2018 Afghan Company Profiles
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Oriental Rugs from Persia, Afghanistan, Turkey
Modified By The Rug Guru Oriental Rugs From Persia, Afghanistan, Turkey ... Turkmen Rugs Geography West Turkestan is an area of some 700,000 square kilometres with the Caspian Sea to the west, the Mangyshlak Peninsula to the northeast and the Kapet-Dagh Mountains and the outskirts of the Hindukush forming a semicircle to the south. West of what since 1924 has been the border of the Soviet Socialist Republic of Turkmenistan are Afghanistan and the Iranian province of Khorassan. At the eastern side is the huge Chinese province of Xinjiang (Sinkiang). Usually referred to in the context of weaving literature as East Turkestan. Thus viewed in simple geographic terms, it is easier to understand the nature of this Eurasian basin, part of the ancient world's dry belt. To the western side of the region is the Karakum desert and to the east, between the Amu- Darya and Syr-Darya rivers, is the Kyzylkum desert. To the south, that there was earlier the Soviet Socialist Republic of Uzbekistan, now this independent state, are the important trading centres of Bukhara and Samarkand. The latter having been a major post along the ancient Silk Road, which ran from China through East Turkestan and on westwards, via Tashkent in Uzbekistan, Mary (Merv) in Turkmenistan and Khorasan. Many different ethnic groups have occupied this region for millennia and among those associated with weaving, in addition to the Turkmen's themselves, are the Uzbeks, Karakalpaks and Kirgiz. Historical Research Serious research into the weaving culture of the Turkmen's must, of course, encompass more than aesthetic appreciation. -
Anatomy of Persian & Oriental
dÌ¿z»ZÀ¼ÁdÌ¿¹Â¸ »Öf{Ä],§d§Z]ÁxËZe0 ½ZÌ¿YËYįdY¾ËYº¸»|« |ÁĬÀ»¹Y|¯Y§d§Z]į «YÁ{ |¿YÃ{¯Á/Y§d§Z]į|Àf/ÅÖ»Y«Y¾Ì·ÁYĸ¼mY YÌ]{ÁZf/{Ö§Z]§»Y{,Á»Y½ZÌ¿YËY{§Ä]vÀ»/v^e dYÄÀÌ»¾ËY{Ä]neÁÔeµZ www.Rug.VestaNar.com Nasir al-Mulk Nasir al-Mulk is a famous historic mosque in the center of Shiraz, located near the Shah Cheragh shrine. It was constructed in the Qajar Dynasty in 1876 by Lord Mirza Hasan Ali Nasir al Mulk. The mosque is known for its extensive use in colored glass in its façade. The construction of the mosque uses other traditional structural elements as well such as “panj kasehi” (five concaves). These days, the mosque is more of a tourist attraction than a place for prayer. Like all mosques in Iran, you must remove your shoes before entering and the floor is lined with Persian rugs from wall to wall. We found out that underneath the rugs is actually a beautiful marble floor as well. www.Rug.VestaNar.com ½YËY¥Z^f{§½Z³|ÀÀ¯{ZÁ½Z³|ÀÀ¯|Ì·ÂeÄË{ZveYÄ»Z¿¶§ ¿Yc¸y{ ¹ÔY¾Ì^»¾Ë{½YÁY§ÄmÂeÄ]¶^«Ä·Z¬»{ÁÄË¿Y¾ÌÌaÃZ¼{ ºË{¯ÃZYZÆ¿Z¿YÖËZÌ¿{¶ËZ»Ä] ½M«cZËMYÖy]ÄÀËY¾¼ dY]Y]ºË¯½M«{cyMÁZÌ¿{cZ¼¸¯Y°e{Y| eį|Äf¨³ Á ºË{ÁMµZj»|ÅZ½YÂÀÄ]dYÄf§³Y«|̯Pe{»cyMÄ]ÄmÂeZÀ¯{ZÌ¿{Ä]ÄmÂeZÆ¿M{įYºË¯ įd¨³ºÌÅYÂy\¸»Ä»Y{Y{®ÀËY Ã|Á|À¿Z» dYÃ{Y{½ZÅZÀ³ÁÖZ »YÕZÌ]]cyMºÅZÌ¿{ºÅÕÁyYÁÕÂÌ¿{[Y~Ã|ÁºË¯½M«{|¿ÁY|y |ÀÀ¯Ö»\ËzeY|mZ»Ä¯Ö¿Z¯Á{ÂÖ»|mZ»{¹{»ÂuY¿Z»Ä¯Ö¯]cyMÁZÌ¿{{[Y~ ì]ÃÂÄËM 3 4 3 3 Ê5§º7 Æ4 3·Á3 É1 7 yZ5 Ì3 7¿|·YÊG 5§º7 Æ4 3·¾Ì3 ¨5 5WZy3 ÓF 5SZÅÂ3 ¸4 y4 |7 3˽7 Oº7 Æ4 3·½Z3 ¯Z3 »3 ®3 X5 3·ÁOZÆ3 5]Y3 yÊ3 5§Ö 3 3 Á3 Ä4 ¼4 YZ7 ÆÌ3 5§3 ¯3 ~7 4˽7 O5×YF |3 mZ5 3 »3 3 À3 »3 ¾7 ¼F »5 º4 3¸7 O¾7 »3 Á3 ºÌ1 -
