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The South African Sale London Wednesday 19 March 2014 W1S 1SR
Bonhams 101 New Bond Street the south african sale London Wednesday 19 March 2014 W1S 1SR +44 (0) 20 7447 7447 +44 (0) 20 7447 7400 fax the south african sale Ӏ New Bond Street, London Ӏ Wednesday March 19 2014 21431 International Auctioneers and Valuers – bonhams.com lot 15 Irma Stern Zanzibar Woman the South afrIcan Sale Wednesday 19 March at 2pm New Bond Street, London PhyI S cal condItIon of Vw Ie Ing enquIrIeS lotS In thIS auctIon Sunday 16 March Giles Peppiatt MRICS 11.00 to 15.00 +44 (0) 20 7468 8355 PLEASE NOTE THAT THERE IS Monday 17 March NO REFERENCE IN THIS 9.00 to 16.30 Hannah O’Leary CATALOGUE TO THE PHYSICAL Tuesday 18 March +44 (0) 20 7468 8213 CONDITION OF ANY LOT. 9.00 to 16.30 INTENDING BIDDERS MUST Wednesday 19 March Elizabeth Callinicos SATISFY THEMSELVES AS TO 9.00 to 12 noon +44 (0) 20 7468 8216 THE CONDITION OF ANY LOT AS SPECIFIED IN CLAUSE 14 PreVIew of hIghlIghtS [email protected] OF THE NOTICE TO BIDDERS 580 Madison Avenue, New York CONTAINED AT THE END OF 19 - 21 February Jonathan Horwich THIS CATALOGUE. 10.00 to 17.00 Global Director, Picture Sales +44 (0) 20 7468 8280 As a courtesy to intending Sale number [email protected] bidders, Bonhams will provide a 21431 written Indication of the physical South Africa condition of lots in this sale if a catalogue Penny Culverwell request is received up to 24 £25.00 +27 71 342 2670 hours before the auction starts. -
SA Yearbook 02/03: Arts and Culture
Photograph: Nadine Hutton/PictureNET Africa Chapter 5 Arts and Culture The Department of Arts and Culture deals with The words of the first stanza were originally matters pertaining to arts and culture and written in isiXhosa as a hymn. renders State archive and heraldic services at Seven additional stanzas in isiXhosa were national level. later added by the poet Samuel Mqhayi. It became a popular church hymn that was later adopted as an anthem at political meet- Policy and legislation ings. It has been translated into most of South Africa’s official languages. The Council of Culture Ministers makes impor- tant decisions on policy matters of national impact, and consists of the Minister and National flag Deputy Minister of Arts, Culture, Science and The national flag of the Republic of South Technology and members of provincial execu- Africa was taken into use on Freedom Day, tive councils responsible for arts and culture. 27 April 1994. The design and colours are a synopsis of principal elements of the coun- try’s flag history. National symbols The central design of the flag, beginning at the flag-pole in a ‘V’ form and flowing into a National anthem single horizontal band to the outer edge of The national anthem of South Africa is a the fly, can be interpreted as the convergence combined version of Nkosi Sikelel’ iAfrika of diverse elements within South African soci- and The Call of South Africa (Die Stem van ety, taking the road ahead in unity. The flag Suid-Afrika) and is played at all State occa- was designed by the State Herald. -
Jh Pierneef: In/Sight
1 JH PIERNEEF: IN/SIGHT A single-artist auction dedicated to a modernist master Monday, 26 July 2021, 6:00 pm Strauss & Co, Johannesburg Virtual Live Auction www.straussart.co.za Lots 1–69 PAGE 1 Church Square, Pretoria, south-east corner, date unknown. LEFT Lot 33 Swakop Rivier (detail) 2 JH PIERNEEF: IN/SIGHT Henk Pierneef is arguably the most beloved and iconic painter gentle and a little mischievous. He was a skilful and proud of the South African landscape. His deep affection for the soil, craftsman, passionate and knowledgeable about his natural his keen sense of balanced design, and his flair for the dramatic surroundings, and usually alert