DOCSLIB.ORG

Rare Books 22 August 2018

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Catalogue No.132 Rare Books 22 August 2018 AO1305FA Rare Books cover.indd 1 2/08/18 11:02 AM AO1305FA Rare Books cover.indd 2 2/08/18 11:01 AM Lot 104 Lot 10 Lot 103 Lot 60 Lot 25 Lot Lot 64 275 Lot 75 Lots 76 & 77 Lot 116 Lot 224 RARE BOOK AUCTION Wednesday 22nd August 2018 at 12 noon. VIEWING: Fri 17th, Mon 20th, Tues 21st August 9.00am – 5.00pm Sat 18th - Sun 19th August 11:00am – 4:00pm Important items include: A large and significant art archive relating to the Les and Milly Paris Art Collection, it includes an enormous number of personalized catalogues, programmes letters, documents, receipts etc which form an important insight into one of the most important art collection to be offered in New Zealand in recent times. Lot 233 Lot 234 An original historic document relating to New Zealand from the Voyage of the Astrolabe [1827]. A handwritten letter from naturalists, Gaimard & Quoy to Louis de Freycinet. Map of the Bay of Islands New Zealand – Duperry 1824 An early water colour by George O’Brian of Otago Harbour signed and date 1868 Hand written letters by William Colenso also a poem written on his voyage to New Zealand, inscribed and dated 1834. Two signed handwritten poems by Robin Hyde. Rare books include a number of New Zealand first editions including: John French Angas – The New Zealanders Illustrated. London 1847. John Liddiard Nicholas – A Narrative of a Voyage to New Zealand. London 1817. S.C. Brees – pictorial Illustrations in New Zealand [with maps] Walter Lawry Buller – History of the Birds of New Zealand, 1st and 2nd editions 1873 and 1888. An archive of papers, correspondence and letters relating to Canterbury Drama Society 1940’s includes signed programmes by Ngaio Marsh, original typescript for “The Axe” by Allen Curnow Antiquarian books and photographs. The sale also includes books and photographs from the library of the late Rev. Dr Frank Grenfell Glen, military chaplain in the NZ Police and the Australian and NZ Defence forces. Frank was a well known historian and author, whose Ph D [Waikato University] traversed the work of the 2 NZEF Chaplains 1939-45. My final sale of the year will be held in December it includes a significant collection from a private Auckland library. The library consists of many rare New Zealand publications and Maori printings as well as first editions and other items relating to Katherine Mansfield. Selected entries are invited for this important sale. Contact: Pam Plumbly Art and Object Phone: [09] 354 4646 | Mobile: 021 448 200 3 Abbey Street, Newton Email: [email protected] Auckland 1141 artandobject.co.nz Back Cover: Lot 266 Absentee & Phone Bid Form Catalogue # 132 Rare Book Auction Wednesday 22nd August 2018 at 12 noon. This completed and signed form authorises ART+OBJECT to bid on my behalf at the above mentioned auction for the following lots up to prices indicated below. These bids are to be executed at the lowest price levels possible. Minimum acceptable bid is $20. Please Note: Telephone bids are accepted on items over $500, we presume you have inspected the items or consulted the advice of staff regarding condition, please register in advance by contacting our office for this service. We accept no responsibility if for any reason we are unable to contact you during the auction. I understand that if successful I will purchase the lot or lots at or below the prices listed on this form and the listed buyers premium for this sale (18.5%) and GST on the buyers premium. I warrant also that I have read and understood and agree to comply with the conditions of sale as printed in the catalogue. BID MAXIMUM ($NZD) LOT NO. LOT DESCRIPTION (absentee bids only) $ $ $ $ $ $ $ $ $ $ $ Payment and Delivery ART+OBJECT will advise me as soon as is practical that I am the successful bidder of the lot or lots described above. I agree to pay immediately on receipt of this advice. Payment will be by cash, cheque or bank transfer. I understand that cheques will need to be cleared before goods can be uplifted or dispatched. I will arrange for collection or dispatch of my purchases. If ART+OBJECT is instructed by me to arrange for packing and dispatch of goods I agree to pay any costs incurred by ART+OBJECT. Note: ART+OBJECT requests that these arrangements are made prior to the auction date to ensure prompt delivery processing. Please indicate as appropriate by ticking the box: PHONE BID ABSENTEE BID MR/MRS/MS (circle one) FIRST NAME SURNAME ADDRESS HOME PHONE MOBILE BUSINESS PHONE EMAIL Signed as agreed To register for Absentee or Phone Bidding this form must be lodged with ART+OBJECT prior to the day of the auction in one of three ways: 1. Email a printed, signed and scanned form to ART+OBJECT: [email protected] 2. Fax a completed form to ART+OBJECT: +64 9 354 4645 3. Post a form to ART+OBJECT, P.O. Box 68 345, Newton, Auckland 1010, New Zealand. ART+OBJECT 3 Abbey Street, Newton, Auckland, New Zealand. Email info@artandobject co.nz, Telephone +64 9 354 4646, Freephone 0800 80 60 01 RARE BOOK AUCTION 22 AUGUST 2018 SUBJECT INDEX LOTS South Island 1–28 North Island 29-53 Miscellaneous – box lots. 54-59 New Zealand & Pacific History 60-85 Voyages & Exploration 86-97 Almanacs, Directories, Handbooks 98-101 Natural History 102-121 Sport and Recreation 122-133 New Zealand Wars 134-140 Military History 141-165 Maori History 166-201 Maritime 202-205 Missionaries & Maori Printings 206-222 Historic Documents 223-224 Maps, Plans & Prints 225-229 Photography 230-253 Antarctica & Subantarctic Islands 254-257 Biography 258-260 Les and Milly Paris Art Archive 261-271 Art 272-276 Art Books 277-289 New Zealand Literature 290-303 World History 304-311 Antiquarian Books & Bindings 312-338 Posters, Periodicals, Advertisements 339-350 Children’s and Illustrated Books 351-359 Bibliography & Printing 360-363 Pamphlets, Souvenirs & Ephemera 364-371 Postcards & Postal History 372-374 Science and Technology 375-379 LOTTING INFORMATION Information on lots appear in the following sequence: Lot number, author, title, edition, publisher, date of publication, number of volumes, pagination (where applicable), Bagnall citation, condition, other notes, estimated price (for some lots only). ABBREVIATIONS & CITATIONS AEG All edges gilt IA Inscribed by author W & T Whitcombe and Tombs AF With all faults HC Half calf binding OUP Oxford University Press DJ Dust jacket ND No date ODT & Witness Otago Daily Times and Witness DJR Dust jacket repaired Rep Reprint PC Paper/Card covers EPs Endpapers SLF Slight foxing HMSO Her Majesty’s Stationary Office FEP Front end paper SA Signed by author D.I.A. Dept of Internal Affairs BEP Back end paper TP Title page TNZI Transactions of the New Zealand Institute Frontis Frontispiece Please Note: Telephone bids are accepted on items over $500, we presume you have inspected the items or consulted the advice of staff regarding condition, please register in advance by contacting our office for this service. We accept no responsibility if for any reason we are unable to contact you during the auction. SUBJECT INDEX 3 RARE BOOK AUCTION 22 AUGUST 2018 9 CYCLOPEDIA OF NEW ZEALAND SOUTH ISLAND HISTORIES Canterbury Provincial District Christchurch Cyclopedia Co Ltd 1903. Volume 3, 1903. Thick 1 ACLAND, L.G.D. quarto, original half calf with cloth boards, gilt titles, binding tight, The Early Canterbury Runs. [2 titles] a VG copy Auck etc: W & T 1930, first ed. 279p, large fldg map in back pocket. $100 225mm, original brown cloth with gilt titles, bookplate of Frank Glen on endpaper. Light wear, VG. 10 DUNEDIN, [LARGE MAPS] 2. W. Reece - Canterbury .. Old and New 1850-1900. A Souvenir of Deepening the Upper Harbour, Dunedin. the Jubilee. ChCh etc: W & T [1900] 215p, illustrated, clippings laid Final Report by the Sub-Committee appointed to Circulate on inside covers, 185mm, original paper covers, VG. Information. March 1874, Dunedin Daily Times Office. 27p, 3 large $100 - $120 folding maps, [2 hand coloured]. 230mm, original lemon paper covers, small edge chips. VG. 2 AUSTRALIAN AND NEW ZEALAND, GAZETTE, [EDITOR] $100 - $150 A Handbook to the Province of Nelson: New Zealand. London: Algar and Street 1858. 6 l., of advts 11 FARIS, IRWIN including covers, 16p, folding map of Australia, Tasmania and New Charleston [with provenance] Zealand. Light stains and paper splitting along hinge,browning. [Nelson Province, New Zealand]. Its Rise and Decline. Wellington: 210mm, original yellow paper covers. Rare. Reed1941. 231p, illustrated. Exlib copy inscribed on front endpaper $100 - $200 by the author to Mr Frank Jefferies to whom the book is dedicated, also notations by Jeffries on endpaper. 220mm, some foxing and 3 BAKER, LADY soiling, green cloth in DJ trimmed at margins and discoloured. Station Life in New Zealand. [3 titles] London: Macmillan and Co 1871. New edition. xi, 238p, [1]l., 43p. 12 GOLDMINING PAPERS colour frontis, 183mm, original red cloth spine faded and Central Otago detached. 1. Option to purchase [13/4/1934] Ordinary Prospecting License 2. Walter P. Wright - Garden Trees and Shrubs. London: Headley No. 5485 of approximately 20 acres of Crown Lands on north Brothers [1913], 1st edition. 337p, mounted colour frontis bank of Kawarau river. and mounted colour plates, black and white plates, fldg plan, 2. Seven pages of correspondence regarding prospecting and diagrams. 235mm, original blue cloth with white flowers, black driving on land at Victoria bridge Kawarau river. Letters & titles and rules. fine copy In DJ. copies between M.C.
Recommended publications
  • Art's Histories in Aotearoa New Zealand Jonathan Mane Wheoki