Data Collection Survey on Tourism and Cultural Heritage in the Islamic Republic of Iran Final Report
THE ISLAMIC REPUBLIC OF IRAN IRANIAN CULTURAL HERITAGE, HANDICRAFTS AND TOURISM ORGANIZATION (ICHTO) DATA COLLECTION SURVEY ON TOURISM AND CULTURAL HERITAGE IN THE ISLAMIC REPUBLIC OF IRAN FINAL REPORT FEBRUARY 2018 JAPAN INTERNATIONAL COOPERATION AGENCY (JICA) HOKKAIDO UNIVERSITY JTB CORPORATE SALES INC. INGÉROSEC CORPORATION RECS INTERNATIONAL INC. 7R JR 18-006 JAPAN INTERNATIONAL COOPERATION AGENCY (JICA) DATA COLLECTION SURVEY ON TOURISM AND CULTURAL HERITAGE IN THE ISLAMIC REPUBLIC OF IRAN FINAL REPORT TABLE OF CONTENTS Abbreviations ............................................................................................................................ v Maps ........................................................................................................................................ vi Photos (The 1st Field Survey) ................................................................................................. vii Photos (The 2nd Field Survey) ............................................................................................... viii Photos (The 3rd Field Survey) .................................................................................................. ix List of Figures and Tables ........................................................................................................ x 1. Outline of the Survey ....................................................................................................... 1 (1) Background and Objectives ..................................................................................... -
001 FALL 2006.Qxd 3/9/16 11:24 AM Page 2
AREATHE OFFICAL PUBLICATION OF THE ORIENTAL RUG IMPORTERS ASSOCIATION, INC. FALL 2016 FALL DESIGN FOCUS Robert Passal KATE SPADE NEW YORK COLLECTION JAIPUR LIVING BIGGER. BETTER. BEYOND EXPECTATIONS. OVER 3,100 CROSS-CATEGORY BRANDS NEW SHOWROOMS ON EVERY FLOOR NEW FLOORS • Boutique Design & Accessories on C5 • Casual/Outdoor on C12 & C13 • Gift, Housewares & Gourmet on C11 NEW TEMPORARY TRADESHOW: THE PAVILIONS • Design, Handmade, Gift & Home CAPEL RUGS • Introducing DISCOVERIES: The Antique Vintage Marketplace JANUARY 22-26, 2017 JANUARY 22-25, 2017 LAS VEGAS MARKET THE PAVILIONS AT LAS VEGAS MARKET #LVMkt LasVegasMarket.com spring 2016 final.qxp_001 FALL 2006.qxd 3/9/16 11:24 AM Page 2 jamison 53304 jamison 53308 maddox 56503 Invite your customers to experience island-inspired living at its fi nest through the refi ned yet casual Tommy Bahama area rug collection. OWRUGS.COM/ Tommy The Juneau Collection. Available now in six designs. spring 2016 final.qxp_001 FALL 2006.qxd 3/9/16 11:24 AM Page 2 fall 2016 final for Drew.qxp_001 FALL 2006.qxd 8/22/16 12:34 PM Page 6 From the President’s Desk Dear Members and friends, REZA MOMENI President - Oriental Rug Importers Association, Inc. 6 Fall 2016 fall 2016 final for Drew.qxp_001 FALL 2006.qxd 8/22/16 12:34 PM Page 7 AREA Fall 2016 Published by the Oriental Rug Importers Association, Inc. 400 Tenafly Rd., #699, Tenafly NJ 07670 • 201-866-5054 • www.oria.org President Reza Momeni Vice-President Kami Navid Treasurer Behrooz Hakimian Secretary Ramin Kalaty Executive Director Lucille Laufer AREA Advisory Reza Momeni, Chrm. -
Don't Worry, We've Got You Covered.