to international trends. He was and monumental make his pictures at once familiar and fond of willows, his pipe, and fishing alone. enthralling. While depicting vast and breath-taking vistas, lonely The selection of works here includes paintings, drawings, farmhouses, architectonic cloudbursts, and moving bushveld linocuts and an etching made through the first half of the silhouettes, Pierneef has always struck an emotional chord with twentieth century, a period of significant cultural, industrial and fellow South Africans. socio-political change in South Africa. JH PIERNEEF: IN/SIGHT is a first- By most accounts, Henk, the man, was warm, dedicated, of-its-kind, single-artist auction dedicated to a modernist master. 3 4 Gerrit and Neeske Pierneef lived in a house 1900. In September, Paul Kruger, the Boer in Pretoria’s Church Street West when their leader, who young Henk knew as a kind, first child, Jacobus Hendrik, was born in mint-gifting neighbour, fled into exile. -
Frans W. De Jong Op Die Wand Van 'N Gemesselde Bak Vir Besinking Van '
60 Robert (links) en Frans (regs) de Jong met op die agtergrond die Pretoria-Zoutpan Foto C. de Jong, Augustus 1971 Frans W. de Jong op die wand van 'n gemesselde bak vir besinking van 'n sout- of soda-oplossing, deel vormend van die sout- en sodawinningsaanleg by die Preto ria-Zoutpan Foto C. de Jong, Augustus 1971 Digitised by the University of Pretoria, Library Services, 2011 61 Robert en Frans de Jong by die bouval van 'n personeelswoning voorheen behorende aan die South African Alkali Limited vir sout- en sodawinning uit die Pretoria Zoutpan Foto C. de Jong, Augustus 1971 Bouval wat deel was van die sout en sodawinningsaanleg by die Pre toria-Zoutpan; op die agtergrond bouvalle van personeelswonings Foto C. de Jong, Augustus 1971 Digitised by the University of Pretoria, Library Services, 2011 62 HERDRUK VAN FEESUITGAWE VIR DIE OPENING VAN DIE DELAGOABAAI-SPOORWEG IN 1895 Daar het 'n herdruk verskyn van 50 eksemplare van 'n feesgeskrif wat in 1895 uitgegee is by die opening van die Oosterlyni dit is die Delagoabaaispoorweg tussen die grens van Mosambiek en Pretoria, oopgestel in Junie 1895. Die samesteller van hierdie geleentheidsuitgawe, destyds "Gedenk boek" genoem, was Leo Weinthal, hoofredakteur van die koerant "The Press - De Pers" te Pretoria. Die titel lui: "The Delagoa Bay Pretoria railway, The Press Gedenk-boek uitgegeven ter gelegenheid der feestelijke opening van den Delagoabaai-Pretoria spoorweg, Juli 1895", Pretoria 1895. In 1995 hoop die Transvalers die opening van die Oosterlyn asook van die Suidoosterlyn - dit is die spoorweg tussen Volksrust aan die grens van Natal en Germiston - 100 jaar gelede te herdenk. -
University of Cape Town (UCT) in Terms of the Non-Exclusive License Granted to UCT by the Author
The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town "The Advancement of Art" Policy and Practice at the South African National Gallery 1940-1962 Qanita Lilla LLLQANOOI A dissertation submitted in fulfillment of the requirements for the award of the degree of Master of Arts in Art History UniversityFaculty of the of Humanities Cape Town University of Cape Town 2004 This work has not been previously submitted in whole, or in part, for the award of any degree. It is my own work. Each significant contribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. Signature: 3 May 2004 Contents Abstract Acknowledgements ii List of Illustrations iii Introduction 1 Chapter One 11 The South African National Gallery: the establishment of a colonial museum 187 1- 1940 Chapter Two 26 Edward Roworth's Directorship: Art and rhetoric at the South African National Gallery 1940-1947 Chapter Three 49 Debate and Debacle at the South African National Gallery 1947 Chapter Four 77 Painting a