DOCSLIB.ORG

Members 1995 .Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Members 1995 .Pdf O6 h 50M. 5 h rib b FELLOWSHIP of MAKERS and RESEARCHERS of HISTORICAL INSTRUMENTS List of Members as at 18 April 199S Abbreviations: F in left-hand margin - Fellow. After the name: M = Maker, R - Restorer, C - Conservator, P - Player, L - Lecturer and/or Teacher, W - Writer, D - Dealer, res - Researcher (not yet W or L); coll - Collector. The group of figures, or place-name plus figures, in italics following the address and a semicolon is the member's telephone number, fax (where stated so; '& fx' means that the same number serves both for voice telephone and fax), and electronic-mail address (indicated as e-m or em). Data Protection Act, 1984: This List of Members is the entire contents of the Hon.Secretary's membership file on computer. If you wish any information to be removed from this file, please say so. NB: We make no distinction between amateur and professional, nor between beginner and expert. This is a list of members and their interests; it is neither a trade list nor a professional register. Odd Aanstad, Huser Asmaloy, N-1684 Vesteroy, Norway; +47 6937 7976; fax 47 6937 7376 (hpschd, clavchd, grand & sq pfte, harp; R,T,coll). Richard W Abel, Beatty Run Road, RD No 3, Franklin, PA 16323, USA; (814) 374-4119 (ww, R,P). Bernard Adams, 2023-35 St SW, Calgary, Alberta T3E 2X5, Canada; (403) 242-3755 (str instrs, ww, M,R). Robin Adams, 2 Tunbridge Court, Sydenham Hill, London SE26 6RR, UK. Alexander Accessories, 50 Egerton Road, Streetly, W Midlands B74 3PG, UK; 0121-353 7525 (for vln fam; M). Giuseppe Alfonso, Savignano 5, 1-50049 Vaiano-Firenze, Italy; 0574-946173 (recrdr, M). Ian Allan, 6 Grove Road, Broughty Ferry, Dundee DD5 1JL, UK; 01382-76043 (vcl, vln, via, ravana- stron, kemangeh agiiz, crwth, rbec, gamba, med.fidl, M; pfte, orgn, P). Ross M Anderson, La Trobe University College of Northern Victoria, POBox 199, Bendigo, Vic 3550, Australia (recrdr, hpschd, P). Peter B Armitage, 52 Downs Road, Epsom, Surrey, KT18 5JN, UK; Epsom 22560 (vln fam & other str instrs). Boris Axelrod, Kiriat Moshe, 132/22, Tiberias, Israel; 06-723597 (vln, M; soundpaint, res). Reinhard Bachofen, Auf der BUrglen 34, CH-8627 GrOningen, Switzerland (keybds; R, coll). Mark A Baigent, 44 Perryfield Road, Crawley, W Sussex RH11 8AB, UK; 01293-533179 (ob (mod, class, bar), ob d'am, cor angl, crmhm; P). F Anthony C.Baines, 18 Bridge Square, Farnham, Surrey GU9 7QR, UK; 01252-735489 (all instrs; R,P,W,L,coU). Rick Baines, 1 Langley Road, Prestwich, Manchester M25 INF, UK; 0161-773 1546 (ww, M,R,P,L). Paul Baker, 21 Oakfield Avenue, Kingswinford, W Midlands OY6 8HJ, UK; 01384-295210 (ren gtar, symph; M, var, P). Paolo Barattini, c/o Teresa Gallo, Via San Francesco da Paola 6, 1-10123 Torino, Italy; t&fx: +39-11- 889434 (bows & vlns; M,R). F John Barnes, 3 East Castle Road, Edinburgh EH 10 5AP, Scotland; 0131-229 8018 (hpschd, clavchd, early pfte; M,R,C,coll. F Philip Bate, 11 Halton Road, London Nl 2EN, UK; 0171-226 8259 (all ww & brass; M,R,L,W,coll). Peter Bavington, Unit B 114, 8-10 Creekside, London SE8 3DX, UK; 0181-694 1477 (hpschd, vrgnl, clavcythrm, clavchd; M.R.res). Bayerische Staatsbibliothek, Erwerbungsabteilung