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Grade 12 Visual Culture Studies Summaries
GRADE 12 VISUAL CULTURE STUDIES SUMMARIES 1 Artists discussed QUESTION 1 Emerging artists of South Gerard Sekoto, The song of the Pick Africa Gerard Sekoto, Prison Yard George Pemba, Portrait of a young Xhosa woman George Pemba, Eviction – Woman and Child QUESTION 2 South African artists Irma Stern, Pondo Woman influenced by African and/or Irma Stern, The Hunt indigenous art forms Walter Battiss, Fishermen Drawing Nets Walter Battiss, Symbols of Life QUESTION 3 Socio-political – including Jane Alexander, Butcher Boys Resistance art of the ’70s and Jane Alexander, Bom Boys ’80s Manfred Zylla, Bullets and Sweets Manfred Zylla, Death Trap QUESTION 4 Art, craft and spiritual works John Muafangejo. Judas Iscariot betrayed our Lord Jesus for R3.00 mainly from rural South Africa John Muafangejo. New archbishop Desmond Tutu Enthroned Jackson Hlungwani. Large Crucifix and star Jackson Hlungwani, Leaping Fish QUESTION 5 Multimedia and New media – William Kentridge, Johannesburg, 2nd Greatest City after Paris alternative contemporary and William Kentridge. Shadow Procession popular art forms in South Van der Merwe, Biegbak/Confessional Africa Jan van der Merwe, Waiting QUESTION 6 Post-1994 democratic identity Churchill Madikida, Struggles of the heart in South Africa Churchill Madikida,Status Hasan and Husain Essop, Thornton Road Hasan and Husain Essop, Pit Bull Training QUESTION 7 Gender issues Penelope Siopis, Patience on a monument (Choose two artists) Penelope Siopis, Shame Mary Sibande, ‘They don’t make them like they used to do’ Mary Sibande, Conversation with Madame C.J. Walker Lisa Brice, Sex Show Works Lisa Brice, Plastic makes perfect Jane Alexander, Stripped (“Oh Yes” Girl) QUESTION 8 Architecture in South Africa Not included in these summaries. -
The South African Sale London Wednesday 19 March 2014 W1S 1SR
Bonhams 101 New Bond Street the south african sale London Wednesday 19 March 2014 W1S 1SR +44 (0) 20 7447 7447 +44 (0) 20 7447 7400 fax the south african sale Ӏ New Bond Street, London Ӏ Wednesday March 19 2014 21431 International Auctioneers and Valuers – bonhams.com lot 15 Irma Stern Zanzibar Woman the South afrIcan Sale Wednesday 19 March at 2pm New Bond Street, London PhyI S cal condItIon of Vw Ie Ing enquIrIeS lotS In thIS auctIon Sunday 16 March Giles Peppiatt MRICS 11.00 to 15.00 +44 (0) 20 7468 8355 PLEASE NOTE THAT THERE IS Monday 17 March NO REFERENCE IN THIS 9.00 to 16.30 Hannah O’Leary CATALOGUE TO THE PHYSICAL Tuesday 18 March +44 (0) 20 7468 8213 CONDITION OF ANY LOT. 9.00 to 16.30 INTENDING BIDDERS MUST Wednesday 19 March Elizabeth Callinicos SATISFY THEMSELVES AS TO 9.00 to 12 noon +44 (0) 20 7468 8216 THE CONDITION OF ANY LOT AS SPECIFIED IN CLAUSE 14 PreVIew of hIghlIghtS [email protected] OF THE NOTICE TO BIDDERS 580 Madison Avenue, New York CONTAINED AT THE END OF 19 - 21 February Jonathan Horwich THIS CATALOGUE. 10.00 to 17.00 Global Director, Picture Sales +44 (0) 20 7468 8280 As a courtesy to intending Sale number [email protected] bidders, Bonhams will provide a 21431 written Indication of the physical South Africa condition of lots in this sale if a catalogue Penny Culverwell request is received up to 24 £25.00 +27 71 342 2670 hours before the auction starts. -
The George Pemba Art Museum
....... COURSE CODE ............................./>rPt,P£,.. 5 .. ."1l .. q WWI COVER SHEET STUDENT NAME ................ ....N'QAB-4N'QAB~.... ....... ......... ......V\lW\N4VVW\N4... .................. ~ .. ..... ..... STUDENT NUMBER: .. ~~~A.NQ~.. ~Q~.o.. O. 9~ L ............ .. • SUP E RVIRV ISO SO R: .".' . ::J~ 0O .. N. ~(l;:; .(.tt~:~~\~.Q:\ .... ~~ .C..~. t:~ ,,(...(. .0.0 E 1l-z.:eC1...eC e Town ap • PLAGIARISM DECLARATION 1. I know that plagiarismUniversity is wrong. Plagiarism of C is to use another's work and pretend that it is one's ownown.. 2. I have used the Harvard convention for citation and referencing. Each contribution to and quotation inin, , this essay/report/projectlp€Q.hessay/report/projectlp€Q} r ................................... .. ..... from the work(work(s) s) of other people has been attributed, and has been cited and referenced. 