    Art's Histories in Aotearoa New Zealand Jonathan Mane Wheoki

    Art’s Histories in Aotearoa New Zealand Jonathan Mane Wheoki This is the text of an illustrated paper presented at ‘Art History's History in Australia and New Zealand’, a joint symposium organised by the Australian Institute of Art History in the University of Melbourne and the Australian and New Zealand Association of Art Historians (AAANZ), held on 28 – 29 August 2010. Responding to a set of questions framed around the ‘state of art history in New Zealand’, this paper reviews the ‘invention’ of a nationalist art history and argues that there can be no coherent, integrated history of art in New Zealand that does not encompass the timeframe of the cultural production of New Zealand’s indigenous Māori, or that of the Pacific nations for which the country is a regional hub, or the burgeoning cultural diversity of an emerging Asia-Pacific nation. On 10 July 2010 I participated in a panel discussion ‘on the state of New Zealand art history.’ This timely event had been initiated by Tina Barton, director of the Adam Art Gallery in the University of Victoria, Wellington, who chaired the discussion among the twelve invited panellists. The host university’s department of art history and art gallery and the University of Canterbury’s art history programme were represented, as were the Museum of New Zealand Te Papa Tongarewa, the City Gallery, Wellington, the Govett-Brewster Art Gallery, New Plymouth, the Dunedin Public Art Gallery and the University of Auckland’s National Institute of Creative Arts and Industries. The University of Auckland’s department of art history1 and the University of Otago’s art history programme were unrepresented, unfortunately, but it is likely that key scholars had been targeted and were unable to attend.
  • Ascent03opt.Pdf

