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The Art of the Metropolitan Museum of New York
tCbe Hrt of tbe flftetiopoUtan fIDuseum 3Bg tbe Same Butbor 2L XTbe art of tbe IRetberlanb (Balleriea Being a History of the Dutch School of Painting Illuminated and Demonstrated by Critical Descriptions of the Great Paintings in the many Galleries With 48 Illustrations. Price, $2.00 net £ L. C. PAGE & COMPANY New England Building, Boston, Mass. GIBBS - C HANNING PORTRAIT OF GEORGE WASHINGTON. By Gilbert Stuart. (See page 287) fje gtrt of iWetcopolitany 3*1 it scnut of 3Ul” Motfe & Giving a descriptive and critical account of its treasures, which represent the arts and crafts from remote antiquity to the present time. ^ By David C. Preyer, M. A. Author of “ The Art of the Netherland Galleries,” etc. Illustrated Boston L. C. Page & Company MDCCCC1 X Copyright, 1909 By L. C. Page & Company (incorporated) All rights reservea First Impression, November, 1909 Electrotyped and Printed at THE COLONIAL PRESS C.H . Simonas Sr Co., Boston U.S.A. , preface A visit to a museum with a guide book is not inspiring. Works of art when viewed should con- vey their own message, and leave their own im- pression. And yet, the deeper this impression, the more inspiring this message, the more anxious we will be for some further information than that conveyed by the attached tablet, or the catalogue reference. The aim of this book is to gratify this desire, to enable us to have a better understanding of the works of art exhibited in the Metropolitan Museum, to point out their corelation, and thus increase our appreciation of the treasures we have seen and admired. -
2019 Conference Program
First Floor Third Floor Fourth Floor Fifth Floor Note: The Armstrong Ballroom is on the eighth floor. CREATIVITY AND INNOVATION IN HONORS 2019 NCHC Annual Conference November 6-10, 2019 • New Orleans, LA • Sheraton New Orleans NATIONAL COLLEGIATE HONORS COUNCIL Welcome to the 54th Annual Conference of the National Collegiate Honors Council Greetings, Honors Colleagues: On behalf of the 2019 Conference Planning Committee, the Board of Directors, and the staff of the NCHC national headquarters, welcome to our 54th annual conference. We are very happy that you have taken this opportunity to learn, share, contribute, and grow with us as individuals and then extend this to not only your home institutions, but also to the larger realms of honors education and higher education. The conference topics of disruption and creativity are meant to challenge us to think, question, and act: all intrinsic to honors education globally. What better place to congregate and explore these concepts than New Orleans, a city that exemplifies them perfectly. With the diverse members of the honors community— students, faculty, administrators and administrative staff—the myriad of perspectives and experiences upon which we can draw, and the setting, we have something for everyone (from first-time attendees to veterans). Mindful that conference can be as exhausting as it is exhilarating (disruption and learning take energy!), we have added some opportunities to regain balance with networking receptions, Brain Breaks, morning yoga, and explorations of our amazing host city. We are excited that you have taken time from your busy schedules to spend the next few days with your extended honors family. -
COURT of CLAIMS of THE
REPORTS OF Cases Argued and Determined IN THE COURT of CLAIMS OF THE STATE OF ILLINOIS VOLUME 41 Containing cases in which opinions were filed and orders of dismissal entered, without opinion for: Fiscal Year 1989 - July 1, 1988-June 30, 1989 SPRINGFIELD, ILLINOIS 1990 (Printed by authority of the State of Illinois) (XOO3898-300-7/90) PREFACE The opinions of the Court of Claims reported herein are published by authority of the provisions of Section 18 of the Court of Claims Act, Ill. Rev. Stat. 1987, ch. 37, par. 439.1 et seq. The Court of Claims has exclusive jurisdiction to hear and determine the following matters: (a) all claims against the State of Illinois founded upon any law of the State, or upon any regulation thereunder by an executive or administrative officer or agency, other than claims arising under the Workers’ Compensation Act or the Workers’ Occupational Diseases Act, or claims for certain expenses in civil litigation, (b) all claims against the State founded upon any contract entered into with the State, (c) all claims