DOCSLIB.ORG

Mathematrick a PUZZLING PLANE THAT FOLDS up the Gorgon's Head Mystery CRYPTOGRAM

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mathematrick a PUZZLING PLANE THAT FOLDS up the Gorgon's Head Mystery CRYPTOGRAM THE SANFORD HERALD, SANFORD, FLORIDA WEDNESDAY, JULY Iff, 1917 A PUZZLING PLANE THAT FOLDS UP Mathematrick STAMP TAX MARBLE MYSTERY LJERK ii a stamp poser to tax * * your wits: J their marbles to arrange Mr. Phil A. Tellst hat three some trades. They found that rare stamps in his collection. together they had a total of 174 One Is red, one 4s brown, one Is marbles. For the trading, Juan blue. The denominations are 26 arranged all hla marbles into ; u 1 dilars, 10 dilars and 2 dilars, piles of seven each, while Jote hot necessarily |n that order. divided his Into piles of nine Arrange the numbers | Can you determine the color each. Between them they had one to fourteen. of each denomination from the 22 piles. How many marbles had elusive, In the fourteen following statements, only one each boy? surrounding white boxes of which Is nirreet? so that the numbers In 1. Jhe 26 dilar stamp Is red. 2. The 10 dilar stamp la not the three boxes on each EGGZACTLY RY this catch question on 3. Tlie 2 dilar stamp Is not nineteen In every case. friends -m m - One .hundred hens laid 100 •■n' J*u* si m w *! s i esHs in one hour and forty mtu »i • i«si pu*r*e se-sw *■" ' ." V / 1 \ "•.) »s»j s w minutes. At the same rate of ,*«JV £ , 7 / > 7 / speed how long will It take seven The Gorgon's Head Mystery THE JEALOUS HUSBANDS RS. Appleby, Mrs. Bcednne and Mrs. Ceeme M were good friends and so it came about that the three women and their husbands went off on a hiking trip together. It turned nut that their hus­ bands all were jealous men, and this presented a problem when the six hikers reached a wide river. For there was only one boat at hand In which they There's no doubt about If, could get across, only two persona could jret In the Sutan Hayward it Hit personi­ ________ . ‘ \ pUZZLIKO Is only a hobby to C. B. Colby. Avia- boat at a time, and no woman could be with a man • tlon la his profession, so the silhouette of the unless her husband was present. fication of IT, according to the Hollywood idea of it. But eht'd plane that Is the solution of hie latest‘‘ Foldie" In what manner, then, did they cross the river, in the boat and avoid trouble among the men? hardly bring to mind tomt of puttie Is technically correct In detail thi other ."its" for which tht To solry a “ Foldie.” which Is a new version of If you’ve never tackled a poser like this before, we suggest that you use three pennies to represent Greeks anif others, hart words. _____ • - an old pufile that was ones, very popular, you the .husbands and three nickels or dimes for the You hart to think up them, in • ^ a i^ r N 'c iO I I R I K jr i cut out Urn entire boxed area above. Then, hy wives, in working it out this Whit Quit. Girt your mem­ ULJLJ -1 U — folding snd refolding It, you cause the splotches ory a tossing around, and tost 1. One thousand, two hundred, 0f black within It to meld Into one design—the nothing’and one Is hound to silhouette of the plane at left. ----------- a country, T was ons of Inspector Ferret’s oddest rases. Thera Cornell's and Vlyt was no apparent reason why any one /xcepl set" home, DoctorI K should have killed Mrs. K. • i s Famous plar\ist. leave contempt. CRYPTOGRAM But before drawing conclusions, let us have the doctor’s story: 4n irritation. WISE observation of Joseph Conrad may be “ My wife couldn't sleep and as the night was warm read by deciphering this substitution crypto­ Biblical land of five hundred showing a result A she seated herself by the screened window In. our gram. You can do it by discovering what system bedroom. The lflgbt was offend I dosed off, then sud­ that Is dear. lucid snd glowing. of alphabetical arrangement was substituted In denly awoke with the startling feeling that something Kind of printing 4. One thousand, fifty and spelling nut the seven words awful had happened. 1 railed out to her to find If she was all right. She replied reassuringly. 