    Ascent03opt.Pdf

    1.1.. :1... l...\0..!ll1¢. TJJILI. VOL 1 NO 3 THE CAXTON PRESS APRIL 1909 ONE DOLLAR FIFTY CENTS Ascent A JOURNAL OF THE ARTS IN NEW ZEALAND The Caxton Press CHRISTCHURCH NEW ZEALAND EDITED BY LEO BENSEM.AN.N AND BARBARA BROOKE 3 w-r‘ 1 Published and printed by the Caxton Press 113 Victoria Street Christchurch New Zealand : April 1969 Ascent. G O N T E N TS PAUL BEADLE: SCULPTOR Gil Docking LOVE PLUS ZEROINO LIMIT Mark Young 15 AFTER THE GALLERY Mark Young 21- THE GROUP SHOW, 1968 THE PERFORMING ARTS IN NEW ZEALAND: AN EXPLOSIVE KIND OF FASHION Mervyn Cull GOVERNMENT AND THE ARTS: THE NEXT TEN YEARS AND BEYOND Fred Turnovsky 34 MUSIC AND THE FUTURE P. Plat: 42 OLIVIA SPENCER BOWER 47 JOHN PANTING 56 MULTIPLE PRINTS RITA ANGUS 61 REVIEWS THE AUCKLAND SCENE Gordon H. Brown THE WELLINGTON SCENE Robyn Ormerod THE CHRISTCHURCH SCENE Peter Young G. T. Mofi'itt THE DUNEDIN SCENE M. G. Hire-hinge NEW ZEALAND ART Charles Breech AUGUSTUS EARLE IN NEW ZEALAND Don and Judith Binney REESE-“£32 REPRODUCTIONS Paul Beadle, 5-14: Ralph Hotere, 15-21: Ian Hutson, 22, 29: W. A. Sutton, 23: G. T. Mofiifi. 23, 29: John Coley, 24: Patrick Hanly, 25, 60: R. Gopas, 26: Richard Killeen, 26: Tom Taylor, 27: Ria Bancroft, 27: Quentin MacFarlane, 28: Olivia Spencer Bower, 29, 46-55: John Panting, 56: Robert Ellis, 57: Don Binney, 58: Gordon Walters, 59: Rita Angus, 61-63: Leo Narby, 65: Graham Brett, 66: John Ritchie, 68: David Armitage. 69: Michael Smither, 70: Robert Ellis, 71: Colin MoCahon, 72: Bronwyn Taylor, 77.: Derek Mitchell, 78: Rodney Newton-Broad, ‘78: Colin Loose, ‘79: Juliet Peter, 81: Ann Verdoourt, 81: James Greig, 82: Martin Beck, 82.
  • My Place in Art Teaching Kit

    My Place in Art Teaching Kit

    My Place in Art Teaching Kit Summer in Nelson, 1960 Irvine Major, Oil on Canvas Unit Developed and Compiled by Esther McNaughton, Suter Educator Education services and programmes at The Suter are supported by the Ministry of Education under the Learning Experiences Outside of the Classroom (LEOTC) funding. 1 Introduction: My Place in Art In this lesson students will explore landscape art which shows our region. They will think about their associations with local places before looking at why and how artists show landscapes in art. The students will develop an artwork showing themselves in a landscape of their choice using techniques observed in the artworks on show. Relevant Curriculum Areas: Visual Arts, Social Studies, English. Duration: 75- 90 minutes depending on level. Levels: Adaptable for Years 1-10 Associated Suter Exhibition: Milk and Honey The rhetoric used to describe Aotearoa/New Zealand from a colonial perspective has always been laced with Biblical references. This is God’s own country: a South Pacific Eden full of hope, bounty and peace. This exhibition examines mythmaking involved in forging the history and vision of our country and Nelson as a region. Tracing the aesthetic influence of the top of the South Island, Milk and Honey displays the historical impact the region has had as a subject for art. From John Bevan Ford’s adaptation of one of the first European images of Maori and Aotearoa in Golden Bay and Tall Men on Hill Tops to Joe Sheehan’s contemporary approach to traditional Māori pakohe (argillite), this region has been stimulating artists for centuries.
  • Rethinking Arboreal Heritage for Twenty-First-Century Aotearoa New Zealand