against the State for time unjustly served in prisons of this State where the persons imprisoned shall receive a pardon from the Governor stating that such pardon is issued on the grounds of innocence of the crime for which they were imprisoned, (d)all claims against the State in cases sounding in tort, (e) all claims for recoupment made by the State against any Claimant, (f) certain claims to compel replacement of a lost or destroyed State warrant, (g) certain claims based on torts by escaped inmates of State institutions, (h) certain representation and indemnification cases, (i) all claims pursuant to the Law Enforcement Officers, Civil Defense Workers, Civil Air Patrol Members, Paramedics and Firemen Compensation Act, (j) all claims pursuant to the Illinois National Guardsman’s Compensation Act, and (k) all claims pursuant to the Crime Victims Compensation Act. -
Parks - Public Art
Parks - Public Art PARK NAME PARK NUMBER ART HUMBOLDT (BARON VON) 219 Interpreting Nature SENN (NICHOLAS) 227 The Young Lincoln LINCOLN (ABRAHAM) 100 Kwa-Ma-Rolas (Totem Pole) ARRIGO (VICTOR) 215 Christopher Columbus and Fountain LINCOLN (ABRAHAM) 100 Curve XXII (I Will) LINCOLN (ABRAHAM) 100 East Gate Arch MIDWAY PLAISANCE 1268 Cheney-Goode Memorial BURNHAM (DANIEL) 27 Chicago Firefighter/Paramedic Memorial MOUNT GREENWOOD 251 Playground Art BURNHAM (DANIEL) 27 Wallach Fountain Page 1 of 68 10/02/2021 Parks - Public Art X Y ARTIST OWNER LATITUDE COORDINATE COORDINATE Roman Villareal CPD 1156808.64946 1909066.86792000 41.9062550000000 01 02 Charles Keck CPD 1164734.00564999 1939563.37418 41.9897750000000 99 02 Haida Indians CPD 1172198.75844 1924752.85786999 41.9489719999999 99 98 Moses Ezekiel CPD 1167268.04553 1896559.5281 41.8717159999999 99 Ellsworth Kelly CPD 1174726.40626999 1916451.13989 41.926136 99 Greg & Camille Leavitt Lincoln Park Zoo 1175030.50539999 1914927.66066000 41.921948 99 01 South Park Commission Architects CPD 1187426.15417 1865865.24368999 41.7870320000000 99 04 John Alaniz CPD 1181382.63443000 1889015.18886000 41.8506989999999 01 01 99 CPAG CPD 1153868.84266999 1830584.16071 41.6909470000000 99 01 Frederick & Elisabeth Hibbard CPD 1190854.22735999 1869008.10125000 41.7955740000000 99 01 02 Page 2 of 68 10/02/2021 Parks - Public Art Boundaries - Community LONGITUDE LOCATION Zip Codes Census Tracts ZIP Codes Areas - (41.906255, - 4 25 22535 301 87.6994200000000 03 87.69942) - (41.989775, - 14 76 4451 539 87.6694399999999 -
Rashid Johnson in Conversation with Oliver Kielmayer
ARTPULSEARTPULSE NO. 22 | VOL. 6 | 2015 WWW.ARTPULSEMAGAZINE.COM Theodor Adorno, Art Criticism and the Digital Commons Liz Deschenes Lily Cox-Richard Taylor Davis Rosa Barba’s Metaphors Julie Heffernan Marni Kotak: Performing Motherhood Dialogues: Franklin Sirmans Rashid Johnson in Conversation with Oliver Kielmayer 1 2 ARTPULSE l www.artpulsemagazine.com 1 4213 PONCE DE LEON BLVD. CORAL GABLES, FLORIDA 33146 | 305.446.5578 LORENZA PANERO www.americascollection.com Ribera Luminosa Series, luminograph on tempered glass, 471/4 x 271/2 inches each 2 ARTPULSE l www.artpulsemagazine.comMirror I, II, luminograph on paper in plexiglass 583/4 x 493/4 inches AMERICAS COLLECTION AD FEB 2015.indd 1 2/11/2015 1:13:08 PM 3 4 ARTPULSE l www.artpulsemagazine.com JOSEPH SMOLINSKI MIXED GREENS March 26 – April 25, 2015 MARK MULRONEY April 30 – June 6, 2015 GROUP SHOW CURATED BY LAUREN ROSS Curator of VCU’s Institute for Contemporary Art June 11 – July 17, 2015 Image Courtesy of Mark Mulroney >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> MIXED GREENS >>> 531 W 26TH ST, 1ST FL, NEW YORK, NY, 10001 >>> TEL: 212 331 8888 >>>>>> WWW.MIXEDGREENS.COM >>5 6 ARTPULSE l www.artpulsemagazine.com 7 8 ARTPULSE l www.artpulsemagazine.com 9 10 ARTPULSE l www.artpulsemagazine.com 11 12 ARTPULSE l www.artpulsemagazine.com 13 14 ARTPULSE l www.artpulsemagazine.com 15 16 ARTPULSE l www.artpulsemagazine.com 17 18 ARTPULSE l www.artpulsemagazine.com 19 The Postmodern Trajectory ARTPULSE In 1981, Jean Baudrillard started a conversation that we continue in this issue in dia- EDITOR IN CHIEF logical fashion. While so many postmodern theorists pointed to nuclear plumes as the Raisa Clavijo beginning and end of postmodern humanity, Baudrillard conversely saw the apoca- SENIOR EDITOR lypse beginning and ending as humanity imploding into simulacra. -
Mary Magdalene As Counter-Heroine: Late Middle English Hagiography and Social Order
