Vishnu Prabhakar (Hindi) Padma Sachdev 60 minutes 7. Balamani Amma (Malayalam) Madhusudanan 27 minutes 8. VindaKarandikar (Marathi) Nandan Kudhyadi 60 minutes 9. Annada Sankar Ray (Bengali) Budhadev Dasgupta 60 minutes 10. P.T. Narasimhachar (Kannada) Chandrasekhar Kambar 27 minutes 11. Baba Nagarjun (Hindi) Deepak Roy 27 minutes 12. Dharamvir Bharti (Hindi) Uday Prakash 27 minutes 13. D. Jayakanthan (Tamil) Sa. Kandasamy 27 minutes 14. Narayan Surve (Marathi) DilipChitre 27 minutes 15. BhishamSahni (Hindi) Nandan Kudhyadi 27 minutes 16. Subhash Mukhopadhyay (Bengali) Raja Sen 27 minutes 17. TarashankarBandhopadhyay(Bengali)Amiya Chattopadhyay 27 minutes 18. VijaydanDetha (Rajasthani) Uday Prakash 27 minutes 19. NavakantaBarua (Assamese) Gautam Bora 27 minutes 20. Mulk Raj Anand (English) Suresh Kohli 27 minutes 21. Gopal Chhotray (Oriya) Jugal Debata 27 minutes 22. QurratulainHyder (Urdu) Mazhar Q. Kamran 27 minutes 23. U.R. Anantha Murthy (Kannada) Krishna Masadi 27 minutes 24. V.M. Basheer (Malayalam) M.A. Rahman 27 minutes 25. Rajendra Shah (Gujarati) Paresh Naik 27 minutes 26. Ale Ahmed Suroor (Urdu) Anwar Jamal 27 minutes 27. Trilochan Shastri (Hindi) Satya Prakash 27 minutes 28. Rehman Rahi (Kashmiri) M.K. Raina 27 minutes 29. Subramaniam Bharati (Tamil) Soudhamini 27 minutes 30. O.V. Vijayan (Malayalam) K.M. Madhusudhanan 27 minutes 31. Syed Abdul Malik (Assamese) Dara Ahmed 27 minutes 32. -
E-Newsletter
DELHI Bhasha Samman Presentation hasha Samman for 2012 were presidential address. Ampareen Lyngdoh, Bconferred upon Narayan Chandra Hon’ble Miniser, was the chief guest and Goswami and Hasu Yasnik for Classical Sylvanus Lamare, as the guest of honour. and Medieval Literature, Sondar Sing K Sreenivasarao in in his welcome Majaw for Khasi literature, Addanda C address stated that Sahitya Akademi is Cariappa and late Mandeera Jaya committed to literatures of officially Appanna for Kodava and Tabu Ram recognized languages has realized that Taid for Mising. the literary treasures outside these Akademi felt that while The Sahitya Akademi Bhasha languages are no less invaluable and no it was necessary to Samman Presentation Ceremony and less worthy of celebration. Hence Bhasha continue to encourage Awardees’ Meet were held on 13 May Samman award was instituted to honour writers and scholars in 2013 at the Soso Tham Auditorium, writers and scholars. Sahitya Akademi languages not formally Shillong wherein the Meghalaya Minister has already published quite a number recognised by the of Urban Affairs, Ampareen Lyngdoh of translations of classics from our Akademi, it therefore, was the chief guest. K Sreenivasarao, bhashas. instituted Bhasha Secretary, Sahitya Akademi delivered the He further said, besides the Samman in 1996 to welcome address. President of Sahitya conferment of sammans every year for be given to writers, Akademi, Vishwanath Prasad Tiwari scholars who have explored enduring scholars, editors, presented the Samman and delivered his significance of medieval literatures to lexicographers, collectors, performers or translators. This Samman include scholars who have done valuable contribution in the field of classical and medieval literature. -
Sahitya Akademi PUNJABI Publications
