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The Armory Show September 9–12, 2021 Jacob K
the armory show september 9–12, 2021 jacob k. javits convention center new york, usa On the occasion of The Armory Show 2021, Nara Roesler is pleased to present a selection of recent works by South American artists, with punctuations by European artists, creating a dialogue between different regional and generational practices. The presentation foregrounds the artists’ echoing yet diverging approaches to understanding the limits of abstraction, figuration, and dimensionality, offering a formal and procedural conversation between works, that aims to explore how artists have consistently grappled to come to terms with certain pillars of artistic processes and cannons. armory online Elian Almeida Maria Auxiliadora da Silva (Vogue Brasil), 2021 [detail] rodolpho parigi ‘My work grows from a conflict between reality and fiction. From drawings to paintings and performance works, I have explored the possibilities of a self-imagined sci-fi world inhabited by hybrid or androgynous figures of strange beauty and shapes that come to the surface like living bodies that could breath or move. I make drawings and paintings as a way to transfigure ideas of body and gender while exploring the boundaries between material and artificial.’ —Rodolpho Parigi Rodolpho Parigi Black Phtalo Magenta Suit, 2020 oil paint on linen unique 100,5 x 70,3 x 3 cm 39.6 x 27.7 x 1.2 in rodolpho parigi selected solo exhibitions b. 1977, São Paulo, Brazil • Fancy Performance, Pinacoteca do Estado de São Paulo, São Paulo, lives and works in São Paulo, Brazil Brazil (2017) • Levitação, Galeria Nara Roesler, São Paulo, Brazil (2015) • solo presentation, Casa Modernista, São Paulo, Brazil (2013) Rodolpho Parigi is part of a new generation of Brazilian artists who emerged in • AtraQue, Galeria Nara Roesler, São Paulo, Brazil (2011) the early 2000s. -
SISONKE News Cross Continental Exchange South Africa - Europe Jewellery * Fashion * Arts * Film * Dance * Poetry Edition 01 / 2006, Nov 06 Kulturaxe
SISONKE news cross continental exchange South Africa - Europe jewellery * fashion * arts * film * dance * poetry edition 01 / 2006, nov 06 KulturAXE Fashion Show, Design by Estelle Cloete, Dept of Fashion Design and Technology, Faculty of Arts, Tshwane University of Technology, Pretoria SISONKE Newsletter KulturAXE, 1/07 editorial SISONKE means ‚togetherness’ in Zulu language. SISONKE stands for creative exchange, synergy and dialogue between South Africa and sisonke music & poetry Europe, the promotion of social equity and artistic freedom. At the heart of this project is Imfundiso, WE ARE ONE a training initiative in South Africa that focuses on the cultivation of young talent from historically disadvantaged communities in THE FABRIC OF THAT IS HUMAN high quality jewellery design. Imfundiso was honoured by former IS US President Nelson Mandela for its action to alleviate poverty OUR CREATIVE ENERGY MOVES and was celebrated at the 2006 Oscar Gala where “Tsotsi” actress WITH THE FORCE OF THE OCEAN Terry Pheto received her Oscar wearing a gold necklace designed IN MOTION and produced at the Imfundiso Soweto Jewellery School. WE ARE ALL INVOLVED SISONKE was developed by KulturAXE, Vienna and Imfundiso Skills Development, South Africa and will be realized WE ARE THE CELEBRANTS HERE together with its cooperation partners, the New Design University WE ARE ONE - WE ARE TOGETHER (NDU), St. Pölten, the South African Embassy in Vienna and its SISONKE - REMMOGO institutional partners in South Africa and Europe. Keorapetse William Kgositsile The CROSS CONTINENTAL DESIGN CATWALK (CCDC) will be a high level Jewellery and Fashion Design perfor- SISONKE music production has started ! The words mance incorporating music, dance, visuals, film and poetry. -
Sutherland Philatelics BRAZIL
SUTHERLAND PHILATELICS, PO BOX 448, FERNY HILLS D C, QLD 4055, AUSTRALIA Page 1 SG Michel Year AirGum Particulars MUH Mint MNG FU Used Sutherland Philatelics PO Box 448 Ferny Hills D C, Qld 4055 Australia ABN: 69 768 764 240 website: sutherlandphilatelics.com.au e-mail: [email protected] phone: international: 61 7 3851 2398; Australia: 07 3851 2398 BRAZIL To find an item in this list, please use Adobe's powerful search function. Stamps without gum A large number of Brazilian stamps & M/S between SG1210 & SG1425 were issued without gum [ng]. These stamps, in the condition in which they were issued, are listed as MUH. Where they have been hinged, they are listed as Mint. Where they have been obviously washed, they are listed as MNG. The MNG category is almost exclusively for stamps which were issued with gum but which has been washed off. The paper used for most of these stamps is glossy on the front and back often giving the illusion that they are gummed when, in fact, they are not. All other stamps & M/S are issued with gum, unless otherwise stated. ( indicates an airmail issue ( indicates some of the set are airmail issues imperforate g issued with gum ng issued without gum o ordinary paper (dead or whitish under UV) p phosphorised paper (yellow green under UV) Prices subject to change without notice. Please note that GST (currently 10%) is applicable from 1 July 2000. International sales are GST free. The prices in this list INCLUDE GST All prices are in Australian dollars. -