    Rethinking Arboreal Heritage for Twenty-First-Century Aotearoa New Zealand

    NATURAL MONUMENTS: RETHINKING ARBOREAL HERITAGE FOR TWENTY-FIRST-CENTURY AOTEAROA NEW ZEALAND Susette Goldsmith A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2018 ABSTRACT The twenty-first century is imposing significant challenges on nature in general with the arrival of climate change, and on arboreal heritage in particular through pressures for building expansion. This thesis examines the notion of tree heritage in Aotearoa New Zealand at this current point in time and questions what it is, how it comes about, and what values, meanings and understandings and human and non-human forces are at its heart. While the acknowledgement of arboreal heritage can be regarded as the duty of all New Zealanders, its maintenance and protection are most often perceived to be the responsibility of local authorities and heritage practitioners. This study questions the validity of the evaluation methods currently employed in the tree heritage listing process, tree listing itself, and the efficacy of tree protection provisions. The thesis presents a multiple case study of discrete sites of arboreal heritage that are all associated with a single native tree species—karaka (Corynocarpus laevigatus). The focus of the case studies is not on the trees themselves, however, but on the ways in which the tree sites fill the heritage roles required of them entailing an examination of the complicated networks of trees, people, events, organisations, policies and politics situated within the case studies, and within arboreal heritage itself. Accordingly, the thesis adopts a critical theoretical perspective, informed by various interpretations of Actor Network Theory and Assemblage Theory, and takes a ‘counter-’approach to the authorised heritage discourse introducing a new notion of an ‘unauthorised arboreal heritage discourse’.
  • A Survey of Recent New Zealand Writing TREVOR REEVES

    A Survey of Recent New Zealand Writing TREVOR REEVES

    A Survey of Recent New Zealand Writing TREVOR REEVES O achieve any depth or spread in an article attempt• ing to cover the whole gamut of New Zealand writing * must be deemed to be a New Zealand madman's dream, but I wonder if it would be so difficult for people overseas, particularly in other parts of the Commonwealth. It would appear to them, perhaps, that two or three rather good poets have emerged from these islands. So good, in fact, that their appearance in any anthology of Common• wealth poetry would make for a matter of rather pleasurable comment and would certainly not lower the general stand• ard of the book. I'll come back to these two or three poets presently, but let us first consider the question of New Zealand's prose writers. Ah yes, we have, or had, Kath• erine Mansfield, who died exactly fifty years ago. Her work is legendary — her Collected Stories (Constable) goes from reprint to reprint, and indeed, pirate printings are being shovelled off to the priting mills now that her fifty year copyright protection has run out. But Katherine Mansfield never was a "New Zealand writer" as such. She left early in the piece. But how did later writers fare, internationally speaking? It was Janet Frame who first wrote the long awaited "New Zealand Novel." Owls Do Cry was published in 1957. A rather cruel but incisive novel, about herself (everyone has one good novel in them), it centred on her own childhood experiences in Oamaru, a small town eighty miles north of Dunedin -— a town in which rough farmers drove sheep-shit-smelling American V-8 jalopies inexpertly down the main drag — where the local "bikies" as they are now called, grouped in vociferous RECENT NEW ZEALAND WRITING 17 bunches outside the corner milk bar.
  • Agenda of Ohai Community Development Area Subcommittee

