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SAHMAT: Project Participants Artists Alert (1989) Chauraha: All India Street Theatre Festival, Delhi ( 1990) Participating artists: K. M. Adimoolam, Krishen Ahuja, Akhilesh, Vasudevan Participating theatre groups: Aavahan (Bhilai, Madhya Pradesh), Abhinaya (West Akkitham, Altaf, Navjot Altaf, Amit Ambalal, Amitava Banerjee, Maitreyi Banerjee, Bengal), Garage Studio (Ahmedabad, Gujarat), Goregaon Cultural Unit (Mumbai), Prabhakar Barwe, Manjit Bawa, Bishen Bhardwaj, Veena Bhargava, R. B. Bhaskaran, Jana Natya Manch (Delhi), Progressive Writers’ Association Theatre Group (Tamil Jyoti Bhatt, Harinder Singh Bhatti, Pulak Biswas, Usha Biswas, Shobha Broota, Nadu), Rang Chetna (Trichur, Kerala), Sahas (Cuttack, Orissa), Vihan (Banaras, Uttar Arpana Caur, Jayashree Chakravarthy, Jagdish Chander, Kanchan Chander, Suneela Pradesh). Bindra Chopra, Bijon Chowdhury, Dhiraj Chowdhury, Jogen Chowdhury, Walter D’Souza, Devraj Dakoji, Pratibha Dakoji, Amitava Das, Biman Das, Jatin Das, Chauraha: All India Street Theatre Workshop ( 1991) Dharmanarayan Dasgupta, Robin David, Ajay Desai, Meera Devidayal, Jagdish Dey, Resource persons: Ramgopal Bajaj, Rati Bartholomew, Bhaskar Chandavarkar, Atul Dodiya, Ajit Dubey, Laxma Gaud, Siddhartha Ghosh, K. Ganesh Haloi, Somnath Chandralekha, Rang Chetana G. P. Deshpande, Sudhanva Deshpande, Hasan, Alpana Hore, M. F. Husain, Rummana Hussain, Nirmal Kapoor, Naresh Kapuria, Kishori Kaul, Khare, Aishwarj Kumar, Sonal Mansingh, Sadanand Menon, Dadi Pudumjee, M. K. Bhupen Khakhar, Krishen Khanna, K. Khosa, Devayani Krishna, Kanwal Krishna, Raina, Joy Sengupta, Tripurari Sharma, R. S. Shelke, Madan Gopal Singh. Lalitha Lajmi, Madan Mahatta, Sheila Makhijani, Nalini Malani, Robin Mandal, Alex Mathew, Anjoli Ela Menon, Leila Mukherjee, Meera Mukherjee, Mrinalini Mukherjee, Janotsav (1989) Reddeppa Naidu, Badri Narayan, Naren Nath, Akbar Padamsee, Jyoti Pandya, Coordinators of Janotsav workshops: Prashant Panjiar, Mukul Panwar, Madhvi Parekh, Manu Parekh, Gieve Patel, Jeram Musi c: Kajal Ghosh, Madan Gopal Singh Patel, Nagji Patel, Sudhir Patwardhan, Ashok Prajapati, Om Prakash, Surya Prakash, Photography: Parthiv Shah Pushpamala N., Ram Rahman, Mona Rai, Raghu Rai, A. Ramachandran, Fine Art & Graphics: Amit Paul, Pratibha Dakoji Raghavendra Rao, D. L. N. Reddy, Ravinder Reddy, Rekha Rodwittiya, Shyamal Roy, Theatre: Habib Tanvir, Ashish Ghosh Suhas Roy, Jehangir Sabavala, Piraji Sagara, G. R. Santosh, B. C. Sanyal, Paritosh Sen, Street Theatre: Rati Bartholomew, Jana Natya Manch Himmat Shah, Parthiv Shah, Shamshad, Satish Sharma, Archana Shastri, Lalu Prasad Environmental Projects: Romi Khosla, National Institute of Science, Technology and Shaw, Gulammohammed Sheikh, Nilima Sheikh, Ketaki Sheth, Deepak