RUG GUIDE (Don’t worry, we’ve got you covered.) CHOOSING YOUR RUG BEGINS AT HOME The first step to selecting your perfect rug is simple: decide where the rug will go and how you will use it. Let us walk you through the rest. From sizing to styling, the rug experts at Green Front have compiled this detailed guide to achieving the perfect rug pairing for your space! Rugs have always set Green Front apart. Our collection of hand-knotted pieces features rugs from India, Pakistan, Morocco, Turkey, and around the world. Green Front sources these hand-knotted masterpieces by establishing close personal relationships with the artisans who craft them. We are proud to offer the largest rug selection in North America, each piece arriving with its own unique origin story. Don’t forget, rules were made to be broken. These are just recommendations. Get creative! If you like it, get it! SIZING IT UP UNSURE ABOUT SIZE? When in doubt, live large and THINGS TO KEEP IN MIND: go with a more sizable rug that’s in scale and proportion with your room. A rug may be the perfect color or design, • THE RUGS NEEDS TO FIT THE ROOM: Allow roughly 18 inch- but if it's not the right size for your room, your rug could es of hardwood or existing flooring to show between the edge still leave something to be imagined in the space. of the rug and the wall. COMMON MISTAKE: Choosing a rug that is too small - it • SHOPPING TIP: Our rugs are hand knotted, causing a slight will look like a postage stamp sized afterthought in your discrepancy in exact sizing. -
Woventreasures2019
Woven Treasures 2019 Oriental Rug Calendar with Guides for Rug Care & Rug Making Your Company Information HERE Woven Treasures 2019 JAN MAY SEP Pazyryk Style Bakshaish Style Mamluk Style The world’s oldest known pile carpet – discovered in a Siberian tomb – An exceptional traditional yet updated Persian design is emphasized with Referring to an Egyptian dynasty, the designs of Mamluk thrive again in preserved by permafrost for over 2000 years. Widely reissued in many an ivory ground bordered with a celadon green. Lush plantings placed in today’s rug-making industry taking care to incorporate the mesmerizing sizes, it remains a staple design due to its history and animated figures a directional design bring the garden indoors. Lively abrash keeps interest architectural details woven into these new masterpieces. Indigo is used platted in non-mirroring formation and geometric design. This version is high, tricking the eye to see purple with the electric blending of blue and to create a wide spectrum of blues in this densely saturated study of hand-knotted in Afghanistan with vegetal-dyed wool showing in a square red in the conical tree motifs. Many modern day designs are inspired masterful colorations. Mamluks are typically dominated by oversized size suitable for a gallery space between rooms… or an ice cave. from traditional Persian rugs. Weavers from many other rug-producing medallion and surrounded by geometric 8-pointed stars adding countries maintain the qualities of the originals while creating trend dimension to the overall effect. FEB setting treasures that display charm and splendor to any home interior. Contemporary Style OCT JUN Khotan Style Abstract chic weavings, in earthy or mineralistic tones, may be inspired Gabbeh from blistering tree trunks and rock formations. -
Ramezani-Catalogue.Pdf
