Art Collection 2014 Introduction to the Ellerman House Art Collection
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The Restoration of Tulbagh As Cultural Signifier
BETWEEN MEMORY AND HISTORY: THE RESTORATION OF TULBAGH AS CULTURAL SIGNIFIER Town Cape of A 60-creditUniversity dissertation submitted in partial fulfilment of the Degree of Master of Philosophy in the Conservation of the Built Environment. Jayson Augustyn-Clark (CLRJAS001) University of Cape Town / June 2017 Faculty of Engineering and the Built Environment: School of Architecture, Planning and Geomatics The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town ‘A measure of civilization’ Let us always remember that our historical buildings are not only big tourist attractions… more than just tradition…these buildings are a visible, tangible history. These buildings are an important indication of our level of civilisation and a convincing proof for a judgmental critical world - that for more than 300 years a structured and proper Western civilisation has flourished and exist here at the southern point of Africa. The visible tracks of our cultural heritage are our historic buildings…they are undoubtedly the deeds to the land we love and which God in his mercy gave to us. 1 2 Fig.1. Front cover – The reconstructed splendour of Church Street boasts seven gabled houses in a row along its western side. The author’s house (House 24, Tulbagh Country Guest House) is behind the tree (photo by Norman Collins). -
And YOU Will Be Paying for It Keeping the Lights On
AFRICA’S BEST READ October 11 to 17 2019 Vol 35 No 41 mg.co.za @mailandguardian Ernest How rugby After 35 Mancoba’s just can’t years, Africa genius give has a new acknowledged racism tallest at last the boot building Pages 40 to 42 Sport Pages 18 & 19 Keeping the lights on Eskom burns billions for coal And YOU will be paying for it Page 3 Photo: Paul Botes Zille, Trollip lead as MIGRATION DA continues to O Visa row in Vietnam Page 11 OSA system is ‘xenophobic’ Page 15 tear itself apart OAchille Mbembe: No African is a foreigner Pages 4 & 5 in Africa – except in SA Pages 28 & 29 2 Mail & Guardian October 11 to 17 2019 IN BRIEF ppmm Turkey attacks 409.95As of August this is the level of carbon Kurds after Trump Yvonne Chaka Chaka reneges on deal NUMBERS OF THE WEEK dioxide in the atmosphere. A safe number Days after the The number of years Yvonne Chaka is 350 while 450 is catastrophic United States Chaka has been married to her Data source: NASA withdrew troops husband Dr Mandlalele Mhinga. from the Syria The legendary singer celebrated the border, Turkey Coal is king – of started a ground and couple's wedding anniversary this aerial assault on Kurdish week, posting about it on Instagram corruption positions. Civilians were forced to fl ee the onslaught. President Donald Trump’s unex- Nigeria's30 draft budget plan At least one person dies every single day so pected decision to abandon the United States’s that we can have electricity in South Africa. -
Grade 12 Visual Culture Studies Summaries
GRADE 12 VISUAL CULTURE STUDIES SUMMARIES 1 Artists discussed QUESTION 1 Emerging artists of South Gerard Sekoto, The song of the Pick Africa Gerard Sekoto, Prison Yard George Pemba, Portrait of a young Xhosa woman George Pemba, Eviction – Woman and Child QUESTION 2 South African artists Irma Stern, Pondo Woman influenced by African and/or Irma Stern, The Hunt indigenous art forms Walter Battiss, Fishermen Drawing Nets Walter Battiss, Symbols of Life QUESTION 3 Socio-political – including Jane Alexander, Butcher Boys Resistance art of the ’70s and Jane Alexander, Bom Boys ’80s Manfred Zylla, Bullets and Sweets Manfred Zylla, Death Trap QUESTION 4 Art, craft and spiritual works John Muafangejo. Judas Iscariot betrayed our Lord Jesus for R3.00 mainly from rural South Africa John Muafangejo. New archbishop Desmond Tutu Enthroned Jackson Hlungwani. Large Crucifix and star Jackson Hlungwani, Leaping Fish QUESTION 5 Multimedia and