This Glossary Contains Many Sanskrit Words, People
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Bhoga-Bhaagya-Yogyata Lakshmi
BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www. -
The Civilization of India
'CORNIA, SAN DIEGO usaJH iliii DS 436 D97 HB In SUM^ Hill HI I A ——^— c SS33 1II1& A inos ^ (J REGIO 1 8 MAL 8 I ' 8Bi|LIBRARY 8 ===== 5 ^H •''"'''. F 1 ^^^? > jH / I•' / 6 3 mm^ LIBRARY "*'**••* OK SAN 0fO3O N F CAL,F0RNI in JmNiln 1 M, . * san 3 1822 00059 8219 Digitized by the Internet Archive in 2007 with funding from Microsoft Corporation http://www.archive.org/details/civilizationofinOOdutt HE TEMPLE PRIMERS THE CIVILIZATION OF INDIA By ROMESH C. DUTT, CLE. A. : » "";. : ;-. ' 1 - fejlSP^^*^-:'H-' : .;.Jlffsil if? W?*^m^^lmSmJpBSS^S I^~lmi ~5%^M'J&iff*^^ ygjBfB^ THE GREAT TEMPLE OF BHUVANESWARA CIVILIZATIOn OF.IHDIA I900& 29 &30 BEDFORD-STREET* LQNDOM All rights reserved CONTENTS PAGE I. VEDIC AGE (2000 TO I4OO B.C.) I II. EPIC AGE (14OO TO 80O B.C.) l 5 III. AGE OF LAWS AND PHILOSOPHY (80O TO 3 I 5 B.C. 2 5 IV. RISE OF BUDDHISM (522 B.C.) 36 V. BUDDHIST AGE (3 I 5 B.C. TO A.D. 500) . 49 VI. PURANIC AGE (a.D. 5OO TO 800) . 65 VII. AGE OF RAJPUT ASCENDENCY (a.D. 800 TO 1200 79 VIII. AGE OF THE AFGHAN RULE (a.D. 1206 TO I 526 89 IX. CONDITION OF THE PEOPLE UNDER THE AFGHA1 RULE ...... 99 X. AGE OF THE MOGHAL RULE (a.D. I 526 TO I707 106 XI. CONDITION OF THE PEOPLE UNDER THE MOGHAL RULE ....... 116 XII. AGE OF MAHRATTA ASCENDENCY (a.D. 1 7 1 8 TO l8l8) 132 Index 144 ' LIST OF ILLUSTRATIONS PAGE Asoka's Pillar 54 Chaitya or Church at Karli Chaitya or Church at Ajanta . -
Yonas and Yavanas in Indian Literature Yonas and Yavanas in Indian Literature
YONAS AND YAVANAS IN INDIAN LITERATURE YONAS AND YAVANAS IN INDIAN LITERATURE KLAUS KARTTUNEN Studia Orientalia 116 YONAS AND YAVANAS IN INDIAN LITERATURE KLAUS KARTTUNEN Helsinki 2015 Yonas and Yavanas in Indian Literature Klaus Karttunen Studia Orientalia, vol. 116 Copyright © 2015 by the Finnish Oriental Society Editor Lotta Aunio Co-Editor Sari Nieminen Advisory Editorial Board Axel Fleisch (African Studies) Jaakko Hämeen-Anttila (Arabic and Islamic Studies) Tapani Harviainen (Semitic Studies) Arvi Hurskainen (African Studies) Juha Janhunen (Altaic and East Asian Studies) Hannu Juusola (Middle Eastern and Semitic Studies) Klaus Karttunen (South Asian Studies) Kaj Öhrnberg (Arabic and Islamic Studies) Heikki Palva (Arabic Linguistics) Asko Parpola (South Asian Studies) Simo Parpola (Assyriology) Rein Raud (Japanese Studies) Saana Svärd (Assyriology) Jaana Toivari-Viitala (Egyptology) Typesetting Lotta Aunio ISSN 0039-3282 ISBN 978-951-9380-88-9 Juvenes Print – Suomen Yliopistopaino Oy Tampere 2015 CONTENTS PREFACE .......................................................................................................... XV PART I: REFERENCES IN TEXTS A. EPIC AND CLASSICAL SANSKRIT ..................................................................... 3 1. Epics ....................................................................................................................3 Mahābhārata .........................................................................................................3 Rāmāyaṇa ............................................................................................................25 -
Women in Hindu Dharma- a Tribute
