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Grunge Is Dead Is an Oral History in the Tradition of Please Kill Me, the Seminal History of Punk
THE ORAL SEATTLE ROCK MUSIC HISTORY OF GREG PRATO WEAVING TOGETHER THE DEFINITIVE STORY OF THE SEATTLE MUSIC SCENE IN THE WORDS OF THE PEOPLE WHO WERE THERE, GRUNGE IS DEAD IS AN ORAL HISTORY IN THE TRADITION OF PLEASE KILL ME, THE SEMINAL HISTORY OF PUNK. WITH THE INSIGHT OF MORE THAN 130 OF GRUNGE’S BIGGEST NAMES, GREG PRATO PRESENTS THE ULTIMATE INSIDER’S GUIDE TO A SOUND THAT CHANGED MUSIC FOREVER. THE GRUNGE MOVEMENT MAY HAVE THRIVED FOR ONLY A FEW YEARS, BUT IT SPAWNED SOME OF THE GREATEST ROCK BANDS OF ALL TIME: PEARL JAM, NIRVANA, ALICE IN CHAINS, AND SOUNDGARDEN. GRUNGE IS DEAD FEATURES THE FIRST-EVER INTERVIEW IN WHICH PEARL JAM’S EDDIE VEDDER WAS WILLING TO DISCUSS THE GROUP’S HISTORY IN GREAT DETAIL; ALICE IN CHAINS’ BAND MEMBERS AND LAYNE STALEY’S MOM ON STALEY’S DRUG ADDICTION AND DEATH; INSIGHTS INTO THE RIOT GRRRL MOVEMENT AND OFT-OVERLOOKED BUT HIGHLY INFLUENTIAL SEATTLE BANDS LIKE MOTHER LOVE BONE, THE MELVINS, SCREAMING TREES, AND MUDHONEY; AND MUCH MORE. GRUNGE IS DEAD DIGS DEEP, STARTING IN THE EARLY ’60S, TO EXPLAIN THE CHAIN OF EVENTS THAT GAVE WAY TO THE MUSIC. THE END RESULT IS A BOOK THAT INCLUDES A WEALTH OF PREVIOUSLY UNTOLD STORIES AND FRESH INSIGHT FOR THE LONGTIME FAN, AS WELL AS THE ESSENTIALS AND HIGHLIGHTS FOR THE NEWCOMER — THE WHOLE UNCENSORED TRUTH — IN ONE COMPREHENSIVE VOLUME. GREG PRATO IS A LONG ISLAND, NEW YORK-BASED WRITER, WHO REGULARLY WRITES FOR ALL MUSIC GUIDE, BILLBOARD.COM, ROLLING STONE.COM, RECORD COLLECTOR MAGAZINE, AND CLASSIC ROCK MAGAZINE. -
D841o [Free Download] Love Death: the Murder of Kurt Cobain Online
d841o [Free download] Love Death: The Murder of Kurt Cobain Online [d841o.ebook] Love Death: The Murder of Kurt Cobain Pdf Free Par Max Wallace, Ian Halperin ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook Détails sur le produit Rang parmi les ventes : #289088 dans eBooksPublié le: 2014-03-20Sorti le: 2014-03- 20Format: Ebook Kindle | File size: 26.Mb Par Max Wallace, Ian Halperin : Love Death: The Murder of Kurt Cobain before purchasing it in order to gage whether or not it would be worth my time, and all praised Love Death: The Murder of Kurt Cobain: Commentaires clientsCommentaires clients les plus utiles0 internautes sur 0 ont trouvé ce commentaire utile. A couper le soufflePar TichatDu vrai journalisme investigatif. Bien écrit, très bien recherché, objectif, avec des révélations inattendues et hallucinantes.Se lit tel qu'un thriller à en oublier presque qu'il s'agit malheureusement de faits réels.0 internautes sur 0 ont trouvé ce commentaire utile. GREAT SELLER +++ FAST, CLEAN,PERFECT ... WHAT ELSE ?Par guichardGREAT SELLER +++ FAST, CLEAN,PERFECT ... WHAT ELSE ?GREAT SELLER +++ FAST, CLEAN,PERFECT ... WHAT ELSE ?GREAT SELLER +++ FAST, CLEAN,PERFECT ... WHAT ELSE ? Présentation de l'éditeurTHE EXPLOSIVE INVESTIGATION INTO THE DEATH OF KURT COBAIN. Friday, 8th April 1994. Kurt Cobain's body was discovered in a room above a garage in Seattle. For the attending authorities, it was an open-and-shut case of suicide. What no one knew was Cobain had been murdered. That April, Cobain went missing for several days, or so it seemed: in fact, some people knew where he was, and one of them was Courtney Love. -
Charles Peterson …And Everett True Is 481