    Agenda of Ohai Community Development Area Subcommittee

    . . Contents 1 Apologies 2 Leave of absence 3 Conflict of Inter est 4 Public F orum 5 Extraordi nar y/Urgent Items 6 Confirmati on of Minutes Minutes of Ohai Communi ty D evelopment Ar ea Subcommittee 29/05/2018 . 7.1 Ohai H all update ☐ ☐ ☒ 1 The purpose of this report is to provide information about recent works undertaken at the Ohai Hall and to provide an update on the delays for consultation around retention of the Ohai Hall or Bowling Club building. 2 In 2005, the current Cleveland coal burner had a major recondition/overhaul carried out by C H Faul of Invercargill. The intention was that this would give another 15-20 years of life to the burner. 3 In 2015, it was suggested that there was an electrical fault and the burner was taken out of service with the wire being cut between the wall and the thermostat in the main hall and the burner unit. 4 The previous CDA had identified a project to upgrade the windows, paint the interior, install a zip and replace the LED lights. This was costed at approximately $40,000. 5 Subsequent to that decision being made the former Ohai Bowling Club building was gifted back to the community of Ohai and a decision was made to consult with the wider community about the comparative cost of upgrading and maintaining the Bowling Club and the Hall with a view to only keeping one building for use by the community. 6 In February 2018, at the first informal meeting of the new Ohai Community Development Area Subcommittee, the hall heating was identified as being a priority project for the Subcommittee and staff were requested to investigate alternative heating options.
  • Te Pūrongo Ā Tau | Annual Report 2019/20

    Te Pūrongo Ā Tau | Annual Report 2019/20

    G.12 MUSEUM OF NEW ZEALAND TE PAPA TONGAREWA Te Pūrongo ā Tau | Annual Report 2019/20 In accordance with section 150 of the Crown Entities Act 2004, this annual report of the Museum of New Zealand Te Papa Tongarewa for 2019/20 is presented to the House of Representatives. Photo credits Cover Page 18 Page 33 n n Covid-19 Te Papa reopening May 2020, n Covid-19 Te Papa reopening May 2020, After School Club Science June 2019. 2020. Photo by Jo Moore. Te Papa 2020. Photo by Jo Moore. Te Papa Photo by Scott Ogilvie. Te Papa. (157816) (157809) Page 35 Page 2 Page 19 n All Roads Lead to Ngātapa, 2019. n Wonderland, an ACMI touring exhibition. n Covid-19 Te Papa reopening May 2020, Photo by Jo Moore. Te Papa (146676) Photograph by Jo Moore / Te Papa 2020. Photo by Jo Moore. Te Papa (157979) Page 36 n Covid-19 Te Papa reopening May 2020, Page 5 n Covid-19 Te Papa reopening May 2020, 2020. Photo by Jo Moore. Te Papa 2020. Photo by Jo Moore. Te Papa n Dame Fran Wilde, Chair. Photo by Daniel (157951) Rose. Te Papa. (158015) Page 20 Page 7 Page 39 n Lemi Ponifasio, Tempest: Without A n Unboxing of Waterfall in Dusky Bay with n Courtney Johnston, 2019. Photo Body. Image courtesy of the artist. by Daniel Rose. Te Papa CC BY 4.0 Maori canoe, 1775, oil on panel, 2019. (143963) Photo by Jack Fisher. Te Papa (138194) Page 21 Page 9 n Wonderland Whānau Day, 1 Feb 2020, Page 42 2020.
  • 21St ANNUAL REPORT SEASON 2014/2015 Our Motto “Floreant Salices” (“May the Willows Flourish”)

    21St ANNUAL REPORT SEASON 2014/2015 Our Motto “Floreant Salices” (“May the Willows Flourish”)

    21st ANNUAL REPORT SEASON 2014/2015 Our motto “Floreant Salices” (“May the Willows flourish”) www.thewillows.org.nz Patron in Perpetuity Our objectives W.A.Hadlee, CBE, OBE (1915–2006) To encourage players in secondary school first elevens to play with The Willow Cricketer and against experienced players, many of whom are present or past The Rt Hon. Sir Anand Satyanand, GNZM, QSO first-class cricketers. President The Hon. Sir John Hansen, KNZM To offer quality cricket to cricket lovers in a country atmosphere, where families may come to watch and picnic. Immediate Past President W.J.Mitchell (1994-2003) Founders Life Members Hon. Photographers C.K.Baker R.J.Cowles C.K.Baker R.C.Bromley V.B.Cusack K.Evans Why was The Willows formed? H.D.E.Brooke, QSM P.C.Devlin R.D.Hayward C.L.Bull W.J.Mitchell To act as a catalyst, whereby cricketers, and cricket supporters, past and R.J.Cowles D.O.Neely, MNZM, MBE Annual Report present, who appreciate the traditions and ethos of the game, are able to B.L.Dormer H.D.E.Brooke, QSM contribute and impart their experience and talents to the development of M.E.Dormer Team Selection R.J.Cowles (Editor) P.E.Dormer B.J.K.Doody W.J.Mitchell youth involved in secondary schools cricket. R.J.R.Fairbairn P.E.McEwan W.R.T.Fairbairn P.D.Rutledge Webmaster B.G.Hadlee J.D.Hammond P.D.Harris Match Secretaries (Beck & Caul Ltd) M.E.Dormer Administration Committee P.D.Rutledge Hon.
  • Indicative DTT Coverage Invercargill (Forest Hill)

