Madness and Modernity in Rimbaud’s Gerald Macklin To cite this version: Gerald Macklin. Madness and Modernity in Rimbaud’s. Neophilologus, Springer Verlag, 2011, 95 (3), pp.379-394. 10.1007/s11061-011-9242-8. hal-00615335 HAL Id: hal-00615335 https://hal.archives-ouvertes.fr/hal-00615335 Submitted on 19 Aug 2011 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. TITLE PAGE Dr Gerald MACKLIN MADNESS AND MODERNITY IN RIMBAUD‟S UNE SAISON EN ENFER FACULTY OF ARTS SCHOOL OF LANGUAGES, LITERATURES AND CULTURES UNIVERSITY OF ULSTER CROMORE ROAD COLERAINE BT52 1SA NORTHERN IRELAND TEL: 028 70324180 0870 0400 7000 email:
[email protected] ABSTRACT This paper sets out to examine in detail the structure and internal development of Une Saison en enfer, Arthur Rimbaud‟s diary composed in prose poetry. The paper argues that the collection articulates the experience of madness as an integral part of the author‟s sojourn in a psychological Hades. At the same time it sees a journey towards a personal definition and sense of modernity as the means by which the victim ultimately extracts himself from his hell.