A JOURNAL of LIBERAL and RADICAL OPINION Vol
«~*~»^, %!.:•,'./* WMI^MSffm Kiiil :maimm V::^W' ...\'.^' • ^WV-W^:& a z A JOURNAL OF LIBERAL AND RADICAL OPINION Vol. 21 No. 6 ISSN 0034 0979 November 1989 in this issue... EDITORIALS BEGINNING OF THE END OF THE BANTUSTANS 2 DE KLERK'S FIRST DAYS 3 UNDER THE RED FLAG 3 BILL AINSLIE - A Tribute 4 THE BATTLE FOR TUYNHUYS AND ALL THAT by Ralph Lawrence 6 THE METEORITE AT THE END OF THE LENSby Dorian Haarhoff 9 POPULARISING THE PAST: A review of Edgar's Because they chose the plan of God and Witz's Write your own History by Ruth Edgecombe 12 THE CURRENT MACRO ECONOMIC CRISIS by Gordon Smith 15 CAN THE TRUE EXODUS STOP AT DAMASCUS: A review of The Road to Damascus by Martin Prozesky COVER PICTURES: Aron Maze!. Articles printed in Reality do not necessarily reflect the opinion of the Editorial Board EDITORIALS 1. Beginning of the end of the Bantustans? It is not often that a military coup brings much good to even discover what threats and what bribes those were those upon whom it is inflicted, but it begins to look as if that first brought the Matanzimas to power. For it could the Transkei might be different. Since General Holomisa hardly be coincidence that, at the Transkei Legislative took over that sad state he has had most of his time taken Assembly's first session, after Sabata's anti-indepen up with exposing and rooting out the corruption of the dence Democratic Party had swept the board in all but two Matanzima's. -
New Resume Ate Fim De 9, Completo
I. Personal Data CAIO PAGANO BIRTH DATE: 5/14/1940 CITIZENSHIP: American/ Italian/Brazilian II. FORMAL SCHOOLING AND TRAINING A/ K-12 Dante Alighieri School in São Paulo, Brazil concluded 1957. B/ Higher Education 1- Masters in Law, College of Law, University of São Paulo 1965. 2- Doctorate in Music, Catholic University of America, Washington D.C., U.S.A., 1984. C/ Music Education Magda Tagliaferro School of Piano, with teacher Lina Pires de Campos, São Paulo, Brazil, 1948-1958. Private teaching: Magda Tagliaferro, São Paulo 1948-1958. Mozarteum Academy Buenos Aires, Argentina, teacher Moises Makaroff May-August, 1961. École Magda Tagliaferro: Magda Tagliaferro, 1958, Paris, France. Mozarteum Academy, Salzburg, Austria, teacher Magda Tagliaferro, 1958. Professor Sequeira Costa, Lisbon, Portugal, August- December, 1964. !Professor Helena Costa Oporto, Portugal, January- !September, 1965. 1 Summer Camp Cascais, Portugal, teachers Karl Engel and Sandor Vegh, 1965-1966. Hochschule für Musik Hannover, Germany, teacher Karl Engel, 1966-1968. !Hochschule für Musik Hamburg, Germany, teacher Conrad !Hansen, 1968-1970 Harpsichord Studies, Pro-Arte, São Paulo, Brazil, teacher Stanislav Heller, 1964. Theory & Harmony, teachers O. Lacerda and Caldeira Filho, São Paulo, Brazil, 1952-1957. Form and Analysis, São Paulo, Brazil, teacher Camargo Guarnieri 1958. 2 1. Full-Time Professorships .1 Piano Professor in Music seminars at Pro-Arte; São Paulo, Brazil, 1963. .2 Piano Professor at the University of São Paulo, Brazil Department of Music, 1970-1984. .3 Visiting Professor at Texas Christian University, Fort Worth, TX, U.S.A., 1984-1986. Second term 1989/1990. .4 Professor at Arizona State University, Tempe AZ, U.S.A., 1986-present; since 1999, Regents’ Professor; in 2010 !selected Professor of the Year .5 Artistic Director at Centre for Studies of the Arts, Belgais, Portugal, 2001-2002. -
Objecting to Apartheid
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by South East Academic Libraries System (SEALS) OBJECTING TO APARTHEID: THE HISTORY OF THE END CONSCRIPTION CAMPAIGN By DAVID JONES Submitted in fulfilment of the requirements for the degree of MASTER OF ARTS In the subject HISTORY At the UNIVERSITY OF FORT HARE SUPERVISOR: PROFESSOR GARY MINKLEY JANUARY 2013 I, David Jones, student number 200603420, hereby declare that I am fully aware of the University of Fort Hare’s policy on plagiarism and I have taken every precaution to comply with the regulations. Signature…………………………………………………………… Abstract This dissertation explores the history of the End Conscription Campaign (ECC) and evaluates its contribution to the struggle against apartheid. The ECC mobilised