DFG/ZS, Postfach 150, D-80328 MUnchen, Germany. Dieter Beck, Wittenschwand 56, D-79875 Dachsberg, Germany (str.instrs, esp.lute etc; M). Philippe Beltra, PSrlinghof 3, A-9311 Kraig, Austria. John M.Bence, 126 Shanklin Drive, Leicester LE2 3QB, UK; 0116-270 7820 (hpschd, M; bar.recrdr, consort dir). Biblioteca Berenson, Villa i Tatti, Via di Vincigliata 26, 1-50135 Florence, Italy. Peter Berg, 5 Orchard Street, Canterbury, Kent CT2 8AP, UK; 01227-450426 fx 01227-766897 (nyckelharpa; M,P, coll). Ture Bergstrom, Smidstrupvej 4, DK-4720 Praesto, Denmark; 03-792505 (ren.ww, regals; M,R,P). Bolesl aw Bielawski, O'srodek Dokumentaji Zabytkow [Historical Monuments Documentation Centre], ul.Brzozowa 35, 00-258 Warszawa, Poland; 31-14-91 A -92 (all instrs). Robert Bigio, 1 Doveridge Gardens, London N13 5BJ, UK; 0181-882 2627; fx 0181-882 2728; em [email protected] (fl, pice; M,P). Tony Bingham, 11 Pond Street, London NW3 2PN, UK; 0171-7941596 (all instrs, books; D). FoMRHI Members, 1995, p.2 Margaret Biriey, 177 Stanstead Road, London SE23 1HP, UK; em: [email protected] (all inst; C). James Bisgood, 38 Osterley Road, Osterley, Isleworth, Middx TW7 4PN, UK; 0181-560 5314 (cittn, gittn, fidl, gtar, rebc, carving; M). Torsten Bjorling, Tappstigen 13, S-140 30 Uttran, Sweden; e-m: [email protected] (recrdr, M). R.Blackstone, Herenweg 91, NL-1861 PD Bergen NH, Netherlands (hpschd, clavchd; M,P). Phillip George Bleazey, 63 Middleton Avenue, Milton Regis, Sittingbourne, Kent ME10 2JB, UK; 01795-470149 (trav, M). Roderick L.Blocksidge, 23 Beauchamp Avenue, Handsworth Wood, Birmingham B20 1DR, UK; 0121-358 4210 (lute, early gtar, P.coll). Bodleian Library, Richard Bell, English Accessions, Department of Printed Books, Broad Street, Oxford 0X1 3BG, UK; 01865-244675. Eckhard Bohringer, Alter Weg 2, D-89284 Pfaffenhofen-Berg, Germany; 07302/4602 (tpt, cmett, disc.pos; M,P). Philippe Bolton, Le Grand Portail, F-84570 Villes sur Auzon, Mormoiron, France; 90 61 86 11 fax 90 61 97 82 (recrdr, M). Josep Borras i Roca, Creu Gran N915, E-08221 Terrassa, Spain; 93/784 1791 (crtal, bar/class fag; P). Tjeerd Bosklopper, Oldengaarden 9, NL-9472 PN Zuidlaren, Netherlands; 05905-95332 (hpschd; M). Jaume Bosser, Amador Romani 18, E-08768 Capellades, Spain (lute, gtar, vih; M). G Brian Bourne, Tregantle, Kiln Way, Grayshott, Hindhead, Surrey GU26 6JF, UK (keybds, gamba). M C Jan Bouterse, Sandenburg 69, NL-2402 RJ Alphen a/d R, Netherlands; / 720/45957 (recrdr, trav, M). Patrice Bouvet, Le Pin, F-14590 Moyaux, France (lute, gtar, mndlin, vih; P). Werkgroep Bouwerskontakt, Administratie Hausmuziek, c/o Bureau LOAM, Keizersstraat 3, NL-3512 EA Utrecht, Netherlands. Maria Boxall & Niall MacCoinnich, Fig Tree House, Church Street, Wiveliscombe, Somerset TA4 2IR, UK; 01984-23813 (hpschd, Maria, P,T; Niall, M). Manfred Brach, Schaffherweg 36, D-44795 Bochum, Germany; 0234/432982 (trav; M). Christophe Brass, c/o Charpentier, 13 bd de la Republique, F-78400 Chatou, France; 39.52.08.15 (hpschd, trav; M,P). Bernard Brauchli, Av. des Derisiers 19A, CH-1009 Pully, Switzerland; (41)21/285976 & fax (clavchd; P). Adri Breukink, Nieuwe Schoolweg 28, NL-7514 CG Enschede, Netherlands (recrdr, M,P). Bridgewood & Neitzert, 146 Stoke Newington Church