Dwarves Photos: Charles Peterson …and Everett True is 481. 19 years on from his first Seattle jolly on the Sub Pop account, Plan B’s publisher-at-large jets back to the Pacific Northwest to meet some old friends, exorcise some ghosts and find out what happened after grunge left town. How did we get here? Where are we going? And did the Postal Service really sell that many records? Words: Everett True Transcripts: Natalie Walker “Heavy metal is objectionable. I don’t even know comedy genius, the funniest man I’ve encountered like, ‘I have no idea what you’re doing’. But he where that [comparison] comes from. People will in the Puget Sound8. He cracks me up. No one found trusted the four of us enough to let us go into the say that Motörhead is a metal band and I totally me attractive until I changed my name. The name studio for a weekend and record with Jack. It was disagree, and I disagree that AC/DC is a metal band. slides into meaninglessness. What is the Everett True essentially a demo that became our first single.” To me, those are rock bands. There’s a lot of Chuck brand in 2008? What does Sub Pop stand for, more Berry in Motörhead. It’s really loud and distorted and than 20 years after its inception? Could Sub Pop It’s in the focus. The first time I encountered Sub amplified but it’s there – especially in the earlier have existed without Everett True? Could Everett Pop, I had 24 hours to write up my first cover feature stuff. -
Communication Dialectics in a Musical Community: the Anti- Socialization of Newcomers
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1995 Communication dialectics in a musical community: The anti- socialization of newcomers Karen Louise Rohrbauck-Stout The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Rohrbauck-Stout, Karen Louise, "Communication dialectics in a musical community: The anti-socialization of newcomers" (1995). Graduate Student Theses, Dissertations, & Professional Papers. 5411. https://scholarworks.umt.edu/etd/5411 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University of ^ M O N T A N A Permission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. * * Please check "Yes" or "No" and provide signature * * Yes, I grant permission No, I do not grant permission Author's Signature Date Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. COMMUNICATION DIALECTICS IN A MUSICAL COMMUNITY: THE ANTI-SOCIALIZATION OF NEWCOMERS. by Karen Louise Rohrbauck-Stout B .A. the University of Puget Sound, 1992 presented in partial fulfillment of the requirements for the degree of Master of Arts The University of Montana 1995 Approved by: Dean, Graduate School Date UMI Number: EP40875 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Krist Novoselic, Dave Grohl, and Kurt Cobain
f Krist Novoselic, Dave Grohl, and Kurt Cobain (from top) N irvana By David Fricke The Seattle band led and defined the early-nineties alternative-rock uprising, unleashing a generation s pent-up energy and changing the sound and future of rock. THIS IS WHAT NIRVANA SINGER-GUITARIST KURT Cobain thought of institutional honors in rock & roll: When his band was photographed for the cover of Rolling Stone for the first time, in early 1992, he arrived wearing a white T-shirt on which he’d written, c o r p o r a t e m a g a z i n e s s t i l l s u c k in black marker. The slogan was his twist on one coined by the punk-rock label SST: “Corporate Rock Still Sucks.” The hastily arranged photo session, held by the side of a road during a manic tour of Australia, was later recalled by photogra pher Mark Seliger: “I said to Kurt, T think that’s a great shirt... but let’s shoot a couple with and without it.’ Kurt said, ‘No, I’m not going to take my shirt off.’” Rolling Stone ran his Fuck You un-retouched. ^ Cobain was also mocking his own success. At that moment, Nirvana - Cobain, bassist Krist Novoselic, and drummer Dave Grohl - was rock’s biggest new rock band, propelled out of a long-simmering postpunk scene in Seattle by its incendiary second album, N everm ind, and an improbable Top Ten single, “Smells Like Teen Spirit.” Right after New Year’s Day 1992, Nevermind - Nirvana’s first major-label release and a perfect monster of feral-punk challenge and classic-rock magne tism, issued to underground ecstacy just months before - had shoved Michael Jackson’s D angerous out of the Number One spot in B illboard. -
