Jack Dejohnette Pictures Mp3, Flac, Wma

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Jack DeJohnette Pictures mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Pictures Country: Germany Style: Contemporary Jazz MP3 version RAR size: 1259 mb FLAC version RAR size: 1194 mb WMA version RAR size: 1834 mb Rating: 4.5 Votes: 963 Other Formats: AU MOD AA DTS MMF VOX XM Tracklist Hide Credits Picture 1 1 4:48 Composed By – Jack DeJohnette Picture 2 2 7:57 Composed By – Jack DeJohnette Picture 3 3 5:13 Composed By – Jack DeJohnette, John Abercrombie Picture 4 4 5:21 Composed By – Jack DeJohnette Picture 5 5 6:05 Composed By – Jack DeJohnette Picture 6 6 7:52 Composed By – Jack DeJohnette Companies, etc. Phonographic Copyright (p) – ECM Records Copyright (c) – ECM Records Recorded At – Talent Studio Credits Drums, Piano, Organ – Jack DeJohnette Electric Guitar, Acoustic Guitar – John Abercrombie (tracks: 3 to 5) Engineer – Jan Erik Kongshaug Layout – Dieter Bonhorst Photography By [Cover Photo] – Roberto Masotti Producer – Manfred Eicher Notes Recorded February 1976 Talent Studio, Oslo An ECM Production ©℗ 1977 ECM Records Barcode and Other Identifiers Barcode: 7 31451 92842 0 Rights Society: GEMA Label Code: LC 2516 SPARS Code: AAD Other versions Title Category Artist Label Category Country Year (Format) ECM ECM 1079, 2301 Jack Pictures (LP, ECM 1079, 2301 Records, Germany 1977 079 DeJohnette Album) 079 ECM Records ECM ECM 1079, 2301 Jack Pictures (LP, ECM 1079, 2301 Records, US 1977 079 DeJohnette Album, Promo) 079 ECM Records Jack ECM-1-1079 Pictures (LP) ECM Records ECM-1-1079 US 1977 DeJohnette ECM ECM 1079, 519 Jack Pictures (CD, ECM 1079, 519 Records, Germany Unknown 284-2 DeJohnette Album, RP) 284-2 ECM Records Related Music albums to Pictures by Jack DeJohnette John Scofield + DeJohnette & Hancock & Holland & Metheny - Live 3 Ways / Parallel Realities Live Jack DeJohnette Special Edition - Earth Walk Jack DeJohnette's Directions - Cosmic Chicken Jack DeJohnette Featuring Bill Frisell - The Elephant Sleeps But Still Remembers Jack DeJohnette - New Directions Jack DeJohnette - Peace time John Abercrombie, Dave Holland, Jack DeJohnette - Gateway - In The Moment Keith Jarrett / Gary Peacock / Jack DeJohnette - Somewhere (Live In Lucerne 2009) Keith Jarrett • Jack DeJohnette - Ruta And Daitya Jack DeJohnette - New Directions In Europe.

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Jazz Trio Plays Spanos Theatre Oct. 4
Cal Poly Arts Season Launches with Jazz Trio Oct. 4 http://www.calpolynews.calpoly.edu/news_releases/2006/September... Skip to Content Search Cal Poly News News California Polytechnic State University Sept. 11, 2006 FOR IMMEDIATE RELEASE Jazz Trio Plays Spanos Theatre Oct. 4 SAN LUIS OBISPO – In a spectacular showcase featuring jazz greats Bill Frisell (guitar/banjo), Jack DeJohnette (drums, percussion, piano) and Jerome Harris (electric bass/vocals), Cal Poly Arts launches its new 2006-07 performing arts season. The trio of master musicians will perform on Wednesday, October 4, 2006 at 8 p.m. in the Spanos Theatre. The evening will include highlights from the acclaimed release, “The Elephant Sleeps But Still Remembers.” Recorded at Seattle’s Earshot Festival in October 2001, “The Elephant Sleeps But Still Remembers” brilliantly captures the collaboration of two unparalleled musical visionaries: Jack DeJohnette -- “our era’s most expansive percussive talent” (Jazz Times) -- and Bill Frisell, “the most important jazz guitarist of the last quarter of the 20th century” (Acoustic Guitar). DeJohnette and Frisell first worked together in 1999. “We immediately had a rapport and we talked about doing more,” DeJohnette recalls. Frisell needed no convincing: “I have been such a fan of Jack’s since the late ’60s when I first heard him,” the guitarist says. “He’s been such an influence and inspiration throughout my musical life.” The two got together the afternoon before the 2001 Earshot concert and at the soundcheck, ran through a couple of numbers, but the encounter was largely improvised. “We had a few themes prepared,” Frisell says, “but it was pretty much just start playing, and go for it.” According to DeJohnette, “Bill and I co-composed in real time, on the spot” for “The Elephant Sleeps...” The album features 11 tracks covering a breadth of sonic territories.