Street, Stoke Newington, London N16 OUH, UK; 0171-249 9398 (vln; M,R,D). Adrian Brown, Bergesserin, 71250 Cluny, France; 85 50 84 78 (recrdr, M). Antony Brummitt, Riverside Cottage, Crippas Hill, St Just, Penzance, Cornwall TR19 7RE, UK; 01736- 788472 (hpschd, spnet, clavchd; M,C,R). Helmut Buck, Weberstr.13, D-79232 March, Germany (shawm, crmhm, cmamus, fiddl; M,P). Pal Bue, Tverrvn 27, N-4621 Kristiansand, Norway (ww, P,R,res; clamt, P). Geoffrey Burgess, c/o Music Dept, Lincoln Hall, Cornell University, Ithaca, NY 14853, US. (oboe, P; reeds, res). Monika Burzik, Quirinstr.10, D-40545 Dusseldorf, Germany, 0211/589607 {gtar, L.W.iconogr). Hans von Busch, DaimlerstraBe 56, D-22761 Hamburg, Germany; 040/890 1310 (shwm, crtl, bar fag; P,coll). Rod Cameron, POBox 438, Mendocino, CA 95460, USA (707) 937-0412 (trav, recrdr, curtl, bore-meas. machine; M). Canadian Conservation Institute, Library/Bibliotheque, 1030 Innes Road, Ottawa, Ontario K1A 0C8, Canada. Jacqueline Capleton, The Lodge, 7 Shotover Court, Dorchester Close, Old Road, Headington, Oxford OX3 8SS, UK; 01865 744328 (gmba; M). Brian Carlick, Bam Cottage, Church Lane, Charlton on Otmoor, Kidlington, Oxon OX5 2UA UK; 01865-331493 (gemshn, recrdr, tab.pp, trav, M,R; orgn, R). Simon Carlyle, Top Flat, 23 Marchmont Road, Edinburgh EH9 1HY, UK (early ww, sackbt, cmtt; P, coll). John R Catch, Wreyland', Broombam Lane, Great Missenden, Bucks HP 16 9JD, UK; 01494-862624 (gamba; M). Centrum voor Muziekinstrumentenbouw, Guido Gezellelaan 89, B-2870 Puurs, Belgium; 03/889.49.33. * FoMRHI Members, 1995, p.3 > Simon Chadwick, Meadow End, Meadow Lane, Dudbridge, Stroud, Glos GL5 5JR, UK; Stroud 6883 (lute, M; recrdr, bar trav, P). John & Stephanie Chambers, 11 Henwoods Crescent, Pembury, Tunbridge Wells, Kent, UK; 0189282- 2397 (all instrs; recrdr, Stephanie). Eric Chapman, Paravel, 5 Colvin Close, Exmouth, Devon EX8 2HN, UK; Exmouth 266042 (keybds; M,R). David Chatterton, 238,Pinner Road, North Harrow, Middx HA1 4JV, UK; 0181-427 4304 {tag, contra- fag, crooks; M). Carlo Chiesa, Viale Certosa 45, 1-20149 Milano, Italy (vln; M,R). Roy A Chiverton, Churchgate House, Church Street, Eckington, Pershore, Worcs WR10 3AN, UK; 01386-750961 (t;av, fbec, M; Dutch transl, wind). La Biblioteca, Civico Scuola di Liuteria del Commune di Milano, Via Noto 4, 1-20141 Milano, Italy, 02/5740 9945. Ian W Clarke, Bundara', Biddeston, Oakey M/S 212, Queensland 4401, Australia; 076-916282 (vln, via, vcl, M; early wind, P). Nick Clatworthy, 23 Clarendon Road, Weston-super-Mare, Avon BS23 3EE, UK; 01934-628302 (rcrdr, orgn, fag). Martin Clayton, Stoneleigh, Church Path, Merton Park, London SW19 3HL, UK; 0181-542 5050 (hpschd; M,P). Lucy Coad, Greenway Farm, Bath Road, Wick, nr Bristol BS15 5RL, UK; 0117-937 4949 (sq.pfte; R). Michael Cole, 334 Prestbury Road, Cheltenham, GL52 3DD; 01242-517192 (keybds; R,C). Peter Collins, The Coach House, Barwick Road, Standon, Ware, Herts SG11 1PR, UK; Ware 821109 (keybds; M.R.P). Patrick H Corran, 78 Lenthall Road, London E8 3JN, UK. F John Cousen, 393 Bradford Road, Fartown, Huddersfield, Yorks HD2 2QY, UK; 01484-27870 (trav, recrdr, crtal, M; gamba, P). Margaret Cranmer, 116 Tenison Road, Cambridge CB1 2DW, UK; 01223-352662 (pfte, frtep; W,coll).