City News Industry News
Vol. 10, No. 31 March 16, 2017 - Celebrating 10 years of Weekly News from the Office of Film + Music - CITY NEWS REGISTER NOW FOR CITY OF MUSIC CAREER DAY City of Music Career Day makes its return on April 1 to the Seattle Center campus. Youth ages 16 to 24 are encouraged to sign up early for one of the event's six breakout sessions. Ben Gibbard, Sassy Black, and Ahamefule Oluo will be presenting as this year's keynote speakers. Learn more at City of Music Career Day JOIN US FOR FILM + MUSIC + INTERACTIVE HAPPY HOUR ON MARCH 29 Join us Wednesday, March 29 at MoPOP's Culture Kitchen for the next Film + Music + Interactive Happy Hour! This month's program features a discussion with Jeff Vetting of the Upstream Music Fest + Summit. For more information visit FMI Happy Hour INDUSTRY NEWS INTERNATIONAL ARTISTS FACE CUSTOMS ISSUES IN SEATTLE AND AUSTIN At least seven artists slated to play the South by Southwest music festival have been turned away at the U.S. border amid confusion over the type of visa needed to enter the country. Similarly, last week in Seattle, Italian band Soviet Soviet was detained overnight at SeaTac airport before being deported. Read more at Billboard JASON MCCUE NAMED MOPOP'S 16th ANNUAL SOUND OFF! CHAMPION Seattle University student Jason McCue has been crowned 2017 Sound Off! champion - earning himself a performance spot at the 2017 Bumbershoot festival. Watch the final performances at MoPOP THIS WEEK ON BAND IN SEATTLE: MASZER This week's Band in Seattle features the guitar wizardry of David "Stitcx" Rapaport, Katie Blackstock's haunting and sultry vocals, and Joe Braley's ferocious drumming. -
Do You Know Grunge?
Do you know grunge? Debora Ferrara Design for the fashion system Politecnico di Milano x index what is grunge history of grunge generation X Kurt Cobain the king of fashion fashion trends xdo you know what are you wearing? rather be dead than cool rath be dead than cool rather be dead than cool rather be deadwhat thanis grunge? cool rather be dead than cool rather be dead than cool rather be dead than cool rath be dead than cool sound- garden nirvana alice in Grunge is a word that became synonymous with the Seattle sound. It’s a word that was used to describe a number chains of different “alternative” bands from the region in 1980s, and then also into the 1990s with bands like Nirvana, Pearl Jam, Soundgarden, Alice in Chains, Mudhoney and Screaming Trees. The first noted instance of referring to a Seattle band as “grunge,” was in a 1981 letter by Mark Arm, according to Clark Humphrey in his account of the Seattle music scene, Loser. pearl jam Bruce Pavitt later claimed to have popularized the term as a musical label in 1987, when he wrote some promotional copy for Green River, describing the band as “ultra-loose grunge that destroyed the morals of a generation”. In the late 80s, “grunge” did actually define a sound – high levels of distortion, feedback, fuzz effects, a fusion of punk and metal influences. Many of these bands were on either the C/Z or Sub Pop record labels. Jack Endino, the so-called “Godfather of Grunge” recorded Soundgarden, Mudhoney, Green River, Nirvana and Blood Circus between 1984 and 1989. -
The Contribution of Grunge to Social Change
The Contribution of Grunge to Social Change Korać, Zrinka Undergraduate thesis / Završni rad 2014 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences / Sveučilište Josipa Jurja Strossmayera u Osijeku, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:142:606771 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-26 Repository / Repozitorij: FFOS-repository - Repository of the Faculty of Humanities and Social Sciences Osijek Sveučilište J. J. Strossmayera u Osijeku Filozofski fakultet Preddiplomski studij engleskog jezika i književnosti i mađarskog jezika i književnosti Zrinka