A Reader's Guide to Dag Hammarskjöld's Waymarks
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The Wolf Pack the Wolf Pack: a Collection of U-Boat Modelling
The Wolf Pack The Wolf Pack: A Collection Of U-Boat Modelling Articles Page 1 The Wolf Pack Contents Introduction Articles: Kriegsmarine U-Boat Colours & Markings Type VIIC Free-Flooding Vent Patterns Type VII U-Boat Modifications The Snorting Bull Insignia U 96 & The Laughing Sawfish German U-Boat Victory Pennants U-Boat Model Kits & Accessories Super-detailing Revell’s 1/72nd Type VIIC U-Boat* Revell Type VIIC Checklist Appendices: References Photo Sources Recommended Reading Index *Super-detailing Revell’s 1/72nd Type VIIC U-Boat by Wink Grisé All other articles by Dougie Martindale All text and drawings copyright © Dougie Martindale / Wink Grisé / Accurate Model Parts, 2010 The Wolf Pack: A Collection Of U-Boat Modelling Articles Page 2 The Wolf Pack Contents Introduction ............................................................................................. 7 Induction ....................................................................................................................................................... 7 A seminal release .......................................................................................................................................... 8 The allure of the VIIC .................................................................................................................................. 9 A growing collection ..................................................................................................................................... 9 The Wolf Pack ........................................................................................................................................... -
Submarine Warfare in the North Atlantic, 1942-44 Convoy Battles During the Most Decisive Stages of Influence Game Play Have Been Indicated on the Map
strictly a solitaire game in which a single Player [3.0] GAME EQUIPMENT controls both of the opposing forces. During the game, the Player, representing the U·boat [3.1) THE GAME MAP Command, maintains complete control over the The 22" x 34" mapsheet portrays the expanse of U·boat force while the Allied convoy and anti· the North Atlantic Ocean between the Canadian submarine forces are operated according to a coast on the western ext~mity, and the European strictly defined set of rules. These rules prescribe coastline (primarily the British Isles) near the exactly how the Allied units move and engage in eastern mapedge. Various land formations anti· submarine combat. A total of four scenarios, includlng parts of Greenland and Iceland as well I: each a separate game, allow the Player to simulate as a number of graphic distinctions which Submarine Warfare in the North Atlantic, 1942-44 convoy battles during the most decisive stages of influence game play have been indicated on the map. These will be explained in the appropriate Copyright © 1974, Simulations Publications, Inc., New York, NY the Battle of the Atlantic. Various optional rules are included by whIch the Player may examine the rules sections. A numbered hexagon grid is 1.0 INTRODUCfION 13.0 U·BOAT PACKS effects of the increasing technology implemented superimposed on the mapsheet to regularize the 2.0 GENERAL COURSE OF PLAY 13.1 How U·boat Packs are Formed and Organized or being developed by both sides during the course movement and position of the Playing pieces and 3.0 GAME EQUIPMENT 14.0 COMBAT of the war. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Movie Mirror Book