    Indicative DTT Coverage Invercargill (Forest Hill)

    Blackmount Caroline Balfour Waipounamu Kingston Crossing Greenvale Avondale Wendon Caroline Valley Glenure Kelso Riversdale Crossans Corner Dipton Waikaka Chatton North Beaumont Pyramid Tapanui Merino Downs Kaweku Koni Glenkenich Fleming Otama Mt Linton Rongahere Ohai Chatton East Birchwood Opio Chatton Maitland Waikoikoi Motumote Tua Mandeville Nightcaps Benmore Pomahaka Otahu Otamita Knapdale Rankleburn Eastern Bush Pukemutu Waikaka Valley Wharetoa Wairio Kauana Wreys Bush Dunearn Lill Burn Valley Feldwick Croydon Conical Hill Howe Benio Otapiri Gorge Woodlaw Centre Bush Otapiri Whiterigg South Hillend McNab Clifden Limehills Lora Gorge Croydon Bush Popotunoa Scotts Gap Gordon Otikerama Heenans Corner Pukerau Orawia Aparima Waipahi Upper Charlton Gore Merrivale Arthurton Heddon Bush South Gore Lady Barkly Alton Valley Pukemaori Bayswater Gore Saleyards Taumata Waikouro Waimumu Wairuna Raymonds Gap Hokonui Ashley Charlton Oreti Plains Kaiwera Gladfield Pikopiko Winton Browns Drummond Happy Valley Five Roads Otautau Ferndale Tuatapere Gap Road Waitane Clinton Te Tipua Otaraia Kuriwao Waiwera Papatotara Forest Hill Springhills Mataura Ringway Thomsons Crossing Glencoe Hedgehope Pebbly Hills Te Tua Lochiel Isla Bank Waikana Northope Forest Hill Te Waewae Fairfax Pourakino Valley Tuturau Otahuti Gropers Bush Tussock Creek Waiarikiki Wilsons Crossing Brydone Spar Bush Ermedale Ryal Bush Ota Creek Waihoaka Hazletts Taramoa Mabel Bush Flints Bush Grove Bush Mimihau Thornbury Oporo Branxholme Edendale Dacre Oware Orepuki Waimatuku Gummies Bush
  • TDCC Awarded Auckland Cricket Association

    TDCC Awarded Auckland Cricket Association

    TAKAPUNA DISTRICT CRICKET CLUB est.1950 Executive Committee Update – May 2017 TDCC Awarded Auckland CLUB NEWSLETTER Cricket Association – Club of the Year 2016/17 • • • Welcome to the latest edition of our TDCC Newsletter. April 12th 2017 The Executive Committee look forward to utilising this communication tool to keep all TDCC members, past and present, up to date with everything related to our club. This edition is focused on a wrap up of the season recently concluded and future editions will cover a wide range of topics and useful information for every Takapuna cricketer and their families. • • • At the Eden Park event hosted by and school affiliations. This strong Auckland Cricket Association in performance is supported by the April, Takapuna District Cricket Club continued burgeoning growth of IMPORTANT NOTICE were once again named Auckland’s the mini cricketers in Friday night FOR THIS MONTH Cricket Club of the Year. In Kookaburra Cup events. This award Is there someone you know that presenting the awards it was noted is particularly satisfying for everyone would welcome receiving this that the 2016/17 season was one involved with the club as it is 4th newsletter via email or mail that were our Senior Premiership sides such award in the last 6 seasons. has not received this edition? took home 4 of the 6 titles on offer The Executive Committee is very and other grades from Juniors to aware of the responsibility upon all Please just forward their email Presidents consistently performed of us to further build on this great or mail address strongly in representative honours heritage.
  • Te Wheke 01 Art of Protest 02 News, Events & Workshops 02 at The