Shinde, Vilas Development Studies (NISTADS) Shinde, Siddharth, Arpita Singh, Gurcharan Singh, Paramjit Singh, Prem Singh, Painting: Vivan Sundaram, Shamshad Raghubir Singh, Tejbir Singh, K. G. Subramanyan, Anupam Sud, Sudha, Vivan Literature and Poetry (Hindi and Urdu ): M. M. P. Singh, Gauhar Raza Sundaram, B. V. Suresh, J. Swaminathan, Soni Taraporevala, Vasundhara Tewari, Dance: Bharat Sharma, Madhavi Mudgal S. G. Vasudev, Umesh Verma, S. S. Vohra, Yusuf, Moti Zharotia. Video/TV: Sashi Kumar, Centre for Development of Instructional Technology (CENDIT) Puppetry & Creative Writing (English): Dadi Pudumjee, Randhir Khare Chauraha: All India Street Theatre Festival, Delhi ( 1989) Newsletter: Anil Chandra, Indian Institute of Mass Communications (IIMC) Participating theatre groups: Chennai Kalai Kuzhu (Chennai), Duggar Manch (Jammu), Indian People’s Theatre Association (Patna), Jagar Ladhau Lok Kala Aghadi (Maharashtra), Jan Kala Manch (Bhavnagar, Gujarat), Jana Natya Manch (Delhi), Praja Natya Mandali (Andhra Pradesh), Ritwik (West Bengal), Samudaya (Karnataka). 290 Children’s Books Artists Against Communalism PED BAPU AAC Delhi ( 1991) Author: Safdar Hashmi Author: Uma Shankar Joshi Participants: Javed Akhtar, Manjit Bawa, Arpana Caur, Hari Prasad Chaurasia, Illustrations: Mickey Patel Illustrations: Madhavi Parekh Fahimuddin Dagar, Dagar Bandhu, Jatin Das, Astad Deboo, Gopi Gajwani, Moloyashree Hashmi, Shanti Hiranand, Ali Sardar Jafri, Bansi Kaul, Amjad Ali Khan, RED FLOWER CHAMPA Asad Ali Khan, Sabri Khan, Shafat Ahmad Khan, Krishen Khanna, Yamini Author: Safdar Hashmi Author: Haku Shah Krishnamurthy, Sharon Lowen, Birju Maharaj, Sonal Mansingh, Joy Michael, Rajan & Illustrations: Mona Rai Illustrations: Haku Shah Sajan Mishra, Madhup Mudgal, Shubha Mudgal, Vishnu Nagar, Bansi Parimoo, BANSURIWALA BAPU KA AITIHASIK MUKADMA Indrani Rahman, M. K. Raina, Rahi Masoom Raza, Raja & Radha Reddy, Bhisham Author: Safdar Hashmi Author: Mulk Raj Anand Sahni, Leela Samson, Kiran Sehgal, Uma Sharma, Gulammohammed Sheikh, Prayag Illustrations: Arpita Singh Illustrations: Shamshad Shukla, Arpita Singh, Paramjit Singh, Vivan Sundaram, J. Swaminathan, Habib Tanvir, Wadali Brothers, Jana Natya Manch, and Naya Theatre. HOLI IDGAH Author: Safdar Hashmi Author: Premchand AAC Aligarh ( 1991) Illustrations: Mohandas N. N. Illustrations: Jehangir Jani Participants: Manjit Bawa, Gopal Das, Rita Ganguli, Yunus Husain Khan, Sharon Lowen, Sonal Mansingh, Mrinalini Mukherjee, Dadi Pudumjee, Lalit Rao, Ale Ahmad GADBAD GHOTALA SITARA GIR PADEGA Saroor, Shaharyar, Pt. Narendra Sharma, Vivan Sundaram, and Naya Theatre. Author: Safdar Hashmi Author: Madhukar Upadhyaya Illustrations: B. V. Suresh Illustrations: Sanjay Sharma AAC Mumbai ( 1991) Participating artists: Shamim Ahmed, Javed Akhtar, Kishori