1 guessed I 7. JT Separate article, L’MI.fiSZ 0 JM7.R IWOCT .SQOAIR.JGS> had had a nightman and. decided I needed a cigarette. f»WQ KBK.NQZ. Wandering. •"i„ rw-i • <«n * - . i , lemw** jumped up, and turned \o. IT- to her snd taw she was badly hurt. As I tried to stop the bleeding and felt her puli*. she died. Terrified. I itieeiulppi River. rushed to the dining-room and called the police. Then IT: Automotivt centtr. I locked myself In the dining-room and barricaded the IT: Drinkers' talult. door, for I feared an aaadaain would lire another shot.” CHARADES DIAMOND It was In the dining-room that the police found the IT: Skillful bodily or doctor. They also found that tha screen in ths bed­ mentally, Th* Encyclopedia of Putties Substitute tht letters of words for which room *oe intart—it had no bullet holes. The woman rIT: Rend asunder. and Pastimes axya that after definitions are given b*low tor the x'e in this bad been killed by a bullet from the,gun that lay be­ ■IT: Grain mart. th* invention of movable types diagram, so that ths words read the asms ver­ side her. Ths nature of tha wound indicated tha bullet and printing presses Introduced tically and horixontally: had been flrtd from short-range. Tha doctor aaid he •IT: Draw together. literature to the European had not seen or heard an Intruder. IT: Courage. masses, but before censorships To the police, it appeared the doctor had killed his IT: What fortune-tell of the dictators of that time wife. The belief was atraqgthened when they asked • were torn down, the charade him to look around and sr^tf anything had been was a common form of political stolen. Thers hid been no burglary, for a pearl neck­ propaganda. It was difficult for lace and several diamond necklaret lay upon the dead woman's drasssr, and ths doctor said tha only thing es um si -»iio it -iisg it ws«no censora to cope with it; for them mining was an Iron ornament, shaped Ilka a gorgin'! htl***J j m *U-»KIt II’IIHJ •*II "'*•v»»«vv|W «• V| *1W'M1 to place the worst construction UMMER'S juft around the to each following word of the •»••>! II "II SI jvtwvni k •corner, so we all halt some- quotation In order, you must bead, which bo claimed had been taken from the wall. S •—■*! I »ll»l| V -t*w*4i| -VI| f upon a charade was to admit S And so matters stood when Inspector Ferret arrived. | *>vi|i| *f (|H| i i w m ( the validity of the gossip or ely thing to look forward to. Right • papa between two circles only "I can’t understand why anyone would want that allegations that It concealed. now, we can dnd a familiar say- every time. However, the di- gorgon's head,” tha doctor rspeatad. "It wai just a Ing about Summer, written by rectlone of the moves vary. ENIGMA The acted charade wai popu­ 1. P. t. To tread. S. Tines. 4. Long drawn out trinket I picked up In Europe.” Mark Twain, by going around In arriving at the solution. lar In older times, with guests speechta of vttuperitivs language. 6. Pyramidl- “On the contrary," remarked the Inspector, **lt Is in this word max*. each word will be used once and worth a man'* Ufa. Youra.” dividing themselves Into teams cal. 6. Interoceanlc waterway In the Americas. 7. Inscribed. I. Calmer. 0. Healthier. 10. Boy. Quotation marks give you a once only. You will note that What did Inspector Ferret mean by tbla remark? to endeavor to .’’stump” each Study the diagram and-plctur# carefully and sea If 11. L. —Nottut Holderread. clue to the drat and last words some words are repeated In the other with words dramatized. can tall how Dr. K'a Innocence was shown. of the quotation. When you have diagram. That Ii because they V**0 S,MS«a| *|»|-|I»I S1|t fflWKMJ put it, IV AS, Thousands of the versified SOLUTIONS found the drst word, then look appear more than one time |n l ip»»3 variety of charade have been -i m e i-p»»ui«,q for the circle you think contain! the quotation. S authored by members of the ’ ,n 'lives -Mtnu*»"0 pw«*|« -WMIM tat •» P*«jaw< itwpjsW ‘tJitituaaa wordwuru numbernumwr t.2 L»r*v»Draw a line ioto n . uv»l- miM» ,i ••pm e » l nt«wseat* •#» »i gw«w mv»*i **>•«■» *ai u*ass r*i»— ••• m u National Puxilert* League for |W It. The line must pass between »••• • »* » « ii *jm « ■ i»iw-o,i p«« |W*V*F lit puts I.MItM) Ml| *al itltllll v t Mill* If, pMi<ai i >h - s m i ii is p*io swiputit n* »n«a *ai e«i their unique organ, Tht Enig­ two drcie. only.- in ma. An eight-letter example: / looked in the LAST for a ti—“ Ths 4ssir« tteemplliktd FIRST today, sweet Is th s -------- (P». i 41— D l l * b u s , as *f ptrvtptlon S Q U A R E IT Or to put it another way I spent a FIRST before the LAST, By Eugene She fe e , Holding my attention fast.