Sahitya Akademi PUNJABI Publications MONOGRAPHS (MAKERS OF INDIAN LITERATURE) Amrita Pritam (Punjabi writer) By Sutinder Singh Noor Pp. 96, Rs. 40 First Edition: 2010 ISBN 978-81-260-2757-6 Amritlal Nagar (Hindi writer) By Shrilal Shukla Translated by Narinder Bhullar Pp. 116, First Edition: 1996 ISBN 81-260-0088-0 Rs. 15 Baba Farid (Punjabi saint-poet) By Balwant Singh Anand Translated by Prem Kotia Pp. 88, Reprint: 1995 Rs. 15 Balwant Gargi (Punjabi Playright) By Rawail Singh Pp. 88, Rs. 50 First Edition: 2013 ISBN: 978-81-260-4170-1 Bankim Chandra Chatterji (Bengali novelist) By S.C. Sengupta Translated by S. Soze Pp. 80, First Edition: 1985 Rs. 15 Banabhatta (Sanskrit poet) By K. Krishnamoorthy Translated by Prem Kotia Pp. 96, First Edition: 1987 Rs. 15 Bhagwaticharan Verma (Hindi writer) By Shrilal Shukla Translated by Baldev Singh ‘Baddan’ Pp. 96, First Edition: 1992 ISBN 81-7201-379-5 Rs. 15 Bhai Kahn Singh Nabha (Punjabi scholar and lexicographer) By Paramjeet Verma Pp. 136, Rs. 50.00 First Edition: 2017 ISBN: 978-93-86771-56-8 Bhai Vir Singh (Punjabi poet) By Harbans Singh Translated by S.S. Narula Pp. 112, Rs. 15 Second Edition: 1995 Bharatendu Harishchandra (Hindi writer) By Madan Gopal Translated by Kuldeep Singh Pp. 56, Rs. 15 First Edition: 1984 Bharati (Tamil writer) By Prema Nand kumar Translated by Pravesh Sharma Pp. 103, Rs.50 First Edition: 2014 ISBN: 978-81-260-4291-3 Bhavabhuti (Sanskrit poet) By G.K. Bhat Translated by Prem Kotia Pp. 80, Rs. 15 First Edition: 1983 Chandidas (Bengali poet) By Sukumar Sen Translated by Nirupama Kaur Pp. -
Requiem-For-Our-Times-E-Book.Pdf
Like those in his earlier book, The Losers Shall Inherit the World, these articles too were first published in Frontier and deal with current socio-economic-cultural issues of a diverse range of topics. These include, Sanskrit, Hinduism, Bhimsen Joshi, Education Manifesto, Euthanasia, Small States, Population, Cities, Peak Oil and the Politics of Non-Violence. There are also two small articles dealing with the Passion (Christ’s suffering at the Cross) and the concept of Liberation. ‘If a political activist can be defined as a person who is not only trying to promote the interests of his own particular group or class but trying, generally speaking, to create a better world, then she must first have a good understanding of the state of the present-day world. And then Vijayendra’s article (Yugant in this book) is a must-read for her, because it is an excellent short introduction to the subject.’ Saral Sarkar, author of Eco-Socialism You can read this book online or download a copy at www.peakoilindia.org REQUIEM FOR OUR TIMES T. Vijayendra SANGATYA REQUIEM FOR OUR TIMES Author: T. Vijayendra Copy Editor: Sajai Jose Year: 2015 Price: Rs. 100 Copies: 500 L Copy Left: All Rights Reversed Publishers: Sangatya Sahitya Bhandar Post Nakre, Taluk Karkala, Dist. Udupi Karnataka 576 117 Phone: 08258 205340 Email: [email protected] Blog: t-vijayendra.blogspot.com SCRIBD: vijayendra tungabhadra Mobile: +91 94907 05634 For Copies: Manchi Pustakam 12-13-439, St. No. 1 Tarnaka, Secunderabad 500017 Email: [email protected] Mobile: +91 73822 97430 Layout and Printing: Charita Impressions Azamabad, Hyderabad - 500 020. -
St Thomas' College (Autonomous) Thrissur
ST THOMAS' COLLEGE (AUTONOMOUS) THRISSUR CHOICE BASED CREDIT SEMESTER SYSTEM Syllabus of Common Courses in Hindi 2020 ADMISSION ONWARDS BA/BSC/BCOM/BBA & LRP PROGRAMMES COMMON COURSES COURSE STRUCTURE OF COMMON COURSE Course Code Course title Hrs Credits A01 Common English Course I A02 Common English Course II A07(1) Additional Language Course I SEMESTER 2 A 03 Common English Course III A 04 Common English Course IV A 08(1) Additional Language Course II SEMESTER 3 A 05 Common English Course V A 09 Additional Language Course III SEMESTER 4 A06 Common English Course VI A10 Additional Language Course IV Common Courses 38 credits COURSE STRUCTURE FOR B A/B SC COURSES ( COMMON COURSE HINDI ) Course Hrs Course Course Title Hrs Credit Code 1st sem HIN 