Mary Magdalene as Counter-Heroine: Late Middle English Hagiography and Social Order Rachel Elizabeth Jones (BA. MA.) Submitted in partial fulfilment of the requirements for the degree of PhD in English Literature School of English, Communication and Philosophy Cardiff University March 2013 Summary This thesis, which examines episodes from Middle English Magdalene hagiography, argues that Magdalene is represented there as a counter-heroine. It concentrates on the vita in Mirk’s Festial (ca. 1380s); the 1438 Gilte Legende; and Bokenham’s Legendys of Hooly Wummen (completed by 1447). The study contends that Magdalene challenges a variety of hegemonic and patriarchal structures, though her unruliness is typically suppressed by the hagiographers. Chapter one provides context and outlines key terms which run throughout the thesis: subversion, containment and consolidation. The first part foregrounds the thesis’s argument and methodology; the second part introduces the Mary Magdalene cultural narrative; the third situates the thesis in terms of work in related fields. The second chapter interrogates the earliest chronological unit in Magdalene’s medieval biography: the account of her sin and repentance. It argues that Magdalene’s penance represents a moment of containment in the legend. The chapter suggests that the texts, when read as a group, depict Magdalene as choosing to surrender her social, sexual and economic freedoms. At a moment marked by anxieties about changing social roles, the hagiographies endorse a conservative model of social order. Chapter three examines the episodes depicting the Resurrection and Magdalene’s preaching activities in Marseilles. This chapter argues that although Peter’s spiritual authority is emphasized in the post-Resurrection narrative, the subversive potential found in earlier representations of Magdalene’s first witness is never fully erased. -
The Van Ackeren Collection in the Greenlease Gallery at Rockhurst University by © 2017 Loren Whittaker
An American Jesuit Treasury of Religious Art: The Van Ackeren Collection in the Greenlease Gallery at Rockhurst University By © 2017 Loren Whittaker Submitted to the graduate degree program in the Kress Foundation Department of Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-chair: Anne D. Hedeman, Ph.D. Co-chair: Sally J. Cornelison, Ph.D. Douglas Dow, Ph.D. Philip Stinson, Ph.D. John Pultz, Ph.D. ____________________________ Heba Mostafa, Ph.D. Date Defended: 14 April 2017 ii The dissertation committee for Loren Whittaker certifies that this is the approved version of the following dissertation: An American Jesuit Treasury of Religious Art: The Van Ackeren Collection in the Greenlease Gallery at Rockhurst University Co-Chair: Anne D. Hedeman, Ph.D. Co-Chair: Sally J. Cornelison, Ph.D. Date Approved: 14 April 2017 iii Abstract On 13 October 1967 Virginia P. and Robert C. Greenlease donated a walnut crucifix by French sculptor César Bagard to Rockhurst University’s Jesuit community in Kansas City, Missouri. This gift initiated a collaboration of thirty years between Mrs. Greenlease and Rockhurst’s president, Father Maurice E. Van Ackeren, S.J. Together they sought to enhance the university and its students’ spiritual and educational experience by making fine religious works of art accessible for viewing on campus. Virginia financed the purchases that Father Van Ackeren made, the sum of which came to be known as the Van Ackeren Collection of Religious Art. Throughout their endeavor, the two took advantage of the expertise of the curators of the William Rockhill Nelson Gallery of Art in Kansas City, Missouri (now known as The Nelson- Atkins Museum of Art) and employed that institution as an intermediary station for evaluating works before they were purchased. -
CHICAGO Chicago