nation: the emerging discourse of South African art in 1948 Chapter Five 101 Innovation and intervention at the South African National Gallery: John Paris' Directorship 1949-1962 Conclusion Town 121 Bibliography 125 Figures Cape 1-22 Appendices Appendix A: Letter from the South Africanof National Gallery denying access to archives Appendix B: List of works sold from the South African National Gallery, from the 1947 Stratford Report University Abstract This thesis is an enquiry into the policies and practices that shaped the South African National Gallery in the 1940s and 1950s. -
2006/2007 South Africa Yearbook: 5
5 Arts and culture The Department of Arts and Culture seeks to The words of the first stanza were originally preserve and develop South Africa’s richly diverse written in isiXhosa as a hymn. Seven additional cultural, artistic and linguistic heritage. stanzas in isiXhosa were later added by the poet Samuel Mqhayi. It has been translated into most of Funding South Africa’s official languages. The department’s budget grew at an average annual rate of 22,9% between 2002/03 and National flag 2005/06, mainly due to additional resources South Africa’s national flag was launched and used for capital projects such as the development of for the first time on Freedom Day, 27 April 1994. The Freedom Park, and upgrading and maintenance design and colours are a synopsis of the principal of the Robben Island Museum. Transfers to heritage elements of the country’s flag history. and arts institutions still dominate expenditure. The The central design of the flag, beginning at the 2006 Budget increased the department’s allocation flag-pole in a ‘V’ form and flowing into a single to R84,1 million in 2006/07; R309,2 million in horizontal band to the outer edge of the fly, can be 2007/08; and R687,5 million in 2008/09. interpreted as the convergence of diverse elements within South African society, taking the road ahead National symbols in unity. The flag was designed by the State Herald. National anthem When the flag is displayed vertically against a South Africa’s national anthem is a combined wall, the red band should be to the left of the viewer, version of Nkosi Sikelel’ iAfrika and The Call of with the hoist or the cord seam at the top. -
THE SOUTH AFRICAN SALE Wednesday 9 September 2015
THE SOUTH AFRICAN SALE Wednesday 9 September 2015 THE SOUTH AFRICAN SALE Wednesday 9 September 2015 at 14:00 New Bond Street, London VIEWING BIDS ENQUIRIES PHYSICAL CONDITION OF Sunday 6 September +44 (0) 20 7447 7448 Giles Peppiatt MRICS LOTS IN THIS AUCTION 11.00 to 15.00 +44 (0) 20 7447 4401 fax +44 (0) 20 7468 8355 Monday 7 September To bid via the internet please PLEASE NOTE THAT THERE IS 9.00 to 16.30 visit bonhams.com Hannah O’Leary NO REFERENCE IN THIS Tuesday 8 September +44 (0) 20 7468 8213 CATALOGUE TO THE PHYSICAL 9.00 to 16.30 TELEPHONE BIDDING CONDITION OF ANY LOT. Wednesday 9 September Bidding on telephone will only Alice Thomson INTENDING BIDDERS MUST 9.00 to 12 noon be accepted on lots with a lower +44 (0) 20 7468 8365 SATISFY THEMSELVES AS TO estimate in excess of £1,000. THE CONDITION OF ANY LOT SALE NUMBER Eliza Sawyer AS SPECIFIED IN CLAUSE 14 22364 Please note that bids should be +44 (0) 20 7468 5881 OF THE NOTICE TO BIDDERS submitted no later than 16:00 on [email protected] CONTAINED AT THE END OF the day prior to the sale. New THIS CATALOGUE. CATALOGUE bidders must also provide proof Jonathan Horwich £25.00 of identity when submitting bids. Global Director, Picture Sales As a courtesy to intending Failure to do this may result in +44 (0) 20 7468 8280 bidders, Bonhams will provide a ILLUSTRATIONS your bid not being processed. [email protected] written Indication of the physical Front cover: Lot 12 condition of lots in this sale if a Back cover: Lot 60 Live online bidding is available South Africa request is received up to 24 Inside front cover: Lot 56 for this sale Penny Culverwell hours before the auction starts. -