Women in Hindu Dharma- a Tribute Respected Ladies and Gentlemen1, Namaste! Women and the Divine Word:- Let me start my talk with a recitation from the Vedas2, the ‘Divinely Exhaled’ texts of Hindu Dharma – Profound thought was the pillow of her couch, Vision was the unguent for her eyes. Her wealth was the earth and Heaven, When Surya (the sun-like resplendent bride) went to meet her husband.3 Her mind was the bridal chariot, And sky was the canopy of that chariot. Orbs of light were the two steers that pulled the chariot, When Surya proceeded to her husband’s home!4 The close connection of women with divine revelation in Hinduism may be judged from the fact that of the 407 Sages associated with the revelation of Rigveda, twenty-one5 are women. Many of these mantras are quite significant for instance the hymn on the glorification of the Divine Speech.6 The very invocatory mantra7 of the Atharvaveda8 addresses divinity as a ‘Devi’ – the Goddess, who while present in waters, fulfills all our desires and hopes. In the Atharvaveda, the entire 14th book dealing with marriage, domestic issues etc., is attributed to a woman. Portions9 of other 19 books are also attributed to women sages10. 1 It is a Hindu tradition to address women before men in a group, out of reverence for the former. For instance, Hindu wedding invitations are normally addressed ‘To Mrs. and Mr. Smith’ and so on and not as ‘To Mr. And Mrs. Smith’ or as ‘ To Mr. and Mrs. John Smith’ or even as ‘To Mrs. -
Sathya Sai Speaks, Volume 3
3. Ask For Me oday, you had the nectar of Ramayana from these two pandits. They spoke with genuine joy when they di- Tlated on the incidents of the Ramayana. One of them selected today the hospitality shown to Bharatha and his retinue by the sage Bharadwaja and how Bharatha reacted to it. The other Sastry, who generally talks on other topics, was persuaded this evening to select Narada’s description of the qualities of Rama to Valmiki as the theme of his talk. Remembrance of Rama’s name (Ramanama) is so sweet that I could see all of you relishing these talks. If a man talks about Rama without himself being inspired by the glory of the Lord, it sounds hollow; it is of no benefit; it is like the image of a table heavy with edible dishes seen inside a mirror — the dishes in the mirror will fill no hungry stomach. No language can picture the actual bliss that the Name can confer; words can at best delineate only an atom of that joy. People come into the world burdened with delusion (maya) and its instrument, the mind. The mind expresses itself through attraction and repulsion, affection and hatred (raga and dwesha) toward the external world. Affec- tion is passionate (rajasic) in its effect; it can be used for one’s uplift, as Narada used it to fix attention on the Lord. Hatred is negativistic (thamasic), as Durvasa expressed it in his dealings with Ambarisha and others. With- out affection and hatred, the mind cannot function at all. -
Autochthonous Aryans? the Evidence from Old Indian and Iranian Texts
Michael Witzel Harvard University Autochthonous Aryans? The Evidence from Old Indian and Iranian Texts. INTRODUCTION §1. Terminology § 2. Texts § 3. Dates §4. Indo-Aryans in the RV §5. Irano-Aryans in the Avesta §6. The Indo-Iranians §7. An ''Aryan'' Race? §8. Immigration §9. Remembrance of immigration §10. Linguistic and cultural acculturation THE AUTOCHTHONOUS ARYAN THEORY § 11. The ''Aryan Invasion'' and the "Out of India" theories LANGUAGE §12. Vedic, Iranian and Indo-European §13. Absence of Indian influences in Indo-Iranian §14. Date of Indo-Aryan innovations §15. Absence of retroflexes in Iranian §16. Absence of 'Indian' words in Iranian §17. Indo-European words in Indo-Iranian; Indo-European archaisms vs. Indian innovations §18. Absence of Indian influence in Mitanni Indo-Aryan Summary: Linguistics CHRONOLOGY §19. Lack of agreement of the autochthonous theory with the historical evidence: dating of kings and teachers ARCHAEOLOGY __________________________________________ Electronic Journal of Vedic Studies 7-3 (EJVS) 2001(1-115) Autochthonous Aryans? 2 §20. Archaeology and texts §21. RV and the Indus civilization: horses and chariots §22. Absence of towns in the RV §23. Absence of wheat and rice in the RV §24. RV class society and the Indus civilization §25. The Sarasvatī and dating of the RV and the Bråhmaas §26. Harappan fire rituals? §27. Cultural continuity: pottery and the Indus script VEDIC TEXTS AND SCIENCE §28. The ''astronomical code of the RV'' §29. Astronomy: the equinoxes in ŚB §30. Astronomy: Jyotia Vedåga and the -