Load more

Recommended publications
  • Preston Sawyer Film and Theater Collection MS.404
    http://oac.cdlib.org/findaid/ark:/13030/c8w66sh5 No online items Preston Sawyer Film and Theater Collection MS.404 Debra Roussopoulos University of California, Santa Cruz 2019 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Preston Sawyer Film and Theater MS.404 1 Collection MS.404 Language of Material: English Contributing Institution: University of California, Santa Cruz Title: Preston Sawyer Film and Theater Collection creator: Sawyer, Preston, 1899-1968 Identifier/Call Number: MS.404 Physical Description: 8 Linear Feet27 boxes Date (inclusive): 1907-1959 Abstract: This collection contains photographs, lobby cards, correspondence, ephemera, and realia. Storage Unit: 1-27 Access Collection is open for research. Publication Rights Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user. For more information on copyright or to order a reproduction, please visit guides.library.ucsc.edu/speccoll/reproduction-publication. Preferred Citation Preston Sawyer Film and Theater Collection. MS 404. Special Collections and Archives, University Library, University of California, Santa Cruz. Biographical / Historical The Sawyer family of Santa Cruz, California, were avid movie and theater aficionados. The materials in this collection were gathered mainly by Preston Sawyer, and contributed to by Ariel and Gertrude Sawyer. Ariel Sawyer spent time working in Hollywood from 1922-1925.
    [Show full text]
  • From China to Paris: 2000 Years Transmission of Mathematical Idea S
    FROM CHINA TO PARIS: 2000 YEARS TRANSMISSION OF MATHEMATICAL IDEA S EDITED BY YVONNE DOLD-SAMPLONIUS JOSEPH W. DAUBEN MENSO FOLKERTS BENNO VAN DALEN FRANZ STEINER VERLAG STUTTGART FROM CHINA TO PARIS: 2000 YEARS TRANSMISSION OF MATHEMATICAL IDEAS BOETHIUS TEXTE UND ABHANDLUNGEN ZUR GESCHICHTE DER MATHEMATIK UND DER NATURWISSENSCHAFTEN BEGRIJNDET VON JOSEPH EHRENFRIED HOFMANN FRIEDRICH KLEMM UND BERNHARD STICKER HERAUSGEGEBEN VON MENSO FOLKERTS BAND 46 FRANZ STEINER VERLAG STUTTGART 2002 FROM CHINA TO PARIS: 2000 YEARS TRANSMISSION OF MATHEMATICAL IDEAS EDITED BY YVONNE DOLD-SAMPLONIUS JOSEPH W. DAUBEN MENSO FOLKERTS BENNO VAN DALEN FRANZ STEINER VERLAG STUTTGART 2002 Bibliographische Information der Deutschen Bibliothek Die Deutsche Bibliothek verzeichnet these Publikation in der Deutschen National- bibliographic; detaillierte bibliographische Daten sind im Internet Uber <http:// dnb.ddb.de> abrufbar. ISBN 3-515-08223-9 ISO 9706 Jede Verwertung des Werkes auBerhalb der Grenzen des Urheberrechtsgesetzes ist unzulhssig and strafbar. Dies gilt insbesondere fair Ubersetzung, Nachdruck. Mikrover- filmung oder vergleichbare Verfahren sowie fi rdie Speicherung in Datenverarbeitungs- anlagen. ® 2002 by Franz Steiner Verlag Wiesbaden GmbH. Sitz Stuttgart. Gedruckt auf s3urefreiem. alterungsbesthndigem Papier. Druck: Druckerei Proff. Eurasburg. Printed in Germany Table of Contents VII Kurt Vogel: A Surveying Problem Travels from China to Paris .................... 1 Jens Hoyrup: Seleucid Innovations in the Babylonian "Algebraic" Tradition and their
    [Show full text]
  • The Deadly Affairs of John Figaro Newton Or a Senseless Appeal to Reason and an Elegy for the Dreaming
    The deadly affairs of John Figaro Newton or a senseless appeal to reason and an elegy for the dreaming Item Type Thesis Authors Campbell, Regan Download date 26/09/2021 19:18:08 Link to Item http://hdl.handle.net/11122/11260 THE DEADLY AFFAIRS OF JOHN FIGARO NEWTON OR A SENSELESS APPEAL TO REASON AND AN ELEGY FOR THE DREAMING By Regan Campbell, B.F.A. A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in Creative Writing University of Alaska Fairbanks May 2020 APPROVED: Daryl Farmer, Committee Chair Leonard Kamerling, Committee Member Chris Coffman, Committee Member Rich Carr, Chair Department of English Todd Sherman, Dean College of Liberal Arts Michael Castellini, Dean of the Graduate School Abstract Are you really you? Are your memories true? John “Fig” Newton thinks much the same as you do. But in three separate episodes of his life, he comes to see things are a little more strange and less straightforward than everyone around him has been inured to the point of pretending they are; maybe it's all some kind of bizarre form of torture for someone with the misfortune of assuming they embody a real and actual person. Whatever the case, Fig is sure he can't trust that truth exists, and over the course of his many doomed relationships and professional foibles, he continually strives to find another like him—someone incandescent with rage, and preferably, as insane and beautiful as he. i Extracts “Whose blood do you still thirst for? But sacred philosophy will shackle your success, for whatsoever may be your momentary triumph or the disorder of this anarchy, you will never govern enlightened men.