Session-Two-Lot-150-230.Pdf
Country Club Johannesburg, Woodmead 1 November 2010 – 8 pm South African Paintings and Sculpture Session Two: Lots 150–230 OPPOSITE Lot 194 Alexis Preller, Angel Head (detail) 69 PROPERTY OF THE ESTATE LATE ESTHER HOLLOWAY 150 Frans David Oerder SOUTH AFRICAN 1867–1944 Winter Scene, Cape Flats signed oil on board 12,5 by 22 cm R30 000 – 40 000 70 PROPERTY OF THE ESTATE LATE ESTHER HOLLOWAY 151 Frans David Oerder SOUTH AFRICAN 1867–1944 Apies River, North of Pretoria signed oil on canvas 42 by 62,5 cm R120 000 – 180 000 71 PROPERTY OF THE ESTATE LATE ESTHER HOLLOWAY 152 Pieter Hugo Naudé SOUTH AFRICAN 1868–1941 Bain’s Kloof signed and dated 21 oil on board 24,2 by 29,3 cm R80 000 – 120 000 72 153 Frans David Oerder SOUTH AFRICAN 1867–1944 Executed circa 1898. Frederik Jacobus Bezuidenhout’s Farm, On 20 September 1861, Frederik Jacobus Bezuidenhout Bezuidenhout Valley purchased this farm from the widow of the original owner, signed B.P. Viljoen, and gave his name to the area. Now a large oil on canvas residential suburb of Johannesburg it lies between the long 48,5 by 95 cm hill known as Observatory on the north and the Kensington ridge on the south. The homestead with its row of walnut R250 000 – 400 000 trees was at the foot of the valley near Gillooley’s Farm. 73 In February 1919 Pieter Wenning instructed the as it flows north through the city. Above this Johannesburg auctioneer Ernest Lezard to auction landscape, a bright blue sky optimistically takes over thirty of his paintings and drawings. -
The Randlords, Art and South Africa
OLD MASTERS AND ASPIRATIONS: THE RANDLORDS, ART AND SOUTH AFRICA MICHAEL STEVENSON Thesis presented for the Degree of Doctor of Philosophy in the Department of Art History, University of Cape Town, September 1997 University of Cape Town r·~ i.·;:~:t·;:·.:~; s.; Yt.:, :·.; ::,f:~:i·~; L cr In ;)c .. I.. C-·1-o•''::i'" !.:.· !<·.·:~ wY •. .!-.:. w..... •ll.;-!. ,1 t~:-;:;--:-:;_:,--::;-r-:_,_-:--:-.\:.>{<:'-:-'>,:7.-:~~.., ·---:;: ~-._.' •• j":".. • ,·, ::-- -::~ ....--:' ··_ • .:..""·.-:--_--::::;~-:-.'~.:_:JJ The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town CONTENTS ABSTRACT ............................................................................................. ~ ..................•.•..•....................•......• i CONVENTIONS •...•.•.........•.•••••••••.•..•....................•.....••....••••••••••.•.••..............••••••.••••••••••................••..•••••• vii INTRODUCTION ...................................................................................................................................... 1 CHAPTER ONE: SIR JULIUS AND LADY WERNHER ••.•...•.••••.....••.•..••••.•••••.•.•••.•.••.•..•.•.•.•.••• 37 CHAPTER TWO: ALFRED AND SIR OTTO BElT ................................................................. -
T O U R I S M
t o u r i s m 3 3 t o u r i s m c a m p a i g n s i n v o l v i n g 3.1 T H E S O U T H A F R I C A N t o u r i s m i n S o u t h A f r i c a: T O U R I S M I N D U S T R Y Poverty-relief funding South Africa's scenic landscapes, climate, cultural The Department of Environmental Affairs and Tourism’s diversity and reputation for delivering value for money poverty-relief projects2 promote the following: have made it one of the world's fastest growing holiday destinations. The number of foreign tourists visiting South “The development of community-owned tourism products and the Africa has more than doubled since 1994, from less than establishment of tourism infrastructure, including roads, information three million to a record 6.7 million in 