3 This essay/report/projectl~r ..... ... ..................." ... ...... ..... ... iiss my own work. 4. I have n IIowed"owed, and wwdli" not allow, anyone to copy my wworkork . I Date ............ ... .. ..·' 7/, 0/·10 ~ ScSchoolhool ooff AArchiteclurerchitecture & PlannPl anning UUCTCT The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town UNIVERSITY OF CAPE TOWN.TOWN • FACULTY OF EBE • SCHOOL OF ARCHITECTURE PLANNING + GEOMATICS ESSAY WRITING REQUIREMENTS This sheet is an overview of the minimum requirements for any essay or written work you submit for all courses in the School. -
BRITAIN ONCE AGAIN BETRAYED British Attack Italian FRENCH COLONIES WILL FIGHT on Outposts England Resolved to Repel Any Invader Abyssinian
Published in English, Sesuto, Xosa and Zulu • /-, . UMTETELI ALL THE IUT EDUCAliOIUL WA SPORTING BANTU AND II THE COUNTRY UNION'S NEWS. , lEADING , . ALSO / • • • • AFRICAN ,, • • WOMEN'S • N!WSPAPER. • SECTION •• ••• WIDEST - SUBSCRIPT/Oil LATION 15/..... ,_ 'OlITICALLY 1/1 por IaII ,_ • The Mouthpiece of the African People ,---4/'_,._,"_"-....- ' Authorised to publish Government Notices affecting Africans. Vol. 21 No. 1053. JOB.AI1n8BtTBO. JUNE 29, 1940 ".,I.t.,,4MI at th. G.P.O.... ~.w.p.per. Prite 3d • , , BRITAIN ONCE AGAIN BETRAYED British Attack Italian FRENCH COLONIES WILL FIGHT ON Outposts England Resolved To Repel Any Invader Abyssinian. Dont Like MUllolini E rf'~et to have to annonnce that Genual Petaio, the 82-year old -'- Fnocb Gf'Dual ~ ho had bun put at the head of the French Govern LAST Sunday Bn official Britislt Wment bas upitnlatf'd to tbe Gfrmao armies, and haa surrendered Communique iaaued a~ Cairo, half of France to Bitler. HfI bas also permilled a lub8taotial portion of dealing with Abyssinian affairs the French ten-itor) to be cfdf'd to Italy. S8.1' d : ' 'Whal now hsppens to Britaio undn this disa8ler? "Further patrol activity and The British force hae bun betrtyed 6rstly by Belgium which laid down Jightning raids into A byesinia, it. arme at the iO.l!tancc of its King who, aitf'r calling in England to help covering au extensive area, have bim to 6~ht the invader, .l!nddenly called a stop 10 tbe 6ghting and sur. been reported from Somaliland. rendered billl umy. "In the northern sector One of But the Brili~h armies were takf'n oversee, rested and givf'n fresh arms, our patrols cr08seo the frontier gODS and f'quipmenl, and were 88vf'd 10 6ght again agajnst the enemy. -
Experience 5)&7*#3"/$:0'4065)"'3*$"Μ4$6-563"-%*7&34*5: Africa
EXPERIENCE 5)&7*#3"/$:0'4065)"'3*$"µ4$6-563"-%*7&34*5: AFRICA $&-"5*/(5)& 7*#3"/$:0' GUIDE 2010 AND CULTURE ARTS 4065)"'3*$"4 $6-563"-%*7&34*5: ARTSANDCULTURE $EPARTMENT ARTSANDCULTURE !RTSAND#ULTURE $EPARTMENT 2%05",)#/&3/54(!&2)#! !RTSAND#ULTURE 5FM ARTS AND CULTURE GUIDE 2010 2%05",)#/&3/54(!&2)#! XXXEBDHPW[B Ditsong: Kruger Museum AFRICA In compiling this guide to the institutions and events that represent the incredibly broad and varied spectrum of the South African cultural scene, the Department of Arts and Culture has received the generous assistance of a number of organisations and individuals. The Department would like to thank each of these for their time, effort and valuable input, all of which were absolutely essential in making this publication as complete, accurate and appealing as possible. Angelique Kidjo (Benin) Freshlyground’s lead singer, Zolani Mahola National Department of Arts and Culture: 2010 Project Management Office Duduzile Mazibuko - Content Advisor and 2010 Project Manager Communications Department: Lisa Combrinck - Editor and Head of Communications Premi Appalraju - Content Development Corney Wright - Product Development James Mathibeng - Photography and DAC Administration Editorial services: ACKNOWLEDGEMENTS: DeskLink Media Team Design and Layout: Amadou & Mariam (Mali) Mariam & Amadou DeskLink Media Luthuli Nyathi, Sizakele Shingange Project Management: Chris Watterson Printed by: Colorpress (PTY) Ltd FOREWORD .*/*45&30'"354"/%$6-563& .4-6-69*/(8"/" At last, the FIFA 2010 World Cup™ is here. South Africa’s six long and busy years of preparation are finally coming to fruition. We have no doubt that South Africa and Africa are ready to offer the world an unforgettable occasion, creating festive hubs to which fans can flock to share their appreciation of the beautiful game and to experience African arts and culture. -