Load more

Recommended publications
  • Boosey & Hawkes
    City Research Online City, University of London Institutional Repository Citation: Howell, Jocelyn (2016). Boosey & Hawkes: The rise and fall of a wind instrument manufacturing empire. (Unpublished Doctoral thesis, City, University of London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16081/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Boosey & Hawkes: The Rise and Fall of a Wind Instrument Manufacturing Empire Jocelyn Howell PhD in Music City University London, Department of Music July 2016 Volume 1 of 2 1 Table of Contents Table of Contents .................................................................................................................................... 2 Table of Figures......................................................................................................................................
    [Show full text]
  • FOMRHI Quarterly
    _. " Elena Dal Cortiv& No. 45 October 1986 FOMRHI Quarterly BULLETIN 45 2 Bulletin Supplement 8 Plans: Bate Collection 9 Plans? The Royal College of Music 12 Membership List Supplement 45 COMMUNICATIONS 745- REVIEWS: Dirtionnaire des facteurs d'instruments ..., by M. Haine £ 748 N. Meeus', Musical Instruments in the 1851 Exhibition, by P. £ A. Mactaggart; Samuel Hughes Ophideidist, by S. J, Weston} Chanter! The Journal of the Bagpipe Sodiety, vol.1, part 1 J. Montagu 14 749 New Grove DoMi: JM 65 Further Detailed Comments: The Gs. J. Montagu 18 750 New Grove DoMi: ES no. 6J D Entries E. Segerman 23 751 More on Longman, Lukey £ Broderip J. Montagu 25 752 Made for music—the Galpin Sodety's 40th anniversary J. Montagu 26 753 Mersenne, Mace and speed of playing E. Segerman 29 754' A bibliography of 18th century sources relating to crafts, manufacturing and technology T. N. McGeary 31 755 What has gone wrong with the Early Music movement? B. Samson 36 / B. Samson 37 756 What is a 'simple' lute? P. Forrester 39 757 A reply to Comm 742 D. Gill 42 758 A follow-on to Comm 739 H. Hope 44 759 (Comments on the chitarra battente) B. Barday 47 760 (Craftsmanship of Nurnberg horns) K. Williams 48 761 Bore gauging - some ideas and suggestions C. Karp 50 7632 Woodwin(On measurind borge toolmeasurins and gmodems tools ) C. Stroom 55 764 A preliminary checklist of iconography for oboe-type instruments, reeds, and players, cl630-cl830 B. Haynes 58 765 Happy, happy transposition R. Shann 73 766 The way from Thoiry to Nuremberg R.
    [Show full text]
  • The War to End War — the Great War
    GO TO MASTER INDEX OF WARFARE GIVING WAR A CHANCE, THE NEXT PHASE: THE WAR TO END WAR — THE GREAT WAR “They fight and fight and fight; they are fighting now, they fought before, and they’ll fight in the future.... So you see, you can say anything about world history.... Except one thing, that is. It cannot be said that world history is reasonable.” — Fyodor Mikhaylovich Dostoevski NOTES FROM UNDERGROUND “Fiddle-dee-dee, war, war, war, I get so bored I could scream!” —Scarlet O’Hara “Killing to end war, that’s like fucking to restore virginity.” — Vietnam-era protest poster HDT WHAT? INDEX THE WAR TO END WAR THE GREAT WAR GO TO MASTER INDEX OF WARFARE 1851 October 2, Thursday: Ferdinand Foch, believed to be the leader responsible for the Allies winning World War I, was born. October 2, Thursday: PM. Some of the white Pines on Fair Haven Hill have just reached the acme of their fall;–others have almost entirely shed their leaves, and they are scattered over the ground and the walls. The same is the state of the Pitch pines. At the Cliffs I find the wasps prolonging their short lives on the sunny rocks just as they endeavored to do at my house in the woods. It is a little hazy as I look into the west today. The shrub oaks on the terraced plain are now almost uniformly of a deep red. HDT WHAT? INDEX THE WAR TO END WAR THE GREAT WAR GO TO MASTER INDEX OF WARFARE 1914 World War I broke out in the Balkans, pitting Britain, France, Italy, Russia, Serbia, the USA, and Japan against Austria, Germany, and Turkey, because Serbians had killed the heir to the Austrian throne in Bosnia.