www.ramezanirugs.com 1 —RAMEZANI Ramezani London, the largest wholesaler and distributor of quality hand-made rugs and carpets in Europe, with over 60 years of leading presence and experties globally, would like to introduce you to part of its exclusive collection. This catalouge represents part of our comprehensive collection of over 25,000 pieces of quality handmade carpets and kilims (flat weave). our wide range of carpets and kilims represented in this catalogue may come in various sizes from small to large depending on design and origin and are subject to availability. Bespoke rugs can also be provided. We would highly recommend you to visit our showrooms for a larger selection suiting your taste and space. “Luxury must be comfortable, otherwse it is not luxury” 2 3 Heritage 6 Our Services 8 Fine Persian • Qum 11 • Tabriz 14 • Nain 18 • Isfahan 22 Persian • Kashan 26 • Bidjar 29 • Classical Persian Design 33 Nomadic • Kashgai and Shiraz 36 • Gabbeh 40 Decorative: • Garous/Fine Garous (Afghanistan/Pakistan) 44 • Modern Garous (Aghanistan/Pakistan/Persian) 51 • Kazak (Afghanistan/Pakistan) 52 • Afghan/ Ersari Design/ Khal Mohammadi 56 Oversize and odd Sizes (Long & Narrow, circular) 60 Aubusson and Tapestries 66 Kilims, cushions and Stools 72 Antique Collection 83 Glossary 88 4 5 Our Heritage Ramezani Oriental Carpets was founded by In addition, he established his network of more late Nasser Ramezani in 1955, supplying many than 15 knowledgeable local agents obtaining rugs wholesalers, department stores and Oriental rug first hand directly in villages or small local bazaars specialist shops worldwide. at competitive prices. Soon he established a reputation and credibility Having their own washing and finishing plant that is still remembered among the trade due to his with the facility of a laboratoy and chemist, gave perseverance, commitment to hard work, honesty, them the possibility and the advantage over their kindness and his generosity towards his colleagues, competitors in washing and finishing the goods staff and people in need. -
Id Title Publisher Year Subtitle Dep Isbn1 Isbn2
ID TITLE PUBLISHER YEAR SUBTITLE DEP ISBN1 ISBN2 BOOK NR AUTHOR 1 The women's warpath ucla fowler museum of 1996 Iban ritual fabrics from borneo 15 0-930741-50-1 0-930741-51-x SEA0001 Traude Gavin cultural history 2 Textile traditions of Los Angeles county 1977 15 0-87587-083-x SEA0002 Mary Hunt Kahlenberg Indonesia museum of art 3 Indonesische Textilien Deutsches Textilmuseum 1984 Wege zu Göttern und Ahnen 15 3-923158-05-X SEA0003 Brigitte Khan Majlis Krefeld 4 Walk in splendor ucla fowler museum of 1999 ceremonial dress and the 15 0-930741-72-2 0-930741-73-0 SEA0004 T.Abdullah cultural history Minangkabau 5 Geometrie d'Oriente sillabe, Livorno 1999 Stefano Bardini e il tappeto 5 88 -8347- 010-9 GEN0029 Alberto Boralevi Oriental Geometries antico Stefano Bardini and the Antique Carpet 6 Her-ontdekking van Lamandart 1994 17 90-5276-009-8 90-5276-008-X SNA0001 Brommer,De Precolumbiaans Textiel Bolle,Hughes,Pollet,Sorbe r,Verhecken 7 Eeuwen van weven Nederlands 1992 Bij de Hopi- en Navajo- indianen 17 90-7096217-9 SNA0002 Helena Gelijns, Fred van Textielmuseum Tilburg Oss 8 Bolivian Indian Textiles dover publications, inc. 1981 Traditional Designs and 17 0-486-24118-1 SNA0003 Tamara E.Wasserman, Costumes Jonathan S.Hill 9 3000 jaar weven in de Andes Gemeentemuseum 1988 textiel uit Peru en Bolivia 17 90 68322 14 1 SNA0004 Brommer, Lugtigheid, Helmond Roelofs, Mook-Andreae 10 Coptic Textiles The friends of the Benaki 1971 22 Mag0019 Benaki Museum Museum,Athens 11 Coptic Fabrics Adam Biro 1990 14 2-87660-084-6 CPC0002 Marie Helene Rutschowscaya -
06 31832Rsj090317 29 38.Pdf