    [Show full text]
  • Adultery in Early Stuart England
    Veronika Christine Pohlig ___________________________ Adultery in Early Stuart England ________________________________________ Dissertation am Fachbereich Philosophie und Geisteswissenschaften der Freien Universität Berlin 2009 Erstgutachterin: Frau Prof. Dr. Sabine Schülting Zweitgutachter: Herr Prof. Dr. Dr. Russell West-Pavlov Datum der mündlichen Prüfung: 03.07.2009 ACKNOWLEDGEMENTS Firstly, I would like to take this opportunity to thank Prof. Ann Hughes, whose enlightening undergraduate seminar at Keele University taught me the fundamentals of historic research, and first sparked my interest in matters of gender and deviance, thus laying the basis for this project. I wish to express my gratitude towards the Graduiertenkolleg Codierung von Gewalt im medialen Wandel for giving me the opportunity to work with a number of amazing individuals and exchange ideas across disciplinary boundaries, and also for providing the financial means to make travelling in order to do research for this project possible. Special thanks goes out to the helpful staff at Gloucestershire Archives. Above all, I am greatly indebted to Prof. Sabine Schülting for providing the warm intellectual home in which this project could thrive, and for blending munificent support with astute criticism. I am most grateful to have benefited from her supervision. I wish to extend my most heartfelt thanks to Maggie Rouse, Sabine Lucia Müller, Anja Schwarz, Judith Luig, and to Kai Wiegandt for their insightful comments on various parts of this dissertation in various stages, but, more importantly, for unerring support and motivation. These were also given most generously by my brother-in-law, Matthias Pohlig, who read the manuscript with a keen historian's eye and provided invaluable feedback at a crucial stage of its genesis.
    [Show full text]
  • EROTIC TRESSES Dissertation
    EROTIC TRESSES: HAIR AND POWER IN MEDIEVAL FRENCH NARRATIVE AN ABSTRACT SUBMITTED ON THE SIXTEENTH DAY OF NOVEMBER 2018 TO THE DEPARTMENT OF FRENCH AND ITALIAN IN PARTIAL FULFILLMENT OF THE REQUIREMENTS OF THE SCHOOL OF LIBERAL ARTS OF TULANE UNIVERSITY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY BY _______________________________ Leslie Anderson APPROVED: _______________________ Elizabeth Poe, Ph.D. Director _______________________ Fayçal Falaky, Ph.D. _______________________ Mimi Schippers, Ph.D. Abstract This dissertation addresses how women’s hair in medieval French literature denotes female sexuality by untangling the narrative conveyed by long, glorious tresses, heaD-coverings, and hairstyles. By analyzing descriptions and imagery of hair, heaD- coverings, and the removal of hair, I examine how women’s hair mediates social hierarchy. My proposition is that beneath the external image of female hair resides a narrative of language and dominance. In the first chapter I argue that medieval authors use hair as a locus of power and desire. In undertaking this research, I seek to deconstruct power relations that existed between the sexes in medieval French culture. The first chapter explores hair as a fetish object in two Courtly Love romances by Chrétien de Troyes,’ Cligès and Le Chevalier de la charrette. The ingenuity of two noble heroines is overshadowed by the sexual desire of the two male characters and their subsequent empowerment via eroticized tresses. In chapter two I consider situations in which attention to hair turns violent in the fabliau Les Treces and in the romances Floriant et Florette and Le Roman de la Rose. Again, I find that men gain privilege through the abuse and dominance of women via their hair.