    [Show full text]
  • Executing German Spies at the Tower of London During World War One Samuel Weber Chapman University
    Voces Novae Volume 5 Article 9 2018 “First as Tragedy, Second as Farce”: Executing German Spies at the Tower of London During World War One Samuel Weber Chapman University Follow this and additional works at: https://digitalcommons.chapman.edu/vocesnovae Recommended Citation Weber, Samuel (2018) "“First as Tragedy, Second as Farce”: Executing German Spies at the Tower of London During World War One," Voces Novae: Vol. 5 , Article 9. Available at: https://digitalcommons.chapman.edu/vocesnovae/vol5/iss1/9 This Article is brought to you for free and open access by Chapman University Digital Commons. It has been accepted for inclusion in Voces Novae by an authorized editor of Chapman University Digital Commons. For more information, please contact [email protected]. Weber: “First as Tragedy, Second as Farce”: Executing German Spies at th “First as Tragedy, Second as Farce” Voces Novae: Chapman University Historical Review, Vol 4, No 1 (2013) HOME ABOUT USER HOME SEARCH CURRENT ARCHIVES PHI ALPHA THETA Home > Vol 4, No 1 (2013) > Weber "First as Tragedy, Second as Farce": Executing German Spies at the Tower of London During World War One Samuel Weber "History repeats itself, first as tragedy, second as farce."[1] Karl Marx here unknowingly summed up the history of the Tower of London during World War One. During its existence, the Tower has been the site of hundreds of executions of state prisoners, though none after 1780. However, the British public still continues to associate the Tower with executions even today. When faced with the decision of where to execute German spies during the First World War, there was almost no hesitation; the Tower was the place.
    [Show full text]
  • Phantasy Quartet of Benjamin Britten, Concerto for Oboe and Strings Of
    UNIVERSITY OF CINCINNATI Date: 5-May-2010 I, Mary L Campbell Bailey , hereby submit this original work as part of the requirements for the degree of: Doctor of Musical Arts in Oboe It is entitled: Léon Goossens’s Impact on Twentieth-Century English Oboe Repertoire: Phantasy Quartet of Benjamin Britten, Concerto for Oboe and Strings of Ralph Vaughan Williams, and Sonata for Oboe of York Bowen Student Signature: Mary L Campbell Bailey This work and its defense approved by: Committee Chair: Mark Ostoich, DMA Mark Ostoich, DMA 6/6/2010 727 Léon Goossens’s Impact on Twentieth-century English Oboe Repertoire: Phantasy Quartet of Benjamin Britten, Concerto for Oboe and Strings of Ralph Vaughan Williams, and Sonata for Oboe of York Bowen A document submitted to the The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 24 May 2010 by Mary Lindsey Campbell Bailey 592 Catskill Court Grand Junction, CO 81507 [email protected] M.M., University of Cincinnati, 2004 B.M., University of South Carolina, 2002 Committee Chair: Mark S. Ostoich, D.M.A. Abstract Léon Goossens (1897–1988) was an English oboist considered responsible for restoring the oboe as a solo instrument. During the Romantic era, the oboe was used mainly as an orchestral instrument, not as the solo instrument it had been in the Baroque and Classical eras. A lack of virtuoso oboists and compositions by major composers helped prolong this status. Goossens became the first English oboist to make a career as a full-time soloist and commissioned many British composers to write works for him.