Researcher 2017;9(3) http://www.sciencepub.net/researcher The Role of Superstition in Kilims and Gabbehs of Iran Nazanin Pooladi MA in visual communication (Graphics), Islamic Azad University Central Tehran Branch, Tehran, Iran Abstract: The aim of this study is to identify motifs of Iranian kilims and gabbehs, which have long been studied so far. Gabbeh and rug are concrete manifestation of Iranian art which are worthy of an extended amount of importance and value. Such motifs and designs tend to determine the creative mind, unworldly wisdom, never-resting muscles, ultimate power and the ideas of the weavers. These motifs and designs feature certain secrets and roots in a way that getting to know them provides insight on life philosophy, myths and structure of customs of native tribes. Beliefs and customs of every nation or race could be examined through stories, myths, historic sites and ancient remains from the old times. Encryption-intended designs and motifs in addition to simplify the designs along with vivid and dynamic coloring do require wide range of attention and analysis. Of the major strengths of the rugs are the originality, nativity and finally being wholly Iranian. [Nazanin Pooladi. The Role of Superstition in Kilims and Gabbehs of Iran. Researcher 2017;9(3):29-38]. ISSN 1553-9865 (print); ISSN 2163-8950 (online). http://www.sciencepub.net/researcher. 6. doi:10.7537/marsrsj090317.06. Keywords: Kilim – Gabbeh – Beliefs and superstition – Motifs 1. Introduction Rug and Gabbeh have an ancient history. The Rugs are objective manifestations of Iranian art motifs are historically genuine. With the emergence of products and under various aspects, are considering Islam although the visuals got more limited since the worthy of the utmost importance and value. -
Winter 2021 Cover.Qxp 001 FALL 2006.Qxd 11/28/20 5:22 PM Page 1
winter 2021 cover.qxp_001 FALL 2006.qxd 11/28/20 5:22 PM Page 1 AREA Winter 2021 TRADITION WITH A MODERN VIBE ATLANTA FINE ARTISANAL HANDCRAFTED RUGS LAS VEGAS JANUARY 12 - 19* JANUARY 24 - 28 ATLANTA LAS VEGAS NEW YORK HIGH POINT AMERICASMART 4-G14 WORLD MARKET CENTER B455 *CLOSED SATURDAY, JANUARY 16 KALATY.COM winter 2021 final.qxp_001 FALL 2006.qxd 11/28/20 5:16 PM Page 2 FROM ORIA HQ It is with deepest regret that we Fiber Company (EFCO), report the passing of Mohamed Oriental Weavers USA (OW Farid Khamis on September 19, USA), Oriental Weavers 2020, due to complications from a China (OWC), Egyptian long-term illness. Petrochemical Company Once described by Time (EPP), Oriental Petrochemical magazine as the “The Pharaoh of Company (OPC), and Oriental Egyptian Exporters,” Khamis was Urban Developments (OUD). a legendary businessman in the In addition, Khamis had global area rug industry. Khamis' Mohamed Farid Khamis long served as the Chairman Oriental Weavers Group and its 1940-2020 of the Egyptian Investors subsidiaries today employ more Federation, Chairman of the than 22,000 people in Egypt, China, and the USA. Egyptian Committee for the International Chamber of Khamis was born on April 14, 1940, in Commerce, President of the Arab Council for a Green Sharkia, Egypt. Since childhood, he believed in the Economy, and many more over the last 40 years. strength and creativity of Egypt and its people. In Khamis’ success also allowed him to contin- 1967, Khamis was forced to leave his country due to ue his dream of strengthening the future of Egypt. -
Lot 001 a FINE VINTAGE HAND-KNOTTED PERSIAN RUG This Village Rug from Tarom,North West Persia, Hand Made in 1950'S to Be Used A