Amonkar, Aarti Ankalikar, TOTA KAHANI / KITABEN THE STORY OF THE PARROT Kankana Banerjee, Ranjit Barot, Neela Bhagwat, Hari Prasad Chaurasia, Baharuddin Author: Safdar Hashmi Author: Rabindranath Tagore Dagar, Fahimuddin Dagar, Wasifuddin Dagar, Zahiruddin Dagar, Astad Deboo, Illustrations: Surendran Nair Illustrations: Patuas from Bengal Ashwini Bhide Deshpande, Sitara Devi, Nida Fazli, Dhruv Ghosh, Nayan Ghosh, Shobha Gurtu, A. K. Hangal, M. F. Husain, Ali Sardar Jafri, Pt. Jasraj, Dileep Jhaveri, SARE MAUSAM ACCHHE VIR PURUSH / Satish Kaleskar, Ulhas Kasalkar, Prabhakar Kaslekar, Amjad Ali Khan, Sultan Khan, Author: Safdar Hashmi THE BRAVE LITTLE MAN Randhir Khare, Kartik Kumar, Sonal Mansingh, Mehol, Shubha Mudgal, Amol Palekar, Illustrations: Nilima Sheikh Author: Rabindranath Tagore Raghunandan Pansikar, Prabodh Parikh, Daya Pawar, Dadi Pudumjee, Lalit Rao, Illustrations: Patuas from Bengal DUNIYA SABKI Raghunath Seth, Pt. Ravi Shankar, Shiv Kumar Sharma, Gulammohammed Sheikh, Author: Safdar Hashmi BRISHTI PARE TAPAR TUPUR / Maya Upadhyaya, and C.R. Vyas. Illustrations: Bindia Thapar DAYLIGHT IS FADING Author: Rabindranath Tagore AAC: Images and Words (1991) NATAK KI DUNIYA Illustrations: Patuas from Bengal Participants: V. G. Abhimanue, Sam Adaikalasamy, Balbhadra Agarwala, Fatima Author: Safdar Hashmi Ahmed, Krishen Ahuja, Ajmal Ajmali, Akhilesh, Javed Akhtar, Vasudevan Akkitham, Illustrations: Bindia Thapar Abid Alami, Altaf, Navjot Altaf, Amarkant, Amit Ambalal, Amitabh, Anand (P. Sachidanandan), B. Anoop, V. K. Asthana, Kirat Babani, Bashir Badr, Ramesh Bakshi, BAGH KI SAIR Nazeer Banarsi, Manabendra Bandyopadhyay, Anandamoy Banerjee, Anuradha Author: Safdar Hashmi Banerjee, Maitreyi Banerji, Jitendra Singh Baoni, Waseem Barelvi, Alif Ahmed Barq, Illustrations: Vasudevan Akkitham Abbas Batliwala, Hemi Bawa, Manjit Bawa, Manmohan Bawa, Harish Bhadani, Mahendra Bhalla, P. Bhaskaran, R. K. Bhaskaran, Jyoti Bhatt, Bireswar Bhattacharjee, Dilip Bhattacharya, Malini Bhattacharya, Harcharan Singh Bhatty, L. M. Bhaud, Tapan 290 291 SAHMAT: Project Participants Bhowmik, G. S. Bhullar, Bharat Bhushan, Abdul Bismillah, Pulak Biswas, Swapan Rodwittiya, Samir Roy, A. G. Ryan, Jehangir Sabavala, Naveen Sagar, Bhisham Sahni, Biswas, Usha Biswas, Neeta Borker, Bilash Bose, Gulabdas Broker, Shobha Broota, Kashinath Salve, Soni Sanjeev, G. R. Santosh, Dayal Sarbapriya, K. Satchidanandan, Ajeet Caur, Arpana Caur, Bachint Caur, S. K. Chaddha, Sadhan Chakraborty, Jagdish Shukla Sawant, Savinder Sawarkar, Amarnath Sehgal, P. S. Sehrai, Mrinal Sen, Chander, Kanchan Chander, Anil Chatterji, Sukumar Chatterji, Surjit Singh Nabaneeta Dev Sen, Orijit Sen, Haku Shah, Parthiv Shah, Prabha Shah, Sumant Shah, Chaudhury, Chanchal Chauhan, Bal Chhabda, Chillar J. K., Sunila Bindra