    [Show full text]
  • Members 1992 .Pdf
    Elena Dal Cartii* FELLOWSHIP of MAKERS and RESEARCHERS of HISTORICAL INSTRUMENTS List of Members as at 6th July 1992 Abbreviations: F in left-hand margin - Fellow. After the name: M - Maker, R - Restorer, C - Conservator, P - Player, L - Lecturer and/or Teacher; W - Writer, D - Dealer, res - Researcher (not yet W or L); coll - Collector. The group of figures, or place-name plus figures, in italics following the address and a semicolon is the member's telephone number. Data Protection Act, 1984. This list of Members is the entire contents of the HonSecretary's membership file on computer. If you wish any information to be removed from this file, please say so. NB: We make no distinction between amateur and professional, nor between beginner and expert. This is a list of members and their interests; it is neither a trade list nor a professional register. Odd Aanstad, Huser, Asmaley, N-1674 Vesteroy, Norway, 09-377976{hpschd, clavchd, grand A sq pfte, harp; R.T.coll). Richard WAbel, Beatty Run Road, RD No.3, Franklin, PA 16323, USA (814) 374-4119 (ww, R,P). Ian Abemethy, 47 Main St, Heiton, Kelso, Roxburghshire, TD5 8JR, Scotland; Roxburgh 273 (recrdr, P; keybds, M). Allan Abraham, 38 Barnsley Road, Ackworth, Pontefract, W.Yorks WF7 7NB, UK; 0977-614390. (hpschd, spnt; M). Brian Ackerman, 42 Clavering Road, Wanstead, London E12 5EX, UK; 081-989 2583 (clar, chalmx, M,P; trav, M; ww, R,L). Bernard Adams, 2023-35 St.S.W., Calgary, Alberta T3E 2X5, Canada; (403) 242-3755 (str instrs, ww, M,R). Robin Adams, 2 Tunbridge Court, Sydenham Hill, London SE26 6RR, UK.
    [Show full text]
  • The Alamance Gleaner
    4 . * ' , . THE ALAMANCE*. GLEANER. VOL. XJi GRAHAM, N. C., THURSDAY. NOVEMBER 19, 1914. NO. 40 Aiiuniujre ro> Governor McGorern IN THE WORLD'S SHAVE SHOP (Republican) of Wisconsin, de- - Vlli RUSSIANS' PRESS fiIST OF THE mand a recount of votes cait for GERMANS PREPARE United States Senator, which show I (Paul that O. Hunting, Democrat, was elected by a majority of about 1,000 never WEEK'S NEWS remedy falls to ON INTO GERMANY Tntt'sThis popular Pills Totes. effectually cure Jpigeslioa FOR GOLD MONTHS Watson Harpham of Chicago former Dyspepsia, Constipation, Sick Kaiser's Armies In The East Have Been Page Stories Yale baseball star, and prominent so- Front Retold in cially, shot and kllfcd himself In Headache, Biliousness * the to Hold EXCESSIVE RAINS; of his Ana arising a Unable The Russian LITTLE FIGHT Paragraphic home father at Evanston, ALL DISEASES from Form. 111. Invaders INQ OF COSEQUENCE TorpidLiver and Bad Digestion OCCURS Striking coal a num- miners burnt WhenKodolyour cannot property stomach The natural result is good appetite IN FLANDERB. ber of houses at Creek, solid flesh. Dose elegant- Prairie Ark., digest food, Uaelf, a and small; trops are of It need* littlt ly sugar coated and easy to swallow. STAND ?'! INTERESTING MINOR ?VENTS Federal on their way to assistance?and this assistance is res4> AIDES FIO AT YSEB take contol of the situation which Uy by Kodol. Hodol assits Take No Substitute. \u25a0 supplied the has gotten beyond the power of the stomach, by temporarily digesting ad Germans Have Made No Progress !r, TURKS AND RUSSIANS of the food in GRIP By Telegraph and Cable Roll In the United States marshals In that dis- the stomach, so that tht France?Allied Warihips Cap- I trict.
