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Art Institute of Chicago
Art Institute of Chicago The Art Institute Of Chicago has over 300,000 works of art An internationally renowned institution, the Art Institute of Chicago is a museum that houses art collections from around the world. Its origins can be traced to the Chicago Academy of Design, which was established by local artists in 1866 and was restored as the Chicago Academy of Fine Arts in 1879 . The Art Institute took its present name in 1882 and was moved to its current building in 1893, covering an entire city block between Jackson and Monroe streets. The museum contains over 300,000 works of art and is noted for its collections of 19th century French paintings and 20th century paintings and sculpture. The extensive collection keeps visitors occupied for many hours. Children too can learn and have an enjoyable time at the Kraft Education Center. A new large wing had been added to the museum in 2009 and the works of famous artists such as Kandinsky began to be seen in the modern extension designed by renowned architect Renzo Piano. Edward Kemeys’ lions at the entrance of the institute are one of the most beloved and recognizable sculptures in the city. New amenities as well as an interior garden have also been added during the expansion. Art Institute Of Chicago Map Art Institute Of Chicago Facts A particularly well-known painting in the museum is La Grande Jatte by Seurat. Increased commitment to exhibit challenging contemporary work was first indicated by the innovative gallery owner Katherine Kuh. Chicago Tribune once reported that Kemeys said the lions at the entrance of the building are meant to guard it. -
Lorado Taft Midway Studios AND/OR COMMON Lorado Taft Midway Studios______I LOCATION
Form No. 10-300 (Rev. 10-74) UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS ___________TYPE ALL ENTRIES - COMPLETE APPLICABLE SECTIONS______ | NAME HISTORIC Lorado Taft Midway Studios AND/OR COMMON Lorado Taft Midway Studios______________________________ I LOCATION STREET & NUMBER University of Chicago, 6016 Ingleside Avenue —NOT FOR PUBLICATION CITY. TOWN CONGRESSIONAL DISTRICT Chicago __ VICINITY OF STATE CODE COUNTY CODE Illinois 05 P.onV CLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE _DISTRICT —PUBLIC XXOCCUPIED _ AGRICULTURE —MUSEUM X_BUILDING(S) ?_PRIVATE —UNOCCUPIED —COMMERCIAL —PARK —STRUCTURE —BOTH _ WORK IN PROGRESS ^-EDUCATIONAL —PRIVATE RESIDENCE _ SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS —OBJECT —IN PROCESS —YES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED _ YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION _NO —MILITARY —OTHER. (OWNER OF PROPERTY NAMEINAMt University of Chicago, (Office of Special Events, Administration STREET & NUMBER 5801 Ellis Avenue CITY. TOWN STATE VICINITY OF Chicago T1 1 inr>i' a LOCATION OF LEGAL DESCRIPTION COURTHOUSE, REGISTRY OF DEEps.ETc. Cook County Recorder and Registrat of Titles STREET & NUMBER 118 North Clark CITY. TOWN STATE Chicago Tllinm', REPRESENTATION IN EXISTING SURVEYS TITLE none known DATE — FEDERAL —STATE —COUNTY —LOCAL DEPOSITORY FOR SURVEY RECORDS CITY. TOWN STATE DESCRIPTION CONDITION CHECK ONE CHECK ONE YY —EXCELLENT _DETERIORATED —UNALTERED —ORIGINAL SITE XXQOOD —RUINS XXALTERED —MOVED DATE_______ —FAIR —UNEXPOSED DESCRIBETHE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE Lorado Taft's wife, Ada Bartlett Taft y described the Midway Studios in her biography of her husband, Lorado Taft, Sculptor arid Citizen; In 1906 Lorado moved his main studio out of the crowded Loop into a large, deserted brick barn on the University of Chicago property on the Midway. -
Obama Presidential Library the University of Chicago Adjaye Associates Contents I Urban Ii Library Iii Net-Zero Iv Design Approach in the Park Strategy Vision