Jh Pierneef: In/Sight
1 JH PIERNEEF: IN/SIGHT A single-artist auction dedicated to a modernist master Monday, 26 July 2021, 6:00 pm Strauss & Co, Johannesburg Virtual Live Auction www.straussart.co.za Lots 1–69 PAGE 1 Church Square, Pretoria, south-east corner, date unknown. LEFT Lot 33 Swakop Rivier (detail) 2 JH PIERNEEF: IN/SIGHT Henk Pierneef is arguably the most beloved and iconic painter gentle and a little mischievous. He was a skilful and proud of the South African landscape. His deep affection for the soil, craftsman, passionate and knowledgeable about his natural his keen sense of balanced design, and his flair for the dramatic surroundings, and usually alert to international trends. He was and monumental make his pictures at once familiar and fond of willows, his pipe, and fishing alone. enthralling. While depicting vast and breath-taking vistas, lonely The selection of works here includes paintings, drawings, farmhouses, architectonic cloudbursts, and moving bushveld linocuts and an etching made through the first half of the silhouettes, Pierneef has always struck an emotional chord with twentieth century, a period of significant cultural, industrial and fellow South Africans. socio-political change in South Africa. JH PIERNEEF: IN/SIGHT is a first- By most accounts, Henk, the man, was warm, dedicated, of-its-kind, single-artist auction dedicated to a modernist master. 3 4 Gerrit and Neeske Pierneef lived in a house 1900. In September, Paul Kruger, the Boer in Pretoria’s Church Street West when their leader, who young Henk knew as a kind, first child, Jacobus Hendrik, was born in mint-gifting neighbour, fled into exile. -
Senong on Seriti
Third Text Africa, No. 12, August 2020, 86-103 Comparative readings of seritiin the art of George Pemba, Gerard Sekoto, Nhlanhla Xaba and Zwelethu Mthethwa Kolodi Senong This essay presents the argument that conceptions of seriti can be read into works produced by black South African artists such as George Pemba (1912-2001), Gerard Sekoto (1913- 1993), Nhlanhla Xaba (1960-2003) and Zwelethu Mthethwa (b.1960).1 Dignity is called seriti in Sepedi, isidima in isiXhosa and isithunzi in isiZulu. Individually, people are imbued with seriti as an aura of respectability and equality, irrespective of personal standing within the hierarchy of life and society. Sekoto and Pemba were among the first black South African modernists, whereas Xaba and Mthethwa’s careers emerged in the years when the country transitioned to democracy. I discuss aesthetic techniques in selected works by these artists as a point of interrogation into modes of representation, interpretation and the subject of seriti. Among the four artists discussed in the essay, Mthethwa is the only one who talks explicitly about exploring a sense of dignity in his images. This reading of his work has been deeply compromised following his conviction for the brutal killing of Nokuphila Kumalo, a twenty- three-year-old sex worker. My intention, then, is to not only considerseriti as an aesthetic quality, but also as an idea impacting on the reading of particular works of art. Early expressions of seriti:Sekoto in Eastwood and Pembaʼs dramatic observations Several authors claim that both Sekoto and Pemba interpret people within their surroundings in a dignified manner.2 The two artists’ subject matter includes depictions of daily life, such as people reading books, riding on a bus or interacting socially. -
Frans W. De Jong Op Die Wand Van 'N Gemesselde Bak Vir Besinking Van '
