DOCSLIB.ORG

These Albums Contain Worthwhile Lyrics

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Love Songs * * from Elation Bliss SUB POP * Joy Peace Beauty Unity Divinity Hope -¥•-¥•**-¥-•¥- * *-¥--¥• * * Sebadoh » Come* Beat Happening • Unrest» Steven Jesse Bernstein Green River » Codeine » Afghan Whigs » Smashing Pumpkins • Seaweed » Vaselines » Rev. Horton Heat« BiUy Childish & Kyra • ************* CD/CASS Fuck alternative. KILL BRATMOBILE SOME VELVET SIDEWALK COURTNEY LOVE NATION OF ULYSSES UNWOUND MECCA NORMAL NIRVANA HEAVENS To BETSY JAD FAIR ROCK BIKINI KILL WITCHYPOO MELVINS KICKING GIANT FITZ OF DEPRESSION INFAMOUS MENAGEREE STEVE FISK STARS SEVEN YEAR BITCH KEfEVISS The International Pop Underground Convention happened in August 1991 in Olympia, Washington. It was presented by K Records and Sound Out Northwest. All of the bands on this compact disc performed at the International Pop Underground Convention or are from OLYMPIA, the birthplace of rock. DISTRIBUTED EXCLUSIVELY IN CANADA BY JlWM.JlJMfiffi ZEPPELI SOPHIE B.HAWKINS m FEATURING THE HIT SINGLE "DAMN I WISH I WAS YOUR LOVER" WITH SPECIAL GUEST SUNDAY, SEPTEMBER 20 EARLY SHOWTIME - 9PM COMMODORE BALLROOM • • • • • ^*9 U-____J Hm m \\W} _•• ^^J 0 WITH GUESTS THE UNSTOPPABLE SEX MACHINE • • Thursday October 1 # T-SHIRTS OF THIS AD, 100% COTTON, XL, BLACK OR WHITE. good news praise him halleluliah GOOD NEWSMl FREE SNOT OF JESUS H BOOGERS OF OUR LORD & MESSIAH SCIENTIFIC FACT! $jk BIBLICAL PROOF! JESUS L LORD OF 'CHRIST" LORDS! SCIENCE PROVEN! SCRIPTURAL PROOF! SEND FIVE DOLLAR LOVE GIFT TO INTERNATIONAL SECULAR ATAVISM IN CANADA: P.O. BOX 1776 STN.'A" VANCOUVER, B.C. V6C-2P7 IN U.SJ-,: P.O. BOX 69243, PORTLAND, OREGON, 97201 SCIENTIFIC FACT! SCDEN-TERRRIFFIC FACT!'! 00S$ S3dVl iOSlV - H 31V _l OS IIO 'M0VM1 'flinz IV HO S E P T E M B E R 10-20 11 CiayS of comedy, drama and performance from Vancouver to London, from Moscow to Tokyo over 500 performances /$r^± ' jflf-O 873-3646 all tickets under $10 p ^B pick UP a Program Guide in Stt*AI(iht ma produced by theatrespace the September 4th issue of * aigiin watching one of my favorite bands— than ZANNA ZANNA BO BANNA, term "subculture"? Why does a Tad—and all the while I was meeting a .001 % of the population takes p-TtB- BANANA FANNAFOFANN A, magazine like Discorder (or, for that bunch of real friendly people. I met C.Dyson ME MY MO MANNA...ZANNA matter, college radio) exist in the first these two girls who took me to this Vancouver place? Why didn't Discorder review the Genesis concert? Why does the after hours party in some building—I Dear Airhead, general consensus of the staff towards was too drunk so I can't remember The intent of last month's editorial was re: Zannas shot at public even somedung Hke Lollapalooza seem where k was. But Iremember somebody notto mock. Having beenwritten before Oh gag me with a fucking spoon to be disdain? Could it be that we want telling me that the building has parties this year's Lollapalooza show in and give me a large break, Ms. ultra tend If you know, could Vancouver (magazine deadlines and alternative music and culture to remain you possibly tell me the address along all), the editorial was in reference to is. Alternative means choice honey, with my first subscription. the fiasco which was last year's show and you don't have any. Maybe you The stuff normally defined as Thanks in Seattle; it was meant as a warning, need a reality check. You may be "sick alternative is stuff that's been nurtured Terry ZartUi not a review of this year's show. But a of those 90210 types" but we are sick on a small scale; kept away from the Settle, WA tangential question: How can anything of you—wear your attitude like a flag, ignorant hands of big business. I'm obviously so popular be considered hopped on the hand wagon, rebellious Sorry, can't help you on that one but sheep types. You think your « the C'vel Elephant is an awful good QSTDPiP PL/MM^OSQ at the Elephant or plan to i there. LEAVE YOUR BLINDERS AT I'LL BET YOU'RE GONNA GO THE DOOR Otherwise go bade to the SEE THE VILLAGE PEOPLE Roxy or whatever overflow crate you popped out of. If you come, know that TOO you are entering a place where people go to get away from you. Why don't Dear Airhead; you try Celebrities next I dare you. Being an infrequent reader of And yes, it is hypocritical of Discorder, I was a slight bit hesitant to you, Airhead, to mock /anna's and this letter. Still, I was only on Rob and Jim's attitudes while at the page 6 of the August issue before I Warner). What a same time using terms Uke "the N- It's