OBAMA PRESIDENTIAL LIBRARY THE UNIVERSITY OF CHICAGO ADJAYE ASSOCIATES CONTENTS I URBAN II LIBRARY III NET-ZERO IV DESIGN APPROACH IN THE PARK STRATEGY VISION OBAMA PRESIDENTIAL LIBRARY │ THE UNIVERSITY OF CHICAGO │ ADJAYE ASSOCIATES 2 I URBAN APPROACH OUR PROPOSAL RE-IMAGINES THE PRESIDENTIAL LIBRARY TO BE THE FIRST TRUE URBAN LIBRARY. OPERATING ON MULTIPLE SCALES OF RENEWAL — INDIVIDUAL, URBAN, ECONOMIC, AND ECOLOGICAL — THE NEW LIBRARY ACTIVELY ENGAGES THE COMMUNITY WITH UPDATED INFRASTRUCTURE AND NEW BUSINESS OPPORTUNITIES FOR THE FUTURE GENERATIONS OF THE SOUTH SIDE OF CHICAGO. OBAMA PRESIDENTIAL LIBRARY │ THE UNIVERSITY OF CHICAGO │ ADJAYE ASSOCIATES 3 WASHINGTON PARK SOUTH SIDE OF CHICAGO WASHINGTON PARK • 7 MILES SOUTH OF THE LOOP • NEAR MIDWAY AIRPORT • HISTORICALLY SIGNIFICANT SITE • GATEWAY TO THE UNIVERSITY OF CHICAGO • EASILY ACCESSIBLE BY PUBLIC TRANSPORTATION OBAMA PRESIDENTIAL LIBRARY │ THE UNIVERSITY OF CHICAGO │ ADJAYE ASSOCIATES 4 GARFIELD BOULEVARD HISTORICALLY OBAMA PRESIDENTIAL LIBRARY │ THE UNIVERSITY OF CHICAGO │ ADJAYE ASSOCIATES 5 GARFIELD BOULEVARD TODAY OBAMA PRESIDENTIAL LIBRARY │ THE UNIVERSITY OF CHICAGO │ ADJAYE ASSOCIATES 6 WASHINGTON PARK “LUNGS OF THE CITY” WASHINGTON PARK • CONSTRUCTED IN 1870’S • DR. JOHN RAUCH THE FOREFATHER OF THE CHICAGO PARK SYSTEM DESCRIBED IT AS “THE LUNGS OF THE CITY” • DESIGNED BY FREDERICK LAW OLMSTED & CALVERT VAUX • EARLY ATTRACTIONS TO THE PARK INCLUDED RIDING STABLES, CRICKET GROUNDS, BASEBALL FIELDS, A TOBOGGAN SLIDE, ARCHERY RANGES, A GOLF COURSE, BICYCLE PATHS, ROW BOATS, -
2007-2008 Annual Review
School for Advanced Research on the Human Experience A GALAXY OF THOUGHT Annual Review 2007–2008 SCHOOL FOR ADVANCED RESEARCH ON THE HUMAN EXPERIENCE SANTA FE, NEW MEXICO ANNUAL REVIEW 2008 In Memory of Richard Canon 1940–2008 The School for Advanced Research gratefully acknowledges the very generous support of the Paloheimo Foundation for publication of this report. The Foundation’s grant honors the late Leonora Paloheimo and her mother, Leonora Curtin, who served on the Board of Managers of the School from 1933 to 1972. CONTENTS President’s Message: A Galaxy of Thought 4 Poet-in-Residence: Malena Mörling 34 A Constellation of Programs 6 The Poetics of the Human Experience 34 REFLECTION IMAGINATION Resident Scholar: Silvia Tomášková 8 Short Seminar: Women’s Empowerment for Health 36 SAR Press: The Chaco Experience 9 SAR Press: New Landscapes of Inequality 37 Visiting Research Associate: Monica L. Smith 10 SAR Press: The Gender of Globalization 38 Visiting Research Associate: James E. Snead 10 Advanced Seminar: Archaeology and Public Policy 39 SAR Press: The Hohokam Millennium 11 SAR Press: Opening Archaeology 40 Resident Scholar: Tiya Miles 12 Short Seminar: Archaeology and Sustainability 41 SAR Press: Small Worlds 13 Visiting Research Associate: Tutu Alicante: 41 The Pecos Conference 14 Michael S. Currier Environmental Service Short Seminar: Modernity and the Voice 14 Award Ceremony 42 SAR Press: Kenneth Chapman’s Santa Fe 15 Santa Fe Science Writers’ Workshop 42 SAR Press: Santa Fe: A History 16 SITE Santa Fe Biennial at SAR 43 SAR Prize Session in Dublin 17 Short Seminar: Indians and Energy 44 New Mexico Heritage Preservation Alliance Conference 17 PUBLIC OUTREACH AND EDUCATION ATTENTION Public Lectures: Humans in a Changing Landscape 46 J. -
Annual Report 2016
Collecting Exhibiting Learning Connecting Building Supporting Volunteering & Publishing & Interpreting & Collaborating & Conserving & Staffing 2016 Annual Report 4 21 10 2 Message from the Chair 3 Message from the Director and the President 4 Collecting 10 Exhibiting & Publishing 14 Learning & Interpreting 18 Connecting & Collaborating 22 Building & Conserving 26 Supporting 30 Volunteering & Staffing 34 Financial Statements 18 22 36 The Year in Numbers Cover: Kettle (detail), 1978, by Philip Guston (Bequest of Daniel W. Dietrich II, 2016-3-17) © The Estate of Philip Guston, courtesy McKee Gallery, New York; this spread, clockwise from top left: Untitled, c. 1957, by Norman Lewis (Purchased with funds contributed by the Committee for Prints, Drawings, and Photographs, 2016-36-1); Keith and Kathy Sachs, 1988–91, by Howard Hodgkin (Promised gift of Keith L. and Katherine Sachs) © Howard Hodgkin; Colorscape (detail), 2016, designed by Kéré