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Downbeat October 2018
OCTOBER 2018 ON THE COVER 32 Tia Fuller The Radiance of a JIMMY & DENA KATZ 32 Diamond BY TED PANKEN As the featured saxophone soloist in Beyoncé’s band between 2006 and 2010, Tia Fuller won fans around the globe. Today, she is one of the most respected artists in jazz, both as a bandleader and educator. The Berklee College of Music professor's new Mack Avenue album, Diamond Cut, includes such high-profile collaborators as Terri Lyne Carrington, Jack DeJohnette and Dave Holland. Cover photo of Tia Fuller and image above shot by Jimmy and Dena Katz at The Jazz Gallery in New York City on May 22. Info for this venue is at jazzgallery.nyc. FEATURES 38 Tony Bennett & Diana Krall Streetwise Yet Sophisticated BY PHILLIP LUTZ 44 Ethan Iverson 56 Tord Gustavsen Trio 59 Adison Evans 62 Big Heart Machine 69 The Jamie Saft Quartet Dynamo at the Crossroads BY DAN OUELLETTE 48 Joey Baron Deep Listening Manifesto DEPARTMENTS BY BILL MILKOWSKI 8 First Take 53 Reviews 190 Jazz On Campus 10 Chords & Discords 176 Master Class 194 Blindfold Test SPECIAL SECTION BY DAVE ESKRIDGE 13 The Beat 180 Pro Session 71 Student 26 Players BY JIMI DURSO Music Guide Adi Meyerson 182 Transcription Steffen Schorn Frank Caruso Piano solo JACOB BLICKENSTAFF Where To Study Jazz 2019 Dongfeng Liu Dana Murray 186 Toolshed Jazzmeia Horn 6 DOWNBEAT OCTOBER 2018 TIA FULLER KNOWS ABOUT BEING A ROAD WARRIOR. AS FEATURED SAXOPHONE SOLOIST IN BEYONCÉ’S ALL-WOMAN BAND BETWEEN 2006 AND 2010, SHE TRAVELED FROM ONE MEGA-VENUE TO ANOTHER IN HIGH STYLE, NOT INFREQUENTLY IN THE LEADER’S PRIVATE JET.
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Jack Dejohnette's Drum Solo On
NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
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Preferred Swing Ratio in Jazz As a Function of Tempo
TMH-QPSR 4/1997 Preferred swing ratio in jazz as a function of tempo Anders Friberg and Andreas Sundström Abstract In jazz music it is common to perform consecutive eighth notes with an alternating duration pattern of long-short. The exact duration ratio (the swing ratio) of the long-short pattern has been largely unknown. The first experiment describes measurements of the swing ratio in the ride cymbal from well-known jazz recordings. The second experiment was a production task where subjects adjusted the swing ratio of a computer generated performance to a preferred value. Both these experiments show that the swing ratio varies approximately linearly with tempo. The swing ratio can be as high as 3.5:1 at comparatively slow tempi around 120 bpm. When the tempo is fast the swing ratio reaches 1:1, that is, the eighth notes are performed evenly. The duration of the short note in the long-short pattern is approximately constant (≅ 100 ms) for medium to fast tempi. Introduction swing ratio. An analysis of asynchronizations indicated that the drums were in average ahead One of the most important ingredients in jazz of the other instruments, the piano was second, music is the rhythm. Jazz music is supposed to and the bass third. “swing”. One essential part of this is the Collier & Collier (1996) reported on some rhythmic pattern sometimes called “swing preliminary analyses of the swing ratio in eighth note pattern”. It is performed by length- different tempi. They asked three drummers to ening the odd eighth-notes (eighth notes on the perform the pattern 3:2:1 in 9 to 11 different beat) and by shortening the even eighth notes tempi and in two conditions: swing feel and (eighth notes between the beat), thus producing strict triple time.