white opposition to apartheid by focussing on the role of the military in perpetuating white rule. By identifying conscription as the price paid by white South Africans for their continued political dominance, the ECC discovered a point of resistance within apartheid discourse around which white opposition could converge. The ECC challenged the discursive constructs of apartheid on many levels, going beyond mere criticism to the active modeling of alternatives. It played an important role in countering the intense propaganda to which all white South Africans were subject to ensure their loyalty, and in revealing the true nature of the conflict in the country. It articulated the dis-ease experienced by many who were alienated by the dominant culture of conformity, sexism, racism and homophobia. By educating, challenging and empowering white citizens to question the role of the military and, increasingly, to resist conscription it weakened the apartheid state thus adding an important component to the many pressures brought to bear on it which, in their combination, resulted in its demise. -
Brazilian Education and Culture : Historic Development. Mathilde B
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1993 Brazilian education and culture : historic development. Mathilde B. Jorge University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Jorge, Mathilde B., "Brazilian education and culture : historic development." (1993). Doctoral Dissertations 1896 - February 2014. 4992. https://scholarworks.umass.edu/dissertations_1/4992 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. BRAZILIAN EDUCATION AND CULTURE: HISTORIC DEVELOPMENT A Dissertation Presented by MATHILDE B. JORGE Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of DOCTOR OF EDUCATION February 1993 School of Education © Copyright by Mathilde B. Jorge 1993 All Rights Reserved BRAZILIAN EDUCATION AND CULTURE: HISTORIC DEVELOPMENT A Dissertation Presented by MATHILDE B. JORGE Approved as to style and content by /Jose N. Ornelas, Member To My parents, Benedicto and Maria Lourdes da Silva, who I have admired and loved and who have been a source of inspiration; My children, Marina and Fernando Barbosa Jorge, whose unconditional love, support, and encouragement have contributed to my being able to complete this work; My husband, Fernando A. A. Jorge, who has provided limitless patience, love, support, and devotion throughout the pursuit of my educational endeavors; My dearest friend, Helen Trotman, who helped me step-by-step in my educational career, who would not allow me to give up this effort, and who provided constant support and advice (always with a smile); My sister-in-law, Marina Serra B. -
12. JE Spence
REVIEW ARTICLE A Review of Opening Men’s Eyes by Michael Cardo JE Spence OBE Peter Brown: A Personal was educated at the University of the Memoir Witwatersrand and Let me declare an interest: Peter Brown was a friend and mentor to me the London School of Economics. He is over a forty year period and I owe him much. His benign influence on a Visiting Professor in me (and I know I speak for many others) was such that whenever I had the Department of War a difficult professional or personal decision to make I would ask myself, Studies, King’s College, “What would Brown have done?” His moral authority was absolute London. He taught at the – blended with courage and a consuming belief in liberal principle. University of Leicester where he was Pro-Vice- Thus, “the quiet influence … that he had exerted over a large number of 1 Chancellor (1981-85). He people”. was Director of Studies at the Royal Institute The Maritzburg Scene of International Affairs Those of us who lived in Pietermaritzburg at the end of the 1950s and early (1991-97); Academic 1960s had the inestimable advantage of working closely with Peter in his role as Advisor to the Royal chairman of the Liberal Party. There was a happy blend of young and old in the College of Defence party’s membership, reinforced by an exciting intellectual atmosphere at the local Studies, London (1997- centre of the University of Natal. Those of us who were fortunate to be colleagues 2008); and is currently or students sat at the feet of some of the country’s most distinguished academics: Senior Visiting Fellow, Edgar Brookes, Arthur Keppel Jones (both liberals to their fingertips); Mark Defence Academy of the Prestwich (a wise Burkean conservative and a witty and penetrating leader writer United Kingdom. -
Visual Century