60 Robert (links) en Frans (regs) de Jong met op die agtergrond die Pretoria-Zoutpan Foto C. de Jong, Augustus 1971 Frans W. de Jong op die wand van 'n gemesselde bak vir besinking van 'n sout- of soda-oplossing, deel vormend van die sout- en sodawinningsaanleg by die Preto ria-Zoutpan Foto C. de Jong, Augustus 1971 Digitised by the University of Pretoria, Library Services, 2011 61 Robert en Frans de Jong by die bouval van 'n personeelswoning voorheen behorende aan die South African Alkali Limited vir sout- en sodawinning uit die Pretoria Zoutpan Foto C. de Jong, Augustus 1971 Bouval wat deel was van die sout en sodawinningsaanleg by die Pre toria-Zoutpan; op die agtergrond bouvalle van personeelswonings Foto C. de Jong, Augustus 1971 Digitised by the University of Pretoria, Library Services, 2011 62 HERDRUK VAN FEESUITGAWE VIR DIE OPENING VAN DIE DELAGOABAAI-SPOORWEG IN 1895 Daar het 'n herdruk verskyn van 50 eksemplare van 'n feesgeskrif wat in 1895 uitgegee is by die opening van die Oosterlyni dit is die Delagoabaaispoorweg tussen die grens van Mosambiek en Pretoria, oopgestel in Junie 1895. Die samesteller van hierdie geleentheidsuitgawe, destyds "Gedenk boek" genoem, was Leo Weinthal, hoofredakteur van die koerant "The Press - De Pers" te Pretoria. Die titel lui: "The Delagoa Bay Pretoria railway, The Press Gedenk-boek uitgegeven ter gelegenheid der feestelijke opening van den Delagoabaai-Pretoria spoorweg, Juli 1895", Pretoria 1895. In 1995 hoop die Transvalers die opening van die Oosterlyn asook van die Suidoosterlyn - dit is die spoorweg tussen Volksrust aan die grens van Natal en Germiston - 100 jaar gelede te herdenk. -
University of Cape Town (UCT) in Terms of the Non-Exclusive License Granted to UCT by the Author
The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town "The Advancement of Art" Policy and Practice at the South African National Gallery 1940-1962 Qanita Lilla LLLQANOOI A dissertation submitted in fulfillment of the requirements for the award of the degree of Master of Arts in Art History UniversityFaculty of the of Humanities Cape Town University of Cape Town 2004 This work has not been previously submitted in whole, or in part, for the award of any degree. It is my own work. Each significant contribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. Signature: 3 May 2004 Contents Abstract Acknowledgements ii List of Illustrations iii Introduction 1 Chapter One 11 The South African National Gallery: the establishment of a colonial museum 187 1- 1940 Chapter Two 26 Edward Roworth's Directorship: Art and rhetoric at the South African National Gallery 1940-1947 Chapter Three 49 Debate and Debacle at the South African National Gallery 1947 Chapter Four 77 Painting a nation: the emerging discourse of South African art in 1948 Chapter Five 101 Innovation and intervention at the South African National Gallery: John Paris' Directorship 1949-1962 Conclusion Town 121 Bibliography 125 Figures Cape 1-22 Appendices Appendix A: Letter from the South Africanof National Gallery denying access to archives Appendix B: List of works sold from the South African National Gallery, from the 1947 Stratford Report University Abstract This thesis is an enquiry into the policies and practices that shaped the South African National Gallery in the 1940s and 1950s. -
THE SOUTH AFRICAN SALE Wednesday 9 September 2015
THE SOUTH AFRICAN SALE Wednesday 9 September 2015 THE SOUTH AFRICAN SALE Wednesday 9 September 2015 at 14:00 New Bond Street, London VIEWING BIDS ENQUIRIES PHYSICAL CONDITION OF Sunday 6 September +44 (0) 20 7447 7448 Giles Peppiatt MRICS LOTS IN THIS AUCTION 11.00 to 15.00 +44 (0) 20 7447 4401 fax +44 (0) 20 7468 8355 Monday 7 September To bid via the internet please PLEASE NOTE THAT THERE IS 9.00 to 16.30 visit bonhams.com Hannah O’Leary NO REFERENCE IN THIS Tuesday 8 September +44 (0) 20 7468 8213 CATALOGUE TO THE PHYSICAL 9.00 to 16.30 TELEPHONE BIDDING CONDITION OF ANY LOT. Wednesday 9 September Bidding on telephone will only Alice Thomson INTENDING BIDDERS MUST 9.00 to 12 noon be accepted on lots with a lower +44 (0) 20 7468 8365 SATISFY THEMSELVES AS TO estimate in excess of £1,000. THE CONDITION OF ANY LOT SALE NUMBER Eliza Sawyer AS SPECIFIED IN CLAUSE 14 22364 Please note that bids should be +44 (0) 20 7468 5881 OF THE NOTICE TO BIDDERS submitted no later than 16:00 on [email protected] CONTAINED AT THE END OF the day prior to the sale. New THIS CATALOGUE. CATALOGUE bidders must also provide proof Jonathan Horwich £25.00 of identity when submitting bids. Global Director, Picture Sales As a courtesy to intending Failure to do this may result in +44 (0) 20 7468 8280 bidders, Bonhams will provide a ILLUSTRATIONS your bid not being processed. [email protected] written Indication of the physical Front cover: Lot 12 condition of lots in this sale if a Back cover: Lot 60 Live online bidding is available South Africa request is received up to 24 Inside front cover: Lot 56 for this sale Penny Culverwell hours before the auction starts. -