1 Prose and Drama 4 4 A07(1) 2nd sem HIN2A0 Grammar and 4 4 8(1) translation 3rd sem HIN3A0 Poetry in Hindi 5 4 9 4th sem HIN4A 10 Novel and short 5 4 stories COURSE STRUCTURE FOR L R P PROGRAMMES COMMON COURSE HINDI ) Course Course Course Title Hrs Credits Code 1st sem HIN 1 Prose and one 5 4 A 07 (3) act plays 2nd sem HIN 2 Poetry and 5 4 A08 (3) short stories COURSE STRUCTURE FOR B Com Professional ( COMMON COURSE HINDI ) Course Course Course Title Hrs Credits Code 1st sem HIN 1 PROSE FORMS IN 5 4 A 07(2) HINDI LITERATURE 2nd sem HIN 2 A POETRY,CORRESPO 5 4 08 (2) NDANCE AND TRANSLATION BA/BSC PROGRAMME FIRST SEMESTER Common Additional Language course in Hindi HIN 1 A07(1) PROSE AND DRAMA No.of Credits: 4 No.of contact hours: 72 Aim of course: To sensitize the students to the aesthetic,cultural and social aspects of literary appreciation and analysis. -
Novel Story Poetry
DOGRI NOVEL Mukdi Bodh Kaale Kaan Te Kaala Pani (Hindi - A.W. ) (Hindi - A.W. ) By Jainendra Kumar By Nirmal Verma Agg Gaoh ( Malyalam - A.W. ) Translated by Mohan Singh Inda Translated by Krishna Sharma By N.Lalithambika Anthajanam Pp. 102, First Edition : 2001 Pp. 184, First Edition : 2010 Translated by Om Goswami ISBN 81-260-1176-9 Rs. 80 ISBN 978-81-260-2865-8 Rs. 150 Pp. 112, First Edition 2004 ISBN 81-260-1741-4 Rs. 100 Sada Lafafa (Bengali novel - A.W. ) Naman Yugai De Baras ( Punjabi - A.W. ) By Mati Nandi By Mohinder Singh Sarna Dehri Da Deeva ( Punjabi - A.W. ) Translated by Tara Danpuri Translated by Shashi Pathania By Gurdial Singh Pp.145, First Edition : 2007 Pp. 140, First Edition 2010 Translated by Prakash Premi ISBN 81-260-2405-4 Rs.125 ISBN 978-81-260-2861-0 Rs. 150 Pp. 248, First Edition 2009 ISBN 978-81-260-2453-7 Rs. 100 Laio Phi Suno (Urdu - A.W. ) By Surendra Prakash Do Gaz Zameen ( Urdu - A.W. ) STORY Translated by Jithendra Sharma By Abdus Samad Pp. 160, First Edition : 2002 Translated by Jitendra Udhanpuri ISBN 81-260-1374-5 Rs. 100 Pp. 126, First Edition 2009 Dhoon Gai Dhoon Patjhar Di Awaj ISBN 978-81-260-2453-7 Rs. 150 (Urdu - A.W) By Gulzar (Urdu - A.W.) By Qurrathl-ain Hyder Janta Da Adami Translated by Jitendra Sharma Translated by Usha Vyas (A Man of the People ) Pp. 118, First Edition : 2008 Pp. 250, First Edition : 1995 By Chinua Achebe ISBN 978-81-260-2642-5 Rs. -
Mridula Garg Poetry
ISSN 2249-4529 www.pintersociety.com VOL: 10, No.: 2, AUTUMN 2020 POETRY UGC APPROVED (Sr. No.41623) BLIND PEER REVIEWED About Us: http://pintersociety.com/about/ Editorial Board: http://pintersociety.com/editorial-board/ Submission Guidelines: http://pintersociety.com/submission-guidelines/ Call for Papers: http://pintersociety.com/call-for-papers/ All Open Access articles published by LLILJ are available online, with free access, under the terms of the Creative Commons Attribution Non Commercial License as listed on http://creativecommons.org/licenses/by-nc/4.0/ Individual users are allowed non-commercial re-use, sharing and reproduction of the content in any medium, with proper citation of the original publication in LLILJ. For commercial re-use or republication permission, please contact [email protected] 2 | MRIDULA GARG POETRY MRIDULA GARG _____________________________________________________________________ In Between He sits in between doors Half open, half shut Half out, half in the room No one can come in or go out Without circumventing him He is not a sentinel Only an irritant, an obtrusion No one can ignore Like an itch or abrasion Not a wound or ache Claiming the mind with pain Only present, in the way, Useless but not ignorable Like a wrinkle in the dress A white hair in a black mane In the way, present, Half in half out In between STRAW I know there is no such thing As a lifeline For one adrift If I believe in life everlasting I do not need a line If I would rather be done I do not want it. There are moments -