Volume four: 1990–2007 Edited by Thembinkosi Goniwe, Mario Pissarra and Mandisi Majavu VISUAL CENTURY South African Art in Context The end of the Cold War and subsequent rise of globalisation, along with the advent of democracy in South Africa, introduced new social and political orders, with profound implicatio ns for South African artists. This was a time when the persistence of economic inequalities and con icts within and beyond national borders constantly militated against an unbridled celebration of ‘freedom’. This volume critically addresses some of the most notable developments and visible trends in post-apartheid South African art. These include South Africa’s entry into the internationa l art world, its struggle to address its past, and artists’ persistent and often provocative preoccupations with individual and collective identity. The widespread and often unsettling representation of the human body, as well as animal forms, along with the steady increase of new technologies and the development of new forms of public art, are also discussed. While much of the art of the period is open-ended and non-didactic, the persistence of engagement with socially responsive themes questions the reductive binary between resistan ce and post-apartheid art that has come to dominate accounts of artistic production before and after South Africa’s democratic election. Thembinkosi Goniwe Mario Pissarra volume four Mandisi Majavu 1990 - 2007 editors VISUAL CENTURY South African Art in Context Volume 4 1990–2007 Edited by Thembinkosi Goniwe, Mario -
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ACASA Newsletter 113, Fall 2019 Welcome to ACASA
Volume 113 | Fall 2019 ACASA Newsletter 113, Fall 2019 Welcome to ACASA President's Welcome Dear ACASA Members, We are moving into the final months of 2019 and our triennial organizing and programming committees are busy planning and preparing for the many guests who will join us in Chicago next June. Now is the time to visit our ACASA website to register for the conference, book your hotel, submit an award’s application, and send your ideas for papers and panels. Deadlines for all are fast approaching so don’t delay. In addition to our book, dissertation, curatorial, and leadership awards, we will be recognizing outstanding teaching with our new Award for Teaching Excellence. If you haven’t already, please help support our triennial fund and travel endowment. ACASA relies on your donations and membership to create unforgettable conferences. You can reach out to me or Silvia Forni, past ACASA president and our fundraising committee chair. Wishing you a bountiful October. Peri Klemm, President ACASA website From the Editor Dear ACASA members, As usual, the fall issue of our newsletter turns out more voluminous than in the rest of the year - you will find many exciting award, fellowship and job opportunities as well as news from the African art and art scholarship world. Most importantly, we introduce a new section dedicated exclusively to the ACASA Triennial 2020. You will find it immediately after these editorial notes. There, we will keep you updated on the run-up to the triennial in this and the next two newsletters.Note that deadlines are fast a p p r o a c h i n g and don't wait to check o u r webs ite for important information on Tri20 and our triennial awards (see Opportunities section). -
SELECTED SOLO EXHIBITIONS/ PROJECTS 2018 Studio Visit: a Poetic Investigation of (Unsustainable) Privilege Through Words, Phrases, and Images
CV_Abrie Fourie_2020 1 SELECTED SOLO EXHIBITIONS/ PROJECTS 2018 Studio Visit: A Poetic Investigation of (Unsustainable) Privilege Through Words, Phrases, and Images. A Metaphor of Memories That Soon Will Be Lost! But What Happens When You Test Metaphor as Fact? curated by Bonaventure Soh Bejeng Ndikung and Solvej Helweg Ovesen, Galerie Wedding, Berlin, Germany 2017 Wir haben Augen, um zu sehen, aber sehen nicht // We have eyes to see but do not see – Continued Meditations on the Colonial Orbit. In context of FRAGMENTS #2 a Colonial Neighbours intervention series, curated by Lynhan Balatbat, Jorinde Splettstößer & Marlon Denzel van Royen, SAVVY Contemporary, Berlin 2016 ‘OBLIQUE: The So-called Fruits of Lives’, University of the Free State, Bloemfontein, South Africa ‘OBLIQUE Studio Visit • RIVER NOTES • Notes on Entropy’, Gallery Judin, Berlin, Germany ‘OBLIQUE: The So-called Fruits of Life’, Fried Contemporary, Pretoria, South Africa 2015 ABRIE FOURIE: PRINTS, curated by Mika Thom, Fried Contemporary, Pretoria, South Africa 2014 OBLIQUE, curated by Storm Janse van Rensburg, Gallery 1600, SCAD, Atlanta, USA 2013 OBLIQUE, curated by Storm Janse van Rensburg, Gutstein Gallery, SCAD, Savannah, USA OBLIQUE, curated by Storm Janse van Rensburg, SMAC Art Gallery, Cape Town, South Africa 2012 OBLIQUE, curated by Storm Janse van Rensburg, Johannesburg Art Gallery, South Africa and Iwalewa-Haus, Africa Centre of the University of Bayreuth, Germany 2012 Labor Berlin 11: OBLIQUE, curated by Storm Jansen van Rensburg, Haus der Kulturen der Welt,