DECEMBER 2008 S a N a T H a N a S a R a T H I Devoted to the Moral and Spiritual Uplift of Humanity Through SATHYA DHARMA SANTHI PREMA AHIMSA
DECEMBER 2008 S a n a t h a n a S a r a t h i Devoted to the Moral and Spiritual Uplift of Humanity through SATHYA DHARMA SANTHI PREMA AHIMSA Vol: 51 Issue No. 12 Date of Publication: 1st December DECEMBER 2008 “We should exercise our discrimination to know what is good and what is bad. In the © Sri Sathya Sai Books and Publications Trust, same way, we should accept what is good in Prasanthi Nilayam Printed and Published by society and discard all that is bad. Even if K.S. RAJAN somebody has done harm to us, we should on behalf of the owner, Sri Sathya Sai do good to him. We should help even those Books and Publications Trust, Prasanthi Nilayam 515 134, who have harmed us and done injustice to Anantapur District (A.P.), Printed at M/s Rajhans Enterprises, us. They might sometimes show certain 136, 4th Main Road, Industrial Town, Rajaji Nagar, Bangalore - 560 044, Karnataka. bad qualities due to their selfishness, but we Published at Prasanthi Nilayam 515 134. E-mail: [email protected] should always think good of them.” [email protected] For Audio Visual / Book Orders: orders@ sssbpt.org ISD Code : 0091 STD Code : 08555 Telephone : 287375 Sri Sathya Sai Central Trust Telefax : 287390 C O N T E N T S General enquiry : 287164 Sri Sathya Sai University - Administrative Office : 287191 / 287239 Sri Sathya Sai Higher Unity is what Bharat Needs Most .................365 Secondary School : 287522 Sri Sathya Sai Bhagavan’s Birthday Message Primary School : 287237 SSSIHMS, Prasanthigram, Sahasra Poorna Chandra Darshana Puttaparthi : 287388 SSSIHMS, Whitefield, Santhi Celebrations ........................................372 Bangalore : 080 28411500 A Report Annual Subscription acceptable for 1, 2 or 3 years. -
Ramayana: a Divine Drama Actors in the Divine Play As Scripted by Bhagawan Sri Sathya Sai Baba
Ramayana: A Divine Drama Actors in the Divine Play as scripted by Bhagawan Sri Sathya Sai Baba Volume I Compiled by Tumuluru Krishna Murty Edited by Desaraju Sri Sai Lakshmi © Tumuluru Krishna Murty ‘Anasuya’ C-66 Durgabai Deshmukh Colony Ahobil Mutt Road Hyderabad 500007 Ph: +91 (40) 2742 7083/ 8904 Typeset and formatted by: Desaraju Sri Sai Lakshmi Cover Designed by: Insty Print 2B, Ganesh Chandra Avenue Kolkata - 700013 Website: www.instyprint.in VOLUME I No one can shake truth; no one can install untruth. No one can understand My mystery. The best you can do is get immersed in it. The mysterious, indescribable power has come within the reach of all. No one is born and allowed to live for the sake of others. Each has their own burden to carry and lay down. - Bhagawan Sri Sathya Sai Baba Put all your burdens on Me. I have come to bear it, so that you can devote yourselves to Sadhana TABLE OF CONTENTS FOR VOLUME I PRAYERS 11 1. SAMARPANAM 17 2. EDITORIAL COMMENTS 27 3. THE ESSENCE OF RAMAYANA 31 4. IKSHVAKU DYNASTY-THE IMPERIAL LINE 81 5. DASARATHA AND HIS CONSORTS 117 118 5.1 DASARATHA 119 5.2 KAUSALYA 197 5.3 SUMITRA 239 5.4 KAIKEYI 261 INDEX 321 LIST OF ILLUSTRATIONS FIGURE 1: DESCENT OF GANGA 113 FIGURE 2: PUTHRAKAMESHTI YAGA 139 FIGURE 3: RAMA TAKING LEAVE OF DASARATHA 181 FIGURE 4: DASARATHA SEES THE FATALLY INJURED SRAVANA 191 PRAYERS Vaamaankasthitha Jaanaki parilasat kodanda dandaamkare Chakram Chordhva karena bahu yugale samkham saram Dakshine Bibranam Jalajadi patri nayanam Bhadradri muurdhin sthitham Keyuradi vibhushitham Raghupathim Soumitri Yuktham Bhaje!! - Adi Sankara. -