Korać The Contribution of Grunge to Social Change Završni rad Mentor: doc.dr.sc. Jadranka Zlomislić Osijek, 2014. Korać 2 Abstract This paper explores grunge, a music genre that developed in Seattle, Washington during the 1990s. The aim is to show how grunge contributed to changes primarily in the American society as it moved from underground to mainstream and became a primary pop cultural movement in the 90s. It also became a subculture which has its special characteristics like a certain way of dressing, behaving etc. The paper follows the evolution of grunge from its beginning in the 1980s. Thanks to Sub Pop, an independent record label, and its creators Jonathan Poneman and Bruce Pavitt and their sense for business and self-promotion, grunge moved from underground to mainstream at the beginning of the 1990s with Nirvana’s album Nevermind as a landmark and their single “Smells like Teen Spirit” as the anthem of the Generation X. Furthermore, the paper explores how musicians engaged in different aspects of society like politics, campaigning and activism and how grunge became an essential part of fashion statements and different forms of art such as movies. -
Paul Weller Wild Wood
The Venus Trail •Flying Nun-Merge Paul Weller Wild Wood PAUL WELLER Wild Wood •Go! Discs/London-PLG FAY DRIVE LIKE JEHU Yank Crime •Cargo-Interscope FRENTE! Marvin The Album •Mammoth-Atlantic VOL. 38 NO.7 • ISSUE #378 VNIJ! P. COMBUSTIBLE EDISON MT RI Clnlr SURE THING! MESSIAH INSIDE II The Grays On Page 3 I Ah -So-Me-Chat In Reggae Route ai DON'T WANT IT. IDON'T NEED IT. BUT ICAN'T STOP MYSELF." ON TOUR VITH OEPECHE MOUE MP.'i 12 SACRAMENTO, CA MAJ 14 MOUNTAIN VIEV, CA MAI' 15 CONCORD, CA MA,' 17 LAS, VEGAS, NV MAI' 18 PHOENIX, AZ Aff.q 20 LAGUNA HILLS, CA MAI 21 SAN BERNARDINO, CA MA,' 24 SALT LAKE CITY, UT NOTHING MA,' 26 ENGLEVOOD, CO MA,' 28 DONNER SPRINGS, KS MA.,' 29 ST. LOUIS, MO MP, 31 Sa ANTONIO, TX JUNE 1HOUSTON. TX JUNE 3 DALLAS, TX JUNE 5BILOXI, MS JUNE 8CHARLOTTE, NC JUNE 9ATLANTA, GA THE DEBUT TRACK ON COLUMBIA .FROM THE ALBUM "UNGOD ." JUNE 11 TILE ,' PARX, IL PROOUCED 81.10101 FRYER. REN MANAGEMENT- SIEVE RENNIE& LARRY TOLL. COLI MI-31% t.4t.,• • e I The Grays (left to right): Jon Brion, Jason Falkner, Dan McCarroll and Buddy Judge age 3... GRAYS On The Move The two started jamming together, along with the band's third songwriter two guys who swore they'd never be in aband again, Jason Falkner and Buddy Judge and drummer Dan McCarron. The result is Ro Sham Bo Jo Brion sure looked like they were having agreat time being in the Grays (Epic), arecord full of glorious, melodic tracks that owe as much to gritty at BGB's earlier this month. -
These Albums Contain Worthwhile Lyrics
Love Songs * * from Elation Bliss SUB POP * Joy Peace Beauty Unity Divinity Hope -¥•-¥•**-¥-•¥- * *-¥--¥• * * Sebadoh » Come* Beat Happening • Unrest» Steven Jesse Bernstein Green River » Codeine » Afghan Whigs » Smashing Pumpkins • Seaweed » Vaselines » Rev. Horton Heat« BiUy Childish & Kyra • ************* CD/CASS Fuck alternative. KILL BRATMOBILE SOME VELVET SIDEWALK COURTNEY LOVE NATION OF ULYSSES UNWOUND MECCA NORMAL NIRVANA HEAVENS To BETSY JAD FAIR ROCK BIKINI KILL WITCHYPOO MELVINS KICKING GIANT FITZ OF DEPRESSION INFAMOUS MENAGEREE STEVE FISK STARS SEVEN YEAR BITCH KEfEVISS The International Pop Underground Convention happened in August 1991 in Olympia, Washington. It was presented by K Records and Sound Out Northwest. All of the bands on this compact disc performed at the International Pop Underground Convention or are from OLYMPIA, the birthplace of rock. DISTRIBUTED EXCLUSIVELY IN CANADA BY JlWM.JlJMfiffi ZEPPELI SOPHIE B.HAWKINS m FEATURING THE HIT SINGLE "DAMN I WISH I WAS YOUR LOVER" WITH SPECIAL GUEST SUNDAY, SEPTEMBER 20 EARLY SHOWTIME - 9PM COMMODORE BALLROOM • • • • • ^*9 U-____J Hm m \\W} _•• ^^J 0 WITH GUESTS THE UNSTOPPABLE SEX MACHINE • • Thursday October 1 # T-SHIRTS OF THIS AD, 100% COTTON, XL, BLACK OR WHITE. good news praise him halleluliah GOOD NEWSMl FREE SNOT OF JESUS H BOOGERS OF OUR LORD & MESSIAH SCIENTIFIC FACT! $jk BIBLICAL PROOF! JESUS L LORD OF 'CHRIST" LORDS! SCIENCE PROVEN! SCRIPTURAL PROOF! SEND FIVE DOLLAR LOVE GIFT TO INTERNATIONAL SECULAR ATAVISM IN CANADA: P.O. BOX 1776 STN.'A" VANCOUVER, B.C. -