3.Ijece-Survey Paper of Script Identification
International Journal of Electronics and Communication Engineering (IJECE) ISSN(P): 2278-9901; ISSN(E): 2278-991X Vol. 8, Issue 3, Apr - May 2019; 15-20 © IASET SURVEY PAPER OF SCRIPT IDENTIFICATION OF TELUGU LANGUAGE USING OCR B. Hari Kumar 1 & P. Chitra 2 1Reserch Scholar, Department of ECE, Sathyabama Institute of Science and Technology, Chennai,India 2 Professor, Department of ECE, Sathyabama Institute of Science and Technology, Chennai, India ABSTRACT This study provides a summary of the ongoing research and the development process of the optical character recognition (OCR) systems for Devanagari text. A file may contain words in more than a language in a multilingual country like India. Multilingual Optical Character Recognition (OCR) system is required for a multilingual environment to read the multilingual documents. The objective of OCR is an automatic reading of the optically sensed document to interpret human-readable fonts into machine-readable code. Reading of Devanagari script is still a challenging task as various approaches are available for Chinese, English, and Japanese for script acknowledgement to get 100 percent accuracy. A survey has been done on Telugu OCR System. Recognition involves character segmentation into the elements of the component and recognizing them. A heuristic method has been selected as the best classifier for the current work based on the identification precisions of multiple classifiers. In this article, a heuristic approach is developed for separation, feature extraction and recognition of Devanagari script. The subsequent portion of this paper would explain the development that has been made in OCR System application for Devanagari Script reorganization and for the future work’s scope in Devanagari OCR systems. -
The Food Motif in the Writings of Hindi Women Writers
The food motif in the writings of Hindi women writers Dagmar Marková Prague A serious attitude towards food has always been reflected in Indian literature. In recent decades a number of women have entered onto the Hindi literary scene. The motif of food appears very frequently in their writings too, but from a specific point of view. As women they have down-to-earth experience in the preparation of food and with its role as a means of even very intimate commu- nication. We can often feel a tinge of irony in the female way of dealing with the subject. The preoccupation with food and with the rules of eating has always been part and parcel of the Hindu tradition. Much space is given to food and eating in the Manusmṛti – the Laws of Manu; in Kṛṣṇa poetry, food comes to the fore as a means of communication with their gods, while in the Bhagavadgītā, wise Kṛṣṇa, the adviser, also focuses on food. The threads of Manu’s and Kṛṣṇa’s principles can be followed through the ages to contemporary everyday life. This long tradition of preoccupation with food in Indian culture in the widest sense of the word means that, although it may seem odd to a foreign reader, there is in fact nothing strange about the high frequency of the motif in modern literature. The motif of food, as it appears in the writings of diverse authors from dif- ferent trends and groupings, signifies something more than mere food. In par- ticular, many short stories describe family situations through scenes of serving and consuming a meal.