    [Show full text]
  • Univerzita Palackého V Olomouci Filozofická Fakulta Katedra Dějín Umění
    UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA KATEDRA DĚJÍN UMĚNÍ OBOR: DĚJINY VÝTVARNÝCH UMĚNÍ ŽIVOT A DIELO SEVERONÓRSKEHO UMELCA ARNE LINDER OLSENA (1911 – 1990) MAGISTERSKÁ DIPLOMOVÁ PRÁCA Ivana Takácsová Vedúci práce: Doc. PaedDr. Alena Kavčáková, Dr. OLOMOUC 2011 PALACKY UNIVERSITY OLOMOUC PHILOSOPHICAL FACULTY DEPARTMENT OF HISTORY OF ART SECTION: HISTORY OF ART LIFE AND WORK OF NORDNORWEGIAN ARTIST ARNE LINDER OLSEN (1911 – 1990) MASTER WORK Ivana Takácsová Director of master work: Doc. PaedDr. Alena Kavčáková, Dr. OLOMOUC 2011 Prehlasujem, ţe som túto magisterskú diplomovú prácu vypracovala samostatne a všetky pramene citovala a uviedla. V Olomouci dňa 23.6.2011 ................... Ďakujem Larsovi Slettjordovi a Hanne Thorp Larsen za pomoc pri celej bádateľskej činnosti a za odbornú pomoc v oblasti histórie, kultúry a umenia Nórska a mesta Narvik. Zároveň chcem poďakovať všetkým ústretovým ľuďom, ktorí mi pomáhali pri dokumentácii obrazov a získavaní informácií, predovšetkým Unni Yvonne Linder, Bjørnovi Alfovi Linder, Ørjanovi Aspelund a Harrymu Hjelle. Za odbornú pomoc a vedenie diplomovej práce ďakujem pani Doc. PaedDr. Alene Kavčákovej, Dr. OBSAH 1. Úvod................................................... 2 2. Prehľad literatúry..................................... 7 3. Úvod do nórskeho maliarskeho umenia v 20.storočí....... 10 4. Ţivotopis Arne Linder Olsena........................... 25 5. Umelecká činnosť....................................... 33 5.1. Obdobie štúdia.................................... 33 5.2. Umelecká
    [Show full text]
  • Volume I March 1948
    Complete contents of GSJs I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII XXIII XXIV XXV XXVI XXVII XXVIII XXIX XXX XXXI XXXII XXXIII XXXIV XXXV XXXVI XXXVII XXXVIII XXXIX XL XLI XLII XLIII XLIV XLV XLVI XLVII XLVIII XLIX L LI LII LIII LIV LV LVI LVII LVIII LIX LX LXI LXII LXIII LXIV LXV LXVI LXVII LXVIII LXIX LXX LXXI LXXII LXXIII GSJ Volume LXXIII (March 2020) Editor: LANCE WHITEHEAD Approaching ‘Non-Western Art Music’ through Organology: LAURENCE LIBIN Networks of Innovation, Connection and Continuity in Woodwind Design and Manufacture in London between 1760 and 1840: SIMON WATERS Instrument Making of the Salvation Army: ARNOLD MYERS Recorders by Oskar Dawson: DOUGLAS MACMILLAN The Swiss Alphorn: Transformations of Form, Length and Modes of Playing: YANNICK WEY & ANDREA KAMMERMANN Provenance and Recording of an Eighteenth-Century Harp: SIMON CHADWICK Reconstructing the History of the 1724 ‘Sarasate’ Stradivarius Violin, with Some Thoughts on the Use of Sources in Violin Provenance Research: JEAN-PHILIPPE ECHARD ‘Cremona Japanica’: Origins, Development and Construction of the Japanese (née Chinese) One- String Fiddle, c1850–1950: NICK NOURSE A 1793 Longman & Broderip Harpsichord and its Replication: New Light on the Harpsichord-Piano Transition: JOHN WATSON Giovanni Racca’s Piano Melodico through Giovanni Pascoli’s Letters: GIORGIO FARABEGOLI & PIERO GAROFALO The Aeolian harp: G. Dall’Armi’s acoustical investigations (Rome 1821): PATRIZIO BARBIERI Notes & Queries: A Late Medieval Recorder from Copenhagen:
    [Show full text]
  • Phone Rectory
    3 TIIE MORNING OREGONIAN, UOXDAT. NOVE3IT5KR 16. 1914. JAPAN GAREFUL TO FORMER GERMAN NAVAL OFFICER SHOT AS SPY IN TOWER SERVIANS BAR WAY OF LONDON. NEVER REACHES AVOID OCCUPATION OF AUSTRIAN ARMY mm THE WASTE BASKET: German Possessions Failure to Overcome Resist- tured" and Railroad Is ance at Valjevo Is Admitted "Seized," Nothing More. by Vienna Government. " r- i MILITARY POLICY DEFINED MONTENEGRINS ALSO HOLD Toklo Still Insists Territorial Ag- Attacks Against Grabovo and In gression Is Not Intended Tak-ahlra-lt- Herzegovina Reported Repulsed Compact In- Is . Heavy Tele With Losses to phone Foe. Says. tact, Statesman Reinforcements Are Sent. Di 17. rectory TOKIO. Oct. (Correspondence of LONDON, the Associated Press.) In order to Nov. 15. The Rome corre GOlS TO PRESS " pondent of the Exchange Telegraph prevent a falsa Impression abroad Company sends the following dispatch, Japanese officials are careful not to under date of Saturday: use the word "occupation" when speak- "An official ing of the capture of German posses communication Issued In Japanese Vienna tonight admits that the Aus sions in the Pacific bv a fleet trian troops which are invading Servia TODAY or of the seizure of the railroad In have met with a fierce Shan-Tun- g Province, China. resistance at NOV. The Chinese government has regis- Valjevo, which they have not yet suc- 16th, 1914 tered several protests against the tak- ceeded in overcoming. The fighting ing of the railroad, on the ground that Is made especially difficult by snow and it is a violation of China's neutrality. rain, which impedes the transportation The Japanese contend that the seixure t Y or artillery.