New media – William Kentridge, Johannesburg, 2nd Greatest City after Paris alternative contemporary and William Kentridge. Shadow Procession popular art forms in South Van der Merwe, Biegbak/Confessional Africa Jan van der Merwe, Waiting QUESTION 6 Post-1994 democratic identity Churchill Madikida, Struggles of the heart in South Africa Churchill Madikida,Status Hasan and Husain Essop, Thornton Road Hasan and Husain Essop, Pit Bull Training QUESTION 7 Gender issues Penelope Siopis, Patience on a monument (Choose two artists) Penelope Siopis, Shame Mary Sibande, ‘They don’t make them like they used to do’ Mary Sibande, Conversation with Madame C.J. Walker Lisa Brice, Sex Show Works Lisa Brice, Plastic makes perfect Jane Alexander, Stripped (“Oh Yes” Girl) QUESTION 8 Architecture in South Africa Not included in these summaries. -
The South African Sale London Wednesday 19 March 2014 W1S 1SR
Bonhams 101 New Bond Street the south african sale London Wednesday 19 March 2014 W1S 1SR +44 (0) 20 7447 7447 +44 (0) 20 7447 7400 fax the south african sale Ӏ New Bond Street, London Ӏ Wednesday March 19 2014 21431 International Auctioneers and Valuers – bonhams.com lot 15 Irma Stern Zanzibar Woman the South afrIcan Sale Wednesday 19 March at 2pm New Bond Street, London PhyI S cal condItIon of Vw Ie Ing enquIrIeS lotS In thIS auctIon Sunday 16 March Giles Peppiatt MRICS 11.00 to 15.00 +44 (0) 20 7468 8355 PLEASE NOTE THAT THERE IS Monday 17 March NO REFERENCE IN THIS 9.00 to 16.30 Hannah O’Leary CATALOGUE TO THE PHYSICAL Tuesday 18 March +44 (0) 20 7468 8213 CONDITION OF ANY LOT. 9.00 to 16.30 INTENDING BIDDERS MUST Wednesday 19 March Elizabeth Callinicos SATISFY THEMSELVES AS TO 9.00 to 12 noon +44 (0) 20 7468 8216 THE CONDITION OF ANY LOT AS SPECIFIED IN CLAUSE 14 PreVIew of hIghlIghtS [email protected] OF THE NOTICE TO BIDDERS 580 Madison Avenue, New York CONTAINED AT THE END OF 19 - 21 February Jonathan Horwich THIS CATALOGUE. 10.00 to 17.00 Global Director, Picture Sales +44 (0) 20 7468 8280 As a courtesy to intending Sale number [email protected] bidders, Bonhams will provide a 21431 written Indication of the physical South Africa condition of lots in this sale if a catalogue Penny Culverwell request is received up to 24 £25.00 +27 71 342 2670 hours before the auction starts. -
The George Pemba Art Museum
....... COURSE CODE ............................./>rPt,P£,.. 5 .. ."1l .. q WWI COVER SHEET STUDENT NAME ................ ....N'QAB-4N'QAB~.... ....... ......... ......V\lW\N4VVW\N4... .................. ~ .. ..... ..... STUDENT NUMBER: .. ~~~A.NQ~.. ~Q~.o.. O. 9~ L ............ .. • SUP E RVIRV ISO SO R: .".' . ::J~ 0O .. N. ~(l;:; .(.tt~:~~\~.Q:\ .... ~~ .C..~. t:~ ,,(...(. .0.0 E 1l-z.:eC1...eC e Town ap • PLAGIARISM DECLARATION 1. I know that plagiarismUniversity is wrong. Plagiarism of C is to use another's work and pretend that it is one's ownown.. 2. I have used the Harvard convention for citation and referencing. Each contribution to and quotation inin, , this essay/report/projectlp€Q.hessay/report/projectlp€Q} r ................................... .. ..... from the work(work(s) s) of other people has been attributed, and has been cited and referenced. 3 This essay/report/projectl~r ..... ... ..................." ... ...... ..... ... iiss my own work. 4. I have n IIowed"owed, and wwdli" not allow, anyone to copy my wworkork . I Date ............ ... .. ..·' 7/, 0/·10 ~ ScSchoolhool ooff AArchiteclurerchitecture & PlannPl anning UUCTCT The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town UNIVERSITY OF CAPE TOWN.TOWN • FACULTY OF EBE • SCHOOL OF ARCHITECTURE PLANNING + GEOMATICS ESSAY WRITING REQUIREMENTS This sheet is an overview of the minimum requirements for any essay or written work you submit for all courses in the School. -
Anc Today Voice of the African National Congress