2004.1 centres and tourism signage. They are categorised into product development, infrastructure development, capacity-building and raining, the establishment of small, medium and micro enterprises Tourism is one of the fastest-growing industries in the and business-development projects.” country, contributing R93.6 billion to South Africa’s gross domestic product in 20041 and receiving an increasing number of international accolades. Due to its unique Welcome Campaign historical past, South Africa generally has first-world The Welcome Campaign2 encourages all South Africans to infrastructure at third-world costs. -
Proposed Tshwane Open Space Framework
PROPOSED TSHWANE OPEN SPACE FRAMEWORK VOLUME 1 STATUS QUO NOVEMBER 2005 i TSHWANE OPEN SPACE FRAMEWORK VOLUME 1 ACKNOWLEDGEMENTS Consultants: Holm Jordaan Group Strategic Environmental Focus Internal CTMM Departments: Housing, City Planning and Environmental Management Department Service Delivery Department Legal and Secretarial Services Division Office of Chief Financial Officer Economic Development Department Provincial Departments: Gauteng Department of Agriculture Conservation and Environment i TSHWANE OPEN SPACE FRAMEWORK VOLUME 1 ABBREVIATIONS BID Business Improvement District CBO Community-Based Organisation CMOSS Cape Town Metropolitan Open Space System C-Plan Conservation Plan CTMM City of Tshwane Metropolitan Municipality DEAT Department of Environmental Affairs and Tourism DMOSS Durban Metropolitan Open Space System ECA Environmental Conservation Act, 1989 (Act 73 of 1989) EIA Environmental Impact Assessment ERP Environmental Resources Plan GIS Geographical Information System GPMC Greater Pretoria Metropolitan Municipality Ha Hectare I&AP Interested and Affected Party ICLEI International Council for Local Environmental Initiatives IDP Integrated Development Plan JMOSS Johannesburg Metropolitan Open Space System MAR Mean Annual Run-off MEC Member of Executive Committee MFMA Municipal Finance Management Act MSDF Metropolitan Spatial Development Framework NWA National Water Act, 1998 (Act 36 of 1998) NEMA National Environmental Management Act, 1998 (Act 107 of 1998) NEMPA National Environmental Management Protected Areas Act, -
Tshwane Tourism
D S P K D B S C H A N A A T U L H P O T T N ALA E M T L A E N I 6 N S A R E R WEL RK E L U K E PE W H S Y O A LINDO I L Steve Biko R R E C T O CAPITAL PARK F DEERNESS I U A E TH N BY LEY Y OR D RK X PHILIP I N KI PU A N O K V L A R Academic K N G N N L U PARK I SE T N LE B O E A A Y L R O H E F T N J G S EDDY R KILNER OSE E NEL B R A F O R TTLE E WHI E W I D A N WI B L E K S E INSO T C N R RG T A SBE A N N TA D N S L A RIETONDALE FON SOUTP O PARK A R PARK B D A WEAVIND UGO M I E E JAN H B P BOTHA N COBHAM IE R ANN O L R H E E C E A R G OTH A VA ANNIE B N Y IE R SA R S P PARK R D 22 B ND ITTS E LA M L OOD O IL NSBERG W W EILEEN T UTPA S R RIVIERA H SO SA L I T A B A R A A P DS A E T D DLAN E OO TR W W E W E E S E I QUEENSWOOD 5 U L D T C T L S 22 E M W HI H IA U T D M A R G CIA S JA E E ER R N B MAN G A E T LE CKS O OS E ON N ED O T L LL E U A Y HI Y M p I GE E R 1 U R P L P R I L i S O R R e L R A G A A T s N E B IT R USSELL N N K 23 R L L MANN E R Y B K E O O S R L U K Y E N E iv W D R U M A e OSC INS S 57 M E NK D r G JE M T R A R A E TO B P B E S R el R N W le O P A R O H O E m E b P E r W G S e F T A NNING I U O E G V E A A A O R 18 A S RI I T R N O H A M H N V O R H H A R S M T AA N D E Z SI S T BA E L R L E E BRYNTIRION DO R O RE N S I E E N U O N A T W M KILBERRY A I G U L N O E A T E R L G R S I T L L R A P H A AS T K T E W HIN E D 104 V O H E G G U P AT R T D AM H 16 E W O OS N A N O R M R O COLBYN D L I MOGU N E U CUSS T S O V O G N M IR IE C AM IA C G R O E W F O US BO ER A G S SONI Z D IT A Union O E F Y L R R A BELV A T E