Architecture (Commissioned by the Philadelphia Museum of Art for The Architecture of Francis Kéré: Building for Community); rendering © Gehry Partners, LLP; Inside Out Photography by the Philadelphia Museum of Art Photography Studio A Message A Message from the from the Chair Director and the President The past year represented the continuing strength of the Museum’s leadership, The work that we undertook during the past year is unfolding with dramatic results. trustees, staff, volunteers, city officials, and our many valued partners. Together, we Tremendous energy has gone into preparations for the next phase of our facilities have worked towards the realization of our long-term vision for this institution and a master plan to renew, improve, and expand our main building, and we continue reimagining of what it can be for tomorrow’s visitors. -
EDISON's Warriors
EDISON’S WaRRIORS Christoph Cox Real security can only be attained in the long run through confusion. — Hilton Howell Railey, commander of the Army Experimental Station1 Simulantur quae non sunt. Quae sunt vero dissimulantur. — Motto of the 23rd Special Troops2 In “The Invisible Generation,” an experimental text from 1962, William S. Burroughs unveiled a proposal to unleash urban mayhem via the use of portable tape recorders. “Now consider the harm that can be done and has been done when recording and playback is expertly carried out in such a way that the people affected do not know what is happening,” he wrote. “Bands of irresponsible youths with tape recorders playing back traffic sounds that confuse motorists,” Burroughs gleefully imagined, could incite “riots and demonstrations to order.”3 Championing the productive (and destructive) powers of portable audio, “The Invisible Generation” is an emblematic text in the history of sound art and DJ culture. Yet, nearly 20 years earlier, Burroughs’s vision had already been conceived and deployed by none other than the United States Army, whose “ghost army,” the 23rd Special Troops, included several units dedicated to “sonic deception” and its results: enemy confusion and carnage.4 The first division in American Armed Forces history assigned exclusively to camouflage and deception, the 23rd was a military oddity. Despite the centrality of deception in the history of warfare from the Trojan Horse on, soldiers drilled in the West Point code of duty, honor, trust, and integrity were ill-suited to a life of simulation and dissimulation; and American officers tended to dismiss deceptive tactics as underhanded, a sign of weakness in every sense.5 It’s not surprising, then, that the 23rd consisted primarily of a population with an occupational predisposition to deception, invention, and fabrication: artists. -
The Ghost Army of World War II: How One Top-Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery Online
XumZy [Read now] The Ghost Army of World War II: How One Top-Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery Online [XumZy.ebook] The Ghost Army of World War II: How One Top- Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery Pdf Free Rick Beyer, Elizabeth Sayles DOC | *audiobook | ebooks | Download PDF | ePub #19765 in Audible 2016-01-08Format: UnabridgedOriginal language:EnglishRunning time: 252 minutes | File size: 67.Mb Rick Beyer, Elizabeth Sayles : The Ghost Army of World War II: How One Top-Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery before purchasing it in order to gage whether or not it would be worth my time, and all praised The Ghost Army of World War II: How One Top-Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery: 46 of 46 people found the following review helpful. A MUST READ FOR ANY FAN OF WWIIBy RC MayerImagine, captured German maps showing 15,000 Allied troops in a location that there were no troops. Imagine, Nazirsquo;s keeping their soldiers out of position opposite what they think are thousand of enemy troops. Imagine, they can hear the US tanks lining up on the opposite riverbank. They can even here the soldiers yell ldquo;Hey Private! Put out that cigarette! Therersquo;s gas tanks over there!rdquo; Imagine, Nazi civilian spys transmitting radio broadcasts to Berlin that they overheard conversations in a pub in from soldiers in 4th Infantry Division that they were moving into Metz this evening. -