always a pleasure when I, became so angry that I was compelled And for those of you who are band" and "cheetah" instead of Nirvana "Airhead," get lo sit down in from of to write. Mosl of your staff are so into spending your money foolishly, and grange) just because Seattle and its this lovely device we affectionately arrogant and selfrighteousthat it brings maybe Roxy Music Records on offspring are achieving fame. Let's not call a Macintosh™ and dole out prizes me to a state of reverse peristal ses. to our contest winners. This month is University Ave. in Seattle can interest pretend that Disco Night wiU become First, Lollapalooza is about the no exception. Afler sorting through the you in aused pair of Mark "Mudhoney" some kind of Utopian gathering where entries to last month's Gwar Match-Up Arm's Vision Street Wear high-tops those normally buttheaded wiU mix I have a few winners, or should I say for the paltry sum of $69.99 (U.S.). For and mingle effortlessly with you, oh There is no way a show of this size and winner: Gory Vogel. If the name something a Uttle closer to home you bards of our subculture. scope could have come about without sounds familiar it's because Gerry is could truck down to Scratch Record- So Tm whining as well. You some type of organization. Do you ihe national promotions rep (rm not where Thighmaster might be willing to want constructive suggestions? Try equate organization with c sure if that's a position worthy of capital sell you something that was sweated IF l**l Doriaio-s ___? CwTT _OWK -*"Ht playing Beat Happening earlier in the commercialism? It sure seemsthat way. letters) for Polygram records. on by all 9members of Superconductor. night. That always seems to drive them Besides the final group, all die bands at f3NMFoe_-ST Congratulations Gerry, your Billy Anyway, for those of you that Thunderbird were original, anti alternative but have to Uve your cool Bragg, Pixies, and Kiss product are in pay close attention to the happenings corporate, maestros. It is a wonderful alternative Uves defined by a narrow Mike the mail. Everybody's a winner with in Discorder you might notice a few thing that Vancouver got this gig. Considering your carping little rave minded, boring, stick up your ass set of things out of kilter...namely, However, if we did not, you probably against Lollapalooza last month, I "Mekanikal Object Noize," "Helen's Dear Airhead; Dave Cross from Maple Ridge, would be the first to bitch. Do you have certainly hope you give similar choices are about freedom, then people Kitchen" and "Future Rap." Well, B.C. got all but one right (yes, there is any suggestions how a show like this consideration to CiTR's own little should be free to express themselves re: Zanna Severin letter August they're still with us but they've been aFlamis Maximus) in the Gwar Match- can be organized any better? (And I am fiasco. Unlike the Thunderbird Stadium any way Ihey like. If that means " Discorder, shuffled tobi-monthry colur Up and, therefore, being the kind- sure vou do!) show, where 25,000 folks managed to diving al a PsychedeUc Furs" show Get a life Zanna. Since when hearted guy that I am, feel compelled to a. Not I have a good time and ruin the field for was there an "etiquette" for alternative? say If your Airhead editor had then so be it. People like you are so declaring him a winner as well.Thanks, the football team at the same time, the Isn't the whole point of alternative to checked ha*__ facts better they would busy posing and making sure you and to everybody else that entered and Tm too much valuable space was going to Beastie Boys, Sonic Youth, L7 show do something different, without clique have known that Evian and blocks of those around you are hip enough to fit sorry but Tm not going to send out any monthly regulars. So, by having these your station presented was an expensive restric-lions? Forgive me, but I have cheese were allowed, or did you have in you forget to live a Uttle. booby-prizesthistimebecause we have columns on a bi-monthly rotation lesson in altemativemusic for all. Most observed your little scene on many yours stored in glass containers? As You may emphasize with Rob to keep some stuff for future contests Discorder can hopefully bringyoumore missed L7, on stage an hour before occasions and its just as self-serving well, anyone who cared to listen to the and Jim bul I totally emphasize with too, you know. jam-packed issues on a con sisten t basis. ihey were scheduled, with nary a and ego riddled as the "Prep" crowd is.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate

    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate

    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
  • Rose Wylie 'Tilt the Horizontal Into a Slant'

    Rose Wylie 'Tilt the Horizontal Into a Slant'

    Rose Wylie Tilt The Horizontal Into A Slant 4 TILT THE HORIZONTAL INTO A SLANT TILT THE HORIZONTAL INTO A SLANT 5 INTRO Rose Wylie’s pictures are bold, occasionally chaotic, often unpredictable, and always fiercely independent, without being domineering. Wylie works directly on to large unprimed, unstretched canvases and her inspiration comes from many and varied sources, most of them popular and vernacular. The cutout techniques of collage and the framing devices of film, cartoon strips and Renaissance panels inform her compositions and repeated motifs. Often working from memory, she distils her subjects into succinct observations, using text to give additional emphasis to her recollections. Wylie borrows from first-hand imagery of her everyday life as well as films, newspapers, magazines, and television allowing herself to follow loosely associated trains of thought, often in the initial form of drawings on paper. The ensuing paintings are spontaneous but carefully considered: mixing up ideas and feelings from both external and personal worlds. Rose Wylie favours the particular, not the general; although subjects and meaning are important, the act of focused looking is even more so. Every image is rooted in a specific moment of attention, and while her work is contemporary in terms of its fragmentation and cultural references, it is perhaps more traditional in its commitment to the most fundamental aspects of picturemaking: drawing, colour, and texture. 8 TILT THE HORIZONTAL INTO A SLANT TILT THE HORIZONTAL INTO A SLANT 9 COMING UNSTUCK the power zing back and forth between the painting and us, the viewer? It’s both elegant It may come as a surprise to some, when and inelegant but never either ‘quirky’ or considering Wylie’s work that words like ‘power’ ‘goofy’.
  • Artist of the Day 2016 F: +44 (0)20 7439 7733

    Artist of the Day 2016 F: +44 (0)20 7439 7733

    PRESS RELEASE T: +44 (0)20 7439 7766 ARTIST OF THE DAY 2016 F: +44 (0)20 7439 7733 21 Cork Street 20 June - 2 July 2016 London W1S 3LZ Monday - Friday 11am - 7pm [email protected] Saturday - 11am - 6pm www.flowersgallery.com Flowers Gallery is pleased to announce the 23rd edition of Artist of the Day, a valuable platform for emerging artists since 1983. The two-week exhibition showcases the work of ten artists, nominated by prominent figures in contemporary art. The criteria for selection is talent, originality, promise and the ability to benefit from a one-day solo exhibition of their work at Flowers Gallery, Cork Street. “Every year we look forward to encountering the unknown and unpredictable. The constraint of time to install and promote an exhibition for one day only ensures there is a tangible energy in the gallery, with each day’s show incomparable to the other days. Artist of the Day has given a platform and context to artists who may not have exhibited much before, accompanied by the support and dedication of their selectors. The relationship between the selector and the artist adds an intimate power to the installations, and as a gallery we have gone on to work with many of the selected artists long term.” – Matthew Flowers Past selectors have included Patrick Caulfield, Helen Chadwick, Jake & Dinos Chapman, Tracey Emin, Gilbert & George, Maggi Hambling, Albert Irvin, Cornelia Parker, Bridget Riley and Gavin Turk; while Billy Childish, Adam Dant, Dexter Dalwood, Nicola Hicks, Claerwen James and Seba Kurtis, Untitled, 2015, Lambda C-Type print Lynette Yiadom-Boakye have featured as chosen artists.
  • Lesbian and Gay Music