ANC TODAY VOICE OF THE AFRICAN NATIONAL CONGRESS 14 – 20 May 2021 Conversations with the President South Africa waging a struggle that puts global solidarity to the test n By President Cyril Ramaphosa WENTY years ago, South In response, representatives of massive opposition by govern- Africa was the site of vic- the pharmaceutical industry sued ment and civil society. tory in a lawsuit that pitted our government, arguing that such public good against private a move violated the Trade-Relat- As a country, we stood on princi- Tprofit. ed Aspects of Intellectual Property ple, arguing that access to life-sav- Rights (TRIPS). This is a compre- ing medication was fundamental- At the time, we were in the grip hensive multilateral agreement on ly a matter of human rights. The of the HIV/Aids pandemic, and intellectual property. case affirmed the power of trans- sought to enforce a law allowing national social solidarity. Sev- us to import and manufacture The case, dubbed ‘Big Pharma eral developing countries soon affordable generic antiretroviral vs Mandela’, drew widespread followed our lead. This included medication to treat people with international attention. The law- implementing an interpretation of HIV and save lives. suit was dropped in 2001 after the World Trade Organization’s Closing remarks by We are embracing Dear Mr President ANC President to the the future! Beware of the 12 NEC meeting wedge-driver: 4 10 Unite for Duma Nokwe 2 ANC Today CONVERSATIONS WITH THE PRESIDENT (WTO) Agreement on Trade-Re- ernment announced its support should be viewed as a global pub- lated Aspects of Intellectual Prop- for the proposal, which will give lic good. -
BRITAIN ONCE AGAIN BETRAYED British Attack Italian FRENCH COLONIES WILL FIGHT on Outposts England Resolved to Repel Any Invader Abyssinian
Published in English, Sesuto, Xosa and Zulu • /-, . UMTETELI ALL THE IUT EDUCAliOIUL WA SPORTING BANTU AND II THE COUNTRY UNION'S NEWS. , lEADING , . ALSO / • • • • AFRICAN ,, • • WOMEN'S • N!WSPAPER. • SECTION •• ••• WIDEST - SUBSCRIPT/Oil LATION 15/..... ,_ 'OlITICALLY 1/1 por IaII ,_ • The Mouthpiece of the African People ,---4/'_,._,"_"-....- ' Authorised to publish Government Notices affecting Africans. Vol. 21 No. 1053. JOB.AI1n8BtTBO. JUNE 29, 1940 ".,I.t.,,4MI at th. G.P.O.... ~.w.p.per. Prite 3d • , , BRITAIN ONCE AGAIN BETRAYED British Attack Italian FRENCH COLONIES WILL FIGHT ON Outposts England Resolved To Repel Any Invader Abyssinian. Dont Like MUllolini E rf'~et to have to annonnce that Genual Petaio, the 82-year old -'- Fnocb Gf'Dual ~ ho had bun put at the head of the French Govern LAST Sunday Bn official Britislt Wment bas upitnlatf'd to tbe Gfrmao armies, and haa surrendered Communique iaaued a~ Cairo, half of France to Bitler. HfI bas also permilled a lub8taotial portion of dealing with Abyssinian affairs the French ten-itor) to be cfdf'd to Italy. S8.1' d : ' 'Whal now hsppens to Britaio undn this disa8ler? "Further patrol activity and The British force hae bun betrtyed 6rstly by Belgium which laid down Jightning raids into A byesinia, it. arme at the iO.l!tancc of its King who, aitf'r calling in England to help covering au extensive area, have bim to 6~ht the invader, .l!nddenly called a stop 10 tbe 6ghting and sur. been reported from Somaliland. rendered billl umy. "In the northern sector One of But the Brili~h armies were takf'n oversee, rested and givf'n fresh arms, our patrols cr08seo the frontier gODS and f'quipmenl, and were 88vf'd 10 6ght again agajnst the enemy. -
SISONKE News Cross Continental Exchange South Africa - Europe Jewellery * Fashion * Arts * Film * Dance * Poetry Edition 01 / 2006, Nov 06 Kulturaxe