WHO’S WHO ON THE SCREEN Edited by C h a r l e s D o n a l d F o x AND M i l t o n L. S i l v e r Published by ROSS PUBLISHING CO., I n c . NEW YORK CITY t y v 3. 67 5 5 . ? i S.06 COPYRIGHT 1920 by ROSS PUBLISHING CO., Inc New York A ll rights reserved | o fit & Vi HA -■ y.t* 2iOi5^ aiblsa TO e host of motion picture “fans” the world ovi a prince among whom is Oswald Swinney Low sley, M. D. this volume is dedicated with high appreciation of their support of the world’s most popular amusement INTRODUCTION N compiling and editing this volume the editors did so feeling that their work would answer a popular demand. I Interest in biographies of stars of the screen has al ways been at high pitch, so, in offering these concise his tories the thought aimed at by the editors was not literary achievement, but only a desire to present to the Motion Picture Enthusiast a short but interesting resume of the careers of the screen’s most popular players, rather than a detailed story. It is the editors’ earnest hope that this volume, which is a forerunner of a series of motion picture publications, meets with the approval of the Motion Picture “ Fan” to whom it is dedicated. THE EDITORS “ The Maples” Greenwich, Conn., April, 1920. whole world is scene of PARAMOUNT ! PICTURES W ho's Who on the Screcti THE WHOLE WORLD IS SCENE OF PARAMOUNT PICTURES With motion picture productions becoming more masterful each year, with such superb productions as “The Copperhead, “Male and Female, Ireasure Island” and “ On With the Dance” being offered for screen presentation, the public is awakening to a desire to know more of where these and many other of the I ara- mount Pictures are made. -
Arise, Church, Arise
CONTENTS Pg. MESSAGE FROM T.R. NAIDOO 3 ‘GLORY OF THE LORD’ CD PRODUCT 3 COPYRIGHT CLAUSE 4 FOREWORD 5 CLASSIFICATION TABLE OF THE SONGS 7 THE SONGS – LYRICS, STRUCTURE & CHORDS 1. May You be Honoured 8 2. The Earth is the Lord’s 10 3. Apostolic People 11 4. Reprise: Arise Church Arise 13 5. Fill This Temple 14 6. The Glory of the Lord 15 7. High and Lifted Up 17 8. From Glory to Glory 18 9. Reprise: The Glory of the Lord 19 10. Brand New Day in God 20 11. Created For Praise 22 12. Where are The Sons? 24 13. We Honour You 25 14. My Father in Me 26 THE SONGS – LYRICS ONLY 27 SCRIPTURAL FOUNDATION OF EACH SONG 30 PRINCIPLES OF SONGWRITING FOR CONGREGATIONAL USE 33 COPYRIGHT OWNERS’ DETAILS 40 IMPORTANT CONTACT INFORMATION FOR REGULATORY BODIES IN THE SOUTH AFRICAN MUSIC INDUSTRY 40 COPYRIGHT LICENSING AND THE SOUTHERN AFRICAN CHURCH Article by Christian Copyright License International (CCLI) 41 A Word from Thamo Naidoo (apostolic oversight) A new season (kairos), named the Apostolic Season, has dawned upon the Church, bringing with it fresh spiritual insights and impulses from the throne of God. These emanations from God produce new sounds that invariably when captured by true worshippers become the songs we arrange to communicate the heart of our heavenly Father. In this respect we sing a new song unto the Lord. Eternal Sound is a vehicle that God has created in our day to communicate the sounds of the season. They are true worshippers who do not just simply sing the song of the Lord but who have become the song that they sing. -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
When God Was Black
WHEN GOD WAS BLACK By BOB HARRISON With JIM MONTGOMERY ZONDERVAN PUBLISHING HOUSE GRAND RAPIDS, MICHIGAN WHEN GOD WAS BLACK © 1971 by Zondervan Publishing House Grand Rapids, Michigan Second printing November 1971 Library of Congress Catalog Card Number 70-156250 All rights reserved. No portion of this book may be reproduced in any form without the written permission of the publishers, with the exception of brief excerpts in magazine reviews, etc. Printed in the United States of America CONTENTS 1. When God Was Black 2. The Walls Come Tumblin' Down 3. Who Would Room With a Negro? 