Chopra, Shaharyar, Shamshad, Gauri Shankar, Sandeep Shankar, M. Shanthamani, Asha Bijon Chowdhury, Dhiraj Choudhury, Jogen Chowdhury, Medini Choudhury, Shail Sharma, Bulbul Sharma, Natraj Sharma, O. P. Sharma, Sanjay Sharma, Satish Sharma, Choyal, Peter Colaco, Dinesh Dadhichi, Prafulla Dahanukar, Naina Dalal, Amitava Shyam Sharma, Suresh Sharma, M. Shashidharan, Archana Shastri, Das, Biman Das, Jatin Das, Nirmalendu Das, Debrata De, Jagdish De, Ashapurna Debi, Gulammohammed Sheikh, Nilima Sheikh, Khushbash Sherawat, Shibu, Jin Sook Ajay Desai, Arvind M. Desai, Sanjay Desai, G. P. Deshpande, Chandrakant Devtale, Shinde, Vilas Shinde, J. S. Shraddha, Shriprasad, Jaydev Shukla, Jayesh P. Shukla, Ramlal Dhar, Santokh Singh Dhir, Shiv Doblia, Atul Dodiya, Ajit Dubey, Vinay Dubey, Prayag Shukla, Shuvaprasannna, Shrilekha Sikander, Arpita Singh, Bhagwan Singh, Kartar Singh Duggal, Manoj Dutta, B. S. Elias, S. R. Faruqui, Nida Fazli, Mridula Garg, Dayanita Singh, Gurcharan Singh, Gurdial Singh, Harbhajan Singh, Maheep Singh, Balwant Gargi, Ramesh Gaur, Kishore Ghosh, Rajat Kumar Ghosh, Sankho Ghosh, Namita Singh, Narenderpal Singh, Paramjit Singh, Prakash Singh, Prem Singh, Subha Ghosh, Phal
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    Syed Haider Raza Painter S.H. Raza was born as Syed Haider Raza in the year 1922, in the state of Madhya Pradesh. One of the most distinguished artists of the Indian subcontinent, Raza has been settled in France since 1950. However, his ties with India remain as strong as ever. The paintings of Syed Haider Raza have been done mainly in oil or acrylic and have a very heavy usage of color. His wife is a French artist, Janine Mongillat. Know more about the biography and life history of S.H. Raza with this article: Raza received his formal training in painting at the Nagpur School of Art (Nagpur) and Sir J. J. School of Art (Mumbai). During his stay at the Sir J.J. School, he became a member of Progressive Artist Group. At that time, SH Raza experimented with the Western Modernism, which was moving away from expressionism and towards abstraction. Thereafter, he shifted to France to pursue his studies at the Ecole Nationale des Beaux-Arts of Paris. The paintings of Syed Haider Raza in the 1940s and 1950s revolved mainly around landscapes. His Style The paintings of S.H. Raza revolve mainly around nature and its various faucets. His paintings have evolved from being purely expressionist landscapes to abstract ones. He believes the Bindu (dot) to be the center of creation and existence and his works reflect this particular thinking. Even though the vibrancy of his paintings has become subtle, the dynamism remains as alive as ever. Achievements A painting by S.H. Raza was reportedly sold for US $1.4 million at an auction held in December 2006.