SISONKE news cross continental exchange South Africa - Europe jewellery * fashion * arts * film * dance * poetry edition 01 / 2006, nov 06 KulturAXE Fashion Show, Design by Estelle Cloete, Dept of Fashion Design and Technology, Faculty of Arts, Tshwane University of Technology, Pretoria SISONKE Newsletter KulturAXE, 1/07 editorial SISONKE means ‚togetherness’ in Zulu language. SISONKE stands for creative exchange, synergy and dialogue between South Africa and sisonke music & poetry Europe, the promotion of social equity and artistic freedom. At the heart of this project is Imfundiso, WE ARE ONE a training initiative in South Africa that focuses on the cultivation of young talent from historically disadvantaged communities in THE FABRIC OF THAT IS HUMAN high quality jewellery design. Imfundiso was honoured by former IS US President Nelson Mandela for its action to alleviate poverty OUR CREATIVE ENERGY MOVES and was celebrated at the 2006 Oscar Gala where “Tsotsi” actress WITH THE FORCE OF THE OCEAN Terry Pheto received her Oscar wearing a gold necklace designed IN MOTION and produced at the Imfundiso Soweto Jewellery School. WE ARE ALL INVOLVED SISONKE was developed by KulturAXE, Vienna and Imfundiso Skills Development, South Africa and will be realized WE ARE THE CELEBRANTS HERE together with its cooperation partners, the New Design University WE ARE ONE - WE ARE TOGETHER (NDU), St. Pölten, the South African Embassy in Vienna and its SISONKE - REMMOGO institutional partners in South Africa and Europe. Keorapetse William Kgositsile The CROSS CONTINENTAL DESIGN CATWALK (CCDC) will be a high level Jewellery and Fashion Design perfor- SISONKE music production has started ! The words mance incorporating music, dance, visuals, film and poetry. -
Art at La Residence Contents
ART AT LA RESIDENCE CONTENTS CONTENTS 1 LEON MORROCCO 24 INTRODUCTION 2 FRANCOIS MOUTON 25 - 27 HENNIE NIEMANN JNR 28 PAINTINGS 3 HENNIE NIEMANN SNR 29 MICHAEL AUSTIN 4 MARC POISSON 30 BEEZY BAILEY 5 GEORGE ROWLETT 31 KENNETH BAKER 6 CARYN SCRIMGEOUR 32 CLAIRE BERLEIN 7 WILLIAM SLEBY 33 GEORGE DEVLIN 8 RICHARD SMITH 34 NORMAN EDGAR 9 DEZIREE SWANEPOEL 35 RICKY DYALOYI 10 SHANY VAN DEN BERG 36 PHILIP ERSKINE 11 - 13 JUDY WOODBORNE 37 - 38 SASHA HARTSLIEF 14 - 16 SARA-J 39 - 40 KEN HOWARD 17 CLAUDE JAMMET 18 SCULPTURE 41 CHARLES KAMANGWANA 19 GUY DU TOIT 42 NORMAN KIRKHAM 20 DYLAN LEWIS 43 AYANDA MABULU 21 KEVIN ROBERTS 44 SIBLEY MCADAM 22 NEIL RODGER 45 DENBY MEYER 23 FLORIAN WOZNIAK 46 1 F ounding owners of The Royal Portfolio, Liz and Phil Biden, have always had a passionate relationship with art. This appreciation is shown in the beautiful collection of art and interior ornaments across The Royal Portfolio properties. Art is deeply ingrained into each property’s character, reflecting Liz and Phil Biden’s keen and adventurous eye for the beautiful. Drawing inspiration from her travels around the world, Liz has acquired a unique and varied collection of art and interior artifacts. Local artists are often commissioned, giving up-and-coming African artists exposure to the international guests staying at each property. The Silo Hotel, the latest addition to The Royal Portfolio, is one of the first hotels in the world to be situated directly above a prestigious art museum, Zeitz MOCAA. Liz Biden explains: “I have always included wonderful art at each of The Royal Portfolio properties. -
SA Art Times May 2009
THE SOUTH AFRICAN Issue : May 2009 Full free edition available at www.arttimes.co.za 1 Years subscription R 180 E-mail subs@arttimes for details TIMES ART Cecil Skotnes in his studio 1967 Photo: courtesy Pippa Skotnes Cecil Skotnes 1926 – 2009 As a tribute to this great man The Art Times has commissioned an artist’s profile on Cecil Skotnes. Also see Hayden Proud’s Obituary in SA Business Art . Art life renews itself through recession ‘What we’re going through is not unique,’ says Siebrits. ‘Sadly, no one is immune.’ Lim-Fat and Roger Signer of global wealth and putting their demand for morphosed from a hazy projection ‘phenomenally successful Art Fair’, This is no flash-in-the-pan, financial services company Credit art on ice. into an uncomfortable reality. the gallery’s doors will only be open fly-by-night gallery, but one of Alex Dodd Suisse. ‘Nowadays, deals are Still, all this nasty weather seemed until the end of May. Johannesburg’s most exacting taking longer to close. Buyers are quite distant and academic to us I tiptoed into January with a and scholarly minded contem- more prudent and taking more time down here in the sun-drenched dreaded sense is that our land- porary art institutions. Warren to get to know the paintings before South – until sales figures from the scape was going to be morphing Siebrits has been responsible for We started out the year on tenter- reaching a final decision.’ recent Joburg Art Fair came home quite irrevocably over the next few reviving the reputations of many hooks, not knowing how the global to roost. -