    Lesbian and Gay Music

    Revista Eletrônica de Musicologia Volume VII – Dezembro de 2002 Lesbian and Gay Music by Philip Brett and Elizabeth Wood the unexpurgated full-length original of the New Grove II article, edited by Carlos Palombini A record, in both historical documentation and biographical reclamation, of the struggles and sensi- bilities of homosexual people of the West that came out in their music, and of the [undoubted but unacknowledged] contribution of homosexual men and women to the music profession. In broader terms, a special perspective from which Western music of all kinds can be heard and critiqued. I. INTRODUCTION TO THE ORIGINAL VERSION 1 II. (HOMO)SEXUALIT Y AND MUSICALIT Y 2 III. MUSIC AND THE LESBIAN AND GAY MOVEMENT 7 IV. MUSICAL THEATRE, JAZZ AND POPULAR MUSIC 10 V. MUSIC AND THE AIDS/HIV CRISIS 13 VI. DEVELOPMENTS IN THE 1990S 14 VII. DIVAS AND DISCOS 16 VIII. ANTHROPOLOGY AND HISTORY 19 IX. ACKNOWLEDGEMENTS 24 X. EDITOR’S NOTES 24 XI. DISCOGRAPHY 25 XII. BIBLIOGRAPHY 25 I. INTRODUCTION TO THE ORIGINAL VERSION 1 What Grove printed under ‘Gay and Lesbian Music’ was not entirely what we intended, from the title on. Since we were allotted only two 2500 words and wrote almost five times as much, we inevitably expected cuts. These came not as we feared in the more theoretical sections, but in certain other tar- geted areas: names, popular music, and the role of women. Though some living musicians were allowed in, all those thought to be uncomfortable about their sexual orientation’s being known were excised, beginning with Boulez.
  • Razorcake Issue #82 As A

    Razorcake Issue #82 As A

    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
  • The Working-Class Experience in Contemporary Australian Poetry

    The Working-Class Experience in Contemporary Australian Poetry

    The Working-Class Experience in Contemporary Australian Poetry A thesis submitted for the degree of Doctor of Philosophy Sarah Attfield BCA (Hons) University of Technology, Sydney August 2007 i Acknowledgements Before the conventional thanking of individuals who have assisted in the writing of this thesis, I want to acknowledge my class background. Completing a PhD is not the usual path for someone who has grown up in public housing and experienced childhood as a welfare dependent. The majority of my cohort from Chingford Hall Estate did not complete school beyond Year 10. As far as I am aware, I am the only one among my Estate peers to have a degree and definitely the only one to have attempted a PhD. Having a tertiary education has set me apart from my peers in many ways, and I no longer live on the Estate (although my mother and old neighbours are still there). But when I go back to visit, my old friends and neighbours are interested in my education and they congratulate me on my achievements. When I explain that I’m writing about people like them – about stories they can relate to, they are pleased. The fact that I can discuss my research with my family, old school friends and neighbours is really important. If they couldn’t understand my work there would be little reason for me to continue. My life has been shaped by my class. It has affected my education, my opportunities and my outlook on life. I don’t look back at the hardship with a fuzzy sense of nostalgia, and I will be forever angry at the class system that held so many of us back, but I am proud of my working-class family, friends and neighbourhood.
  • Concert and Music Performances Ps48

    Concert and Music Performances Ps48

    J S Battye Library of West Australian History Collection CONCERT AND MUSIC PERFORMANCES PS48 This collection of posters is available to view at the State Library of Western Australia. To view items in this list, contact the State Library of Western Australia Search the State Library of Western Australia’s catalogue Date PS number Venue Title Performers Series or notes Size D 1975 April - September 1975 PS48/1975/1 Perth Concert Hall ABC 1975 Youth Concerts Various Reverse: artists 91 x 30 cm appearing and programme 1979 7 - 8 September 1979 PS48/1979/1 Perth Concert Hall NHK Symphony Orchestra The Symphony Orchestra of Presented by The 78 x 56 cm the Japan Broadcasting Japan Foundation and Corporation the Western Australia150th Anniversary Board in association with the Consulate-General of Japan, NHK and Hoso- Bunka Foundation. 1981 16 October 1981 PS48/1981/1 Octagon Theatre Best of Polish variety (in Paulos Raptis, Irena Santor, Three hours of 79 x 59 cm Polish) Karol Nicze, Tadeusz Ross. beautiful songs, music and humour 1989 31 December 1989 PS48/1989/1 Perth Concert Hall Vienna Pops Concert Perth Pops Orchestra, Musical director John Vienna Singers. Elisa Wilson Embleton (soprano), John Kessey (tenor) Date PS number Venue Title Performers Series or notes Size D 1990 7, 20 April 1990 PS48/1990/1 Art Gallery and Fly Artists in Sound “from the Ros Bandt & Sasha EVOS New Music By Night greenhouse” Bodganowitsch series 31 December 1990 PS48/1990/2 Perth Concert Hall Vienna Pops Concert Perth Pops Orchestra, Musical director John Vienna Singers. Emma Embleton Lyons & Lisa Brown (soprano), Anson Austin (tenor), Earl Reeve (compere) 2 November 1990 PS48/1990/3 Aquinas College Sounds of peace Nawang Khechog (Tibetan Tour of the 14th Dalai 42 x 30 cm Chapel bamboo flute & didjeridoo Lama player).
  • 49Th Country Music Awards Of

    49Th Country Music Awards Of

    49th Country Music Awards of Australia 2021 Toyota Golden Guitar Awards Handbook 49th Country Music Awards of Australia AWARDS HANDBOOK Contents 1. ENTRY DATES ............................................................................................................................................................ 2 2. GENERAL TERMS & CONDITIONS .............................................................................................................................. 2 3. CURRENT ELIGIBILITY PERIOD ................................................................................................................................... 3 4. DEFINITIONS ............................................................................................................................................................. 3 5. ALBUM CATEGORY REQUIREMENTS ........................................................................................................................ 4 6. CATEGORIES & ELIGIBILITY ....................................................................................................................................... 5 A TOYOTA ALBUM OF THE YEAR ................................................................................................................. 5 B ALT COUNTRY ALBUM OF THE YEAR ........................................................................................................ 5 C CONTEMPORARY COUNTRY ALBUM OF THE YEAR .................................................................................. 6 D TRADITIONAL COUNTRY
  • De Rothschild' Convicted, Faces up to Eight Years in Prison

    De Rothschild' Convicted, Faces up to Eight Years in Prison

    NASty boys (and girls) £~ The local NAS chapter elected J.D. Barber and eight others to its board of directors. See page 3 THE CHRONICLE for the run down. K7^3§i&&-:^& THURSDAY, NOVEMBER 15. 1990 DUKE UNIVERSITY DURHAM. NORTH CAROUNA CIRCULATION: 15.000 VOL. 86. NO. 58 'De Rothschild' convicted, faces up to eight years in prison By BEAU DURE The jury deliberated for little case," said Matthew Martin, University Federal Credit Union, born on Nov. 1, 1952, in El Paso, GREENSBORO — The man more than an hour before return­ Rothschild's attorney. "I think two to obtain a line of credit one Texas. who posed as a member of the ing with the verdict shortly after Maurice has some things to say to obtain a credit card, and one Two additional charges involv­ French nobility at Duke was noon. Rothschild, barely recog­ that were worth saying." instance of providing false infor­ ing credit card applications were found guilty of fraud on Wednes­ nizable through his dark glasses, Rothschild is expected later to mation to Wachovia Bank and dropped during Tuesday's day. had no noticeable reaction to the stand trial in Durham County for Trust Co. for a line of credit. In proceedings. Maur Jeffrey Locke announcement ofthe verdict. charges of embezzlement from each instance, Rothschild was ac­ Rothschild testified on Tues­ Rothschild, formerly Mauro Cor­ Testimony began and ended on the Duke-Rinaldi fund, a private cused of stating his name of "M. day, claiming he suffered from tez, alias Baron Maurice de Tuesday. Both sides presented charity fund established on be­ de Rothschild" or "Baron M.
  • 1^ Date Rape Survivor Speaks at Colby

    1^ Date Rape Survivor Speaks at Colby

    1^ Date ra pe survivor speaks at Colby get up to throw away his trash, she BY BROOKE subtly maneuvered over to the FITZSIMMONS same garbage barrel. They struck Staff Writer up a conversation, and things went from there. They studied together, On November 17, Colby stu- they spent time getting to know dents, faculty and administration one another, and after two weeks had the opportunity to attend "He they were not exactly dating, but Said, She Said," a lecture and dis- they were both very interested. cussion on date rape presented by One night Peter planned to take national speakers Katie Koestner her on a "real date" to a restaurant and Brett Sokolow. Koestner, who in Williamsburg. He wore a three- spoke on campus last year, was piece suit, she wore her tenth grade excited by the large student turn- homecoming dress. At the restau- out, especially from male students rant he ordered champagne, and although Koestner did not drink at at Colby. She commented that last Echo photo hy Melame Guryansky year she thought she "was at a the time, he persuaded her to have women's college and some of the Katie Koestner visits Colby. just one glass. He off ered to take women had brought their boy- something that happened in dark her to his house in Greece for the friends along." In the case of sexual alleys, the attacker was a stranger, summer under the condition that assault, both men and womenalike and the notion that a rapist could she would have sex when he should be aware of the risks, re- be a friend was not even consid- wanted to.
  • Download PDF > Riot Grrrl \\ 3Y8OTSVISUJF

    Download PDF > Riot Grrrl \\ 3Y8OTSVISUJF

    LWSRQOQGSW3L / Book ~ Riot grrrl Riot grrrl Filesize: 8.18 MB Reviews Unquestionably, this is actually the very best work by any article writer. It usually does not price a lot of. Once you begin to read the book, it is extremely difficult to leave it before concluding. (Augustine Pfannerstill) DISCLAIMER | DMCA GOKP10TMWQNH / Kindle ~ Riot grrrl RIOT GRRRL To download Riot grrrl PDF, make sure you refer to the button under and download the document or gain access to other information which might be related to RIOT GRRRL book. Reference Series Books LLC Jan 2012, 2012. Taschenbuch. Book Condition: Neu. 249x189x10 mm. Neuware - Source: Wikipedia. Pages: 54. Chapters: Kill Rock Stars, Sleater-Kinney, Tobi Vail, Kathleen Hanna, Lucid Nation, Jessicka, Carrie Brownstein, Kids Love Lies, G. B. Jones, Sharon Cheslow, The Shondes, Jack O Jill, Not Bad for a Girl, Phranc, Bratmobile, Fih Column, Caroline Azar, Bikini Kill, Times Square, Jen Smith, Nomy Lamm, Huggy Bear, Karen Finley, Bidisha, Kaia Wilson, Emily's Sassy Lime, Mambo Taxi, The Yo-Yo Gang, Ladyfest, Bangs, Shopliing, Mecca Normal, Voodoo Queens, Sister George, Heavens to Betsy, Donna Dresch, Allison Wolfe, Billy Karren, Kathi Wilcox, Tattle Tale, Sta-Prest, All Women Are Bitches, Excuse 17, Pink Champagne, Rise Above: The Tribe 8 Documentary, Juliana Luecking, Lungleg, Rizzo, Tammy Rae Carland, The Frumpies, Lisa Rose Apramian, List of Riot Grrl bands, 36-C, Girl Germs, Cold Cold Hearts, Frightwig, Yer So Sweet, Direction, Viva Knievel. Excerpt: Riot grrrl was an underground feminist punk movement based in Washington, DC, Olympia, Washington, Portland, Oregon, and the greater Pacific Northwest which existed in the early to mid-1990s, and it is oen associated with third-wave feminism (it is sometimes seen as its starting point).
  • End of Year Charts: 2010

    End of Year Charts: 2010

    End Of Year Charts: 2010 Chart Page(s) Top 200 Singles .. .. .. .. .. 2 - 5 Top 200 Albums .. .. .. .. .. 6 - 9 Top 200 Compilation Albums .. .. .. 10 - 13 All rights reserved. No portion of this publication may be reproduced, stored in a retrieval system, posted on an Internet/Intranet web site or forum, forwarded by email, or otherwise transmitted in any form or by any means, electronic, mechanical, photocopying, recording without prior written permission of UKChartsPlus Published by: UKChartsPlus e-mail: [email protected] http://www.UKChartsPlus.co.uk - 1 - Symbols: Platinum (600,000) Gold (400,000) Silver (200,000) 12” Vinyl only 2010 7” Vinyl only Download only Entry Date 2010 2009 2008 2007 Title - Artist Label (Cat. No.) (w/e) High Wks 1 -- -- -- LOVE THE WAY YOU LIE - Eminem featuring Rihanna Interscope (2748233) 03/07/2010 2 28 2 -- -- -- WHEN WE COLLIDE - Matt Cardle Syco (88697837092) 25/12/2010 13 3 3 -- -- -- JUST THE WAY YOU ARE (AMAZING) - Bruno Mars Elektra ( USAT21001269) 02/10/2010 12 15 4 -- -- -- ONLY GIRL (IN THE WORLD) - Rihanna Def Jam (2755511) 06/11/2010 12 10 5 -- -- -- OMG - Usher featuring will.i.am LaFace ( USLF20900103) 03/04/2010 1 41 6 -- -- -- FIREFLIES - Owl City Island ( USUM70916628) 16/01/2010 13 51 7 -- -- -- AIRPLANES - B.o.B featuring Hayley Williams Atlantic (AT0353CD) 12/06/2010 1 31 8 -- -- -- CALIFORNIA GURLS - Katy Perry featuring Snoop Dogg Virgin (VSCDT2013) 03/07/2010 12 28 WE NO SPEAK AMERICANO - Yolanda Be Cool vs D Cup 9 -- -- -- 17/07/2010 1 26 All Around The World/Universal