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Dejohnette/Coltrane/Garrison
FOR IMMEDIATE RELEASE CAP UCLA presents DeJohnette/Coltrane/Garrison December 7 at Royce Hall "Drummer and jazz legend Jack DeJohnette pairs up with saxophonist Ravi Coltrane and bassist (and electronics whiz) Matthew Garrison, to spellbinding and haunting results." —Pitchfork UCLA’s Center for the Art of Performance (CAP UCLA) presents Jack DeJohnette, Ravi Coltrane and Matthew Garrison on Saturday, Dec 7 at 8 p.m. at Royce Hall. Tickets starting at $28 are available now at cap.ucla.edu, 310-825-2101 and the Royce Hall box office. Representing the prestigious lineage of today’s great jazz families, DeJohnette/Coltrane/Garrison explore open improvisation as well as their own compositions. A NEA Jazz Master and Grammy Award-winner, Jack DeJohnette makes his return to the CAP UCLA family and Royce Hall where he previously performed as part of a jazz trio in 2013 with Keith Jarrett and Gary Peacock. DeJohnette/Coltrane/Garrison went through a rebirth in 2016 and have been touring ever since. They first performed the music of the late John Coltrane, Ravi’s father at The Brooklyn Museum. Named after the master sitarist Ravi Shankar, Coltrane is a Grammy nominated saxophonist who has released six albums to date. Matthew Garrison, son of the late Jimmy Garrison who was John Coltrane’s bassist, became a talented bass guitarist in part thanks to his godfather Jack DeJohnette. Garrison has collaborated with several jazz musicians including CAP Alums John Scofield and Pat Metheny. In 1998 Garrison founded GarrisonJazz Productions where he produces, promotes, and markets his music as well as providing music education.
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Dave Hartl's 2017 Top Ten (Or So) Most Influential Albums
Dave Hartl’s 2017 Top Ten (Or So) Most Influential Albums It’s time once again to look back and do that annual tradition of picking out the 10 or so most influential albums I heard in the past year. Not the most popular, or even the best, but what made me think the most as a musician. You can always go to http://www.davehartl.com/top10.html and look at other years’ postings. The links there go all the way back to 1998, when I started this with George Tucker. It’s a way of hearing about great music you might otherwise miss. If you want to contribute, please write to [email protected] with your own list and your contribution will be added to this document online for future downloads. This is why I do this! It always gives me some great recommendations for what to listen to that would be off my radar otherwise. So don’t be shy! Last year, Brian Groder, Jack Loughhead, and Kaz Yoshihara gave me some great things to listen to. 1.) John McLaughlin & the 4th Dimension: Live at Ronnie Scott’s 2017 saw the farewell American tour of the great guitarist John McLaughlin, who joined up with fellow guitarist Jimmy Herring for an unbelievable 3-set night concluding with pieces from his old Mahavishnu Orchestra days (you can see an entire concert at https://www.youtube.com/watch?v=ZPWa9F4UBQQ&t=19s, highly recommended!). This CD was recorded in London with McLaughlin’s working band of the last decade, the 4th Dimension, about 7 months ahead of the aforementioned American tour, but it shows a microcosm of that concept, opening with 1971’s Meeting of the Spirits and working through pieces showcasing the amazing drummer Ranjit Barot and his Indian classical influences, bassist Etienne M’Bappé’s multilevel constructions, and Gary Husband’s otherworldly synth textures, blowout chops, and energetic drumming.