Lot 001 Lot 009 A FINE VINTAGE HAND-KNOTTED PERSIAN A FINE HAND-KNOTTED VINTAGE NAHAVAND RUG PERSIAN TRIBAL RUG.Village rug from this village rug from Tarom,North West Persia, Charboreh-Nahavand, circa 1960, rare piece hand made in 1950's to be used as a cushion- 204x138 cm (Retail $3000) cover in a village home, Zanjan area, rare piece. 142cm X 83 cm (Retail $1000) Lot 010 A FINE VINTAGE BALOUCH NOMADIC Lot 002 PRAYER RUG AN ATTRACTIVE AFGHAN MODERN DESIGN Hand knotted old Nomadic rug, all wool pile & RUG foundation, natural vegetable dyes, c.1950, Persia Geometric pattern 100% hand spun pure wool 153cmx92cm.(Retail $2000) 150cm x100 cm (Retail $1000) Lot 011 Lot 003 A FINE LARGE AFGHAN CHOBI A FINE NOMADIC KURDI-BALOUCH HAND- HANDKNOTTED RUG of 19th C Zeigler design. KNOTTED FLOOR RUG On red ground,all over Vegetable dyed hand spun wool. 379cm x 275cm patterned, 2nd quarter 20th (Retail $10,000) century,Persia,183x113 cm (Retail $2000 ) Lot 012 Lot 004 A HAND-KNOTTED SAMARKAND KAZAK RUG A SUPER FINE HAND-KNOTTED SHERKAT- Hand made Chechen weave Carpet in 19th c MOOD PERSIAN HALL RUNNER Wool pile & silk Caucasian design, woven with vegetable dyes in inlay, woven in government workshop called poetic city of Samarkand in Uzbekistan.C 2010 "Sherkat-Farsh" in Iran 203x 59 cm (Retail $2000) 256cm x171cm (Retail $6000) Lot 005 Lot 013 A VINTAGE NOMADIC PERSIAN GABBEH A VINTAGE AFSHAR HAND-KNOTTED PERSIAN HAND- KNOTTED FLOOR RUG Diamond linked RUG geometric central pattern with decorative border Woven by Afshari Nomadic tribes settled near 168cm x116 cm (Retail $2000) Shahr-Babak in Kerman Province c.1940, 178cm x 139cm (Retail $4000) Lot 006 A RARE 19th CENTURY QASHQAI PERSIAN RUG, Lot 014 Hand-knotted by Qashqai tribe in southern Iran, A FINE HAND-KNOTTED VINTAGE TRIBAL fully restored condition. -
Sydney College of the Arts the University of Sydney a Thesis
Sydney College of the Arts The University of Sydney A thesis submitted in fulfilment of the requirements for the degree of MASTER OF FINE ARTS RESEARCH PAPER East Meets West: Exploring connections between abstract modernist painting and nomadic textile traditions to reflect on diaspora identity. By Farina Salehi 2018 1 Statement This volume presented as a record of the work undertaken for the degree of Master of Fine Arts at Sydney College of the Arts, University of Sydney. i Table of Content Acknowledgements……………………………………………………….. iii List of Illustrations………………………………………………………... iv Abstract……………………………………………………………………. v Introduction……………………………………………………………….. 1 Overview of the chapters and areas……………………………………….. 3 Chapter One: Nomadic weaving………………………………………….. 4 Chapter two: American Abstract Painting………………………………… 12 Chapter Three: Cultural collage…………………………………………... 29 Conclusion……………………………………………………………….... 36 Bibliography……………………………………………………………… 40 Catalogue of Works Presented for Examination………………………….. 42 ii Acknowledgements I would like to acknowledge and extend special thanks to my supervisor, Mr. Justin Trendall for his ongoing ideas and encouragement; and, my family for their unswerving support. iii List of Illustrations Figure 1. Farina Salehi, Diaspora, 2011 (4). Figure 2. Qashqa’i Gabbeh, 19th century (5). Figure 3. The Pazyryk rug, 5th century B.C. (6). Figure 4. Mamassani Lor Gabbeh, 3rd quarter 20th century (7). Figure 5. Qashqa’i two-sided Gabbeh, 3rd quarter 19th century (10). Figure 6. Mamassani Lor gabbeh, 3rd quarter 20th century (10). Figure 7. Mark Rothko, No. 5 (No. 22), 1950. (14). Figure 8. Jackson Pollock, Number 1A, 1949 (17). Figure 9. Jackson Pollock, Blue Poles, 1952 (18). Figure 10. Farina Salehi, Weaving the memories series, 2011 (22). Figure 11. Farina Salehi, Madder, 2015 (26).