4. When Black Was Green 5. A Little Black Boy Goin' Nowhere 6. Growing Up Wasn't Easy 7. When God Was Sneaky 8. Up Off the Floor 9. Pre-Fab Walls 10. Africa the Beautiful 11. With Billy Graham in Chicago 12. Five Fantastic Years 13. Joseph in Egypt 14. How It Could Have Been 15. What Do Blacks Really Want? 16. Who, Me, Lord? 17. lt's a Brown World After All 18. The Devil Didn't Like It 19. Gideon's Army 20. But What Can I Do? 21. Once Around Jericho When God Was Black Not too long after our Lord's ascension, an Ethiopian believed on Jesus Christ and was baptized. And God became black. In the nineteenth century white missionaries went to parts of Africa knowing that their life expectancy was only a few months. They came and they died and many Africans put their trust in Jesus Christ. And again God was black. In a rough-hewn, crowded shack in America, a black slave, having nothing in this life but hopelessness and chronic, bone-weary fatigue, found his release in Jesus Christ. -
Seeschlachten Im Atlantik (Zusammenfassung)
Seeschlachten im Atlantik (Zusammenfassung) U-Boot-Krieg (aus Wikipedia) 07_48/U 995 vom Typ VII C/41, der meistgebauten U-Boot-Klasse im Zweiten Weltkrieg Als U-Boot-Krieg (auch "Unterseebootkrieg") werden Kampfhandlungen zur See bezeichnet, bei denen U-Boote eingesetzt werden, um feindliche Kriegs- und Frachtschiffe zu versenken. Die Bezeichnung "uneingeschränkter U-Boot-Krieg" wird verwendet, wenn Schiffe ohne vorherige Warnung angegriffen werden. Der Einsatz von U-Booten wandelte sich im Laufe der Zeit vom taktischen Blockadebrecher zum strategischen Blockademittel im Rahmen eines Handelskrieges. Nach dem Zweiten Weltkrieg änderte sich die grundsätzliche Einsatzdoktrin durch die Entwicklung von Raketen tragenden Atom- U-Booten, die als Träger von Kernwaffen eine permanente Bedrohung über den maritimen Bereich hinaus darstellen. Im Gegensatz zum Ersten und Zweiten Weltkrieg fand hier keine völkerrechtliche Weiterentwicklung zum Einsatz von U-Booten statt. Der Begriff wird besonders auf den Ersten und Zweiten Weltkrieg bezogen. Hierbei sind auch völkerrechtliche Rahmenbedingungen von Bedeutung. Anfänge Während des Amerikanischen Bürgerkrieges wurden 1864 mehrere handgetriebene U-Boote gebaut. Am 17. Februar 1864 versenkte die C.S.S. H. L. Hunley durch eine Sprengladung das Kriegsschiff USS Housatonic der Nordstaaten. Es gab 5 Tote auf dem versenkten Schiff. Die Hunley gilt somit als erstes U-Boot der Welt, das ein anderes Schiff zerstört hat. Das U-Boot wurde allerdings bei dem Angriff auf die Housatonic durch die Detonation schwer beschädigt und sank, wobei auch seine achtköpfige Besatzung getötet wurde. Auftrag der Hunley war die Brechung der Blockade des Südstaatenhafens Charleston durch die Nordstaaten. Erster Weltkrieg Die technische Entwicklung der U-Boote bis zum Beginn des Ersten Weltkrieges beschreibt ein Boot, das durch Dampf-, Benzin-, Diesel- oder Petroleummaschinen über Wasser und durch batteriegetriebene Elektromotoren unter Wasser angetrieben wurde. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
Master Thesis Project Front Page for the Master's Thesis
The Faculty of Humanities Master Thesis Project Front page for the Master’s thesis Submission June: [2019] Supervisor: Thijs J. Maarleveld Department: History Title, Danish: Tyske ubåde fra 2. Verdenskrig i danske farvande Title, English: German World War II Submarines in Danish Waters Min./Max. number of characters: 144,000 – 192,000 Number of characters in assignment1: 179.040 (60 – 80 normal pages) (1 norm page = 2400 characters incl. blanc spaces) Please notice in case your Master’s thesis project does not meet the minimum/maximum requirements stipulated in the curriculum your assignment will be dismissed and you will have used up one examination attempt. Solemn declaration I hereby declare that I have drawn up the assignment single-handed and independently. All quotes are marked as such and duly referenced. The full assignment or parts thereof have not been handed in as full or partial fulfilment of examination requirements in any other courses. Read more here: http://www.sdu.dk/en/Information_til/Studerende_ved_SDU/Eksamen.aspx Handed in by: First name: Last name: Date of birth Anders Jensen 20 /11 1975 1 Characters are counter from first character in the introduction until and including the last character in the conclusion. Footnotes are included. Charts are counted with theirs characters. The following is excluded from the total count: abstract, table of contents, bibliography, list of references, appendix. For more information, see the examination regulations of the course in the curriculum. 1 Table of Contents Acknowledgements -
Förteckning Över
Förteckning över: 1) De la Gardieska släktarkivet från Löberöd; 2) Varia; 3) De övriga släktarkiven i De la Gardieska arkivet (dvs Barnekow, Bille, Boije, Douglas, Ekeblad, Forbus, Gyllenkrook, Horn - von Gertten, Hägerstierna, Kruus, Kämpe, Königsmarck, Lillie, Månsson, Nils, i Skumparp, Oxenstierna, Ramel, Reenstierna, von Reiser, Sparre, Stenbock, Sture, Wrangel, Wrede) upprättad 2008 av Annika Böregård Vapenförbättringsbrev för Magnus Gabriel De la Gardie, 1650 Universitetsbiblioteket, Lunds universitet 1 De la Gardieska samlingen Släktarkiven De la Gardie De la Gardie är en grevlig släkt, härstammande från en fransk borgarsläkt som på oklara grunder tillskrivits adlig status. En del av släkten var dock möjligen lokal lantadel; om det råder delade meningar i forskningen. I Frankrike hette släkten d´Escouperie och den förste kände stamfadern var Robert d´Escouperie (levde omkr. 1387), som uppges ha ägt gårdarna Château Russol och La Gardie i departementet Aude. Släktens svenska gren härstammar från köpmannen Jacques Scoperier (†1565) i staden Caunes nära Carcassonne i södra Frankrike. Hans son Ponce d´Escouperie invandrade till Sverige 1565 och antog namnet Pontus De la Gardie efter en av släktens gårdar i Languedoc. I sitt äktenskap med en illegitim dotter till Johan III blev han far till riksmarsken Jakob de la Gardie som "upphöjdes i grefligt stånd" 10 maj 1615 och introducerades 1625 på Sveriges Riddarhus med nr 3 bland grevar. Denna gren finns fortfarande. I Sverige fanns en gren som 1571 fick friherrelig värdighet men som utslocknade 1640. Samtliga ättemedlemmar, bortsett från stamfadern Pontus, härstammar via hans fru Sofia Johansdotter från hennes far, Johan III. Nuvarande (2007) huvudman för ätten De la Gardie är greve Carl Gustaf De la Gardie, f.1946 och bosatt i Linköping. -
Arv Nordic Yearbook of Folklore 2015 2 3 ARVARV Nordic Yearbook of Folklore Vol
1 Arv Nordic Yearbook of Folklore 2015 2 3 ARVARV Nordic Yearbook of Folklore Vol. 71 Editor ARNE BUGGE AMUNDSEN OSLO, NORWAY Editorial Board Anders Gustavsson, Oslo; Gustav Henningsen, Copenhagen Bengt af Klintberg, Lidingö; Ann Helene Bolstad Skjelbred, Oslo Ulrika Wolf-Knuts, Åbo (Turku) Published by THE ROYAL GUSTAVUS ADOLPHUS ACADEMY UPPSALA, SWEDEN Distributed by SWEDISH SCIENCE PRESS UPPSALA, SWEDEN 4 © 2015 by The Royal Gustavus Adolphus Academy, Uppsala ISSN 0066-8176 All rights reserved Articles appearing in this yearbook are abstracted and indexed in European Reference Index for the Humanities and Social Sciences ERIH PLUS 2011– Editorial address: Prof. Arne Bugge Amundsen Department of Culture Studies and Oriental Languages University of Oslo Box 1010 Blindern NO–0315 Oslo, Norway phone + 4792244774 fax + 4722854828 e-mail: [email protected] http://www.hf.uio.no/ikos/forskning/publikasjoner/tidsskrifter/arv/index.html Cover: Kirsten Berrum For index of earlier volumes, see http://www.kgaa.nu/tidskrift.php Distributor Swedish Science Press Box 118, SE–751 04 Uppsala, Sweden phone: +46(0)18365566 fax: +46(0)18365277 e-mail: [email protected] Printed in Sweden Textgruppen i Uppsala AB, Uppsala 2015 5 Contents Articles Ulrika Wolf-Knuts: Scepticism and Broad-mindedness in Talk of Paedophilia . 7 Amber J. Rose: The Witch on the Wall: The Milk-Stealing Witch in Scandinavian Iconography . 27 Jason M. Schroeder: Ruins and Fragments: A Case Study of Ballads, Fragments and Editorial Echolarship in Svenska folk- visor från forntiden . 45 Rósa Þorsteinsdóttir: “Ég kann langar sögur um kónga og drottningar”: Eight Icelandic Storytellers and their Fairy Tales .