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Ryan Kisor Minor Mutiny Mp3, Flac, Wma
Ryan Kisor Minor Mutiny mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Minor Mutiny Country: US Released: 1992 Style: Post Bop MP3 version RAR size: 1567 mb FLAC version RAR size: 1322 mb WMA version RAR size: 1705 mb Rating: 4.7 Votes: 756 Other Formats: AHX AAC MOD ADX TTA WMA VQF Tracklist 1 One For Miles 8:20 2 Ebony 7:43 3 Minor Mutiny 7:25 4 Little Nick 8:36 5 Exotic Isles 4:54 6 The Invisible 7:52 7 A New Day 5:08 8 Somewhere In The Dark 6:01 9 For Erin 7:30 Companies, etc. Recorded At – Dreamland Recording Studios Mixed At – Groghill Studios Mastered At – Sterling Sound Credits Arranged By – Jack DeJohnette (tracks: 2, 5), Ryan Kisor (tracks: 1, 3, 4, 7, 8, 9) Bass – Lonnie Plaxico Composed By – Jack DeJohnette (tracks: 2, 5), John Esposito (tracks: 6), Ryan Kisor (tracks: 1, 3, 4, 7, 8, 9) Drums – Jack DeJohnette (tracks: 2, 5), Jeff Siegel (tracks: 1, 3, 4, 6 to 9) Flugelhorn – Ryan Kisor (tracks: 2, 7) Piano – Michael Cain Producer – Jack DeJohnette Soprano Saxophone – Ravi Coltrane Tenor Saxophone – Ravi Coltrane Trumpet – Ryan Kisor Barcode and Other Identifiers Barcode: 4 988009 597928 Matrix / Runout: DP-5313 2 Other versions Category Artist Title (Format) Label Category Country Year 471506 2, COL Minor Mutiny (CD, Columbia, 471506 2, COL Ryan Kisor Europe 1992 471506 2 Album) Columbia 471506 2 Minor Mutiny (CD, CK 48796 Ryan Kisor Columbia CK 48796 US 1992 Album) Related Music albums to Minor Mutiny by Ryan Kisor Savion Glover With McCoy Tyner, Eddie Palmieri, Roy Haynes, Jack DeJohnette - Fours John Scofield + DeJohnette & Hancock & Holland & Metheny - Live 3 Ways / Parallel Realities Live Jack DeJohnette's Special Edition - Audio-Visualscapes Ravi Coltrane - Moving Pictures Ryan Kisor - Point Of Arrival Jack DeJohnette Featuring Bill Frisell - The Elephant Sleeps But Still Remembers Jack DeJohnette - Peace time Keith Jarrett • Jack DeJohnette - Ruta And Daitya Jack DeJohnette - Parallel Realities Jack DeJohnette - Pictures.
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Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.
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An Evening with Savion Glover & Jack Dejohnette
Co-present AN EVENING WITH SAVION GLOVER & JACK DEJOHNETTE Savion Glover Tap Dancer Jack DeJohnette Drums Featuring George Colligan Piano Jerome Harris Bass Marshall Davis, Jr. Tap Dancer Monday, June 20 & Tuesday, June 21 at 8:00pm Page Auditorium Performance: 90 minutes, including intermission and pause Savion Glover with Marshall Davis, Jr. INTERMISSION Jack DeJohnette and his Trio PAUSE Savion Glover with Jack DeJohnette and full company SAVION GLOVER Savion Glover is a Tony Award-winning choreographer and legendary hoofer whose career has spanned four decades. He began his Broadway stage career as The Tap Dance Kid, and continued with Black and Blue, Jelly's Last Jam, and his unprecedented award-winning Bring in da Noise Bring in da Funk, which garnered him a Tony Award for Best Choreography. He choreographed the multiple Tony Award nominee and Broadway sensation Shuffle Along with his longtime collaborator George C. Wolfe. In addition to his extensive Broadway career as a performer and choreographer, Savion has created many tap shows that tour worldwide including Bare Soundz, Classical Savion, OM, StepZ, Solo in Time, Sole Sanctuary, Improvography, Footnotes, and Savion Glover's Holiday Spectacular. In addition to creating his ongoing body of work, Savion has enjoyed performing worldwide with jazz legends including McCoy Tyner, Roy Haynes, and Jack DeJohnette. Mr. Glover's film credits include Tap, starring Gregory Hines and Sammy Davis, Jr.; Spike Lee's Bamboozled, and George Miller's Happy Feet and Happy Feet Two. He has appeared on television in commercials for Nike and is a longstanding performer on Sesame Street. As a child, Glover was privileged to dance with and be guided by the great Bunny Briggs, Buster Brown, Lon Chaney, Gregory Hines, Sammy Davis, Jr., Jimmy Slyde and Diane Walker.
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Billy Drummond U
Ravi Coltrane I EXCLUSIVE Marian McPartland Book Excerpt DOWNBEAT JACK DEJOHNETTE JACK // RAVI RAVI C OLT R ANE // Jack MA R IAN MCPA IAN DeJohnette’s R TLAN D BIG SOUND // JOEL JOEL Joel Harrison H A rr Endless Guitar ISON // BILLY D BILLY Drum School » Billy Drummond R U mm BLINDFOLD TEST ON D » Bill Stewart TRANSCRIPTION » Tommy Igoe MASTER CLASS » Dan Weiss PRO SESSION NOVEMBER 2012 U.K. £3.50 NOVE M B E R 2012 DOWNBEAT.COM NOVEMBER 2012 VOLUME 79 – NuMBER 11 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
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Jack Dejohnette Group Rider
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Monterey Jazz Festival
DECEMBER 2018 VOLUME 85 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob;
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