Fundamental Concepts of Hinduism
Fundamental Concepts of Hinduism My Salutations to all Devas-Rishis-Pithrus OM DEDICATED TO LORD YAMA, MARKANDEYA, NACHIKETAS, SAVITRI AND NANDI, THE ETERNAL ATTENDANT OF LORD SIVA, WHO HAVE ALL UNRAVELLED THE MYSTERIES OF THE LIFE BEYOND DEATH OM "Hinduism is not just a faith. It is the union of reason and intuition that cannot be defined but is only to be experienced” - Dr. Sarvepalli Radhakrishnan (1888-1975) ॐ अञानतिमिरा्ध्य ञाना्जनशलाकया । चषुु्िीमलिं यॳन ि्िॴ रीगरवॳु निः ॥ om ajnana-timirandasya jnananjnana salakaya caksur unmilitam yena tasmai sri gurave namah “I offer my most humble obeisance to my spiritual master who has opened my eyes which were blinded by ignorance with the light of knowledge.: [FOR PRIVATE CIRCULATION] 1 INTRODUCTION The Information on this article “Fundamental Concepts of Hinduism” furnished here in is compiled from various mail friends, internet sites and elders who have knowledge on this subject. The documents referred in the net sites are quoted as told but not gone through by me for their authencity. Every effort has been taken not to leave essential points but to make the reading informative and interesting. Since the subject matter is lengthy and it could not be confined in one or two postings - it may appear lengthy. Hindu Dharma says, “To lead a peaceful life, one must follow the Sastras which are the rules of the almighty that cannot be changed by passage of time(i.e.kruta,thretha,dwapara&kali yuga).The almighty says, “Shruthi smrithi mamaivaagya yaasthaam ullangya varthathe | Aagya chhedi mamadhrrohi math bhaktopi na vaishnavahah||” Which means,vedas and sastras are my commands and one who surpasses these rules have breaken my laws and cannot be considered as my bhakta or a vaishnava. -
Sathya Sai Speaks, Volume 3
Glossary his glossary contains many Sanskrit words, people, places, and literature that Sathya Sai Baba uses in His Tdiscourses, especially discourses appearing in this volume. The glossary attempts to provide comprehensive meanings and detailed explanations of the more important Sanskrit words, for the benefit of lay readers who are interested in Hindu religion and philosophy. In an electronic version of this volume (e.g. an e-book for the Ipad or Kindle), you can click on most names, places, people, and Sanskrit words within the text in order to immediately access the word in this glossary. Your device will also have an arrow or other link to press to get back to the text. Abhimanyu. Arjuna’s son and Parikshith’s father; slain in battle. abhisheka. Ablution, bathing. adwaitha. Nondualism, monism, the doctrine that everything is God, the philosophy of absolute oneness of God, soul, and universe. Agastya. Sage and author of several Vedic hymns. Also the Indian astronomical name of the star of Canopus, since its rising coincides with the calming of the waters of the Indian Ocean. Agni. God of Fire; the fire element; name for fire when it is out of sight range. Ahalya. Princess of the Puru dynasty, who was turned into a stone by the curse of her husband, Gautama, for suspected adultery. She regained her form when Rama touched the stone with his divine feet. aham. The knower, the “I”. Aham Brahmasmi. “I am Brahman.” One of the great Vedic aphorisms (mahavakyas). ahamkara. Ego, self-love, selfish individuality. ahimsa. Nonviolence. akasa. Space, ether, the subtlest form of matter. -
Authorship, History, and Race in Three Contemporary Retellings of the Mahabharata