    Te Wheke 01 Art of Protest 02 News, Events & Workshops 02 at The

    Issue 19 Exhibitions Ōtautahi www.artbeat.org.nz July 2020 Galleries Christchurch Studios Waitaha Street Art Canterbury Art in Public Places ARTBEAT In this issue: Te Wheke 01 Art of Protest 02 News, Events & Workshops 02 At the Galleries 03 Discover Map 04 Reviews 06 Te Wheke Pathways Across Oceania. Our Public Art Collection but not as we once knew It Polynesia and the Pacific region, and migra- tion and belonging are allocated centre-stage in Te Wheke Pathways Across Oceania, an exhibition that draws from works in the Christ- church Art Gallery Te Puna o Waiwhetū collec- tion. It is exciting and enlightening experience developed by the Gallery’s curators in consul- tation with curator of Cook Islands heritage, Stephanie Oberg. Yet, in many ways Te Wheke Pathways Across Oceania is not entirely unanticipated or without precedent. Since its reopening in December 2015 the Gallery’s perma- ↑ Aotearoa New Zealand, the Christchurch Art but wide knowledge and a different perspec- nent collection has assumed a new-found contemporary. Milburn comments: ‘We really John Pule Not life, rediscovered by its curatorial team who wanted to re-imagine the Gallery’s spaces of This Time Gallery’s had its origins in European works, tive.She helped us to look outside more tradi- seem committed and excited about new and we were also keen to bring in different (Dreamland), particularly British works. The narrative of tional art histories and we found that really ways of thinking about and experiencing perspectives. We were especially conscious 2008. Oil on how those connections shaped our art history valuable.’ canvas.
  • The Journ Al of the Polynesian Society

    The Journ Al of the Polynesian Society

    THE JOURNAL OF THE POLYNESIAN SOCIETY THE POLYNESIAN OF THE JOURNAL VOLUME 128 No.1 MARCH 2019 Special Issue TE AO HOU: WHAKAPAPA AS PRACTICAL ONTOLOGY VOLUME 128 No.1 MARCH 2019 VOLUME “IMAGES STILL LIVE AND ARE VERY MUCH ALIVE”: WHAKAPAPA AND THE 1923 DOMINION MUSEUM ETHNOLOGICAL EXPEDITION NATALIE ROBERTSON Auckland University of Technology ABSTRACT: The first major photofilmic record of the Waiapu River region of Aotearoa New Zealand occurred over a three-week period in March–April 1923, when the filmmaker and photographer James McDonald documented local cultural activities on the East Coast. McDonald was a member of the fourth Dominion Museum ethnological expedition from Wellington, invited to Waiapu by Apirana Ngata to record ancestral tikanga ‘practices’ that he feared were disappearing. Despite the criticism of ethnographic “othering” in the resulting film He Pito Whakaatu i te Noho a te Maori i te Tairawhiti—Scenes of Māori Life on the East Coast, this paper suggests that the fieldwork, from a Ngāti Porou perspective, was assisted and supported by local people. It addresses the entanglements of this event and delineates the background, purpose and results of the documentary photographs and film in relation to Ngata’s cultural reinvigoration agenda. This article also reveals the various relationships, through whakapapa ‘kin networks’ hosting and friendship, between members of the team and local people. Drawing on the 1923 diary kept by Johannes Andersen and on other archival and tribal sources, the author closely analyses these relationships, what Apirana Ngata calls takiaho ‘relational cords’, which are brought to light so that descendants can keep alive these connections through the remaining film fragments and beyond the frame.