  • Name of the Artist & Contact Details Links Grading

    Name of the Artist & Contact Details Links Grading

    MINISTRY OF CULTURE FESTIVAL OF INDIA CELL PANEL OF ARTISTS/GROUPS FOR PARTICIPATION IN FESTIVALS OF INDIA ABROAD (O - OUTSTANDING, P- PROMISING, W- WAITING) Kathak S.NO Name of the Artist & contact Details Links Grading 1. Arijeet Mukherjee Business Development and Events Coordinator https://vimeo.com/151495589 Aditi Mangaldas Dance Company - The Drishtikon Dance Foundation Password: within123 O ADD: N-75/4/2, Sainik Farms South Lane - W 17 (Main) New Delhi-110080 MOB: 0 93111 57771 | 0 98105 66044 http://vimeo.com/aditimangaldasdance/ WEB: www.aditimangaldasdance.com Email: unchartedseas [email protected] Password: AMDC-US 2 Shovana Narayan IA&AS retd https://www.youtube.com/watch?v=Hha O Kathak Guru(Padmashri& central Sangeet Natak Akademi awardee) Mq0Nxg5s T2-LL-103, Commonwealth Games Village, Delhi-110092 https://www.youtube.com/watch?v=eOD Cell:+919811173734+919810725340 RnwLc9Mg Email:[email protected] or [email protected] https://www.youtube.com/watch?v=KAw Padmashree Awardee (1996) jM9ggTh8 SNA Awardee (1999-2000) https://www.youtube.com/watch?v=lsUd IJI0yn8 https://www.youtube.com/watch?v=aR W89rFJ6dc https://www.youtube.com/watch?v=KAw jM9ggTh8 https://www.youtube.com/watch?v=UN A_4Cf1taQ https://www.youtube.com/watch?v=4Ax MxNkuxvw https://www.youtube.com/watch?v=RhL 6wQ1Y-WA https://www.youtube.com/watch?v=7A3 dh8pBElg https://www.youtube.com/watch?v=8Xe RJqb65e4 https://www.youtube.com/watch?v=xjsl5 Rq3HVo https://www.youtube.com/watch?v=RJQ pWVKMTJI https://www.youtube.com/watch?v=xjsl5 Rq3HVo https://www.youtube.com/watch?v=5Uf sLeqIYhY https://www.youtube.com/watch?v=o- ftl8rIjnc https://www.youtube.com/watch?v=Jrnt MQy2320 https://i.ytimg.com/vi/IMKCvbQ7cUk/mq default.jpg https://www.youtube.com/watch?v=MS wixkNxubg https://www.youtube.com/watch?v=oO1 -WsLotZg https://www.youtube.com/watch?v=gZrd 14SjJkA https://www.youtube.com/watch?v=RJq PTQTD-Zs https://www.youtube.com/watch?v=PG5 -DTTykdk https://www.youtube.com/watch?v=VW Fuv9mBUQI https://www.youtube.com/watch?v=1UY NfMqZ9aQ https://www.youtube.com/watch?v=SDq xUHbTLHw 3.
  • PRESS INFORMATION BUREAU GOVERNMENT of INDIA PRESS NOTE RESULT of the CIVIL SERVICES (PRELIMINARY) EXAMINATION, 2019 Dated: 12Th July, 2019

    PRESS INFORMATION BUREAU GOVERNMENT of INDIA PRESS NOTE RESULT of the CIVIL SERVICES (PRELIMINARY) EXAMINATION, 2019 Dated: 12Th July, 2019

    PRESS INFORMATION BUREAU GOVERNMENT OF INDIA PRESS NOTE RESULT OF THE CIVIL SERVICES (PRELIMINARY) EXAMINATION, 2019 Dated: 12th July, 2019 On the basis of the result of the Civil Services (Preliminary) Examination, 2019 held on 02/06/2019, the candidates with the following Roll Numbers have qualified for admission to the Civil Services (Main) Examination, 2019. The candidature of these candidates is provisional. In accordance with the Rules of the Examination, all these candidates have to apply again in the Detailed Application Form-I (DAF-I) for the Civil Services (Main) Examination, 2019, which will be available on the website of the Union Public Service Commission (https://upsconline.nic.in) during the period from 01/08/2019 (Thursday) to 16/08/2019 (Friday) till 6:00 P.M. All the qualified candidates are advised to fill up the DAF-I ONLINE and submit the same ONLINE for admission to the Civil Services (Main) Examination, 2019 to be held from Friday, the 20/09/2019. Important instructions for filling up of the DAF-I and its submission will also be available on the website. The candidates who have been declared successful have to first get themselves registered on the relevant page of the above website before filling up the ONLINE DAF-I. The qualified candidates are further advised to refer to the Rules of the Civil Services Examination, 2019 published in the Gazette of India (Extraordinary) of Department of Personnel and Training Notification dated 19.02.2019. It may be noted that mere submission of DAF-I does not, ipso facto, confer upon the candidates any right for admission to the Civil Services (Main) Examination, 2019.
  • Koel Chatterjee Phd Thesis

    Koel Chatterjee Phd Thesis

    Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar.