City Centre TrailContemporary Art

Explore 14 of Glasgow’s public contemporary artworks, by world renowned artists, in an easily walkable trail.  HILL STREET

COWCADDENSMCPHATER ST

RENFREW STREET Glasgow DALHOUSIE ST GARNET STREET ROSE STREET Caledonian University Royal SAUCHIEHALL STREET 5 Conservatoire of

SAUCHIEHALL LANE A603

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CAMBRIDGE STREET

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6 Buchanan RENFREW LANE Bus Station KILLERMONT STREET

ELMBANK STREET SAUCHIEHALL STREET Concert NORTH HANOVER STREET BATH STREET Hall T E

PITT STREET E R HOLLAND STREET BATH LANE T S WEST REGENT STREET Buchanan E B DOUGLAS STREET Galleries ST JAMES ROAD E L

BATH LANE G Glasgow City of Royal STIRLING ROAD Glasgow Imfirmary College WEST REGENT LANE WEST GEORGE STREET

BLYTHSWOOD STREET CATHEDRAL STREET BUCHANAN STREET DUNDAS ST WEST GEORGE LANE WEST NILE STREET T ST VINCENT STREET E Glasgow E Cathedral

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Queen ROTTENROW S Buchanan

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Street University of O CASTLE STREET CASTLE Strathclyde L BOTHWELL STREET 4 Y A GEORGE SQUARE 7 T BISHOP LANE COLLINS STREET ST PETER’S JOHN STREET HOPE STREET ST VINCENT PLACE ROTTENROW EAST BOTHWELL LANE RICHMOND STREET RENFIELD STREET City DRURY ST Chambers NORTH FREDERICK STREET

MONTROSE STREET WEST CAMPBELL STREET GEORGE SQUARE 14 GEORGE STREET WATERLOO STREET WELLINGTON STREET G ORDON STREET T COCHRANE STREET WELLINGTON LANE E

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R 3 CADOGAN STREET T DRYGATE S DUKE STREET

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L C L INGRAM STREET HOLM STREET E BLYTHSWOOD STREET H B L

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V Glasgow T IRG I INIA SHUTTLE STREET Central M High UNION STREET UNION HIGH STREETStreet

ARGYLE STREET BUCHANAN STREET QUEEN STREET City Hall MILLER STREET WILSON ST CRIMEA ST 13

BRUNSWICK STREET

BROWN STREET

WALLS ST VIRGINIA STREET CANDLERIGGS YORK STREET

JAMES WATT STREET GLASSFORD STREET BELL St. Enoch HUTCHESON STREET Argyle MCALPINE STREET St. Enoch Street STREET ROBERTSON STREET Shopping Centre TRONGATE

OSWALD STREET HIGH STREET JAMAICA STREET

O ALBION STREET S D K B N O R Y HOWARD STREET N J W E S 11 10 TR W PARN BELL STREET FOX STREET EE E IE ST WATSON ST DIXON ST N R T EE S OLD WYND T TOC MOLENDINAR ST 1 KWEL L PL CLYDE STREET F GALLOWGATE STOCKWELL STREET H 8 T S

LONDON ROADIR E CAMPBELL ST

DUNLOP ST O MCFARLANE ST M

KING STREET G T D RIDGEGA E TURNBULL ST T M B

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CHARLOTTE STREET The City The Home to a collaborative Known for fostering arts scene and to a world- an environment for artists  Chookie Burdies famous art school, Glasgow to develop their practice, is a city with a significant Glasgow is a city full of The Clyde Clock 6 presence on the international art. Some installed in its contemporary art stage. In streets – not just inside its recent years, eight Turner galleries. Artists from all over Prize winners have been the world, as well as those  born, trained or worked closer to home, have public out of Glasgow. contemporary artworks present in the city. This trail, commissioned by The City Homeless Jesus 4 Centre Regeneration Team in Mhtpothta/ 7 Glasgow City Council, guides Maternity you through the city centre Topographical Relief Map 14 to explore some of the public COME WHAT MAY... 3 contemporary art pieces Tympanum 2 available in Glasgow’s streets. The significance of the contemporary arts in Glasgow is invaluable and is supported 13 Glasgow Bouquet by Glasgow City Council. The Trail The

Empire This route of 14 works takes 11 10 Cherub Skull you around the heart of 1 Bridge Columns Glasgow, with a walking time 8 Untitled of approximately 90 minutes.

For bonus content and a 12 Built by Immigrants  digital version of this guide, 9 Slow Down  access the app at: citycentrecontemporaryarttrail.co.uk ARTIST Ian Hamilton Finlay YEAR 1990 MEDIUM Stone COMMISSIONER TSWA Four Cities Project LOCATION Broomielaw, G1 4NP

Remnants of the Caledonian Bridge (that was demolished in 1966-7) were turned into works of art by artist Hamilton Finlay in 1990, in the year Glasgow was named European City of Culture. The piece features a quote

from Plato’s Republic, carved onto two 1

large stone pillars. ColumnsBridge Written in both English and Greek, the English verse reads: ‘All greatness stands firm in the storm.’ The Greek loosely translates to: ‘All great things are perilous, and it is true, as the proverb says, that beautiful things are hard [to attain].’ Despite these pillars standing firm, much like Glasgow’s industrial heritage both have fallen from use. Now a bridge to nowhere, is this work an ironic remark on the Ian Hamilton Finlay (b. 1925 both an artist and a poet, deterioration of the British Empire or in Nassau, Bahamas; d. with works located all over praising the endurance and survival 2006 in Edinburgh, Scotland) the world. He is most known of these stone pillars standing in the

is of Scottish descent and for his concrete poems and Clyde? Regardless, this work allows  studied at the Glasgow sculptures that incorporate us to reflect on Glasgow’s past, School of Art. Finlay is the written word. present and future. The Great Altar a Dead to (1985) to Glasgow. to (1985) (1962) and (1962) Germany and the USA. She had a long connection with Glasgow and a following retrospective at the McLellan Galleries she gifted in 1993 two works, Cat Devil in Neuilly-sur-Seine, France; in Neuilly-sur-Seine, France; 2002d. in California, USA) a French-Americanwas filmmaker and painter, With no formal sculptor. art training, de Saint Phalle create significant onwent to large public artworks in Italy, Niki de Saint Phalle (b. 1930 Niki de Saint Phalle 1930 (b.

Glasgow Museums Glasgow 3AH ExchangeRoyal Sq, G1 Niki de Saint Phalle 1996 Glass, aluminium During his he lifetime, produced Saint Mungo is the founding father ring and After the Clyde. it thrown into demanding that she produce prove it to that she had been faithful, she asked Saint Mungo for He help. found the ring inside a fish caught from the river. colourful symbols and figures depicted, is shown through the artist’s design. four famous miracles. He restored life he restarted a robin; to a firewent that out whilst he sleeping; was he brought back a miraculous bell from Rome; and Queen he saved Languoreth of Strathclyde from being after executed she falsely was accused adultery. of Her husband had taken her wedding Commissioned for the openingthe of Gallerynew Modern of Art in Glasgow the triangularin 1996, mirrormosaic that the sits entrance above on the outside the building, of as as well the mirrored room in the entrance hall were created de Saint by Phalle. and patron saint the city of Glasgow. of the inspirationHis story, for the

2 MEDIUM COMMISSIONER LOCATION Tympanum ARTIST YEAR 3

This commission for the Gallery COME WHAT MAY of Modern Art (GoMA) is the only publicly-sited artwork by Weiner in Scotland. It is the first public artwork commissioned by Glasgow Museums for GoMA since it opened in 1996. Typically working with language, Weiner uses the phrase, 'ALONG THE WAY/ COME WHAT MAY, SOMEWHERE/ SOMEHOW' for the piece. These are set into the stone step surrounding GoMA and its entrance. This step puts the gallery onto a shallow plinth, creating a space for sitting, meeting and conversation. Weiner wrote a text about this work stating that 'art is not a metaphor… [people use art to create metaphors] in relation to their own

needs and desires. The use of a ... ARTIST Lawrence Weiner public art gallery as the plinth for a YEAR 2014 sculpture… [allows] the public to do  MEDIUM Steel, stone [what they want] with [it] as they may.’ COMMISSIONER Glasgow Museums Through the placement and LOCATION Royal Exchange Sq, G1 3AH content of COME WHAT MAY, SOMEWHERE SOMEHOW, a space is created for the public to respond Lawrence Weiner (b. 1942 his text-based installations. to the idea of what a public art in New York, USA) is one Weiner’s relationship with gallery is and how it is used. of the central figures in the Glasgow began in the 1990s formation of conceptual art with a solo exhibition at in the 1960s alongside other Transmission, followed by world-renowned artists such exhibitions at Tramway in as Sol LeWitt and Richard 1995 and GoMA in 2000. Serra. He is best known for

sculpting large scale pieces in order create to works. His art‘epic’ is often placed within public spaces, with his sculptures being installed worldwide. Timothy Schmalz (b. 1969 SchmalzTimothy 1969 (b. in Ontario, Canada) is a Canadian sculptor whose work focuses on religious figures. over For twenty-five years, Schmalz has been are

Homeless Jesus Homeless is an original, Nelson 2JX Mandela G1 Pl, Timothy SchmalzTimothy 2017 Bronze WillyFather Slavin These been have works installed Glasgow is the only location in the The figure is purposefully anonymous, in order send to the message can that anyone end up in this situation. is It onlythrough the markings on the feet that it becomes apparent that the person is Jesus. this of work, a copy Scotland have to with permission for the location granted the ministerby and congregation of Approximately one Tron. St George’s hundred copies of Homeless Jesus Homeless life-size sculpture thatinstalled was Canada at the University Toronto, of After seeingin early a homeless 2013. person on a bench in Toronto, Schmalz inspired was create this to helpwork, to tackle the homeless world. the across happening epidemic covering their head, appearing on display worldwide. and blessed in places many globally, from Singapore City. the Vatican to

4 COMMISSIONER LOCATION Homeless Jesus ARTIST YEAR MEDIUM ARTIST Shona Kinloch YEAR 1993 MEDIUM Aluminium COMMISSIONER Glasgow Development Agency, Strathclyde Regional Council LOCATION Rose St, Garnethill, G3 6RB

Walking the streets of Garnethill,

it is easy to miss these remarkable 5

sculptures. Around three hundred Burdies Chookie sculpted birds sit on the top of the lampposts in the area, which is home to the famous Glasgow School of Art. Each bird is individually positioned so every lamppost is unique. These silent birds have been keeping an eye over the local community for more than twenty-five years. The subtly of the work means that the pieces effortlessly blend into the urban environment of the city – seeing rounded, well-fed birds, Shona Kinloch (b. 1962 Throughout her career, resting on streetlamps is nothing Glasgow, Scotland) studied she has received multiple unusual. It is only when you look up at the Glasgow School of commissions for public and around that the involvement of Art. Kinloch is a sculptor works within Glasgow and the artist becomes clear. working mainly in bronze, across Scotland, being Kinloch has other public works in  specialising in figures one of the few female Glasgow, including: Thinking of Bella (both human and animal). artists to do so. (1994) and In Pursuit of… (1996). 6

George Wyllie MBE (b. 1921 a Customs Officer, Wyllie The Clyde Clock, also known as The Clock Clyde The in Glasgow, Scotland; d. was self-taught but attended Running Clock, was commissioned by 2012 in , Scotland) welding classes at Radio Clyde to celebrate its 25th year as was a Scottish artist who ’s James Watt an independent broadcaster. The idea described himself as a College. During his career was to create a landmark for the area, ‘scul?tor’. (He coined this he exhibited regularly across as a thank you to the city of Glasgow. term as he said he wasn’t the UK and produced a This humorous work by Wyllie sure if he was a sculptor.) number of notable public depicts a clock sat upon a pair of An engineer, who became works throughout Scotland. large legs that seem to be late, frantically running forward. This work plays with the idiom ‘time flies’. The reversed italic numbers on the clock face add to the urgent movement of the hurried sculpture. Ironically, the completion of the original commission did run late. Construction work on the adjacent

Lang’s Hotel resulted in a delay.  It was installed just in time for the New Millennium. The artist believed that the perfect time to meet was at eight o’clock in the evening. The clock is designed to chime once per day at that hour. The clock stopped working after the death of the artist in 2012. It was repaired following a successful campaign in 2013.

ARTIST George Wyllie YEAR 1999 MEDIUM Stainless steel COMMISSIONER Radio Clyde LOCATION Killermont St, G2 3NP

a Customs Officer, Wylliea Customs Officer, self-taughtwas but attended welding classes at Greenock’s James Watt College. During his career regularly across exhibited he the UK and produced a number notable of public Scotland. throughout works

in Glasgow, Scotland; d. in Glasgow, Scotland) in Inverclyde, 2012 a Scottishwas artist who described himself as a (He coined this ‘scul?tor’. term as he said he wasn’t sure if hesculptor.) a was whoAn became engineer, George Wyllie MBE (b. 1921 George Wyllie 1921 MBE (b. ),

Mhtpothta/ ‘Rottenrow’ now pays pays now , the piece initially was George Wyllie 2004 Stainless steel Mayfest Rottenrow Gardens, 1XJ G1 had a previous Known life. Following Mayfest,Following the work Just in Case Mhtpothta/Maternity the birthtribute to thousands of Glaswegiansof the world. into toured the world from Portsmouth, USA. AfterEngland the York, New to demolition Glasgow of Maternity Royal Hospital (known locally as it found a permanent home at a new green space built the on the of site hospital. purchased was It the by University Strathclyde of in 2004 with all parties agreeing the sculpture the was perfect fit. annual artsfestival in Glasgow that ran high 7m 1997) to from 1983 Maternity as created with the idea a safety having of pin that could hold together a broken global elastic. The artist also had the intention that this playful sculpture could knickers hold up Glasgow’s was It in case fell down. ever they installed at Glasgow Cross in 1996. Originally designed for Mayfest (an

7 COMMISSIONER LOCATION YEAR MEDIUM ARTIST Mhtpothta/Maternity Mental Oyster. Mental Jim Lambie 2014 Coloured concrete Glasgow City Council Barrowland 5BG Park, G1 popular culture, often finding his content from music and iconic figures. He represented Scotland at the 50th Biennale Venice in 2003 and nominated was for the in 2005 Prize for his Turner work ARTIST YEAR MEDIUM COMMISSIONER LOCATION Jim Lambie 1964, (b. studied Scotland) Glasgow, at the Glasgow School of Art. from His work evolves a response space to and material his Sourcing colour. directly from the modern world, Lambie references

Designed for the Barras Calton Expressing the significanceof the protect the park and the legacy, works aiming ensure to that it remains in its current location. from collection a vinyl as if presented on a shelf home in a collector’s and creates the feeling searching of through collection. music someone’s as a permanent work, Lambie’s be is relocated to album pathway in the area should Barrowland Park be changed, as it remains ready a site for Local community group, development. Barrowland of Fans Park is working to Lambie’s characteristicLambie’s approach to line, colour and popular culture, each stripe features the on the pathway name every and of date act that has performed at the Barrowlands until 2013. from 1983 Barrowlands (originally a dance hall) as a music venue as as well representing a modern gigging history for Glasgow, the work resembles record spines Lambie’s album pathway, measuring pathway, album Lambie’s long 100m and 3mover wide sits at the heart Barrowland of Park. Commissioned aspart the Glasgow of Cultural Programme, the iconic 2014 Barrowland venue, music Glaswegian Ballroom, the was inspiration for this artwork as part the wider of commission for the brands for Culture Utilising and 2014. Festival 2014

8 Untitled ARTIST Jacqueline Donachie YEAR 2014 MEDIUM Painted steel, coloured concrete COMMISSIONER Glasgow Life LOCATION London Rd, G1 5BX

Commissioned as part of the Glasgow Cultural Programme of the 2014 Commonwealth Games, Slow Down took place in four parts from the outskirts of the city to the centre of Glasgow. This mass bike ride was performed by one hundred cyclists, each with a handmade chalk dispenser filled with powdered chalk attached to their bike. The result was hundreds of multi-

coloured chalk lines leading into the 9

centre of Glasgow. Slow Down is Down Slow actually a work about going fast: going fast everywhere, questioning how our towns are planned, wondering what happens when you take the cars away. Jacqueline Donachie (b. in an exploration of Previous performances of 1969, Glasgow, Scotland) individual, family and Slow Down have taken place in studied at the Glasgow collective identity. Her Huntly, Aberdeenshire, Scotland in School of Art and at Hunter practice includes sculpture, 2009 and Melbourne, Australia in College in New York. She photography, films, 2013. With this version in Glasgow, a is a Scottish artist creating installations, drawings permanent installation has been made socially-engaged art that and performance. She has at the very east of the city boundary  often occupies the public exhibited internationally, as a reminder of the performance space. Her work is rooted from Berlin to New York. that took place in 2014.

Cherub is two-part a sculpture, Kenny Hunter 1997 Bronze, metallic gold powder coating Theatre Tron 5HB & Parnie St, G1 Trongate was commissioned was bring to Both the cherub and the skull Street. This work refers and life to death – the time between childhood work is and growing old. Hunter’s influencedby the flawless finishes seen inclassical marble sculptures, making his work look machine-made instead handmade.of In keeping with the artist’s style, the pieces seem both to come from traditional sculpture and forms. contemporary are symbols associated with the theatre, with each sculpture seemingly existence. human questioning Skull together the histories the Tron of Theatre. This work represents the Theatre building as both a placeTron worshipof and as a theatre church (a 1529). firstwas built on the in site refurbishmentFollowing in the 1990s, the current theatre reopened in 1999. Cherub Skull with one sculpture placed at the front Theatre, the building of the Tron of and the second located at the back the onbuilding, of Parnie on a corner, ARTIST YEAR MEDIUM COMMISSIONER LOCATION

Citizen Firefighter Citizen numerous in works the UK, including also in Glasgow. (2001) combines high and popular culture in his work, in the colours and smooth finish he uses. His sculptures are installed worldwide with

10 inspired plastic by toys) Programme Director of Sculpture at the Edinburgh College Art. of Hunter (often Edinburgh,Scotland) studied at the Glasgow School Art.of He is an artist and Cherub Skull Hunter 1962, (b. Kenny Douglas Gordon (b. 1966, 1996, Gordon has won many ARTIST Douglas Gordon Glasgow, Scotland) studied prestigious awards including YEAR 1998 at the Glasgow School the Premio 2000 at the 47th MEDIUM Neon lights, stainless steel of Art. Through his work, Venice Biennale in 1997 and COMMISSIONER Visual Arts Projects Gordon investigates human becoming a Commandeur LOCATION New Wynd, G1 5QP conditions like memory dans l’ordre des Arts et des and the passage of time, Lettres, awarded by the as well as themes such as French Cultural Minister life, death, good and evil. in Berlin on behalf of the Initially commissioned with Brunswick Winner of the Turner Prize in French Republic in 2012. Lane as its original location, Empire has since moved to Tontine Lane and most recently relocated to its new home on New Wynd. This piece is taken directly from the Empire Hotel sign in Hitchcock's Vertigo. Gordon has used Hitchcock’s work before, notably in 24 Hour Psycho, commissioned for Tramway in 1993. The word ‘empire’ is reversed. It is only legible in the reflection of the stainless steel panels that surround the neon lighting, therefore playing with the idea of reality and fiction. A work that is rich with allusion,

Empire highlights the decline of the 11

British Empire. Merchant City – the Empire location of Empire – was built by merchants who made their wealth through the Empire’s tobacco and sugar plantations which were dependent on enslaved people. This work highlights the role that Glasgow

played in the slave trade and how its  part and profit from that time should not be forgotten. 12

In Built by Immigrants, Deller adapts Built by Immigrants the form of a typical British road sign from designs by Margaret Calvert and Jock Kinneir, who created this signage in the 1960s, to make a political point. Frequently considered as a symbol of the nation, the artist explores Stonehenge’s relation to xenophobic nationalism within Britain. Here, by crediting immigrants with the creation of a very British icon, the artist is highlighting their importance and contribution to our society. This work continues Deller’s fascination with Stonehenge, following the creation of an inflatable, life-sized replica called Sacrilege, first installed on Glasgow Green in 2012. This work was part of that year’s Glasgow International Festival of Visual Art. This takes place every two years to  ARTIST Jeremy Deller celebrate contemporary art in Glasgow. YEAR 2019 This piece links to the artist’s 2019 MEDIUM Road sign project Wiltshire Before Christ which COMMISSIONER The Modern Institute was a collaboration between Deller, LOCATION Aird’s Lane, G1 5HU photographer David Sims and Aries’ Sofia Pantera. This project explored the notions of mysticism, pagan Jeremy Deller (b. 1966 in them outside symbolism and British identity. London, England) studied conventional galleries. Art History at the Courtauld He won the Turner Prize in Institute and at Sussex 2004 for his work Memory University. Deller began Bucket and represented making artworks in the early Britain at the 55th Venice 1990s, often showing Biennale in 2013. ARTIST Doug Cocker YEAR 2010 MEDIUM Bronze COMMISSIONER Glasgow City Council, Trades House and Merchants House LOCATION Hutcheson St, G1 1HD

To commemorate the 400th anniversary of the reconstitution of the Trades House and Merchant House, Cocker was invited to make a public piece

of sculpture. Historically, Merchant 13

City was the home of merchants and Glasgow Bouquet craftsmen. To represent the importance of these trades to the city, the artist’s idea was to create tools in an open- weave basket, like a bunch of flowers in a vase. Each symbolising a different trade or role, ten different tools in total make up the contents of the basket. Six of these tools represent the trades of Glasgow, with the other four representing people’s roles in the city. Present in the basket are: Doug Cocker (b. 1945 in wood to create his works. a builder’s chisel, a shoemaker’s Perthshire, Scotland) studied He has exhibited extensively knife, a tailor’s square, a mason’s at Duncan of Jordanstone throughout Scotland, dividers, a dyer’s tongs and a baker’s College of Art, Dundee. including key venues in peel (a long-handed paddle used for He is an artist and elected Glasgow, such as the moving bread in an oven). There is also member of the Royal Hunterian Art Gallery in a ship’s mast and bobbin to represent Scottish Academy. Nature 1996 and the Mackintosh the role of the merchants, with a mace  features heavily in his Gallery in 2006. and a crozier being symbols for the practice. He often uses city’s civic and religious roles. 14

Topo. Map Relief Topographical Relief Map is an unusual piece of sculpture because you are encouraged to touch it. Designed with a visually-impaired audience in mind, this 3D map of the city gives a bird’s eye view of Glasgow city centre, with the opportunity to explore the city’s streets using your hands. Both braille and the Latin alphabet are used for street names and the base of piece is specifically designed with wheelchair users in mind. The city’s landmarks are simplified in form, with the space of the River Clyde hollowed out. This design feature allows the river to fill up with rainwater, adding another sensory depth to the work.

 This work sits at a busy junction at Buchanan Street and St Vincent Street and has become a well- known landmark in the city. It was commissioned to celebrate the city’s status as the European City of Culture in 1990. There is another 3D map by Chambers in Glasgow. It is located in the West End at the south entrance of Kelvingrove Museum.

Kathleen Chambers in the 1980s at the Pearce ARTIST Kathleen Chambers (b. 1942) studied Sculpture Institute, Govan, and the City YEAR 1990 at the Glasgow School of Chambers, Glasgow. She MEDIUM Bronze, concrete, Art. An artist, educator and was the Exhibitions Officer polished granite curator, she has taught at the Glasgow School of Art COMMISSIONER Glasgow City Council in Scotland, Canada and from 1990 until 2006. LOCATION Buchanan St, G1 3HF Ireland. She exhibited work Contemporary Art Spaces –

(Office) – 2 Dawson Road, G4 9SS 22 Farnell Street, G4 9SE 42 Bain 42 Street, G40 2LA 11 Mitchell Lane, 3NU 11 G1 36–38 Coburg Street, G5 9JF 28 King 28 Street, 5QP G1 103 Trongate, G1 5HD G1 Trongate, 103 141 Bridgegate, 5HZ G1 141 215 High Street, 1QB 215 G1 –

1445 Argyle 1445 Street, G3 8AW 25 Albert 25 2PE Drive, G41 100 Eastvale 100 Place, G3 8QG 493 Victoria Road, G42 8RL –

492 Victoria Road, G42 8PQ 21 Woodlands Terrace, G3 6DF G3 Terrace, Woodlands 21 350Sauchiehall Street, G2 3JD 60–64 Osborne Street, 5QH G1 161 Broad Street,161 G40 2QR Royal Exchange Square, 3AH G1 Many Studios, 3 Ross Street, 5AR G1 Reid Building, Renfrew 164 Street, G3 6RF Landressy23 Street, G40 1BP Dumbreck10 Road, 5BW G31 Argyle Street, G3 8AG Osborne14–20 Street, 5QN G1 3 Aird’s Lane, 5HU G1

David Dale Gallery & Studios – Celine The Pipe Factory – Queens Park Railway Club – SWG3 – – Tramway – Transmission – 103 Trongate – Whisky Bond The Gallery of Modern Art – The Gallow Gate – The Glasgow SchoolArt of – Library – Women’s Glasgow The Glue Factory – House for an Art Lover – Kelvingrove Art Museum Gallery & – Kelvin Hall – – Astner Koppe – Lighthouse The – ModernThe Institute Patricia Fleming Projects – The BriggaitThe Centre of Contemporary Arts Civic Room – Guild Common The I J F E A B K C D H G

Courtesy Courtesy Courtesy Courtesy . . Contemporary

(Project Lead) is a Jeremy DellerJeremy (Project Advisor) (Design Consultant) is a (Photographer and Project Jacqueline Donachie Jacqueline , the Glasgow arts community is an Irish creative living in Jim Lambie. Courtesy of The Artist

Additional photography by Eimear Coyle Eimear by photography Additional All images courtesy of The Artists IMAGE CREDITSIMAGE Untitled, and The Modern Institute/ Webster Ltd., Toby Hosey Stephen Photo: Glasgow. Slow Down, of The Artist and Patricia Fleming, Glasgow. EimearPhoto: Coyle Built Immigrants, by of The Artist and The Modern Institute/ Toby Webster Glasgow. Ltd., Jameson Patrick Photo: creative currently based in Glasgow working indesign and food, searching for sustainable solutions and healthier lifestyles. Brownrigg Jenny is Exhibitions Director at The Glasgow School of Art. With special thanks the to Art Group and the artists. Hannaa Hamdache Hamdache Hannaa curatoraiming make to the arts accessible. Her practice explores the idea of play: playing with context, the exhibition and the everyday. Coyle Eimear Support) Glasgow. Through music and visual arts, she explores her passion for architecture rights. LGBT+ and Watkins Lucy

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