Cosmos: a Spacetime Odyssey (2014) Episode Scripts Based On
Cosmos: A SpaceTime Odyssey (2014) Episode Scripts Based on Cosmos: A Personal Voyage by Carl Sagan, Ann Druyan & Steven Soter Directed by Brannon Braga, Bill Pope & Ann Druyan Presented by Neil deGrasse Tyson Composer(s) Alan Silvestri Country of origin United States Original language(s) English No. of episodes 13 (List of episodes) 1 - Standing Up in the Milky Way 2 - Some of the Things That Molecules Do 3 - When Knowledge Conquered Fear 4 - A Sky Full of Ghosts 5 - Hiding In The Light 6 - Deeper, Deeper, Deeper Still 7 - The Clean Room 8 - Sisters of the Sun 9 - The Lost Worlds of Planet Earth 10 - The Electric Boy 11 - The Immortals 12 - The World Set Free 13 - Unafraid Of The Dark 1 - Standing Up in the Milky Way The cosmos is all there is, or ever was, or ever will be. Come with me. A generation ago, the astronomer Carl Sagan stood here and launched hundreds of millions of us on a great adventure: the exploration of the universe revealed by science. It's time to get going again. We're about to begin a journey that will take us from the infinitesimal to the infinite, from the dawn of time to the distant future. We'll explore galaxies and suns and worlds, surf the gravity waves of space-time, encounter beings that live in fire and ice, explore the planets of stars that never die, discover atoms as massive as suns and universes smaller than atoms. Cosmos is also a story about us. It's the saga of how wandering bands of hunters and gatherers found their way to the stars, one adventure with many heroes. -
The Art of the Metropolitan Museum of New York
tCbe Hrt of tbe flftetiopoUtan fIDuseum 3Bg tbe Same Butbor 2L XTbe art of tbe IRetberlanb (Balleriea Being a History of the Dutch School of Painting Illuminated and Demonstrated by Critical Descriptions of the Great Paintings in the many Galleries With 48 Illustrations. Price, $2.00 net £ L. C. PAGE & COMPANY New England Building, Boston, Mass. GIBBS - C HANNING PORTRAIT OF GEORGE WASHINGTON. By Gilbert Stuart. (See page 287) fje gtrt of iWetcopolitany 3*1 it scnut of 3Ul” Motfe & Giving a descriptive and critical account of its treasures, which represent the arts and crafts from remote antiquity to the present time. ^ By David C. Preyer, M. A. Author of “ The Art of the Netherland Galleries,” etc. Illustrated Boston L. C. Page & Company MDCCCC1 X Copyright, 1909 By L. C. Page & Company (incorporated) All rights reservea First Impression, November, 1909 Electrotyped and Printed at THE COLONIAL PRESS C.H . Simonas Sr Co., Boston U.S.A. , preface A visit to a museum with a guide book is not inspiring. Works of art when viewed should con- vey their own message, and leave their own im- pression. And yet, the deeper this impression, the more inspiring this message, the more anxious we will be for some further information than that conveyed by the attached tablet, or the catalogue reference. The aim of this book is to gratify this desire, to enable us to have a better understanding of the works of art exhibited in the Metropolitan Museum, to point out their corelation, and thus increase our appreciation of the treasures we have seen and admired. -
An Art-Lovers Guide to the Exposition