Authorship, History, and Race in Three Contemporary Retellings of the Mahabharata: The Palace of Illusions, The Great Indian Novel, and The Mahabharata (Television Mini Series) A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Nandaka M. Kalugampitiya August 2016 © 2016 Nandaka M. Kalugampitiya. All Rights Reserved. 2 This dissertation titled Authorship, History, and Race in Three Contemporary Retellings of the Mahabharata: The Palace of Illusions, The Great Indian Novel, and The Mahabharata (Television Mini Series) by NANDAKA M. KALUGAMPITIYA has been approved for Interdisciplinary Arts and the College of Fine Arts by Vladimir Marchenkov Professor of Interdisciplinary Arts Elizabeth Sayrs Interim Dean, College of Fine Arts 3 Abstract KALUGAMPITIYA, NANDAKA M., Ph.D., August 2016, Interdisciplinary Arts Authorship, History, and Race in Three Contemporary Retellings of the Mahabharata: The Palace of Illusions, The Great Indian Novel, and The Mahabharata (Television Mini Series) Director of Dissertation: Vladimir Marchenkov In this study, I explore the manner in which contemporary artistic reimaginings of the Sanskrit epic the Mahabharata with a characteristically Western bent intervene in the dominant discourse on the epic. Through an analysis of Chitra Banerjee Divakaruni’s The Palace of Illusions (2008), Shashi Tharoor’s The Great Indian Novel (1989), and Peter Brook’s theatrical production The Mahabharata (1989 television mini-series), I argue that these reimaginings represent a tendency to challenge the cultural authority of the Sanskrit epic in certain important ways. The study is premised on the recognition that the three works of art in question respond, some more consciously than others, to three established assumptions regarding the Mahabharata respectively: (1) the Sanskrit epic as a product of divine authorship; (2) the Sanskrit epic as history; and (3) the Sanskrit epic as the story of a particular race. -
Dr. Babasaheb Ambedkar Writings & Speeches Vol. 3
Babasaheb Dr. B.R. Ambedkar (14th April 1891 - 6th December 1956) blank DR. BABASAHEB AMBEDKAR WRITINGS AND SPEECHES VOL. 3 First Edition Compiled by VASANT MOON Second Edition by Prof. Hari Narake Dr. Babasaheb Ambedkar : Writings and Speeches Vol. 3 First Edition by Education Department, Govt. of Maharashtra : 14 April, 1987 Re-printed by Dr. Ambedkar Foundation : January, 2014 ISBN (Set) : 978-93-5109-064-9 Courtesy : Monogram used on the Cover page is taken from Babasaheb Dr. Ambedkar’s Letterhead. © Secretary Education Department Government of Maharashtra Price : One Set of 1 to 17 Volumes (20 Books) : Rs. 3000/- Publisher: Dr. Ambedkar Foundation Ministry of Social Justice & Empowerment, Govt. of India 15, Janpath, New Delhi - 110 001 Phone : 011-23357625, 23320571, 23320589 Fax : 011-23320582 Website : www.ambedkarfoundation.nic.in The Education Department Government of Maharashtra, Bombay-400032 for Dr. Babasaheb Ambedkar Source Material Publication Committee Printer M/s. Tan Prints India Pvt. Ltd., N. H. 10, Village-Rohad, Distt. Jhajjar, Haryana Minister for Social Justice and Empowerment & Chairperson, Dr. Ambedkar Foundation Kumari Selja MESSAGE Babasaheb Dr. B.R. Ambedkar, the Chief Architect of Indian Constitution was a scholar par excellence, a philosopher, a visionary, an emancipator and a true nationalist. He led a number of social movements to secure human rights to the oppressed and depressed sections of the society. He stands as a symbol of struggle for social justice. The Government of Maharashtra has done a highly commendable work of publication of volumes of unpublished works of Dr. Ambedkar, which have brought out his ideology and philosophy before the Nation and the world.