Place and Punk: the Heritage Significance of Grunge in the Pacific North West
Place and Punk: The heritage significance of Grunge in the Pacific North West William Kenneth Smith MA By Research University of York Archaeology May 2017 Abstract Academic institutions and the heritage industry are now actively seeking to understand the wider social, cultural and economic processes which surround the production and consumption of popular music histories. Music is a local creation; it is created through a flux of internal and external influences, and is bound up in questions of economy, networks, art, identity and technology. In the early 1990s the Pacific North West of the United States of America gave birth to what became known as the musical genre of ‘grunge’. It developed into a distinctive genre, presenting a style and sound which propagated within the confines of a specific time and place. As construction sites continue to emerge throughout the Pacific North West, the impact of music still provides an essential contribution to the regions character and culture. Despite this, countercultural pasts are vulnerable; not only to the passage of time but also the processes of development, gentrification and marginalization. This research explores the heritage significance of the Pacific North West punk scene. It presents a historiography of punk and an appraisal of the scholarly discourse surrounding place. This study utilizes artifacts, sites and oral histories to explore countercultural material and memories as well as the form and function of punk. Themes such as geography and environment are enfranchised into the discussion as ethnography and multidisciplinary approaches are applied to make a unique contribution to what is an essential and timely discussion regarding people, culture, heritage and place. -
Beyond Grunge Engage in Seattle’S Real Music Scene
ACRL National Conference Amanda Hornby and Anna Bjartmarsdóttir Sveinbjörnsson Beyond grunge Engage in Seattle’s real music scene he 14th ACRL National Con- hood in the early 1900s.1 During Tference provides librarians the 1920s and 1930s, Seattle was with the opportunity to engage in also home to a politically radical Seattle’s vibrant culture. Grunge folk music scene, and folk singer rock made Seattle’s music scene Woody Guthrie regularly stayed famous, but Seattle’s current local in town. music scene is as diverse as it is Seattle’s Jackson Street jazz innovative. Seattle’s jazz and rock music past scene flourished from the late 1930s to the (and present) is characterized by independent 1950s, and dozens of jazz clubs prospered thought, unique musical collaborations, and along Jackson Street, thanks to the talent a sense of place. We hope of musicians like Ray that this article will help Charles and jazz singer Er- you understand the rich nestine Anderson. Seattle history behind Seattle’s experienced considerable popular music scene and growth during the 1930s provide you with a guide and 1950s, and soldiers to going out and enjoying and workers, looking for it. Whether it’s indie rock, a good time, helped make jazz, classical or hip hop, Seattle a boomtown for Seattle’s music scene has bootleggers and live mu- a dizzying array of live sic. Seattle’s Chinatown music venues and genres also played host to a to choose from. We invite dynamic after-hours jazz you to engage in one scene, particularly the Jazz musicians playing at local club, of Seattle’s most thriving celebrated Black and Tan Seattle, 1961.