    [Show full text]
  • Lost Silent Feature Films
    List of 7200 Lost U.S. Silent Feature Films 1912-29 (last updated 11/16/16) Please note that this compilation is a work in progress, and updates will be posted here regularly. Each listing contains a hyperlink to its entry in our searchable database which features additional information on each title. The database lists approximately 11,000 silent features of four reels or more, and includes both lost films – 7200 as identified here – and approximately 3800 surviving titles of one reel or more. A film in which only a fragment, trailer, outtakes or stills survive is listed as a lost film, however “incomplete” films in which at least one full reel survives are not listed as lost. Please direct any questions or report any errors/suggested changes to Steve Leggett at [email protected] $1,000 Reward (1923) Adam And Evil (1927) $30,000 (1920) Adele (1919) $5,000 Reward (1918) Adopted Son, The (1917) $5,000,000 Counterfeiting Plot, The (1914) Adorable Deceiver , The (1926) 1915 World's Championship Series (1915) Adorable Savage, The (1920) 2 Girls Wanted (1927) Adventure In Hearts, An (1919) 23 1/2 Hours' Leave (1919) Adventure Shop, The (1919) 30 Below Zero (1926) Adventure (1925) 39 East (1920) Adventurer, The (1917) 40-Horse Hawkins (1924) Adventurer, The (1920) 40th Door, The (1924) Adventurer, The (1928) 45 Calibre War (1929) Adventures Of A Boy Scout, The (1915) 813 (1920) Adventures Of Buffalo Bill, The (1917) Abandonment, The (1916) Adventures Of Carol, The (1917) Abie's Imported Bride (1925) Adventures Of Kathlyn, The (1916) Ableminded Lady,
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • The History of Russian Vaudeville from 1800 to 1850 Alexander V
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 The history of Russian vaudeville from 1800 to 1850 Alexander V. Tselebrovski Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Tselebrovski, Alexander V., "The history of Russian vaudeville from 1800 to 1850" (2003). LSU Doctoral Dissertations. 3876. https://digitalcommons.lsu.edu/gradschool_dissertations/3876 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE HISTORY OF RUSSIAN VAUDEVILLE FROM 1800 TO 1850 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Theatre By Alexander V. Tselebrovski Perm State Institute of Arts (Russia), 1982 Directing Master Courses at GITIS, Moscow (Russia), 1985 May 2003 To Dr. Leigh Clemons, Dr. Harald Leder, and Dr. Leslie Wade “И дельный разговор зашел про водевиль. Да! водевиль есть вещь, а прочее все гиль.” “And we began to speak about vaudeville. Yes! vaudeville is quite a thing, and all the rest is nil.” (A.S. Griboedov. Woe from Wit, Act 4, Scene 6.) ii ACKNOWLEDGMENTS Many individuals and institutions have helped to bring this project to reality. The Department of Theatre of Louisiana State University provided a very stimulating environment and guidance during the research period.
    [Show full text]
  • Maurice Tourneur Elokuva Lista (Elokuvat)
    Maurice Tourneur Elokuva Lista (Elokuvat) Clothes Make the Pirate https://fi.listvote.com/lists/film/movies/clothes-make-the-pirate-5135553/actors The Pawn of Fate https://fi.listvote.com/lists/film/movies/the-pawn-of-fate-8850304/actors Barbary Sheep https://fi.listvote.com/lists/film/movies/barbary-sheep-3634725/actors The Butterfly on the Wheel https://fi.listvote.com/lists/film/movies/the-butterfly-on-the-wheel-13423720/actors The Bait https://fi.listvote.com/lists/film/movies/the-bait-7715351/actors Jealous Husbands https://fi.listvote.com/lists/film/movies/jealous-husbands-16028397/actors The Undying Flame https://fi.listvote.com/lists/film/movies/the-undying-flame-7771429/actors The Law of the Land https://fi.listvote.com/lists/film/movies/the-law-of-the-land-7746419/actors Exile https://fi.listvote.com/lists/film/movies/exile-16028436/actors The Man of the Hour https://fi.listvote.com/lists/film/movies/the-man-of-the-hour-16029007/actors The Rise of Jennie Cushing https://fi.listvote.com/lists/film/movies/the-rise-of-jennie-cushing-3989029/actors The Velvet Paw https://fi.listvote.com/lists/film/movies/the-velvet-paw-15973232/actors The Hand of Peril https://fi.listvote.com/lists/film/movies/the-hand-of-peril-8850053/actors The Sparrow https://fi.listvote.com/lists/film/movies/the-sparrow-3511721/actors The Ivory Snuff Box https://fi.listvote.com/lists/film/movies/the-ivory-snuff-box-16028344/actors The Secret of the Well https://fi.listvote.com/lists/film/movies/the-secret-of-the-well-3226077/actors The Cameo https://fi.listvote.com/lists/film/movies/the-cameo-3220777/actors