    [Show full text]
  • Islands of the North Atlantic Jew's Harp Association
    IoNAJHA newsletter – Special Edition ‘Oxford Firsts’ Islands of the North Atlantic Jew’s Harp Association IoNAJHA Newsletter – Special Edition Introduction The ‘Oxford Firsts’ conference held in Oxford on Saturday, 28th April 2007, proved to be more successful than could have been imagined. Around 30 participants attended the conference, while approximately 80 people came to the concert. While these are not large figures, they were above what was anticipated, considering the short notice of set up and promotion and the relatively small interest the Jew’s harp has here in the UK. ‘Oxford Firsts’ was a joint event co-organised by the Islands of the North Atlantic Jew’s Harp Association and The Bate Collection of Musical Instruments. The aim of the conference and concert that took place on Saturday, 28th April 2007 in Oxford was to provide an opportunity for local and national players of the Jew’s harp to come to a greater understanding of the international and national significance of the instrument, along with raising its profile to a general audience. The conference was attended by players and enthusiasts from around the UK, Europe and Asia, while the concert audience included those interested in specific items, such as the classical section, and local residents who appreciate all genres of music. The name, ‘Oxford Firsts’, was chosen as it indicated the fact that a number of firsts for the UK took place during the day. They included the first conference and concert dedicated to the Jew’s harp; the first visit of international players from the Sakha Republic (Yakutia) and Japan; the first performance of a classical piece written especially for the Jew’s harp in 1768; the first performances of pieces arranged for the event, and the first showing of children’s artwork particularly produced brought from the Sakha Republic (Yakutia) for the occasion.
    [Show full text]
  • War Cyclopedia
    M't QJorttell HniowBitg ICihrarg THE GIFT OF C o-r-w^dXto-n., Cornell University Library The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924027858079 WAR CYCLOPEDIA A HANDBOOK FOR READY REFERENCE ON THE GREAT WAR ISSUED BY The Committee on Pubuc Information THE SECRETARY OF STATE THE SECRETARY OF WAR THE SECRETARY OF THE NAVY GEORGE CREEL Price I 25 Cents WASHINGTON IQOVERNMENT PRINTINQ OFFICE I I9II Your Government is Willing to Send You WITHOUT CHARGE Any Two of the Pamphlets Listed Here, With Exceptions Noted Committee on Public Information. (Established by Order of the President, Aprii 14, 1917, Washington, D. C.) SERIES No. 1. WAK INFORMATION. (Red, White, and Blue Covers.) 1. How the War Came to America. Contents: A brief introduction reviewing the policy of the United States vfith reference to the Monroe Doctrine, freedom of the seas, and international arbitration ; develop- ment of our policy reviewed and explained from August, 1914, to April, 1917 ; Appendix ; the President's address to the Senate, January 22, 1917, his war message to Congress, April 2, 1917, his Flag Day address at Washington, June 14, 1917. 32 pages. (Translations: German, Polish, Bohemian, Italian, Spanish, Swedish, Portuguese. 48 pages.) Note.—For Numbers 2 and 3, described below, a contribution of 15 cents each, Is required. All other booklets are free. 2. National Service Handbook. (A reference work for libraries, schools, clubs, and other organizations.) (Price, 15 cents.) Contents: Description of all civic and military organiza- tions directly or indirectly connected with war work, point- ing out how and where every individual can help.
    [Show full text]