Objecting to Apartheid
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by South East Academic Libraries System (SEALS) OBJECTING TO APARTHEID: THE HISTORY OF THE END CONSCRIPTION CAMPAIGN By DAVID JONES Submitted in fulfilment of the requirements for the degree of MASTER OF ARTS In the subject HISTORY At the UNIVERSITY OF FORT HARE SUPERVISOR: PROFESSOR GARY MINKLEY JANUARY 2013 I, David Jones, student number 200603420, hereby declare that I am fully aware of the University of Fort Hare’s policy on plagiarism and I have taken every precaution to comply with the regulations. Signature…………………………………………………………… Abstract This dissertation explores the history of the End Conscription Campaign (ECC) and evaluates its contribution to the struggle against apartheid. The ECC mobilised white opposition to apartheid by focussing on the role of the military in perpetuating white rule. By identifying conscription as the price paid by white South Africans for their continued political dominance, the ECC discovered a point of resistance within apartheid discourse around which white opposition could converge. The ECC challenged the discursive constructs of apartheid on many levels, going beyond mere criticism to the active modeling of alternatives. It played an important role in countering the intense propaganda to which all white South Africans were subject to ensure their loyalty, and in revealing the true nature of the conflict in the country. It articulated the dis-ease experienced by many who were alienated by the dominant culture of conformity, sexism, racism and homophobia. By educating, challenging and empowering white citizens to question the role of the military and, increasingly, to resist conscription it weakened the apartheid state thus adding an important component to the many pressures brought to bear on it which, in their combination, resulted in its demise. -
Africa 2010 X Brasil 2014
OS ONZE FUTEBOL E ARTE – AFRICA 2010 X BRASIL 2014 THE ELEVEN FOOTBALL AND ART - AFRICA 2010 X BRAZIL 2014 “O que conta mesmo é a bola e o moleque, o moleque e a bola, e por bola pode-se entender um coco, uma laranja ou um ovo, pois já vi fazerem embaixada com ovo. Se a bola de futebol pode ser considerada a sublimação do coco, ou a reabilitação do ovo, o campo oficial às vezes não passa de um retângulo chato. Por isso mesmo, nas horas de folga, nossos profissionais correm atrás dos rachas e do futevôlei, como Garrincha largava as chuteiras no Maracanã para bater bola em Pau Grande. É a bola e o moleque, o moleque e a bola.” Chico Buarque de Holanda Pele Photo: Ricardo Apparicio Realização | Productor Patrocínio | Sponsor Associação para o Progresso e Desenvolvimento da Arte e da Cultura Apoio | Supporter Ministério da Cultura Produção na Africa do Sul | Production in South Africa ANTONIO HÉLIO CABRAL ANTONIO PETICOV CLÁUDIO TOZZI 11 GREGÓRIO GRUBER IVALD GRANATO OS ONZE FUTEBOL E ARTE AFRICA 2010 X BRASIL 2014 JOSÉ ROBERTO AGUILAR JOSÉ ZARAGOZA De 01 de junho a 31 de julho de 2010, das 9h às 16h30 LUIZ ÁQUILA Espaço Cultural Commerzbank LUIZ BARAVELLI 5 Keyes Avenue 2196 - Rosebank + RUBENS GERCHMAN Johannesburg – South Africa TOMOSHIGE KUSUNO ZÉLIO ALVES PINTO E QUE GOOOOOOOOL, TORCIDA BRASILEIRA! Nossos grandes artistas são craques de bola, ou os nossos craques de bola são grandes artistas? Isto cá sendo o Brasil, as duas alter- bola que joga bem até de olhos fechados, ele que retrata como ninguém as cenas e personagens do jogo.