    [Show full text]
  • Images of Women in Eighteenth Century English Chapbooks, from Banal Bickering to Fragile Females Katherine Barber Fromm Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2000 Images of women in eighteenth century English chapbooks, from banal bickering to fragile females Katherine Barber Fromm Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the English Language and Literature Commons, and the European History Commons Recommended Citation Fromm, Katherine Barber, "Images of women in eighteenth century English chapbooks, from banal bickering to fragile females " (2000). Retrospective Theses and Dissertations. 13899. https://lib.dr.iastate.edu/rtd/13899 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality o# this reproduction Is dependent upon the quality of ttie copy submitted. Broken or indistinct print, cotored or poor quality illustrations and photographs, print bleedthrough; substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author dkl not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the detetnn.
    [Show full text]
  • A Natural History of Teasing: British
    UNLV Theses, Dissertations, Professional Papers, and Capstones 8-1-2016 A Natural History of Teasing: British Women Writers and the Shakespearean Courtship Narrative, 1677-~1818 Mary Vance University of Nevada, Las Vegas, [email protected] Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the English Language and Literature Commons Repository Citation Vance, Mary, "A Natural History of Teasing: British Women Writers and the Shakespearean Courtship Narrative, 1677-~1818" (2016). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2812. https://digitalscholarship.unlv.edu/thesesdissertations/2812 This Dissertation is brought to you for free and open access by Digital Scholarship@UNLV. It has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. A NATURAL HISTORY OF TEASING: BRITISH WOMEN WRITERS AND THE SHAKESPEAREAN COURTSHIP NARRATIVE, 1677-1818 By Mary Vance Bachelor of Arts in English Bachelor of Arts in Theatre University of Nevada, Las Vegas 2009 Master of Arts in English University of Nevada, Las Vegas 2011 A dissertation submitted in partial fulfillment of the requirements for the Doctor of Philosophy — English Department of English College of Liberal Arts The Graduate College University of Nevada, Las Vegas August 2016 Dissertation Approval The Graduate College The University of Nevada, Las Vegas July 14, 2016 This dissertation prepared by Mary Vance entitled A Natural History of Teasing: British Women Writers and the Shakespearean Courtship Narrative, 1677-1818 is approved in partial fulfillment of the requirements for the degree of Doctor of Philosophy - English Department of English Anne Stevens, Ph.D.
    [Show full text]
  • Caught Between Presence and Absence: Shakespeare's Tragic Women on Film
    Caught between presence and absence: Shakespeare's tragic women on film Item Type Thesis or dissertation Authors Scott, Lindsey A. Publisher University of Liverpool (University of Chester) Rights screenshots reproduced under s.30 (1) of the Copyright, Design and Patents Act 1988. Further re-use (except as permitted by law) is not allowed. Download date 04/10/2021 11:49:26 Link to Item http://hdl.handle.net/10034/100153 This work has been submitted to ChesterRep – the University of Chester’s online research repository http://chesterrep.openrepository.com Author(s): Lindsey A Scott Title: Caught between presence and absence: Shakespeare's tragic women on film Date: October 2008 Originally published as: University of Liverpool PhD thesis Example citation: Scott, Lindsey A. (2008). Caught between presence and absence: Shakespeare's tragic women on film. (Unpublished doctoral dissertation). University of Liverpool, United Kingdom. Version of item: Submitted version Available at: http://hdl.handle.net/10034/100153 Caught Between Presence and Absence: Shakespeare’s Tragic Women on Film Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor in Philosophy By Lindsey A. Scott October 2008 Declaration I declare that the material presented in this thesis is all my own work and has not been submitted for another award of the University of Liverpool or any other Higher Education Institution. Signed Lindsey A Scott Dated 27/08/09 Usually a physical presence – moving in space or making its own distinctive sounds – the body may also manifest itself only in verbal traces, or in echoes which signify its absence.
    [Show full text]