An Art−Lovers guide to the Exposition Shelden Cheney An Art−Lovers guide to the Exposition Table of Contents An Art−Lovers guide to the Exposition..................................................................................................................1 Shelden Cheney..............................................................................................................................................1 Foreword........................................................................................................................................................2 The Architecture and Art as a Whole.............................................................................................................2 The Court of Abundance................................................................................................................................5 Court of the Universe.....................................................................................................................................9 Court of the Four Seasons............................................................................................................................14 The Court of Palms and the Court of Flowers.............................................................................................17 The Tower of Jewels, and the Fountain of Energy......................................................................................19 Palaces Facing the Avenue of Palms...........................................................................................................22 -
2020 If Statues Could Talk TABLE
If Statues Could Talk, What Stories Would They Tell? Statue Stories Chicago is funded by the Richard H. Driehaus Foundation - www.statuestorieschicago.com Presented by: Beth C. Sair [email protected] (630) 294-7247 Link to Sculpture Artist -Sculptor Text Written By Reader/Performer Location Listen Humboldt Park, 1. Leif Ericson Sigvald Asbjornsen John Hartman Fred Willard speak2.co/leif 1440 N. Sacramento 2. Nicolaus Copernicus Bertel Thorvaldsen David Saltzberg Johnny Galecki speak2.co/nic Adler Planetarium 3. North Lion Tracy Letts speak2.co/lion1 The Art Institute Edward Kemeys Tina Landau South Lion Francis Guinan speak 2.co/lion2 111 S. Michigan 4. Aaron Michigan Ave. Milton Horn Sing London Bill Kurtis speak2.co/ward Montgomery Ward at 11th Street 5. Helping Hands 1801 S. Indiana Ave Louise Bourgeois Blue Balliett Amy Morton speak2.co/hand Jane Addams Memorial Women’s Park and Gardens 6. Fountain Girl Near Lincoln Monument George Wade Aela Morris Chloe Grace speak2.co/gal Frances Willard Memorial Lincoln Park East of 7. Standing Lincoln Saint-Gaudens Scott Turow John C. Reilly speak2.co/abe2 Chicago History Museum 8. Paul Laurence Dunbar Park Debra Hand Malcolm London Malcolm London speak2.co/paul Dunbar 300 E. 31st Street 9. Lake Ontario The Art Institute Lorado Taft Elyse Kallen Ana Belaval speak2.co/ont Fountain of the Great Lakes of Chicago. Near 652 Webster Ave. 10. Dorothy and Toto John Kearney Raymond Fox Kim Lawson speak2.co/dot at Orchard Webster Ave. 11. Tin Man John Kearney Raymond Fox David Kersnar speak2.co/tin at Larrabee St Larrabee St. -
A Look Inside the Library Community Members with Disabilities
Grand Valley State University ScholarWorks@GVSU Volume 40, July 14, 2005 - June 15, 2006 Lanthorn, 1968-2001 9-29-2005 Lanthorn, vol. 40, no. 11, September 29, 2005 Grand Valley State University Follow this and additional works at: https://scholarworks.gvsu.edu/lanthorn_vol40 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 40, no. 11, September 29, 2005" (2005). Volume 40, July 14, 2005 - June 15, 2006. 10. https://scholarworks.gvsu.edu/lanthorn_vol40/10 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 40, July 14, 2005 - June 15, 2006 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. (§vanb wattep Jmfyom Grand Valley State University www.lanthorn.com Thursday, September 29, 2005 A dedication 45 years in the making GVSU officially featured many speakers, of the university, and how dedicated its newest including Provost Gayle the building will affect its Davis and Wendy Wenner, future. academic building dean of the College of “It really is a wonderful on Monday Interdisciplinary Studies building, ” Murray said. located inside Lake Ontario “It ties this end of campus Downtown Hall. together well and it y lex pton B A U Patricia Clark, GVSU definitely relieves some of A variety of sights, GVL Staff Writer sounds, and tastes professor and poet laureate, the stress brought on by dedicated a poem she higher student enrollment. made up the annual Grand Valley State wrote to the new facility.