JEWISH FFAIRS AFFAIRS JEWISH AFFAIRS JEWISH Chanukah 2017
J EEWISHW I S H A FFFAIRSFA I R S Chanukah 2017 Price R50,00 incl. VAT Registered at the GPO as a Newspaper ISSN 0021 • 6313 Chanukah 2017 = FRONT Cover.indd 1 2017/11/26 08:28:57 AM JHB 61401/OJ Fine financial form Planning ahead can set you up for a financially secure future, especially when you have a trusted partner by your side. At Investec, we continuously explore Out of the Ordinary ways to help create and manage your wealth through Specialist Banking, Asset Management and Wealth & Investment. www.investec.com Specialist Banking Asset Management Wealth & Investment Investec Limited and its subsidiaries, including Investec Bank Limited - 1969/004763/06, registered credit providers and authorised financial service providers. Johannesburg 011 286 7000 Cape Town 021 416 1000 Durban 031 575 4000 Pretoria 012 427 8300 Port Elizabeth 041 396 6700. Chanukah 2017 = FRONT Cover.indd 2 2017/11/26 08:28:57 AM Pg 1 - 5 = Chanukah - Contents 2017.indd 1 2017/11/26 09:20:09 AM MISSION EDITORIAL BOARD In publishing JEWISH AFFAIRS, the SA EXECUTIVE EDITOR Jewish Board of Deputies aims to produce a cultural forum which caters for a wide David Saks SA Jewish Board of Deputies variety of interests in the community. The journal will be a vehicle for the publication of ACADEMIC ADVISORY BOARD articles of significant thought and opinion on Suzanne Belling Author and Journalist contemporary Jewish issues, and will aim to Dr Louise Bethlehem Hebrew University of Jerusalem encourage constructive debate, in the form of Marlene Bethlehem SA Jewish Board of Deputies reasoned and researched essays, on all matters Cedric Ginsberg University of South Africa of Jewish and general interest. -
Michael Godby
Home Truths Domestic Interiors in Michael Godby South African Collections 03 HomeDomestic Interiors in SouthTruths African Collections Front Cover: Eduard Vuillard (1868-1940), Interior with Figures under a Lamp, 1909, gouache on paper, 44.5 x 64.7cm, Johannesburg Art Gallery 409. Back Cover: George Pemba (1912-2001), Untitled (Woman Expelling a Man from a House), 1988, oil on board, 57.1 x 71.5cm, Tatham Art Gallery 1702. Catalogue published by PRIMAVERA PUBLISHING, Cape Town, 2016, to accompany the exhibition ‘Home Truths: Domestic Interiors in South African Collections’ at Iziko South African National Gallery and the Sanlam Gallery, Bellville. [email protected]. All images: Copyright the artists and collections. Text: copyright Michael Godby. Design: Carlos Marzia and Michael Godby. Production and co-ordination: Carlos Marzia. Printing and binding: ISBN 978-0-620-70624-7 HomeDomestic Interiors in SouthTruths African Collections Michael Godby 1. Lisa Brice (b1968), Make your Home your Castle, 1995, mixed media, dimensions variable, Iziko South African National Gallery 96/3. Contents Home Truths: Welcome 01 I. Interior Worlds 01 II. Behind Closed Doors 01 III. The World Outside 01 IV. Inside Out 01 Conclusion 01 Acknowledgements and Thanks 01 Select Further Reading 01 Author Biography 01 8 Unlike Landscape, Still Life and their own studios, and landscapes, to background of other pictorial subjects. Portraiture, the Domestic Interior has convert three-dimensional spaces in Madonna and Child compositions, for never been a recognized category in the same way. For the same reason, example, were frequently set in a domestic European academic artistic practice: no Domestic Interiors, as well as Still Life and interior, in part, of course, to underline exhibitions were arranged under this Landscape subjects, were the starting point the human aspect of the Holy Family.