$26.95 CHICAGO CHICAGO Chicago Tom Barrat A PHOTOGRAPHIC PORTRAIT Tom Barrat is a Chicago-based photographer PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS specializing in travel, wildlife, and architecture. Rich in history, Chicago attracts With a portfolio of digital images from all over the United States and 25 countries, he is a more than 45 million visitors a A PHOTOGRAPHIC SE PORTRAIT contributing stock photographer to a number year to its scenic lakeside, unique of internet sites, as well as to his own website. architecture, and world renowned During the last four years, he has had over A PHOTOGRAPHIC PORTRAIT 25,000 images downloaded for use on web- Chicago museums. Located in the heart of sites, annual reports, newspapers, magazine ads, books, and other print media, with more the Midwest along the shores of than half being used internationally. He is a Lake Michigan, it has risen from the former executive in software development, PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS internet banking, and debit card process- ashes of the Great Fire of 1871 and ing. Visit TomBarratPhotography.com to learn today is the third largest city in the more about him. United States. Chicago: A Photographic Portrait introduces you to this grand city CO ND of today through stunning photo- graphs by Tom Barrat. Capturing PROPERTY OF TWINed LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS ITIO “The Windy City” with an insider’s view and a kaleidoscope of images, N Courtney Pitt it is easy to see why Chicago attracts As a life-long resident of the Chicago area, both visitors and locals alike to the Courtney has spent almost 15 years writing paramount American city. -
Uic Pediatrics & Children's Hospital University of Illinois: 2019 Annual
UIC PEDIATRICS & CHILDREN'S HOSPITAL UNIVERSITY OF ILLINOIS: 2019 ANNUAL REPORT Our mission is to ensure children and families have access to healing, service and innovation throughout their life; and to provide training, education and opportunities to the next generation of pediatric healthcare leaders. Our vision is a world in which all children, families and communities achieve their full potential. 2 Dear Supporters & Friends, It is with deep gratitude that I have the honor of sharing our 2019 Annual Report on behalf of the University of Illinois at Chicago (UIC) Department of Pediatrics and the Children’s Hospital University of Illinois. This past year was defined by achievement and advancement in our residency program, in our newly funded faculty research, and in our progress toward meeting 2020 strategic planning goals. Our expansion was captured in the growing number of patients under our care and the increasing support from our generous donors. I am very pleased that our group of 2019 pediatric residency graduates achieved a 100% board pass rate as first-time test takers; this is a particular point of pride as the national average is 86%. In terms of research, our total Department of Pediatrics research funding grew to more than $15 million in FY19, an increase of almost $6 million from FY18. Additionally our Blue Ridge Institute ranking for National Institutes of Health (NIH) funding rose to #35 nationally in 2019, up more than 30 places since 2014. Over the past few years, our pediatric clinical leaders implemented new initiatives to improve access to care for busy families. -
Guide to the Paul D. Carroll Papers 1950-1996
University of Chicago Library Guide to the Paul D. Carroll Papers 1950-1996 © 2008 University of Chicago Library Table of Contents Acknowledgments 3 Descriptive Summary 3 Information on Use 3 Access 3 Citation 3 Biographical Note 3 Scope Note 6 Related Resources 7 Subject Headings 7 INVENTORY 7 Series I: Correspondence 7 Subseries 1: Big Table 7 Subseries 2: General 16 Series II: Writing and Reviews 22 Series III: Poems 24 Series IV: Big Table 48 Subseries 1: Manuscripts 48 Subseries 2: Court Case 48 Subseries 3: General 49 Series V: Audio-Visual 50 Series VI: Oversize 51 Descriptive Summary Identifier ICU.SPCL.PDCARROLL Title Carroll, Paul D. Papers Date 1950-1996 Size 12 linear feet (17 boxes) Repository Hanna Holborn Gray Special Collections Research Center University of Chicago Library 1100 East 57th Street Chicago, Illinois 60637 U.S.A. Abstract Paul D. Carroll, poet, writer, editor, professor. The Paul D. Carroll Papers contain drafts of essays and poems, proofs of books, correspondence, reviews by and of Carroll, newspaper clippings, photographs, and audio and video recordings. The papers primarily document Carroll's career as a poet and editor of Big Table from 1959-1960. Acknowledgments The Paul D. Carroll Papers were processed and preserved as part of the "Uncovering New Chicago Archives Project," funded with support from the Andrew W. Mellon Foundation. Information on Use Access Series VI, Audio-Visual, does not include access copies for part or all of the material in this series. Researchers will need to consult with staff before using requesting material from this series. Audio of "Paul Carroll Reads at Second City" from WFMT is under copyright of WFMT.